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Kew Historical Society Inc
Photograph, J E Barnes, Sir Henry de Castres Kellett Bt., Mayor [of Kew] 1888-89, c.1906
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Sir Henry de Castres Kellett Bt., Mayor of Kew 1888-89. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "Sir Henry de Castres Kellett Bt., Mayor 1888-89" [Photographer] "Barnes / Kew"mayors of kew (vic), sir henry de castres kellett bt., photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, J E Barnes, James M. Campbell, Mayor [of Kew] 1889-91; 1892-3, c.1906
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. James M. Campbell, Mayor of Kew 1889-91; 1892-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "James M. Campbell, Mayor 1889-91; 1892-3" [Photographer] "J.E. Barnes / Kew"mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, cr. james m. campbell, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, J E Barnes, Walter G. Hiscock, Mayor [of Kew] 1909-10; 1911-12, 1909
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Walter G. Hiscock, Mayor of Kew 1909-10; 1911-12. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Walter G. Hiscock, Mayor [of Kew] 1909-10; 1911-12australian photographers - josiah earl barnes, mayors of kew, cr. walter g. hiscock, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, C Stuart Tompkins ARPS, Cr. W.D. Vaughan, Mayor [of Kew] 1937-1938 and 1947-1948, 1937
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. W. D. Vaughan, Mayor of Kew 1937-1938 and 1947-1948. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. W.D. Vaughan / Mayor 1937-1938 and 1947-1948 C Stuart Tompkins / ARPS / Camberwellmayors of kew (vic), cr. w. d. vaughan, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Cr. F. E. O’Brien LL.B., J.P., Mayor [of Kew] 1958-9, 1958
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. F. E. O’Brien LL.B., J.P., Mayor of Kew 1958-9. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. F. E. O’Brien LL.B., J.P. / Mayor 1958-9 Stuart Tompkins Studiomayors of kew (vic), cr. f. e. o’brien, australian photographers - stuart tompkins studio, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Stuart Tompkins Studio, Cr. G.O.S. Greer J.P., Mayor [of Kew] 1964-5, 1964
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. G. O. S. Greer J.P., Mayor of Kew 1964-5. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. G.O.S. Greer J.P. / Mayor 1964-5 Stuart Tompkins Studiomayors of kew (vic), cr. g. o. s. greer, australian photographers - stuart tompkins studio, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Cr. H. E. Wiltshire J.P., Mayor [of Kew] 1968-69, ca.1969
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. H. E. Wiltshire J.P., Mayor of Kew during 1968-9. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. H. E. Wiltshire J.P., / Mayor 1968-69mayor of kew, cr. h. e. wiltshire, kew -- municipal collection -
Kew Historical Society Inc
Photograph, H.H. Harrison, Town Clerk [of Kew] 1901-1938, 1930s
Cr. W.D. Vaughan in his civic history of Kew includes a chapter (XXXII, pages 132-3) to Town Clerks and Surveyors. He states that H.H. Harrison began his career with the Borough of Kew in 1888 as his predecessor's assistant, becoming Town Clerk on the latter's death in 1901. On his retirement, The Herald on 30 Jul 1938 reported that: "H.H. HARRISON, Town Clerk of Kew, was entertained last night by members of the Metropolitan Institute of Town Clerks and presented with a walking stick and case of pipes, on the occasion of his retirement after 50 years' service with Kew City Council. He began his municipal career as a youth with the Bendigo City Council, and in 1888, was appointed Assistant Town Clerk at Kew. Appointed Town Clerk in 1901, he has held the office for 37 years."This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Henry Hirst Harrison, Town Clerk of the City of Kew from 1901 to 1938. The mounting and framing of the photograph follows a typical layout or style in that it each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the town clerk and the year/s that he served.H.H. Harrison, Town Clerk 1901-1938h.h. harrison, town clerks - kew (vic), kew (vic.) — municipal collection -
Surrey Hills Historical Society Collection
Photograph, 11 York Street, Mont Albert, c1962
This is the home of Ernest Lance Young and Beryl Mair and the childhood home of their children Barbara, Ken and Laurie. Lance was born 24 March 1915 in Surrey Hills, the son of Ernest Augustus Young and Ruby Nichell Whitty. He married Beryl Mair in 1939 and died on 5 October 1999 at Mont Albert. Electoral rolls list him as a manufacturer. His address after marriage was 11 York Street, Mont Albert. He is buried in Box Hill Cemetery (M-*-0867) along with his father. He served in WW2 (Service Number - VX104733 enlisting at St Kilda) and after returning took over his father's business. The Mair family were resident in Barton Street for several generations. Beryl's father Dave Mair was a keen sportsman and founder of the Kangaroo Social Club of cricketers. This is part of a large collection relating to the Mair, Deakin and Young families. Black & white photo of the street view of 11 York Street, Mont Albert, looking down the driveway. Although the house is heavily screened by a mature garden with several large trees or shrubs, part of the front and one side can be seen. It is a weatherboard house with a terracotta tiled roof and Californian bungalow in style.In blue biro on rear: "11 YORK ST/ MONT ALBERT / 1962 APPROX" ken young, barbara young, laurie young, laurie newton, beryl mair, ernest lance young, lance young, york street, mont albert -
Surrey Hills Historical Society Collection
Photograph, "Overland" car in Union Road c 1927, 1927
The car has been identified as belonging to Natale and Ethel Cerini who lived at 215 Union Road. The Victorian style home in the background is their home. Ethel May Cerini is standing centre right. The girl standing up may be Jocelyn Cerini. Her sister Lynette is also in the photo. Other children are local friends and neighbours. The 'driver' is possibly Jocelyn's cousin.Black and white photo of children in a car outside houses, identified as being in Union Road. Two women stand behind the car which has the hood down and has registration number 46063. The house on the right is Victorian style with a verandah with iron lacework. The house on the left is a later style typical of the 1920s.union road, cars, houses, victorian style, natale cerini, ethel cerini, ethel swan, jocelyn cerini, jocelyn hall, lynette cerini -
Falls Creek Historical Society
Photograph - Joan Meyer at Diamantina Hut, c1968
MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.This image is significant because it depicts a member of a pioneering family of Falls Creek area, and one of the founders of Skyline Lodge.A black and white image of Joan Meyer in Diamantina Hut. The hut on Mt Hotham, was built originally as a Country Roads Board workers hut in the early 1920s to shelter workers who were building and maintaining the Great Alpine Rd. It was rebuilt in about 1968 as the original hut was burnt down in the 1939 fires.falls creek, victorian snowfields, joan meyer, diamantina hut -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Award - Trophy, 1 RVR All Ranks Challenge
Trophy awarded to the winner of 1 RVR All ranks dart challenge. No winners names are engraved on the trophyPresentation awary/ Mess trophy awarded by 1RVR, a unit of which the members of the Wark VC Club draw their lineage from Brass coloured plastic and varnished wood darts trophy with small hand engraved plaque at base. The top of the trophy bears a dart bord and 1 singular dart pointing down to the bullseye. Formerly there had been a dart on either side of the central dart but they have been broken off( possibly deliberatley) 1 RVR All Ranks Challenge -
Parks Victoria - Point Hicks Lightstation
Fire extinguisher
The Minimax conical fire extinguishers were manufactured until 1960 and then removed from the company’s product range. The earliest model had been produced with a simple handle made of folded pressed metal that is similar if not the same as that on the Point Hicks extinguisher. Later handles were moulded and had more substance to the way they were cut and then folded to form a solid grip. The Point Hicks Minimax extinguisher is an early model that probably dates from the years when these devices were demonstrated across parts of Australia. While numerous examples of the extinguishers survive in public and private collections in northern hemisphere countries, few appear to exist in Australian museum collections. However, the auction house records confirm that some do survive in private collections. The Point Hicks extinguisher was found by lighthouse keepers in 1974 buried in the sand in a flattened but surprisingly intact condition. It was beaten back into its original shape but the body still retains various dents. In 2010, AMSA located the extinguisher at the National Trust’s Polly Woodside historic ship museum and it is now at the Point Hicks Lightstation. The Minimax conical extinguisher has first level contributory significance as a historic item of early fire-fighting equipment from the lightstation that dates from the early twentieth century.Conical shaped brass fire extinguisher painted red with small nozzle at one end and a pump section at the other end. There is a handle on one side with closely spaced rivets down one side. Brass plaque with instructions attached to the body. There ia a square hook to hang the object form a wall or similar." ...ANKS ... / QUENCH.../ FOR FIRE / DRIVE IN PLUNGER / AT BIG END / ...ON GROUND /..../..../..." -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, 1960's
Black and White photograph of a MMTB workshop dolly made from a former Brill 21E truck cut down and fitted with centre pin and bolsters. One of a series of photographs done by the MMTB to illustrate the various types of bogies / trucks used by the MMTB. Possibly during the 1960's. Two copies held.trams, tramways, mmtb, bogies, trucks, preston workshops, brill 21e -
Melbourne Tram Museum
Document - Memorandum, Melbourne & Metropolitan Tramways Board (MMTB), "Notice to Inspectors - Southern System", 27/5/1952
Notice to Inspectors - Southern System Excessive Speed of Trams and Failure to Observe "Slow Down Discs" & Compulsory Stops in Routes to Depot on Last Round at Night Memo from JNC Harry, Dist Traffic Supt SS to inspectors about complaints of excessive speed of drivers and failure to observe compulsory stops."Mr Walker" written in penciltrams, tramways, instructions, safety, drivers -
Warrnambool and District Historical Society Inc.
Clothing - Fletcher Jones Man's Sports Coat, 1970s
This sports coat was made at a Fletcher Jones factory about the 1970s. David Fletcher Jones (1895-1977) served in World War One and in the 1920s set up as a travelling hawker selling drapery in Western Victoria. In 1924 he leased three shops in Liebig Street, Warrnambool and in 1928 opened his Man's Shop at the intersection of Koroit/Liebig Streets. He manufactured men's clothing on site in a new building erected in 1931. In 1946 a Fletcher Jones shop was opened in Melbourne and in 1948 a factory was established in Warrnambool with a new company Fletcher Jones and Staff established in 1951.This company then operated in other States and known Australia-wide firstly for its production of men's trousers and later for men's and women's clothing. By 2011 the Warrnambool factory was closed and the company dissolved. This coat was bought by Lew Officer, a member of a family with pastoral interests in the Western District.This item is of considerable historical interest as an example of the high quality work produced by the Fletcher Jones and Staff Clothing Stores. This company was a key industry in Warrnambool in the 20th centuryThis is a man's sports coat made of Harris tweed hand woven in the Outer Hebrides made from Scottish-grown wool. The checked material is in brown tonings. The coat has a brown material lining and there are two brown buttons down the front and two on each sleeve. The collar has a grey felt lining.fletcher jones clothing stores, warrnambool, harris tweed jacket, lew officer -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: PHOTOGRAPH OF FOUR HANRO EMPLOYEES
Photograph of four Hanro models: Black and white photo of four ladies modelling Hanro dresses.. Three ladies are wearing Hanro dresses and the fourth is in a tailored suit .On the left the dress is of light material and has short sleeves, padded shoulders, high neck with three darts either side at the next and four buttons down the centre. The dress has darts at the waist and is drawn in with a belt. Second lady from the left is wearing a long sleeve dress with padded shoulders set in sleeves, and gathered at the cuff and secured with a button. The bodice is V necked with a collar, has gathering at the shoulders and is buttoned up with two buttons down the centre, darts under the bust line and a belt is at the waist. The third lady is in a dark suit with a long sleeved tailored jacket with padded shoulders, V necked with a collar and five buttons down the centre. Pockets either side are trimmed with buttons. The suit has a straight skirt. The lady to the right is in a light coloured dress with short set in sleeves and a peter pan collar. At the top half of the bodice the dress has vertical pin tucking with five buttons down the centre. The waist has darts at the bust line and the skirt is of a gored style, there is a belt at the waist. The hem line are all below the knee and are all wearing high heals. The ladies are standing in front of a wall of wood panelling. On the back written in pencil is *Joyce, Yvonne and Clarice. Copyright Bendigo Advertiser. Bendigo Advertiser Photographic Service. For re-order Quote CK242. Box 116ABendigo advertiser Photographic Servicephotograph, person, hanro, hanro. bendigo advertiser photographic service -
Brighton Historical Society
Clothing - Bodice, circa 1865
A bodice belonging to the family of George Ward Cole in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream silk satin evening bodice from c.1865. This bodice features a very low, wide scooped neckline with a set in sleeve and four small pleats across the head of the shoulder. The elbow length, straight fitted sleeves are trimmed with a pleated ruffle that extends around the arm finishing at the elbow crease at the inside arm and tapering to mid forearm length at the back. The fitted bodice, lined with waxed linen, fastens down the centre front with eight covered buttons of the bodice fabric. The front two panels wrap around the sides of the bodice to meet another series of panels creating a princess line with a delineated central spine. The waist position is just below the natural waist at the sides, tapering to an elongated front covering the belly. From the sides towards the back it curves up to the natural waistline and then down again to a central point. The bodice is decorated with strips of the same fabric, which has been tucked, pleated and padded to create ruching. The ruching edge has a multi coloured thread, suggestive of rosettes, on both sides. In the front of the bodice, a strip runs down the centre front, concealing the buttonholes, and finishing at the elongated point. It then goes up the bodice over the bust line where it meets the neckline. It follows the neckline around the nape of the neck and back down the front over the bust line to the centre front. More strips run around the base of the fitted sleeve near the elbow above the ruffle. The rosette like coloured thread finishes the base of the ruffle. st ninians, george ward cole, bodice, late 1800s, brighton, margaret morrison ward cole -
Eltham District Historical Society Inc
Photograph, Eltham Railway Station, c.1910, 1910c
Intending passengers were able to walk down from Main Road and straight onto the railway platform; there was no rail track on that side then.Copy of sepia photographeltham railway station -
Federation University Historical Collection
Document, Federation University Covid Safe Plan, August 2020, 08/2020
In early 2020 the state of Victoria was in lock down due to the Covid19 pandemic. This Covid Safe Plan aimed for a safe transition to campus. A pdf of the Federation University's Transition to Campus Control Groups Covid Safe Plan. covid19, pandemic -
Federation University Historical Collection
Slide, Site of the Mount Helen Campus, 1967
The site of the Mount Helen Campus was purchased in 1967, with students on site from 1970. It had originally been the Latta/Downing farm. Two images of a farm at Mount Helen that was purchased for use as the Mount Helen Campus of the Ballarat School of Mines, later Ballarat Institute of Advanced Education. ballarat school of mines tertiary division, mount helen campus, ballarat institute of advanced education, farm, hay bales, agriculture -
Phillip Island and District Historical Society Inc.
Photograph, Isle of Wight Hotel Fire, 1926
Part of a collection from Mrs Jessie Smith. The Isle of Wight Hotel burnt down 1926. Some say it was deliberately lit.Isle of Wight Hotel fire in 1926. Clouds of smoke over barely visible building at right, tree at left.local history, photographs, burning building, cowes, phillip island, sepia photograph, the esplanade cowes, hostelries, building fire, the isle of wight hotel cowes phillip island, jessie smith collection, stan mcfee -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Lights out for Christmas, 31/10/2018
An iconic Christmas lights display in Allumba Drive, St Helena has been forced to shut down due to council bureaucracy.News article 1 page, black text.christmas lights display, banyule city council, allumba drive greensborough, christmas -
Tatura Irrigation & Wartime Camps Museum
Document, Adolf Wilke et al, Die Nibelungen - besprechung (The Nibelungen Conference)
Created by Adolf Wilke, written down & illustrated by Hans Wolter von Gruenewaldt. Translated by Mr. Michael of Shepparton High School (?).Black A4 display folder, typed pages of English translations of the accompanying photographs of illustrated German pages. Photographic copies of original illustrated poem / ballad, with English translation.tatura, illustrations, watercolours, performing, arts, theatrical, plays, documents, pamphlets -
Clunes Museum
Photograph
THE OLD CLUNES HOSPITAL WAS SITUATED ON CRESWICK ROAD. IT BURNED DOWN IN JANUARY 1944 DURING BUSH FIRE. IT WAS BUILD 1873 AD.SEPIA PHOTOGRAPH OF OLD CLUNES HOSPITAL SHOWS FRONT ENTRANCE AND PART OF GARDEN.local history, photography, photographs, hospital [old], clunes hospital -
Stawell Historical Society Inc
Photograph, 18th 16th Infantry Reinforcements
WW1 Infantry soldiers. Eight rows plus one row sitting down. Stand in the background. Drums in the foreground, 1914-1918Probably Rathgeber or Giles. White pen on front of photo 18th 16th Reinforcementsww1, military, uniform -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Bulmers Studio, 1940c
Four black and white small format postcards 6 x 8.5cm, slightly different view of the boat coming down the waterway.Black and white postcard showing Peels launch Blackbird in North Arm. Five men posing outside, three children sitting in the side. Thick vegetation on bank. Lakes Entrance VictoriaH. Peel's Tourist Launch, 'Blackbird'waterways, restaurant, boats and boating, tourism -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Bulmers Studio, 1940
Four black and white small format postcards 6 x 8.5cm, slightly different view of the boat coming down the waterway.Black and white small format postcard showing Peels Tourist Ferry MV Blackbird leaving Comer's North Arm Jetty. Steep wooded banks, reeds along the shore. Lakes Entrance VictoriaNorth Arm Launch Trip, Lakes Entrance (on reverse)waterways, restaurant, boats and boating, tourism -
Surrey Hills Historical Society Collection
Book, Paddle wheels of the past
The discovery of inland waterways during the early settlement of Victoria and South Australia led to trade being plied up and down the rivers.An A4 80 page comb bound book.paddlewheels, paddlesteamers - murray river (nsw- sa), boats, punts, barges -
Ringwood and District Historical Society
Newspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria, `
``Newspaper clipping from "The Mail", 21-1-97, P11, Move on club soon. By Jamie Duncan The Administrative Appeals Tribunal has still not handed down its decision on whether to allow construction of the controversial Glenwood Social Club in North Ringwood. The proposal caused a storm of protest as residents, churches, traders and commumnity groups resisted the plan.`