A draw knife or drawing knife, draw shave, shaving knife is a traditional woodworking hand tool used to shape wood by removing shavings. It consists of a blade with a handle at each end. The blade is much longer along the cutting edge than it is deep (from cutting edge to back edge). It is pulled or "drawn" toward the user. A draw knife is commonly used to remove large slices of wood for flat faceted work, to debark trees, or to create roughly rounded or cylindrical billets for further work on a lathe, or it can shave like a spokeshave plane, where finer finishing is less of concern than a rapid result. The thin blade lends itself to create complex concave or convex curves such as in making staves for barrels.A specialised tool used in many different types of wood working and in the making of barrels, this type of tool has been used for many hundreds of years by coopers and other woodworking craftsmen all around the world. It is a tool that has not changed in design during this time and is still used today by craftsmen in the making of wooden barrels for the storage of wines etc. However this item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Draw Knife bent blade, metal with two wooden handlesNoneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, draw knife, coopers tools, woodworking tools, knife, cooperage

The Royal Commission into Institutional Responses to Child Sexual Abuse is investigating how institutions like schools, churches, sports clubs and government organisations have responded to allegations and instances of child sexual abuse. It is the job of the Royal Commission to uncover where systems have failed to protect children so it can make recommendations on how to improve laws, policies and practices. The Royal Commission is about creating a safer future for children. It can look at any private, public or non-government organisation that is, or was in the past, involved with children. This includes where an organisation caring for a child is responsible for the abuse or for not responding appropriately, regardless of where or when the abuse took place.(http://www.childabuseroyalcommission.gov.au/about-us, accessed 30/05/2015)A number of colour photographs that show chalk grafitti drawn onto the steps and paving outside the Ballarat Law Courts during the May 2015 sitting of the Royal Commission into Institutional Responses to Child Sexual Abuse.ballarat, ballarat law courts, royal commission into institutional responses to child sexual abuse, graffiti

The Methodist Home Missions was the department running the work of smaller churches and charitable institutions such as babies' homes, the Epworth Hospital, chaplaincies to hospitals and prisons, aged care homes, alcohol rehabilitation, local missions to depressed areas and the like. A minister was appointed each year by Conference, on deputation, to travel around Victoria to explain and encourage local congregations to support the work of the missions. Livingstone House was established in Carlton in 1888, and was first known as the Temporary Home for Destitute Children. It was run by the Central Dorcas Society, and led by its Senior Biblewoman, Mrs Varcoe. Many children in Livingstone were placed in foster care. In 1891, it relocated to a new property in Cheltenham and later became the Methodist Homes for Children. [https://www.findandconnect.gov.au/guide/vic/E000067]Methodist Home Missions Oakleigh Circuit Egg Sunday promotional pamphlet, 3rd February 1918. methodist home missions, livingstone home

Hector McKenzie and Abigail (nee McLean), his wife, lived at Ullapool on the shores of Lochbroom in the far north-west of Scotland. They were married on 8 March, 1821, and had several children. Three of the children, Murdoch and his two sisters, Isabella and Lexcy, emigrated to Australia from Liverpool on the ship "Hornet" on 29 July, 1854, along with 434 other assisted passengers. They arrived at Geelong on 23 October, 1854. Later, Murdoch married a like-named Margaret McKenzie on 23 May, 1861, and had eight children. At the time as the children were thinking about branching out on their own the Otway forest was surveyed and opened for selection. In 1890/91 Murdoch, a son, Duncan, and a daughter, Abigail, selected blocks at Weeaproinah. McKenzie. Colin and Margaret McKenzie. Self published; Weeaproinah (Vic); 2007(?). 54 p.; Illus; maps. Soft cover. Loose-leaf A4.

17 Fellows Street Kew was originally owned and occupied by the architect Henry Kemp. Kemp had arrived in Australia in 1886 and this was therefore one of the first of the many buildings he was to design in Melbourne. While late Victorian in date, the house is an interesting precursor of the Edwardian architecture produced by Kemp. Somewhat awkwardly composed with steep gables, a rectangular castellated tower and slated single storeyed verandahs projecting from the overall box-like form, the house contains features common to the 1880s such as the use of polychromy in the brickwork and slates cladding the roof. (Sanderson 1988). The historian Dorothy Rogers established that at one stage it was the home of Dr John Dale - Chief Medical Officer of the City of Melbourne. This photograph predates later renovations to the rear of the property.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society17 Fellows Street, Fellows Street frontage."17 Fellows St. Also residence of Dr. John Dale, Melbourne City Medical Officer"fellows street (kew), dorothy rogers, henry kemp, dr john dale

Dorethy Rabinov’s Melbourne-based brand Ricki Reed "became an international success story. Her brand catered to “the petite and young, people who like smart simple dress” and popular with the women lib groups due to her comfortable smart pantsuits. The Ricki Reed’s brand often favored synthetic fabrics designed to keep up with the life of an active, busy woman. Through out the decades, Miss Rabinov dabbled in prairie gowns, tailored pant suits, bold colours and floral prints. Spanning over three decades Miss Rabinov kept Ricki Reed at the front of fashion, keeping ahead of trends and on the bodies of fashionistas." (Source: 'House of Darlington' website). This dress was owned, worn and donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Sleeveless embossed white cotton high waisted cocktail dress designed by Ricki Reed of Melbourne.Nilricki reed, women's clothing, evening wear, australian fashion - 1960s, mcintyre collection

The Corriedale was developed both in Australia and New Zealand in the late 1800s and, after the Merino, is Australia’s second most prolific breed. 50% Merino and 50% Lincoln, the breed produces thick, stapled wool which is ideal for hand spun items. Its crimped fleece is long, medium fine and high yielding. Preferring colder, high rainfall climates, the Corriedale’s black feet provide some protection against footrot in damp conditions. Australasia’s largest breed, mature ewes generally weigh between 59 to 82 kg, while a mature ram like Stanbury Jacko may typically weigh between 79 to 125 kg. This breed has approximately 7.7kg of fleece per animal, averaging 24 to 32 microns.Corriedale ram. Medium size body and short legs with white fleece. sheep, south australia, corriedale

It is possible that E.M. Gibson left these photographs at the College when she retired from teaching there. Photographs relate to her work in designing new planting around the Administration Building and a general record of what the whole site looked like during this time. Various numbering systems have been used on reverse of photographs but the most consistent one has been used for cataloguing and sorting. These photographs include some of the missing ones from Series 1, 2, 4, 6 and 76 in B09.0005 and are the same as those in the negatives B09.0001. Possibly one person (J.L. Provan?) has taken the photographs and E.M. Gibson has picked out the ones she wanted. See B09.0005 for slides that have been made of these photographsCollection of black and white photographs stored in a photograph album with plastic pockets. These have been removed and replaced in archival album. Handwritten description attached in T.H. Kneen's writing identifying some of the photographs. Also his handwriting on reverse of many of the photographs. Identified as THK in catalogue. Some photographs have descriptions handwritten on reverse in different handwriting presumed to be that of E.M. Gibson. Identified in catalogue as EMG.See separate cataloguet.h. kneen, e.m. gibson, teacher, administration building, j.l. provan, rock point, luffmann ponds, lily ponds, entrance, garden views, hilda kirkhope rockery, sequioa sempervirens, orchard border, orchard, students working outside

Photos of a trip to an Aircraft Museum, including Legatees George Woodward and George Standish. With about 12 Legatees and some wives it is assumed to be a day trip to the museum. On the shape of the building it looks like the National Vietnam Veterans Museum on Philip Island, or perhaps the Australian National Aviation Museum, in Moorabbin. Also present were L/ John Sullivan, L/ Joe Morton and his wife Mary Morton. The captions included: "Legatee Joe Morton, joined by his wife, Mary. Legatee Morton gave his RAAF overcoat and jacket to the Museum." "The Catalina fan club was out in force Legatees George Woodward and George Standish." They were in a folio of photos from 1988 to 1990 (see also 01042 to 01049).A record of a Legatees on an outing together which shows their comradeship and desire to socialise together.Colour photo x 13 of Legatees visiting an aircraft museum.White paper labels with black type provided captions for the photos.legatee event, comradeship

A spring cart is a two-wheeled, one-horse cart, often with the driver standing up to drive it, and otherwise seated on a simple seat. Carts like this one had springs to make the ride smoother. It is a lighter version of a farm dray and is sometimes called a spring dray. Spring carts were often used on farms for carrying loads. In the towns, some businesses used a spring cart for deliveries of bread, milk and other goods. The carts would be used for travel and for families going on outings and picnics. Visitors to Flagstaff Hill Maritime Village from 1986 to 1992 would enjoy watching a Clydesdale horse named Duke as he worked around the village with his driver Pat McGowan. He would be hitched to a wagon or to this lightweight spring cart or sometimes he would pull the wagon with the cart attached as a trailer. The cart was used for maintenance, carting loads of timber or stone around the site or from town to Flagstaff Hill. Sometimes Duke and the cart would take visitors for cart rides around the Village. Pat McGowan was known for his restoration of horse-drawn vehicles including this spring cart. He already had 40 years of horse handling experience when he began looking after Duke, feeding and harnessing him and driving the horse and cart around the Village. Pat’s dog ‘Yabbie’ would often join them. In August 1992 Duke had to be put down. Warrnambool Veterinary Clinic and other fund-raisers began well-supported appeals and the beloved horse was replaced by a Clydesdale also named Duke (the second), who began work in late October 1992. He, like his predecessor, had a quiet temperament and was comfortable in the traffic. The spring card is an example of vehicles used on farms, for business delivery and for domestic transport in the late-19th and early-20th century. This cart is of note for being associated with the Clydesdale horse Duke which pulled the cart around Flagstaff Hills in the 1980s and 1990s, representing transport of that period.Spring cart; two-wheeled cart with shallow box tray and plank seat bolted across the front. Wheels have metal rims and fourteen (14) wooden spokes. A plank is bolted from side to side. A decorative metal step is on the cart's left and has acorn cut-out shapes in the plate. Both wheels have a brake block that is operated by a lever on the cart's right. The cart has eight-leaf suspension from front to back. The box tray is painted blue and has decorative pale yellow detail. Each shaft pole has has a handle fitting on it. (Horse equipment with the cart is a leather covered, straw filled collar.) flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, springcart, spring cart, jingle, horse-drawn cart, one horse cart, two-wheeled cart, dray, spring dray, wagon, transportation, travel, cart, duke, clydesdale, pat mcgowan, delivery cart, yabbie, cartwright, horse-drawn vehicle, transport, horse cart

The place shown on the photo still has an important relevance for the local history in Launcestown Tasmania. This place represents one of the most relevant touristic places of Tasmania and brings to the local government a very good amount of income for local developments and self management of the place. The date of this postcard is unknown but probably around 1980 as this place apparently was opened by 1979. The connection to Legacy is unknown but other postcards were sent to the Comradeship Committee when Legatees travelled.Comradeship Committee often received postcards from Legatees when they were away on holidays.Glossy postcard, with serrated edges, showing a photo of the Penny Royal Gunpowder Mills.Handwritten text: 'They have the small cannons on the boat - noisy and scared Alison but quite effective really. The whole complex is build in an old quarry', in black pen. Back side: Printed in paper, PENNY ROYAL GUNPOWDER MILLS / The 10 Gun Sloop-of-War 'Sandpiper' sails to prove its gun and powder in battle against those on Fort Island. / Douglas Souvenir Distributors [Logo] / DS 118, Colour Photography and Copyright by Robert Schorn. Printed in Australia. / I LIKE TO BE SEEN - PLEASE don't send me in an ENVELOPE. / Published by Douglas Souvenir Distributors - Tasmania (004) 312806tasmania, souvenir

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.23 / ‘Waterfall scene on the Coliban River, near Elphinstone’ / Albumen silver photograph mounted on boardOn reverse: ‘The scene this illustration presents is but one of the many that exist along the course of this shallow River, which, like its parent the Campaspe, abounds with rocky and romantic scenery. The fall of the River at this place is over one hundred feet, but is broken by a long course of rocks to the lower bed; the actual fall as seen is about forty feet. The Coliban, though only a branch of the Campaspe, derives its name from the fact that its course runs through the Coliban Park. Gold is found in considerable quantities along the banks and in the stream, but at the present time these diggings are worked only by Chinamen.’nicholas caire (1837-1918), australia - landscape photography

This specimen is a copper-carbonate malachite mineral. It is often found as crystalline aggregates or crusts, which have a banded agate-like appearance while also commonly found as botryoidal clusters of radiating crystals. Malachite is often bright green in colour, with dark green and blackish blooms or stripes/bands throughout the mineral. This particular specimen was recovered from the Burra Burra Copper Mine located Burra, South Australia. By the 1860's, South Australia was known as the "Copper Kingdom" due to its large amount of copper mines and huge success in the copper mining industry. Burra Burra was no exception to this phenomena, as this mining company was greatly famous and successful, being nicknamed the "Monster Mine". It was first established in 1848 and was the largest metal mine in Australia up until 1860. This specimen is significant as it highlights the historic use and value of malachite and the rarity of the mineral. Malachite is a rare gemstone which has been used in various ways historically. It has been cut and sculpted into beads for jewellery use as its rich colour and distinct yet unique patterns have made it a well sought after gemstone. Its' continued use over time only heightens the value and significance of this mineral.A hand-sized solid copper-carbonate hydroxide mineral specimen in shades of blue, green and copper tones throughout.MALACHITE / (Copper carbonite) / Locality: Burra, South Aust. | Malachite / Burra Burra / South Australia / (good specimen) / needs a wash / BBburke museum, burke museum collection, beechworth museum, beechworth, geological specimen, geological, mineral, mineraology, copper carbonate, malachite, burra burra mine, copper mining

The Powder Magazine was built in 1859 by T Dawson and Company for fifteen hundred pounds and was restored in 1966 by the National Trust. The building was constructed to store black-powder used by miners on the goldfields for blasting for mining and quarrying as legally, miners had to leave bulk gunpowder the Powder Magazine overnight. Due to the passing of an 1857 act regulating the importation, transportation and importation of black powder, several Powder Magazines like the Beechworth Powder Magazine were constructed. The Magazine Powder is uniquely designed to ensure that in the chance of an explosion, the explosion is minimalized by travelling vertically rather than horizontally. The Powder Magazine was constructed using granite, slate roofing and a high stone wall and includes several safety features including wooden nails, lightning rod and a solid outer wall. This photograph is historically significant as it documents the development of laws related to mining, the actions taken to ensure the safety of those nearby potentially dangerous equipment and the architectural skills to design a storage facility to minimize damage caused by a potential explosion. A sepia toned rectangular photograph printed on matte paper.Reverse: Beechworth Candid Photos/ Phone 281570/ 5 Finch Street 3747/historic building, beechworth historic building, powder magazine, beechworth

A spokeshave was made with a wooden body and metal cutting blade. With industrialization metal bodies displaced wood in mass-produced tools. Spokeshaves can be made from flat-bottom, concave, or convex soles, depending on the type of job to be performed. They can include one or more sharpened notches along which the wooden shaft is pulled in order to shave it down to the proper diameter. Historically, spokeshave blades were made of metal, and the body and handles were wood. Unlike a drawknife, but like a plane, spokeshaves typically have a sole plate that fixes the angle of the blade relative to the surface being worked. By the twentieth-century metal handles and detachable blades had become the most common. A convex, wooden, variant of the spokeshave is called a travisher; at one time mostly used in chairmaking.A tool of the cooper and other woodworking tradesmen that has been in use since the making of barrels and wooden buckets for hundreds of years without much change to the design or how the tool is used.Spokeshave, with two wooden handles on either side. Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, coopers tools, spokeshave, barrel making, wood plane

A spokeshave was made with a wooden body and metal cutting blade. With industrialization metal bodies displaced wood in mass-produced tools. Spokeshaves can be made from flat-bottom, concave, or convex soles, depending on the type of job to be performed. They can include one or more sharpened notches along which the wooden shaft is pulled in order to shave it down to the proper diameter. Historically, spokeshave blades were made of metal, and the body and handles were wood. Unlike a draw knife, but like a plane, spokeshaves typically have a sole plate that fixes the angle of the blade relative to the surface being worked. By the twentieth-century metal handles and detachable blades had become the most common. A convex, wooden, variant of the spokeshave is called a travisher, at one time mostly used in chair making.A tool of the joiner and other woodworking tradesmen that has been in use since the making of furniture for hundreds of years without much change to the design or how the tool is used to smooth and shape timber.Spokeshave, Marked AH, (believed to be owner)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Correspondence held by the library has John Denniston Wood (1829-1914), a barrister and politician, presenting the portrait to the Library Committee in 1867. Wood hopes that the painting will "hang there [in the Court] in like manner as the portraits of many of the sages of the law are held in the Courts at Guildhall". Wood also provides information about the painter, Mr Mosely "now deceased", but who was "selected by Sir WIlliam himself" to undertake the commission. Early accounts have the painting hanging in a prominent position in the 'old' Court house at La Trobe and Russell Streets; the portrait was moved down to the library in 1884, when the portraits of Barry, Stawell and Molesworth were also commissioned. Sir William a'Beckett was the first chief justice of the colony of Victoria, having previously had a busy career at the Sydney bar. The portrait is of historic signifcance because of its subject Sir William a'Beckett and its long association with the Court. A full length portrait of Sir William a'Beckett, seated and dressed in his judicial robes. With ornate gold frame with acorn motif.Plaque identifying subject : Sir William a'Beckett, Knight, resident judge of the Supreme Court of New South Wales for the district of Port Phillip from 1846 to 1852, First Chief Justice of the Supreme Court of Victoria from Jan.1852 to Feb 1857.judges, william a beckett, supreme court

This is a medallion awarded in 2000 by Powercor Warrnambool to Elmac Hydroponics. Powercor Australia, founded in 1994, is an electrical distribution company operating in the Western District of Victoria and the western suburbs of Melbourne. Powercor Warrnambool, like other Powercor organizations, is involved in giving Business Excellence Awards annually to businesses in its area of supply. In 2014 there were 15 awards for Business Excellence. Elmac Hydroponics was a business growing and supplying organically-produced tomatoes from 1997 to 2004. It was situated at Mount Pleasant, Princes Highway, Allansford, Victoria. The business was operated by Graeme and Barbara McLeod and Keith and Leonie Ellerton. Hydroponics is a system of growing plants without soil, using a nutrient solution. Elmac Hydroponics had a 2,000 square metre greenhouse with 10,000 growing points. This is a significant medallion, showing the award given to a small business in the Warrnambool area and indicating its achievements in the environmental area. Elmac was an industry leader in in implementing an ‘Autopot’ hydroponic system which is aimed at reducing nutrient and waste water to zero. Elmac was also a finalist in the Ericsson 2002 Innovation Awards.This is a gilt metal medallion, oval-shaped, with an ornamental edging and a shield-shaped design on one side and a circular design on the other. The top has two metal rings for attachment to a chain or wall hook. On one side: ‘Environmental Achievement, Elmac Hydroponics’ On obverse side: ‘Powercor Warrnambool Region Business Achievement Awards, 2000’ elmac hydroponics, powercor business awards, warrnambool

This is a framed photograph showing a key event in Warrnambool's history - the proclamation by Sir Arthur Stanley of Warrnambool as a city in 1918. Warrnambool was the fifth non--metropolitan town in Victoria to be declared a city and a large crowd gathered outside the Town Hall to see this event. Sir Arthur Stanley (Lord Stanley of Alderley) was an English nobleman, Parliamentarian and soldier who was the Governor of Victoria from 1914 to 1920. The photographer was Arthur Jordan who, like his father Joseph, was a prominent photographer in Warrnambool at the end of the 19th and the beginning of the 20th centuries and took many official photographs of civic affairs. The donor of the photograph, probably immediately after the event to the Warrnambool Museum at the time under the auspices of the Warnambool Mechanics' Institute, was George Mackay, a prominent Warrnambool lawyer, Councillor and Mayor. He was probably responsible for the framing of the photograph.This is a significant photograph as it is a record of an important event in Warrnambool's history and is a great research toolThis is a black and white photograph in a polished wooden frame with a card inset and a glass covering. The photograph shows the Governor of Victoria, Sir Arthur Stanley, in civilian dress standing on a platform outside the Warrnambool Town Hall proclaiming Warrnambool a city. Behind the Governor on the platform are many men and some women and in the foreground left is a band and in the foreground centre are Army school cadets. The photograph frame has a wooden backing with a piece of wire attached for hanging the object. In the photograph also is a columm with a sign on it.His Excellency the State Governor Sir Arthur Stanley Proclamation- Warrnambool a City 23rd May 1918 Warrnambool Museum & Art Gallery Presented by G.S.Mackay Warrnambool Arthur Jordanwarrnambool -a city in 1918, sir arthur stanley, george s. mackay, arthur jordan

Photo sourced from N. Stone reproduced on p178 of The Diamond Valley Story by Dianne H. Edwards, Shire of Diamond Valley 1979. "The first Catholic Church, Main Street, Diamond Creek. Opened in 1874, it has been replaced by the new Sacred Heart Church next to the railway station. Additions built during the 1970s have transformed it into an abbey-like restaurant. This photo shows the building before the alterations." Similar image by John T. Collins held by State Library of Victoria dated 1963 http://search.slv.vic.gov.au/permalink/f/1o9hq1f/SLV_VOYAGER1672213 Former Catholic church with significant development became the Abbey Reception Centre and now Tobin Brothers 49-55 Main Street See images https://tobinbrothers.com.au/diamond-creek/Black and white copy of photo printed on glossy photographic paper 30.5 x 40.5 cm (12 x 16 inch); image size approx. 18.5 x 28 cmabbey reception centre, catholic church, diamond creek, diamond valley story, tobin brothers, main street

The Loyal Orange Institution of Victoria was established in 1843. As a society composed of Protestants, it works to support and defend the Protestant faith. The Institution is named in honour of King William III, Prince of Orange (1650-1702) and his achievements for civil and religious liberty. The first Orange Lodge in Victoria was founded in 1843, following a sectarian protest in Elizabeth Street Melbourne over the election of a Protestant candidate to the Legislative Council. By the 1890s there were 169 branches in Victoria, engaged in political lobbying for mainstream Protestant issues like temperance, Sunday observance, opposition to state aid for church schools, and opposition to any expansion of the political influence of Roman Catholics. The monthly meetings had an element of secrecy, as members wore regalia and followed a simple ritual. No Catholics could join. Women were admitted to Lodges in 1903.Single-sided sheet printed in blue ink containing program details. Decorative title at top of page, with central image of cavalier on rearing horse within a decorative ribbon and floral border, containing a Protestant oath. Loyal Orange Institution of Victoria "True Blues" Lodge Annual Tea and Entertainment Programmeloyal orange institution, protestant, societies, religion

A test tube, also known as a culture tube or sample tube, is a common piece of laboratory glassware consisting of a finger-like length of glass or clear plastic tubing, open at the top, usually with a rounded U-shaped bottom. Test tubes are widely used by pharmacists to hold, mix, or heat small quantities of solid or liquid chemicals, especially for qualitative experiments and assays. Their round bottom and straight sides minimize mass loss when pouring, make them easier to clean, and allow convenient monitoring of the contents. The long, narrow neck slows down the spreading of vapours and gases to the environment. Test tubes are usually held in special-purpose racks. Culture tubes for biology are usually made of clear plastic (such as polystyrene or polypropylene) by injection moulding and are often discarded after use.A clear plastic test tubepharmacy, test tubes, plastic, culture test tubes, moorabbin, bentleigh, cheltenham, polypropylene, laboratories

This political cartoon and black and white drawing depicts a man who looks like Mahatma Gandhi (1869-1948) an Indian lawyer, anti-colonist and political ethicist (who employed nonviolent resistance to lead the successful campaign for India’s independence from British rule) pushing a hand push lawn mower in front of a house being renovated. A big man representing a politician stands in the background. Gandhi was involved in the Round Table peace conferences of 1930-1932 organised by the British Government and Indian political personalities to discuss constitutional reforms in India. Percy Leason (1889 - 1959) was a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. He lived in Eltham from about 1924 to 1938 when he moved to the USA. This image was published by Melbourne publisher Thomas Nelson.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image and 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, percy leason, cartoon, comic, mahatma gandhi, india, drawing, political cartoon

Queenstown (St. Andrews) District. Originally published in The Leader, Nov. 2nd, 1929, p30, with the title "Relics of the Old Mining days in the Queenstown District," a series of seven numbered photographs with captions : 1. Two Old-Timers, Brothers Tom and Alex McPhee, Camped on Back Creek. 2. Like the Caledonia, Every Yard of Queenstown Creek has been Washed. 3. Poppet Heads of the Caledonia Mine. 4. A Warning to Possible Land Buyers or Encouragement to Prospectors? 5. Mr. A. Harvey has been Prospecting the District, Washing a Loam, for Some Years. 6. John Olsen, of Smith's Gully, an Old-Timer, who is Shortly Going to Norway to Claim an Inheritance. 7. Queenstown Cemetery. - The Hills Form a Splendid Memorial to Many a Digger.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, queenstown, gold mining, a. harvey, alex mcphee, back creek, caledonia mine, john olsen, poppet heads, queenstown cemetery, queenstown creek, smiths gully, st. andrews, tom mcphee

The bed jacket, a woman's garment, is a waist-length robe worn to cover the chest, shoulders and arms while sitting up in bed. Its short length and cape-like cut allowed it to be put on (or removed) while in bed. Often made of sheer or lacy fabrics and displaying very feminine trimmings and details, it was often used more for seduction, rather than warmth or modesty. It was popularized in 1930s Hollywood films featuring glamorous settings and glamorous stars lounging languorously in their silken bedrooms. Ostrich feather tips, swan’s down, pleated tulle and shirred lace were just a few examples of the extravagant materials that could be used in creating these confections. These garments are currently very popular with people who have been hospitalized or recommended bed rest. (Source: http://www.wikipedia.com) Pale lemon coloured ladies silk bed jacket with silk lace edging. Figured silk bow tie at front neck.home, lace, female, ladies, silk, bed, jacket, bow, made

Its twisted old trunk is gnarled, its disembowelled carcass plump with cement and now, like many outback legends, its cadaverously pale and very dead. It has stood, an unmolested leafy sentinel, over Barcaldine’s Railway Station depot since the 1880s. It was a living Australian Labor Party memorial and heritage-listed. The double centurion, Oak Street’s most senior resident, was respectfully nursed into its dotage by Barcaldine’s faithful. Countless thousands of travellers photographed it, patted it and peered up at its bushy green tops with dutiful reverence. ... And then, by an act of craven foul play, it was murdered. Allegedly. Cold, hard forensic science pronounced death by poisoning. Sometime around May Day 2007 they reckon. (Australian Travellor, November 25, 2007.)Photograph of Philip and Elizabeth under the Barcaldine Tree. It was in the shade of this tree the Australian workers rallied and the Australian Labor Party was formed after the ramifications of the great shearers strike in 1891.barcaldine tree, australian labor party, chatham-holmes family collection

A spokeshave was made with a wooden body and metal cutting blade. With industrialization metal bodies displaced wood in mass-produced tools. Spokeshaves can be made from flat-bottom, concave, or convex soles, depending on the type of job to be performed. They can include one or more sharpened notches along which the wooden shaft is pulled in order to shave it down to the proper diameter. Historically, spokeshave blades were made of metal, and the body and handles were wood. Unlike a drawknife, but like a plane, spokeshaves typically have a sole plate that fixes the angle of the blade relative to the surface being worked. By the twentieth-century metal handles and detachable blades had become the most common. A convex, wooden, variant of the spokeshave is called a travisher; at one time mostly used in chairmaking.A tool of the cooper and other woodworking tradesmen that has been in use since the making of barrels and wooden buckets for hundreds of years without much change to the design or how the tool is used.Spokeshave, with two wooden handles on either side. Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, coopers tools, spokeshave, barrel making, wood plane, wagon making, joiners tools, carpenter tools

'The first panel celebrates the long history of runners that use the park. Richmond Harriers Athletics Club was established in 1913 and is the oldest athletics club in Victoria. The central panel depicts young female footballers and recognises female athletes and the popularity of women and girls' teams in contemporary sports. The final panel depicts a children’s cricket match. The young players are represented through the depiction of a game that is part of our national psyche and firmly entrenched in Australian culture.'Inner-city parks like Citizens Park have many diverse uses. They provide places to play, to exercise and to relax. They are spaces for community and are often subject to competing values and interests. The re-development of the Jack Dyer Pavilion at Citizens Park allows for the growth of the local community’s diverse interests and values and enables participation and interaction. 'The Park' focuses on the recreational uses of Citizens Park and its role as a community space in an area that is changing rapidly. The mural consists of three panels that address inclusivity and access to sport. Three core sporting groups who each utilize the pavilion and park as a public recreational space are represented: children, sport teams and runners. In fostering the representation of these groups, the panels also attest to the past, present, and future of this important space.Three sporting groups are represented: athletics/runners, women footballers in line formation and young cricketers in action/play. Accompanying plaquesport, women, community, richmond, parks