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Melbourne Legacy
Document, Girls Legacy Classes, 1976
A recollection of information about Girls Legacy Club and its primary instructor Miss Enez Domec Carre. It was written by C.E. Chancellor in June 1976. "Draft only. Girls Legacy Classes When I was attached to Girls' Classes after being transferred from Mildura Club to Melbourne, I found that the difference between the administration of the Girls' and the Boys' Classes was that the Girls' Classes were centralised in one building in Market Street, whilst the Boys' Classes were held in Melbourne and in various suburbs. The building in Market Street was leased from the Melbourne City Council, it was old, had narrow stairways, small rooms and was dusty and noisy so that is can be appreciated that the classes were held under great difficulties and inconvenience. Classes were held on both Friday and Tuesday nights of each week and the girls were trained in physical culture, ballet and dancing, and most of them also attended a speech training class. The girls were divided into Junior, Intermediate and Senior girls, and the hourly classes commenced at 5 p.m. It will be appreciated that after WW2 the numbers of girls attending increased considerably (actual numbers may be on old files) and it was necessary for the overall organisation to be efficient for this work to be efficiently carried out. In retrospect I do not think that too great a tribute can be paid to Miss Enez Domec Carre, F.P.C.V., not only for her great ability in teaching the physical culture and dancing classes, but also because she became the confidant of the mothers and the girls for their particular problems, and was able to transmit these to the Class Legatees, and she also assisted in helping to solve them - and be sure there were many of them with so many girls and families involved. Miss Carre was also responsible for the many magnificent presentations of the various items learnt by the Classes during each year and of the merging of individual classes held at various times and days to enable them to be so successfully shown at the each annual Legacy Parade. Miss Carre also organised the Mothers, Legatees' wives and friends into sewing groups to provide the thousands of costumes required for the items presented, and naturally she had to design these costumes - all of this work was carried out, as previously mentioned, under the extreme difficulties they were working under in the Market Street building. The purchase of Legacy House and the transfer of classes to this building was of immense help and importance in the carrying on of these classes which have proved so valuable to Legacy work. Many of the girls - now Mothers and Grandmothers still help in Legacy work and still appreciate the value of the Girls' Classes were to them. C.E. Chancellor cc. to Legatees A.R. Beattie / Larkin / Gibsey"A nice summary of the work done by Miss Enez Domec Carre for Legacy and the conditions the classes were held in prior to moving to Legacy House.White foolscap paper with black type x 2 pages recollecting the contribution Miss Enez Domec Carre to the Girls Physical Culture Classes as well as details of location of classes.girls' classes, girls' club, junior legatee -
Phillip Island and District Historical Society Inc.
Booklet, Churchill Island Sale Booklet, 1938
Small booklet prepared for the Sale of Churchill Island - distributed by Martin & Co. Melbourne. The Island was owned from 1929 until this time by Gerald Buckley . An absentee owner, Buckley employed the Jeffery brothers, Bob and Ted, with the help of Harry Cleeland, to run the property. The Jeffrey brothers were promised by Buckley that Churchill Island would be passed to them on his death but this never happened. HistoricalBrown covered booklet with Information, maps and photos of Churchill Islandchurchill island, churchill island sale -
Eltham District Historical Society Inc
Photograph, Ada and John Ingram at their home, Glenair, 9 Minifie Avenue, Anglesea, c.1949
John Ingram, baker of Research and his wife Ada (nee Key) owned a holiday house (Glenair) at 9 Minifie Avenue, Anglesea. At some time between 1943 and 1949 they relocated permanently to Anglesea. The window behind them consists of leadlight panels of famous composers, two of which are Beethoven and Mozart. These leadlights were originally located in the Allan's Music Store in Melbourne9 minifie avenue, anglesea, house, ada ingram (nee key), glenair, pam thoonen (nee ingram) collection, allan's music store melbourne, beethoven, composers, john ingram, leadlight windows, mozart -
Eltham District Historical Society Inc
Work on paper (item) - Photograph, 2 Metery Road, Eltham South
Robert and Ada Zull built an Alistair Knox designed house at 2 (lot 8) Metery Road, Eltham, a one acre property for their family of five in the mid 1960s. Susan Bennett, nee Zull's reminiscences are published in EDHS Newsletter, February and April 2020. "..My father bought second hand bricks and began to pave them over the quagmire outside..."This series of photographs together with the account of personal remiscences provide a unique document of the construction of an Alistair Knox designed home. Knox was a pioneer in the use of mudbricks and recycled materials and is significant to his contribution of this style of architecture in Eltham and the wider Shire of Nillumbik.zull family, eltham south, 2 metery road, alistair knox, bush block, construction, vw beetle -
Mission to Seafarers Victoria
Memorabilia - Framed badge, Classic Picture Framers, 2016
Badges from the Harbour Lights Guild were found in a bag in the archives. 20 of them were framed as memorabilia to give to women of substance of the Mission as a token of appreciation. The number 2 was given to Linda Dessau, Governor of Victoria, in 2017. The number 16 was given to Uma Kothari after she brought back the trowel and during the opening of her exhibition in June 2019.The badges are a reminder of the dedication and hard work of women for the Mission.Small white badge and a golden label below with information about it mounted on a black paper and framed in a square black framebadges, flying angel, hlg -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The Three crosses of sacrifice by Leigh Conkie, 18/03/2014
The Three crosses of sacrifice. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The Writer (Billy Turner) by Leigh Conkie, 18/03/2014
The Three crosses of sacrifice. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, Plaque accompanying chainsaw statues by Leigh Conkie, 18/03/2014
Plaque accompanying chainsaw statues by Leigh Conkie. These chainsaw sculptures were in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.1 Colour digital photograph.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Victoria Police Museum
Photograph (police women, street patrol)
Elva Carr was unhappy waiting around at Russell Street for policemen to bring the work to them. In 1947 she asked Kath Mackay for the opportunity for police women to be more involved in police work. Having proved their worth the Street Patrol was established in 1948 and the police women patrolled the streets in their patrol car, dressed in dark blue uniforms and peaked caps with a silver police badge. Joyce Johnston and Elva Carr during Street Patrol, date unknown.police women, johnston, joyce evelyn 9840, carr, gwenyth elva 9835, street patrol, police woman, policewomen, policewoman -
Australian National Surfing Museum
Photograph, Louis Whyte surfing Lorne 1920, 1920
This photograph shows Louis Whyte from Geelong riding a solid redwood timber surfboard at Lorne Beach in Victoria, Australia. Whyte travelled to Hawaii in 1919 spending 6 months at Waikiki learning how to surf. He purchased 4 solid redwood timber surfboards on the beach at Waikiki and brought them back to Australia. Whyte is the first documented surfer in Victoria.One of the earliest photographs of a surfer riding a wave in Victoria. Black and white photograph of Louis Whyte riding a wave at Lorne in 1920 on a solid redwood timber surfboard.Nonelouis whyte, lorne, surf, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Craft - Craft equipment, wool winder, c1860
Pioneers migrating to Moorabbin Shire brought items they thought would assist them in the new Country. They had to be self reliant and made their own clothing and utensils while establishing their market gardens and farms. A wooden wool winder, with extending arms for winding hanks of wool into balls prior to knitting. For ease of use the winder also rotates. Circa 1860s this winder was made in Ireland.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items used to exhibit the skill and craftsmanship of the women in these families. Phillip Jones migrated from Ireland c1852 and his son, James Jones 1857 – 1940 was born in East Brighton , married Mary Ann Moore and raised his family in Bentleigh, as the area became known. A wooden wool winder, with extending arms for winding hanks of wool into balls prior to knitting. For ease of use the winder also rotates. Circa 1860s this winder was made in Ireland.brighton, moorabbin, pioneers, bentleigh, market gardeners, wool, craft work, early settlers, knitting, craft equipment, jones mary ann, jones james, jones phillip, herron john -
Port Melbourne Historical & Preservation Society
Photograph - Sugar shed, corner Rouse and Johnston Streets, Port Melbourne, Elizabeth Rodda, May 1999
Photographic competition organised 1999 by PMH&PS and developer John Sheridan of Sheridan Property at suggestion of Cr David Brand when plans for demolition were approved by Council. Second prizewinner Ellizabeth Rodda was the only entrant able to access the interior and, feeling that this gave her an advantage over others, did not enter any interiors but donated them at the prize presentationColour photograph of Sugar Shed interior, corner Rouse and Johnston St. View showing exposed roof beams.industry, manufacturing, sugar shed, joshua brothers distillery -
Dutch Australian Heritage Centre Victoria
WWII Identity Cards, 1941 saw the introduction of Identity Cards
When the German Government imposed ID cards on the Dutch population they employed the collaborator and expert designer Jacob Lentz who claimed they were impossible to forge. The Jewish ones showed a black J on both front and back. However, a Jewish woman living in the Netherlands, Alice Cohn, did learn how to replicate them and thus saved numerous Jewish lives.These items are significant insofar as all Dutch citizens over the age of 15 were obliged to carry ID on their persons at all times.Proof of Identity cards issued by the Dutch Government under orders of the German occupying forces. Inside each folder are the owner's full name; DOB; address; occupation; fingerprints and Date of Issue.a) Photograph and signature of male - J.W.W. v. Alphen. Stamp: Gemeente (Municipality) Rotterdam. Inside cover: R29 No.487892. DOB: Sept.20 1890. b) Photograph and signature of female - H. v. Alphen. Stamp: Gemeente (Municipality) 's-Gravenhage. Inside cover: G41 No.003830. DOB: 12 July, 1920. -
National Wool Museum
Textile - Blanket, Godfrey Hirst, 1950s
Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong -
National Wool Museum
Textile - Blanket, Kelsall and Kemp, 1950s
Collector says: "I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized blanket, soft pastel pinkWarranted 100% Pure Wool/The Famous "Doctor" Regd/Blanket Made in Tasmania/in Emblem "K&K" (first K mirror image)/Regdwool, blanket, blanket fever, the famous doctor, kelsall and kemp, tasmania -
National Wool Museum
Journal, George Hague & Co.'s Weekly Station Produce Circular, no. 73
"George Hague & Co.'s Weekly Station Produce Circular, no. 73, Tues. Sept. 21, 1880". George Hague and Co. are stock and station agents, and this is a weekly circular produced by them last century promoting their services and giving an account of the state of the wool and agriculture industry. The 'Western Wool Warehouse' is pictured on the front cover; it stood formerly on Western Beach but is now demolished.wool brokering wool sales sheep stations wool stores, george hague and co. pty ltd, western wool warehouse, geelong, victoria, wool brokering, wool sales, sheep stations, wool stores -
National Wool Museum
Journal, George Hague & Co.'s Weekly Station Produce Circular, no. 77
"George Hague & Co.'s Weekly Station Produce Circular, no. 77, Tues. Oct. 19, 1880". George Hague and Co. are stock and station agents, and this is a weekly circular produced by them last century promoting their services and giving an account of the state of the wool and agriculture industry. The 'Western Wool Warehouse' is pictured on the front cover; it stood formerly on Western Beach but is now demolished.wool brokering wool sales sheep stations wool stores, george hague and co. pty ltd, western wool warehouse, geelong, victoria, wool brokering, wool sales, sheep stations, wool stores -
Whitehorse Historical Society Inc.
Document, Hollins Estate, 1955
Private sale of 22 hillside home-sites on Junction Road, Blackburn, called Hollins Estate by Stanley R. Penny & Co., 524 Whitehorse Road, Mitcham.hollins estate, stanley r. penny & co., real estate agents, blackburn, junction road, suto, joyce -
Ballarat Heritage Services
Letter, re Joan Sutherland stamps from Australia Post, 2004
A Golden Celebration A Gala Tribute to Dame Joan Sutherland and Mr Richard Bonynge was held at Opera Theatre Sydney Opera House on Thursday 22 January 2004. The major patron was Australia Post who issued stamps with Joan Sutherland's image on them. Many singers took part in the Celebration Concert, including Jacqueline Dark and David Hobson both born in Ballarat. A4 white page with black typed textjoan sutherland, stamps, richard bonyngne, jacqueline dark, david hobson, opera, a golden celebration -
Ballarat Heritage Services
Booklet - Order booklet, Joan Sutherland stamp order booklet, 2004
A Golden Celebration A Gala Tribute to Dame Joan Sutherland and Mr Richard Bonynge was held at Opera Theatre Sydney Opera House on Thursday 22 January 2004. The major patron was Australia Post who issued stamps with Joan Sutherland's image on them. Many singers took part in the Celebration Concert, including Jacqueline Dark and David Hobson both born in Ballarat. 4 page booklet with order form at back. Green background with coloured photographs and gold text.joan sutherland, stamps, richard bonyngne, jacqueline dark, david hobson, opera, a golden celebration -
Ballarat Heritage Services
Stamps, Joan Sutherland stamps issue, 2004
A Golden Celebration A Gala Tribute to Dame Joan Sutherland and Mr Richard Bonynge was held at Opera Theatre Sydney Opera House on Thursday 22 January 2004. The major patron was Australia Post who issued stamps with Joan Sutherland's image on them. Many singers took part in the Celebration Concert, including Jacqueline Dark and David Hobson both born in Ballarat. Issue of stamps in place in A4 presentation cardboard with image of Dame Joan Sutherland in costumejoan sutherland, stamps, richard bonyngne, jacqueline dark, david hobson, opera, a golden celebration -
Ballarat Heritage Services
Program, Joan Sutherland A Golden Celebration, 22 January 2004
A Golden Celebration A Gala Tribute to Dame Joan Sutherland and Mr Richard Bonynge was held at Opera Theatre Sydney Opera House on Thursday 22 January 2004. The major patron was Australia Post who issued stamps with Joan Sutherland's image on them. Many singers took part in the Celebration Concert, including Jacqueline Dark and David Hobson both born in Ballarat. Cream card covered A4 booklet. Gold writing text on cover. Gold blue and black writing on white paper, with images throughout of Joan Sutherland and Richard Bonynge. A synopsis of the life and celebration of the works of Joan Sutherland and Richard Bonynge, the program of events of the celebratory concert, a list of performers and artists.joan sutherland, stamps, richard bonyngne, jacqueline dark, david hobson, opera, a golden celebration -
Melbourne Legacy
Flag, Legacy Torch
A large fabric flag of the Legacy logo. It would be used on many occasions to identify and promote Legacy. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The flag was used in many events up to at least the early 1990s to promote Legacy. An example of the Legacy logo being used on a flag.Commercially made Legacy Flag. Legacy symbol appliqued onto yellow background. Flag rings attached.legacy promotion, logo -
Melbourne Legacy
Photograph - Photo, Anzac commemoration for students 1992, 1992
A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The photo shows a group of dignitaries walking up the steps of the Shrine. One of them is the Governor of Victoria, the Hon. Richard E. McGarvie, AC QC. It appears to be when Geoffrey Swan was President which was 1992. Negatives of the day are at 00581.A record of a ceremony for school students at the Shrine.Black and white photo of the Governor and offical party on the steps of the Shrine in 1992.anzac commemoration for students, governor of victoria, wreath laying ceremony -
Otway Districts Historical Society
Book, Reader's Digest Services Pty Limited, The real McCoy, 1984
All the names in this book are familiar and most of them slip into general conservation without a thought being given to the fact that they belong to real people. The real McCoy who gave his name to this expression was Norman Selby, a boxer born in Rush County, Indiana, in the United States, who changed his name on boxing to Charles 'Kid' McCoy to have a 'better' Irish name.The real McCoy. People behind the names you thought were fiction. Eileen Hellicar. 1st ed. Reader's Digest Services Pty Limited; Surrey Hills (NSW); 1984. 52 p.; illus. Soft cover. ISBN 0 949819 55 7 mccoy; norman selby; eileen hellicar; -
Beechworth Honey Archive
Antique Smoker
Smokers are used to calm bees. This is done by putting some kind of fuel into the chamber (pine needles, hessian, anything that smokes a lot when it burns), lighting it, then puffing the bellows to bring forth the smoke. The smoke has a calming influence over the bees, and helps stop them from stinging. The guard around the outside is to prevent burns via contact with the hot chamber.Circular canister, metal, with spout attached. Connected by metal struts is bellows. Bellows have wooden front and back, joined by leather that is attached by metal.smoker, antique, beekeeping, beechworth honey -
Beechworth Honey Archive
Antique Smoker
Smokers are used to calm bees. This is done by putting some kind of fuel into the chamber (pine needles, hessian, anything that smokes a lot when it burns), lighting it, then puffing the bellows to bring forth the smoke. The smoke has a calming influence over the bees, and helps stop them from stinging. The guard around the outside is to prevent burns via contact with the hot chamber.Circular canister, metal, with spout attached. Connected by metal struts to circular bellows. Bellows are missing. Canister very rusty, extensive use wear. Lid is fused to canister.rusty, smoker, antique smoker, beechworth honey -
Beechworth Honey Archive
Antique Smoker
Smokers are used to calm bees. This is done by putting some kind of fuel into the chamber (pine needles, hessian, anything that smokes a lot when it burns), lighting it, then puffing the bellows to bring forth the smoke. The smoke has a calming influence over the bees, and helps stop them from stinging. The guard around the outside is to prevent burns via contact with the hot chamber.Circular canister, metal, with spout attached. Connected by metal struts to bellows. Bellows have wooden front and back joined by leather that is attached by metal. Very rusty; lid fused shut. Extensive use wear.rusty, smoker, antique smoker, beechworth honey -
Beechworth Honey Archive
Antique Smoker
Smokers are used to calm bees. This is done by putting some kind of fuel into the chamber (pine needles, hessian, anything that smokes a lot when it burns), lighting it, then puffing the bellows to bring forth the smoke. The smoke has a calming influence over the bees, and helps stop them from stinging. The guard around the outside is to prevent burns via contact with the hot chamber.Metal circular canister with spout and metal struts which connect the canister to bellows. Bellows are constructed from leather and wood. Object is broken; bellows and canister are not attached.smoker, bee, beekeeping, beechworth honey -
Vision Australia
Photograph - Image, Transcribing Braille with frame and stylus
Two sighted women sit in an outside porch at the Braille Library in South Yarra, transcribing the books in front of them into Braille, using a stylus and frame. This image shows sighted volunteer Braille transcribers. At this time all Braille was manually transcribed using a hand frame and metal stylus. These volunteers worked at Australia's first Braille Library created by the Victorian Association of Braille Writers.Black and white image of two Braille writersbraille equipment, victorian association of braille writers