Newspaper Article 1, 'Remarkable Progress - Due to Abraham Chowers', published in The Herald, 29 July 1966. Newspaper Article 2, 'Chowers Leaving', published in The Herald, 22 July 1966. Newspaper Article 3, 'Farewell to Mr. Abraham Chowers', published in The Herald, 1 July 1966. Newspaper Article 1: 'Jewish education in Australia today is still struggling, but thanks to educationalists like Mr. Abraham Chowers remarkable progress has been made. That Bialik College in particular had become a centre of Jewish learning, was mainly to the credit of its headmaster who, after three years in Melbourne, is now returning to Israel....' Please contact [email protected] to request access to this record.shakespeare grove, hebrew, judaism, principal, 1960s

'Souvenir of Melbourne Legacy’s 25th Anniversary Dinner held at 9 Darling Street on November 3rd 1948.' A satirical ode written to commemorate the 25th Anniversary of Legacy. The author's name isn't recorded. Many Legatees names are mentioned in the story it tells. One of the final stanzas shows the spirit of comradeship and sense of duty. 'Here's to our sweethearts and wives, who can still raise their smiles for us! Here's to our friendships, like star-shells lighting the miles for us! Here's to the kids! May they vigilant be for the freedom we've known, Standing up for the right, standing in with our own . . . Britons within their realm, and the Dominions, our brothers . . . Tackling, if need be, tyrants abroad . . . and, maybe some others.'The Legatees celebrated the 25th Anniversary of Legacy with a dinner and this poem was published as a souvenir.Booklet x 12 pages, containing a poem, brown print on cream paper, made as a souvenir of Legacy's 25th Anniversary Dinner.silver jubilee, 25th anniversary, poem

.1 - Newspaper clipping from The Sun or The Courier (all ?) 10/12/1974 and 3/2/1975, reporting on the planned and then the reopening of the BTPS. Not sure which newspaper and actual date. Has one photograph of No. 26 outside the depot. .2 - Newspaper from The Courier, titled "Just like the old days", Monday Feb. 3, 1975, following the formal re-opening for the BTPS. Has four trams in the photo with Bill Stephen MLA and Dudley Erwin MP standing alongside. Tram 27 is leading. .3 - Second copy of "Tourist Trams preserve colourful local history", adherred to a single sheet of faintly lined foolscap paper, dated 3/2/1975 Has a strong association with a Melbourne tram driver who assembled the scrap book and series of photos of Ballarat trams at the time of closure and the re-opening of the tram museum by the Ballarat Tramway Preservation SocietySet of newspaper cuttings contained with Reg item 5988, a Stamford Kiwi School Scrap Book - card covers, 23 sheets, spiral bound, titled "Ballarat", prepared by Ellen Butland of Auckland following the closure of the SEC Ballarat Tramway system.trams, tramways, ballarat, btps, opening, tram 26, tram 27, btps depot

Black box containing a Matrix Braille writing machine, with a 24mm-wide paper spool attached to the feeding mechanism. Corner of box is hinged and lifts up to reveal keyboard. Top half of box lifts to reveal Braille writer which is bolted to a wooden base that can be lifted out. The base is secured with a metal latch. Machine has black Bakelite keys with rubber pads beneath make this a "silent" machine; wooden case has black leather-like covering, hinged lid, metal clasps, and leather handle on the side. "Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 1183, For The Royal National Institute for the Blind, London W.I." is stamped on the front,Black vinyl-covered case containing black metal writer and paper spool"Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 1183, For The Royal National Institute for the Blind, London W.I." is stamped on the front.braille equipment, royal national institute for the blind

'Souvenir of Melbourne Legacy's 25th Anniversary Dinner held at 9 Darling Street on November 3rd 1948.' A satirical ode written to commemorate the 25th Anniversary of Legacy. The author's name isn't recorded. Many Legatees names are mentioned in the story it tells. One of the final stanzas shows the spirit of comradeship and sense of duty. 'Here's to our sweethearts and wives, who can still raise their smiles for us! Here's to our friendships, like star-shells lighting the miles for us! Here's to the kids! May they vigilant be for the freedom we've known, Standing up for the right, standing in with our own . . . Britons within their realm, and the Dominions, our brothers . . . Tackling, if need be, tyrants abroad . . . and, maybe some others.'The Legatees celebrated the 25th Anniversary of Legacy with a dinner and this poem was published as a souvenir.Booklet containing a poem, brown print on cream paper, made as a souvenir of Legacy's 25th Anniversary Dinnersilver jubilee, 25th anniversary, poem, souvenir

Correspondence dated 24 February 1970 - 6 March 1970 concerning an invitation to a Dinner Dance at Government House on 7th April 1970 in honour of The Prince of Wales and The Princess Anne, hosted by Miss Frances Anne Delacombe. The Governor, via his Private Secretary Lt.Col W.H.A. Becke, asked Melbourne Legacy to nominate two male and two female members between the ages of 18 and 25 who had achieved something in the scholastic, sporting or community service fields. They also had to like dancing and be able to mix. The Junior Legatees selected were Mary W. Lahore, Jacqueline Isles, Ralph E. Norton, and Peter Smith, all of whom were University students.Illustrates Melbourne Legacy's relevance in the wider community at the highest levels.Quarto and foolscap typed sheets x 3 on letterhead stamped 'Copy Only'. Originally black type on white paper, now fading to brown on cream.Handwritten salutation and signature on 01286.1 and 01286.4.junior legatee, royal visit

A photo of widows at trading tables in the Clubrooms at Legacy House. It is one of the annual fetes usually held in November. Items for sale included home made food items like relish and jams, and craft items. Legacy House held craft lessons throughout the year and often the items made were sold at the fetes or at a stall outside Legacy House during Legacy Week for fundraising. The lady second from left is Vera Lang who was on the Widows committee for many years. It is likely to be 1988 due to the photographers reference number meaning 17 November 1988 (ref no. 881117). These regular meetings, fetes and workshops provided important opportunities for widows to meet, socialise and be active.A record of the type of activities Legacy provided as a social outlet for widows and for fundraising. Colour photo x 3 of widows at a trading table at the 1988 fete.Label on the back from Keesing Photographic.widows, fete, activities

This photograph was taken at an event called Spotlight on Fox on 3rd April 2004. This event was a practical demonstration of methods landowners could use to help control the fox population. Camille Veselsky, a specialist in fox behaviour who worked for the Hume Rural lands Protection Board on pest animal control, was the presenter and demonstrator. He is pictured here kneeling Regional areas like Wooragee are susceptible to fox attacks due to the availability of food such as rubbish, scraps, native wildlife and livestock. Foxes can have a huge impact on native wildlife and domestic life as they are known to chew through irrigation systems, dig-up and defecate in gardens, raid rubbish bins and harass other domestic animals.This photo is a record of the events that Wooragee Landcare organises in order to educate and provide practical demonstrations to mitigate environmental conservation issues in the area. It shows practical solutions that have been considered in fox controlLandscape coloured photograph printed on gloss paperReverse: WAN NA 0A2A0N0 NNN+ 1 8743 / [PRINTED] (No.7) / 253spotlight on fox, camille veselsky, wooragee, wooragee landcare, wooragee landcare group, fox

Sensory Integration Invention A, by Cathy Smith public art sculpture, commissioned by Nillumbik Shire Council, in Fergusons Paddock,12 Arthurs Creek Road Hurstbridge was officially unveiled in 1999. Councillors Penny Mullinar and Margaret Jennings in attendance. "Smith's work has strong references to humans' sensory and practical relationship with the land through the built environment. Wind entering the structure's tubing operates like a flute, generating sounds such as bird calls that resonate into the surrounding wetland areas." Source: Highlights from the Nillumbik Public Art Collection, NSC, n.d. Part of a slide show presentation "A Trip Down the Diamond Creek" by Russell Yeoman to the Eltham District Historical Society meeting of 14 Nov. 200135mm colour positive transparency Mount - Black and Whiteart in public places, arthurs creek road, cathy smith, ferguson's paddock, hurstbridge, public art, sensory integration invention a

After the 1939 bushfires, the Forests Commission invested heavily in a radically new communications network. After suffering some inevitable delays due to the War, radio VL3AA switched into full operation in October 1945 proudly beaming out 200 watts across the State. The communication systems were regarded at the time to be more technically advanced than the police and the military. These pioneering efforts were directed by Geoff Weste, and later technical experts like Rex Philpot, John Whitehead, Charlie Reisinger and many others who designed, built and repaired most of the radio equipment. There was a dedicated radio laboratory at Surrey Hills in Melbourne. Little is known about this particular radio handsetField radio telephone with handset.radios, forests commission victoria (fcv)

Archir Harker was married to Ruby Wilson and mentioned in the "Wielands of Heathmont "book. From Greg Coker: In August 2023, RDHS asked Greg Coker to scan a set of negatives. He was able to work out, through various notes, that the pictures were taken by J A Harker of 9 Grange St, Mont Albert in the mid 50s to the mid 60s. Most of the film was 9cm X 6cm B&W negatives. All pictures have been cropped and where appropriate, put through a light filter. They have been scanned at 1600ppi resulting in ~3meg B&W shots (~5meg for the half dozen colour shots). The Harkers certainly liked their hiking – they were ahead of their time. Images scanned from Kodakl packet of negatives, undated. After scanning in 2023 by Greg Coker, the negatives and packet were. Some photos may be duplicated in other VC Harker/Weiland family records if the original prints were donated. Greg's comments: Early 50s to Mid 60s – Original colour & B&W negatives Largest packet of negatives with multiple sets clearly combined in this one envelop These were made up of: - 8 colour 9X6cm negatives – late 60s - ~40 B&W 9X6cm negatives – Early - late 50s - 3 large B&W 12x9cm negatives – Mid 50s Most of the pictures in this set are portraits pictures of Mr or Mrs Harker. Many in the front and back yards of 9 Grange street, Mont Albert. A few negatives of Phillip Island here also (Identified the Nobbies). Kodacolor Prints.

Archir Harker was married to Ruby Wilson and mentioned in the "Wielands of Heathmont "book. From Greg Coker: In August 2023, RDHS asked Greg Coker to scan a set of negatives. He was able to work out, through various notes, that the pictures were taken by J A Harker of 9 Grange St, Mont Albert in the mid 50s to the mid 60s. Most of the film was 9cm X 6cm B&W negatives. All pictures have been cropped and where appropriate, put through a light filter. They have been scanned at 1600ppi resulting in ~3meg B&W shots (~5meg for the half dozen colour shots). The Harkers certainly liked their hiking – they were ahead of their time. Images scanned from R&K Developing and Printing Services packet of negatives, undated. After scanning in 2023 by Greg Coker, the negatives were disposed and just the packet retained. Some photos may be duplicated in other VC Harker/Weiland family records if the original prints were donated. Greg's comments: Early 60s – Original Negatives. Sea side holiday and valley views The date is best guess. Mrs Harker looks around the same age as the 1958 set. There is a prominent lighthouse in shot – that may help identify where the holiday was. I suspect the valley may be near it. Reverse of packet includes Printing and Developing Price List

Archir Harker was married to Ruby Wilson and mentioned in the "Wielands of Heathmont "book. From Greg Coker: In August 2023, RDHS asked Greg Coker to scan a set of negatives. He was able to work out, through various notes, that the pictures were taken by J A Harker of 9 Grange St, Mont Albert in the mid 50s to the mid 60s. Most of the film was 9cm X 6cm B&W negatives. All pictures have been cropped and where appropriate, put through a light filter. They have been scanned at 1600ppi resulting in ~3meg B&W shots (~5meg for the half dozen colour shots). The Harkers certainly liked their hiking – they were ahead of their time. Images scanned from packet of negatives with name of Harker, and receipt dated April 1958. From Andrews Camera Store. (1 copy of each negative ordered) After scanning in 2023 by Greg Coker, the negatives were disposed and just the packet retained. Some photos may be duplciated in other VC Harker/Weiland family records if the original prints were donated. Greg's comments: 1958 – Original Negatives. Marysville Holiday. April 58 was when these were developed, as there was a note on the packet. There is a picture at the top of Woods Point that identifies Marysville.Your Snapshots, by Andrews Camera Stores, 69-71 Elizabeth St, Melbourne. For Dependable Developing Printing and Enlarging.

Archir Harker was married to Ruby Wilson and mentioned in the "Wielands of Heathmont "book. From Greg Coker: In August 2023, RDHS asked Greg Coker to scan a set of negatives. He was able to work out, through various notes, that the pictures were taken by J A Harker of 9 Grange St, Mont Albert in the mid 50s to the mid 60s. Most of the film was 9cm X 6cm B&W negatives. All pictures have been cropped and where appropriate, put through a light filter. They have been scanned at 1600ppi resulting in ~3meg B&W shots (~5meg for the half dozen colour shots). The Harkers certainly liked their hiking – they were ahead of their time. Images scanned from The Block Pharmacy packet of negatives, undated. After scanning in 2023 by Greg Coker, the negatives were disposed and just the packet retained. Some photos may be duplicated in other VC Harker/Weiland family records if the original prints were donated. Greg's comments: Mid 50s – Original B&W negatives; Seems to be a set of holiday snaps in mountain country – the Grampians I think. Your Snapshots by The Block Pharmacy (J.H. Beyer Ph.C, M.P.S.), 102 Elizabeth Street, Melbourne C1. Telephone MF 1380

Archir Harker was married to Ruby Wilson and mentioned in the "Wielands of Heathmont "book. From Greg Coker: In August 2023, RDHS asked Greg Coker to scan a set of negatives. He was able to work out, through various notes, that the pictures were taken by J A Harker of 9 Grange St, Mont Albert in the mid 50s to the mid 60s. Most of the film was 9cm X 6cm B&W negatives. All pictures have been cropped and where appropriate, put through a light filter. They have been scanned at 1600ppi resulting in ~3meg B&W shots (~5meg for the half dozen colour shots). The Harkers certainly liked their hiking – they were ahead of their time. Images scanned from Kodak Print packet of negatives, undated. After scanning in 2023 by Greg Coker, the negatives were disposed and just the packet retained. Some photos may be duplicated in other VC Harker/Weiland family records if the original prints were donated. Greg's comments: Early 60s – Original Negatives. Best guess in terms of the date – Mrs Harker looks a touch older. Pictures of Mrs Harker at home with their cat and some mountain ranges, perhaps the other side of the Dandenong’s. Your Kodak Prints

The place shown on the photo still has an important relevance for the local history in Launcestown Tasmania. This place represents one of the most relevant touristic places of Tasmania and brings to the local government a very good amount of income for local developments and self management of the place. The date of this postcard is unknown but probably around 1980 as this place apparently was opened by 1979. The connection to Legacy is unknown but other postcards were sent to the Comradeship Committee when Legatees travelled.Comradeship Committee often received postcards from Legatees when they were away on holidays.Glossy postcard, with serrated edges, showing a photo of the Penny Royal Gunpowder Mills.Handwritten text: 'They have the small cannons on the boat - noisy and scared Alison but quite effective really. The whole complex is build in an old quarry', in black pen. Back side: Printed in paper, PENNY ROYAL GUNPOWDER MILLS / The 10 Gun Sloop-of-War 'Sandpiper' sails to prove its gun and powder in battle against those on Fort Island. / Douglas Souvenir Distributors [Logo] / DS 118, Colour Photography and Copyright by Robert Schorn. Printed in Australia. / I LIKE TO BE SEEN - PLEASE don't send me in an ENVELOPE. / Published by Douglas Souvenir Distributors - Tasmania (004) 312806tasmania, souvenir

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.23 / ‘Waterfall scene on the Coliban River, near Elphinstone’ / Albumen silver photograph mounted on boardOn reverse: ‘The scene this illustration presents is but one of the many that exist along the course of this shallow River, which, like its parent the Campaspe, abounds with rocky and romantic scenery. The fall of the River at this place is over one hundred feet, but is broken by a long course of rocks to the lower bed; the actual fall as seen is about forty feet. The Coliban, though only a branch of the Campaspe, derives its name from the fact that its course runs through the Coliban Park. Gold is found in considerable quantities along the banks and in the stream, but at the present time these diggings are worked only by Chinamen.’nicholas caire (1837-1918), australia - landscape photography

Mechanical resuscitation devices, such as the Pulmotor and Lungmotor, were popular in the early part of the twentieth century. Their use waned in the 1920s as significant bodies like the British Medical Research Council and American Red Cross refused to endorse them. The most popular of the resuscitators to emerge in the 1930s was the E&J (Ericson and Johnson) resuscitator. The device was soon widely available, vigorously promoted with support from many medical practitioners. They were soon to be found in hospitals, emergency services like the ambulance and fire brigade, and voluntary life-saving organisations. In Australia, Norman James, director of anaesthesia at the Royal Melbourne Hospital, developed an interest in equipment for ambulances and the resuscitation of drowning victims. Little in the way of practical, portable equipment was available to either the ambulances or the voluntary life-saving organisations, such as Surf Life Saving Australia (SLSA); American resuscitators, like the E&J, were expensive and bulky to import. James designed a simple portable resuscitation device for local use after being approached by Jack Conabere, secretary of the Elwood Life Saving Club (ELSC). The resulting Royal Melbourne Hospital resuscitator, or the R.M. resuscitator as it was marketed, was a simpler, manual version of those available overseas. It was gas driven with a plunger, marked “Press”, and a safety valve. The small working unit attached directly to the facemask. Once the patient was positioned facedown and the airway cleared of debris, the mask was placed firmly over the face. The plunger allowed gas to flow and lung inflation; releasing the plunger allowed expiration. This simple resuscitator was marketed by Commonwealth Industrial Gases (CIG) and became very popular in Australia with volunteer and professional rescue organisations. It represents one of the many innovations in resuscitation equipment that resulted from cooperation between volunteer life savers and medical practitioners. Norman James worked closely with Jack Conabere and the Government Pathologist to develop the equipment. ELSC was the first life saving club to use the resuscitator on the beach. While conducting an early training exercise on 23 December 1951, they used it to successfully resuscitate a man who had drowned after capsizing his home made yacht. The R.M. resuscitator was also used in more inventive ways. At Fairfield Hospital in Melbourne, a group of physiotherapists and doctors did some innovative work with polio patients, teaching them glossopharyngeal (or “frog”) breathing, as a means of becoming less dependent on ventilators. In 1981, the Australian Standards Association stated that the RM head failed to meet its revised standards and it was withdrawn from the market. Red leather suitcase with black leather trim with metal studs. There are clip locks for locking the suitcase in the closed position. The suitcase contains equipment for oxygen resuscitation. There is a space allocated for two oxygen cylinders, however there are no cylinders present.Embossed into metal plaque: The C.I.G. / Oxy-viva / PORTABLE UNIVERSAL OXYGEN RESUSCITATORresuscitation, portable, surf life saving australia, royal melbourne hospital, rm resuscitator

This photograph was taken during the late 1800s at the Chinese camp at Beechworth, Victoria. It was in camps such as these that many would-be gold miners made their home after arriving in Australia from across Asia. After arriving in South Australia where there was no poll-tax required of migrants as was the norm in Victoria and New South Wales, those looking to settle on the gold fields walked en mass overland for hundreds of kilometres before arriving in destinations such as Beechworth. Due to widespread prejudice against Chinese gold diggers they were forced to live separate from the town and developed enclaves much like the one depicted in the photograph. As the years progressed the Chinese camp began to construct more permanent structures and included temples of worship, shops and separate burial grounds. This photograph demonstrates the early multi-cultural aspects of Australia and Victoria during the late 1800s. It also showcases pressures and prejudices specific to the Chinese migrant community and the measures taken to separate them from the rest of the predominantly white community. It also reflects the gold-rush period and one of the first draws to Australia due to its mineral wealth. Black and white rectangular photograph developed on paperObverse: None Reverse: From the/Chinese Camp/84-80-1/1997-3221chinese camp, beechworth, houses, immigrants, gold mining, gold rush, late 1800s, chinese, asia

Although the exact creation of this pocket watch is unknown, the pocket watch was first invented in 1510, in Nuremberg, Germany. The inception of this invention can be attributed to Peter Henlein, a master locksmith who continued producing timepieces until the 16th century when their manufacturing expanded to other parts of Europe. During the 15th century, pocket watches served as a means of distinguishing between the lower classes and the affluent members of society since only the wealthy could afford them. In this era, an early version of the pocket watch was typically worn around the neck, as opposed to being attached to a pocket watch chain like the Albert T Bar chain. Furthermore, the increasing use of the railways during the latter part of the 1800s significantly accelerated the popularity of pocket watches.This pocket watch is significant as they relate to the social history within the Burke Museum's collection playing a vital role in narrating the history of Beechworth, demonstrating the past of the town through insights into its social, cultural, and economic dimensions.A silver pocketwatch with a leather strap attached at the clasp.A01153clock, pocketwatch, timepiece, burke museum

The identity discs of Australian soldiers of the First World War were initially made of aluminum and then made of a fibre material. Like other soldiers of the Great War the Australian 'Diggers' were issued an identity tag or disc. The first official disc was a small flat metal disc of aluminum, then there were two identity discs issued, made of a fibre one was a red disc the other was grey and octagonal. The discs were usually stamped with the information that the Military required. The Regimental number, Regimental name, soldiers' surname and initials and his religion were on the tag. Douglas Russell was a farmer, the son of John Russell, director of the Orbost Butter Factory for 50 years. Alex Pullar Cameron died from injuries in 1919.Two World War 1 identity tags. Both are aluminium and engraved on front. There are loops at the top for a chain around the neck..1 22046 Vet Sgt G.H D. Russell.........Pres. .2 6267 GNR A.P. Cameron................Presworld-war-1 identity-disc russell-g.h.d. cameron-a.p.

A draw knife or drawing knife, draw shave, shaving knife is a traditional woodworking hand tool used to shape wood by removing shavings. It consists of a blade with a handle at each end. The blade is much longer along the cutting edge than it is deep (from cutting edge to back edge). It is pulled or "drawn" toward the user. A draw knife is commonly used to remove large slices of wood for flat faceted work, to debark trees, or to create roughly rounded or cylindrical billets for further work on a lathe, or it can shave like a spokeshave plane, where finer finishing is less of concern than a rapid result. The thin blade lends itself to create complex concave or convex curves such as in making staves for barrels.A specialised tool used in many different types of wood working and in the making of barrels, this type of tool has been used for many hundreds of years by coopers and other woodworking craftsmen all around the world. It is a tool that has not changed in design during this time and is still used today by craftsmen in the making of wooden barrels for the storage of wines etc. However this item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Draw knife with metal blade and two wooden handlesNoneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, draw knife, coopers tools, woodworking tools, knife, cooperage

Boots are believed to be one of the earliest shoes created when the evolution of footwear had begun. Boots form the building blocks of modern footwear which were merely a two-piece unit covering the foot and lower leg, a century ago. Throughout history, the importance of boots has been about fulfilling the needs of the wearer to be in sync with the prevailing culture. Boots were initially made of various materials like cotton, wool, silk, fur, felt, and leather (including caribou hide and sealskin. Around1000 B.C.E., men wore simple boots made of untanned leather with the fur turned in against the leg to keep it warm. These baglike boots were simple in design and then leashed to the leg by just a thong of leather. A mass produced pair of children's boots from the first quarter of the 20th century no significance other than the items age giving a snapshot into footwear of the period. Boots are unable to be linked to a significant person, family or event.One pair of Antique Victorian/Edwardian young boys-young girls shoes / boots. The boots are a black leather which lace up the front, laces missing bottom soles are leatherNoneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, boots, children's boots, footware

Leather bound with decorative embossing with some in gold on covers and spine.non-fictionThe Batchelor family Bible. The Batchelor Family were early residents of Taggerty.bible, batchelor family, taggerty

Baby brush and comb sets were often given as Christening presents. The pure bristles were especially soft for use on infant's hair. Children's hair is often a problem because it is supremely fine and may be difficult to care for because of its nearly downy softness and fluffiness. Up until the age of 7-10, this fine hair will remain about the head. Children’s hair is different from adult hair in texture, density, and likely also colour, body and so on. Hair's traits change over time as humans physically develop, and even age. Like the rest of the human body, (example, teeth), hair has different stages of development spanning the full lifetime from birth to death. Source: www.wikipedia.org Infants' brush made of cream bakelite and pure bristle. Comb made of cream bakelite . Inscription in silver "Baby".Written in silver script, the word "Baby". Indentations on comb.child, and, nursery, bakelite, infant, grooming, brush, comb, pure, bristles, soft, mother, toiletries

A draw knife or drawing knife, draw shave, shaving knife is a traditional woodworking hand tool used to shape wood by removing shavings. It consists of a blade with a handle at each end. The blade is much longer along the cutting edge than it is deep (from cutting edge to back edge). It is pulled or "drawn" toward the user. A draw knife is commonly used to remove large slices of wood for flat faceted work, to debark trees, or to create roughly rounded or cylindrical billets for further work on a lathe, or it can shave like a spokeshave plane, where finer finishing is less of concern than a rapid result. The thin blade lends itself to create complex concave or convex curves such as in making staves for barrels.A specialised tool used in many different types of wood working and in the making of barrels, this type of tool has been used for many hundreds of years by coopers and other woodworking craftsmen all around the world. It is a tool that has not changed in design during this time and is still used today by craftsmen in the making of wooden barrels for the storage of wines etc.Draw knife with metal blade and two wooden handlesNoneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, draw knife, coopers tools, woodworking tools, knife, cooperage

A draw knife or drawing knife, draw shave, shaving knife is a traditional woodworking hand tool used to shape wood by removing shavings. It consists of a blade with a handle at each end. The blade is much longer along the cutting edge than it is deep (from cutting edge to back edge). It is pulled or "drawn" toward the user. A draw knife is commonly used to remove large slices of wood for flat faceted work, to debark trees, or to create roughly rounded or cylindrical billets for further work on a lathe, or it can shave like a spokeshave plane, where finer finishing is less of concern than a rapid result. The thin blade lends itself to create complex concave or convex curves such as in making staves for barrels.A specialised tool used in many different types of wood working and in the making of barrels, this type of tool has been used for many hundreds of years by coopers and other woodworking craftsmen all around the world. It is a tool that has not changed in design during this time and is still used today by craftsmen in the making of wooden barrels for the storage of wines etc.Draw knife with metal blade and two wooden handlesMarkings on blade unreadable flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, draw knife, coopers tools, woodworking tools, knife, cooperage

A draw knife or drawing knife, draw shave, shaving knife is a traditional woodworking hand tool used to shape wood by removing shavings. It consists of a blade with a handle at each end. The blade is much longer along the cutting edge than it is deep (from cutting edge to back edge). It is pulled or "drawn" toward the user. A draw knife is commonly used to remove large slices of wood for flat faceted work, to debark trees, or to create roughly rounded or cylindrical billets for further work on a lathe, or it can shave like a spokeshave plane, where finer finishing is less of concern than a rapid result. The thin blade lends itself to create complex concave or convex curves such as in making staves for barrels.A specialised tool used in many different types of wood working and in the making of barrels, this type of tool has been used for many hundreds of years by coopers and other woodworking craftsmen all around the world. It is a tool that has not changed in design during this time and is still used today by craftsmen in the making of wooden barrels for the storage of wines etc. However this item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Draw knife with metal blade and two wooden handlesNoneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, draw knife, coopers tools, woodworking tools, knife, cooperage

A draw knife or drawing knife, draw shave, shaving knife is a traditional woodworking hand tool used to shape wood by removing shavings. It consists of a blade with a handle at each end. The blade is much longer along the cutting edge than it is deep (from cutting edge to back edge). It is pulled or "drawn" toward the user. A draw knife is commonly used to remove large slices of wood for flat faceted work, to debark trees, or to create roughly rounded or cylindrical billets for further work on a lathe, or it can shave like a spokeshave plane, where finer finishing is less of concern than a rapid result. The thin blade lends itself to create complex concave or convex curves such as in making staves for barrels.A specialised tool used in many different types of wood working and in the making of barrels, this type of tool has been used for many hundreds of years by coopers and other woodworking craftsmen all around the world. It is a tool that has not changed in design during this time and is still used today by craftsmen in the making of wooden barrels for the storage of wines etc. However this item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Draw knife with metal curved blade and two wooden handlesNoneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, draw knife, coopers tools, woodworking tools, knife, cooperage