A rufous bettong is about the size of a rabbit, with body length ranging from 30cm to 38cm among species. All bettongs have long tails, roughly equal to body length. Body weight ranges from 1.2 kg in the smallest species (Northern Bettong) to 2.8kg in the Rufous Bettong, the largest of the group. Males tend to be slightly larger than females. Bettongs have furry coats, ranging in colour from grey to ginger and brown. The bettong is endemic to Australia, and is an important part of Australia's Indigenous biodiversity. There are five living species of bettong; Eastern Bettong, Burrowing Bettong, Brush-tailed Bettong, Northern Bettong, Rufous Bettong. The bettong is a member of the Potoroidae family along with the endangered Potoroos, and the extinct Desert Rat-Kangaroos. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from either the Trustees of the Australian Museum or from the amateur anthropologist Reynell Eveleigh Johns between 1860-1880 and mounted by members of the Burke Museum Committee around the same time. When all Taxidermy mounts were completed, they were quickly put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Average sized rufous bettong with large clawed hind legs, small clawed fore legs, and a long tail that is roughly the length of its body and covered lightly in fur. The pelage of the bettong is fine and soft with the body fur cream and pale ochre in colouring with specks of brown while the underbelly is a solid cream colour. The head is small with a short muzzle and two small rounded ears, and features two round dark brown eyes made from clay.On mounting board: BMM5893/burke museum, taxidermy, taxidermy mount, bettong, rat kangaroo, bettongia, fauna, animal, animalia, potoroidae, reynell eveleigh johns, rufous bettong, rufous rat-kangaroo

Australian masked owls are an Australian barn owl species ranging across most of mainland Australia and Tasmania, generally within 300 km of coastline. Masked Owls are a medium sized bird averaging 390-500mm in length with wing spans up to 1250mm. There are several subspecies across Australia and the Tasmanian Masked Owl is the largest. Female Masked Owls are markedly larger than males. Masked Owls prefer forested, woodland, or timbered waterway habitats to open country, and nest in tall trees with suitable hollows and adjacent areas for foraging. They are territorial and hunt small mammals, rodents, rabbits, reptiles and small marsupials. Population numbers are in decline on the mainland and in Victoria the species is considered threatened. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Masked Owl specimen is medium sized with a large head and distinctive heart-shaped facial markings. The plumage is mostly brown, patterned with flecks and patches of white, chestnut and light grey. The tail is short and largely concealed by long wing feathers. The face, feathered tarsi and underparts are much paler in contrast to the dorsal plumage, and the facial mask is edged by a distinct dark brown line. The eyes are large and yellow. This specimen stands on a wooden perch pedestal with identification tags attached to its leg. 12. / Delicate Owl / See Catalogue, page, 3 /taxidermy, taxidermy mount, masked owl, burke museum, australian museum, owls, birds of prey, heart-shaped faced owl, nocturnal birds, predator birds, barn owl, carnivore, tyto novaehollandiae, australian masked owl, tytonidae, tyto, territorial owl, threatened species, animalia, australian owls, tasmanian masked owl

Photographs associated with Public Schools camp, that started in the 1930s. Some boys worked on chicory at McFee's farm. 314-05 was possibly located at Trenavin Farm, Ventnor. (Source Jan Andrews ) Photo of people on cart with tank stand was off to a 7 picnic at the Nobbies 1917. [See 1124-01] Keeston Sambell driving, behind him is Betty Parker. on side from left is May Lambert, Jim Patterson, Jim Blake, Carmen Sambell and Bill Sambell.[ Source Jim Blake] Eight black & white photographs. 314-01. Photograph of horse and cart with 2 women, 2 girls and 5 boys. 314-02. Photograph of a mixed group of 7 people on a horse and drag. 314-03. Photograph of 3 young adult males and a dog standing in front of a wooden building. 1926 “Campers Rest” Labelled The Immortal camp at Ventnor. Poss. Trenavin Park 314-04. Photograph of 5 boys and 1 woman swimming in rock pool. 1 boy watching. 314-05. Photograph of old wooden hut with tank and chimney. Appears to have been used by boys when camping. 314-06. Photograph of 4 boys - 2 in swimming costumes - on the beach. 314-07. Photograph of 3 women and 1 girl sitting on sand dunes. 314-08. Photograph of 3 boys in uniform and 1 man sitting on bench - maybe watching sporting event?scotch college camp phillip island, scotch college boys, s j mcfee, c.k. newman, f. r. newman, trenavin park phillip island, sambell family, jim blake, betty parker

Black and white photograph of E. W. Hands Butchery and poulter shop, located at the corner of Forest and Barnard Streets, Est. 1859. Verandah faces both streets and has very ornate lacework where the hand rail is fitted on the top floor, and more lacework the top edge of the roof and similar lacework at beneath the floor of the top floor. There are seven males standing front and centre wearing the uniform of the trade, coat and black and white horizontal striped apron. Other bystanders can be seen to the left including children. A large tree can be seen to the left and a smaller leafless tree to the front facing Barnard Street. Two large white posts font centre, left post does not appear to have attachments, the other has five crossbars carrying power and/or phone wiring, and some sort of decoration attached to the top of the post. Top right corner can be seen the wiring to provide power for the trams.buildings, commercial, hands butchery

Sepia photograph of 'Sloyd Class' California Gully. Photograph on light brown board and taped to brown cardboard. 21 boys in woodworking aprons holding various articles sitting in rows in front of verandah. One male adult standing. Boy in centre of middle row holding a small blackboard. Inscriptions: some faint pencil writing on board. On front - circular blue stamp 'Royal Historical Society of Victoria, Bendigo Branch'. TR GP83.On back - circular blue stamp 'Royal Historical Society of Victoria, Bendigo Branch' x 2. On mount board names faintly written include '.. Bennett', 'Howard Heath', 'Frank Wallis', 'Les Wilcox', 'Billy Grille', 'Tom Rogers', 'Harley Tozer', 'Les ..', 'Clarrie .. Most names illegible. 'GP83. History: Previous Acc. No. California Gully (Bell Topper Hill) State School. Howard Heath, instructor. Names of students attached?education, secondary, boys, bendigo, california gully state school, bell topper hill state school, bendigo schools, schools, education, bendigo

Black and white (in cardboard) photograph of early Huntly bus. James Lerk 'A Cobb & Co coach body mounted on a motor truck, to serve as the Huntly to Bendigo bus. Photographed by Bartlett Bros'. Male passengers wearing suits, collars and ties, hats. Photocopy of reverse inscription, dated Bendigo Oct 1st 1926, reads - ' This picture represents an old Cobb & Co's coach. It is over sixty years old, and ran from Castlemaine to Swan Hill in the old coaching days, and afterwards ran from Bendigo to Inglewood. It was owned by Mr Shadbolt, and was purchased from him by Mr Bannerman of Huntly near Bendigo, who had the undercarriage taken off and the body placed on a motor chassis. It now runs between Bendigo and Huntly as a daily motor transport. It has never been painted since it was made.' See Research. Portrait (scan of photocopy) of William Bannerman attached.Bartlett Brosplace, transport, early bus, huntly bus; cobb & co.; bannerman, william dougal; shadbolt, alfred;

Black and white photograph, in cream folder, of Easter Parade 1957, featuring Cohn Bros 100 years floats. Truck and tray carrying two females and display of Cohn's produce. Small truck with large model of tomato sauce bottle. Horse drawn wagon with bales of straw and male and remake figures. Inscriptions: in image - 'Cohn's Ltd, Bendigo', 'Cohn's 100 years of Progress', 'Bendigo, Swan Hill', Small advertising hoardings on large truck, something soft drinks. 'Say Cohn's please'. Lemonade, Pine Quench, Kola Beer, Lemon Quench, Ginger Beer, Raspberry Quench, Dry Ginger Ale, Grapefruit, Lime and Soda, Mandarin, 6 o'clock lager, Passionfruit. 'Quick and Quenchy'. On front cover BR cover printed 'Reg Brock of Bendigo'. On frame of image BR hand written 'Reg V Brock'. History: Previous Acc. No. MP200.Reg V Brockperson, group, easter procession?

Sepia photograph on grey board of Cohn Bros Cricket Club. Perhaps employees of Cohns, dressed in suits, shirts, ties and pants. Some seated. Some on platform at rear, cricket pads on one male, one holding bats, another a ball. Inscriptions: on front - hand written at top in ball point pen 'Cohn Bros Cricket Club'. At top R corner 'GP26'.On back - 'Royal Historical society of Victoria, Bendigo Branch' circular stamp. Written in ink - 'Back row: Dave Guerin, Tom McCormick, W Nielsen, Squimpy Mead, Jack Davini', Middle row: Jack Burns, Jack Kirby, Jack Jordan, Mick Meehan, Pompey Franks, Jack Marshall, Toucher Leahey, Flook Kilby. Front row' Tom Dillon, Dehli Nielsen, Ned Carter, Huey Gratz, Bert Newell', 'Andy Ferrari' (all in pencil with blue ink over). History: Previous Acc. No. 'GP 26'.recreations, sports, cricket, bendigo, sport, entertainment, male, portrait, cohn brothers, clubs, clubs and associations, business

Black and white photo of a group of Jajoweroung or Loddon Aboriginal people in front of their camp. The group consists of four women sitting behind some wooden branches and four men all in native dress. Two men are standing holding spears and two are sitting. The male standing to the left is Prince Charlie and standing to the right is Batten. Behind them is a hut made of bark and sticks. On the bottom of the photo is printed in black ink 'Aboriginal Camp - on - Boort Creek - 1863 -' Photo is inside envelope 2400 418a. On the back of photo 2400 419a the following is hand written in blue ink. The Jajoweroung or Loddon Tribe of Blacks. Aboriginal Camp - on Boort Creek, 1863. Names of Aborigines - Left to Right. Women sitting in front row - Lizzie, Caroline, Maryanne, Kitty. The two men sitting behind the women - Adam, Nero. The two men standing back row - Prince Charlie, Batten. Photo is in envelope 2400.418aphoto, group, aboriginal camp boort creek, boort creek, prince charles, jajoweroung or loddon tribe

Series of Black & White Photos Hill Family & Friends Post War Australia 4 in Total. Two males dressed in white trousers and shirts with dark jackets, one holds a parasol, the other two tennis racquets, gable roofed house in left background, lace work edging on the veranda, tree on nature strip, bushes and trees to right background, promenading Point Lonsdale Victoria Australia 1922. Jonah and child. Jonah wears a dark skirt and white blouse with light coloured coat, child wears full length body suit and is holding Jonah hands, garden setting. Doreen reading in garden, she wears dark clothing, sitting in a cane chair, corner of house veranda and garden in background. Herb, dressed in dark suit with white shirt and dark tie, standing on pier, moored yachts and one under full sail in background, St Kilda Pier Victoria Australia.Hilda Hill Personal Collectionaustralia, history, post war life

Calisthenics use your bodyweight as a form of resistance to help build strength, stability, and cardiovascular fitness.Black and white photo of fourteen young women and three adults - two women, one male. The young women are wearing white shirts, tunic style uniforms, black leggings and white shoes. Typed list pasted on to the back of the mounting board lists the group - Calisthenic Group (St Mark's) Back Row, standing. L. to R. 1. Thelma Watson 2. Margaret Checucci, 3. Kitty Checucci, 4. Eva Earnshaw, 5. ? May Brady, 6. Agnes Pocock, 8. Alma Brown. Second Row, seated. L to R. 9. Jean Checucci, 10. Grace Checucci, 11. Mrs Checucci, 12. Mr Alf Head, 13. Hazel Grainger, 14. Elma Eames, 15. Dorothy Grosvenor Centre Front, reclining 16. Edith Henderson 17. Eileen Frazer Seated at front LHS Edith Henderson at 15 years. (Mother of donor) Joan McDonald Collection.calisthenics, st mark's golden square

Plaque ( made of brown painted heavy cardboard ) with 21 photos attached. In recognition of services rendered by Mr. T.G. Issell, to the Master Butchers Association: On top ' Presented to Mr. T.G. Issell' In centre ' The Bendigo Masters Butchers Association' On bottom ' for valuable services rendered as President' Photos of 20 male people surrounding larger photo in centre. ( Mr. T. G. Issell ? ) are oval shaped, printed on a tin like material, slightly rounded surface. Names are printed underneath photos. Names on board : E.A. Webster, S. Sprenger, W. Inglefinger, M.S. Dunstan, W. Gittins, J.K. Tarner Comm., A.J. Clarke Vice Pres. S. Hewitt, com. R. Wheaton, Com. M.Mulcare, Auditor, W.S. Dunstan, Com. T.G. Issell, Pres. R.E. Issell Com.W. Issell, E.W. Hands, V.J. Ellis, g. Hill, W. Ewing, B. Newman, W.J. Thomas, E.K. Varcoe, Sec.bendigo master butchers association, bendigo, butchers, master butchers association, issell

Book - 28 pages including manila coloured light card cover, centre stapled, titled “RTBU Handbook of Work Conditions and Union Rules”, published by the Rail Tram and Bus Union, Tram & Bus Division in 2007. Gives details of the Union Management - (see Key associations), delegates, a brief history of the tramway union, full garment of uniforms for new members, male and female, tram crews, officers and infrastructure workers, the do's an don'ts and classifications. Has a photo of the Union Management and delegates in the then new conference room - new offices in Queen St. Sponsored by the Austral Credit Union, Transport Health, Holding and Redlich with adverts for these companies and the RTBU Tramway Holiday units at Rosebud, Mile Jolly & Associates (Accountants), Consultum financial advisors, and the Retired Tramway Employee's Association of Victoria with contact details. 2nd copy added 26/6/2017 from donation of Ron Scholten.trams, tramways, rtbu, unions, handbooks

See Item 11000.189Photograph of the Hanro Sample Room: The black and white photo shows a male employee with glasses and wearing a suit and tie showing a female customer sitting on a chair at a table being showed a sample item of lingerie. The lady is wearing a hat, fitted suit and a bag is resting against the chair. At the back on a wall is a light coloured dress on a hanger with a dark belt. Beside the dress on a carpeted floor is a vase with greenery. Along the wall is a long rack of various samples of Hanro items of lingerie, knitwear, clothing. On the back is a blue and cream label. At the top in a blue strip is *Reg. V. Brook* and at the bottom in a strip of blue is *of Bendigo* In the middle printed in blue is No. * H820* is hand written in biro. Pos. *0* is also hand written in biro. Additional copies may be obtained at any time by quoting this number. Photo has two holes at the top 7.4cm apart to be stored in a binder. Box 116A.Reg. V. Brook of Bendigophotograph, building, hanro, hanro. reg. v. brock of bendigo

Historical Information: The anchor is from the wooden sailing ship CHILDREN, which was wrecked at Childers Cove east of Warrnambool on the 15th of January 1839 with the loss of 16 lives. The Children anchor was raised from the wreck site by Flagstaff Hill Divers; Peter Ronald, Garry Hayden (Terang, still), Tim Goodall (now Warrnambool), and Colin Goodall (now Warrnambool), on Sunday 3rd January 1974. A week or so later it was dragged up the cliffs and taken to Warrnambool. It is now on display near the entrance to the Maritime Village and Museum. It appears to be a Pering’s Improved Anchor, developed at Portsmouth after 1813. The addition of broad curvature to the anchor arms provided a stronger purchase than the pre-existing Admiralty Old Pattern Long Shanked Anchor with straight arms. However, the evidence of hammer-welding the separate pieces of the arms and palms to the central shank (peaked crown and flat palms) suggests the manufacture is before the 1831 Rodger’s Anchor design, (which cast both arms and their flukes as one piece that was then attached to the shank by a bolt through the crown). This identification seems consistent with the date of the CHILDREN’s construction in 1824. The CHILDREN was a three masted barque with a wooden hull built at Liverpool in England. She was bought by the Henty family of Portland (Australia Felix) in 1837 for regular coastal trading between Van Diemens Land, the Port Phillip District of New South Wales and South Australia. Only 255 tons burden (92 feet in length, with a beam of 25 feet and depth of 17 feet), she sailed from Launceston bound for Adelaide in late December1838, on her first Australian voyage and under the English master who had brought her out – Captain H. Browne. On board the CHILDREN were 24 passengers, including 9 children; the captain and 14 crew; livestock of 1500 sheep, 8 bullocks and 7 horses; general cargo of beef, pork, tobacco, tripe, butter, limejuice, horse hair, currants, lead shot, beer and spirits; 5,000 house bricks from London; and six whaling boats with associated whaling gear. The vessel was battered by gale force north-westerly winds shortly after setting out from Launceston on 11 January 1839 and adverse sailing conditions persisted for the next four days. At 11 pm on the 15th of January 1839, and many miles north and east of the captain’s navigated position, the CHILDREN struck the Pinnacle, a limestone stack off Childers Cove. Within half an hour the ship was completely destroyed. As well as the loss of livestock and cargo, 16 passengers and crew perished, including the captain, six men, one woman and eight children. In 1931 shifting sands at Childers Cove uncovered the skeleton of an adult male. In 1951 another two skeletons were exposed by storms, an adult male and a child. In 1963 some district scuba divers retrieved a small signal-cannon from the site. And in 1974 Flagstaff Hill recovered the anchor and some house bricks. The shipwreck of the CHILDREN is of state significance – Victorian Heritage Register No. S116.A large forged-wrought iron anchor from the wreck of the CHILDREN. Flat hammer-welded flukes on opposing curved arms and a peaked crown. It has a metal (elbowed) stock or cross-bar and a heavy duty pinned shackle (not ring) for the anchor chain. It is in fair condition but extensively corroded after 135 years on seabed (supported on display) .warrnambool, shipwreck coast, flagstaff hill, shipwrecked coast, flagstaff hill maritime village, flagstaff hill maritime museum, shipwreck artefact, maritime museum, the children, childers cove, anchor, pering’s improved anchor, 1839 shipwreck.

Black and white photograph - Grade 2B, 1956."Attached to photograph" Back Row-L to R: Lester Coulthard, (?) Fitzgerald, Gary West, Graham Nicholls, Philip Male, Evan Patullock, David Simpson, Andrew Carter, Barry Carrington, Geoff Davis, Kenny Boyes. 2nd Row-L to R: Graham reid, Susan Schurmann, Helen Taylor, ?, ?, Lynette Bangay, Ruth Tozer, Helen Cannon, Kathleen Jackson, Denise Judd, Barbara Austin, Jennifer Whitford, Alison Clutterbuck. 3rd Row-L toR: Lynette Rodda, Margaret Kubiak, Carmen Powell, Anne Hill, Magdalena Padjasek, Glenda Bruce, Marilyn John, Sandra Martron, Fay McKenzie, Carol Regan, Susan Appleby, Christine McLennan. Front Row-L to R: John Semple, Andrew Radford, Pam Barber, Cheryl Pepper, Carol O'Reagan, Janet McLeod, Christine Brown, Rodney Rhinhardt, Grant Austin. Teacher:

The Olive-Backed Oriole are very common birds for northern and eastern Australia, as well as New Guinea. Similar to the Yellow Oriole, this species is more versatile yet less distinctive in colouring. The streaked underparts and red bill and eyes are easy identification features of this bird. Both sexes look very similar, with female colouring being slightly duller than males. This species frequents open forests and woodlands, and can tolerate dry climates. Most of this species breeds from September to January during the tropical wet season in northern Australia, but some are known to migrate south to breed in the summer. This species eats mainly native fruit, berries, and insects. This specimen is a good example of this species, but the colouring is very dull compared to living birds. This specimen has one red eye, which is a good example of a distinctive feature of this species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Olive-Backed Oriole has a faint olive-green head and back, and a faint red-tinged beak. Its body is cream coloured with brown streaks. It has one red eye. This specimen appears to be immature and/or female, as it has a pale pill and a duller-olive green back, with streaks quite high up on it's chin, which is indicative of an immature female of this species. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 52a / Australian Oriole / See catalogue page 17. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, oriole, olive-backed oriole, yellow oriole, australian birds

The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as the Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. This Morepork specimen sits on a wooden perch with his head turned to the left. A swing tag is attached to its left leg.Swing tag: 10 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

The Black Shouldered Kite is commonly found throughout mainland Australia in grasslands and other open habitats. It is a raptor (bird of prey) that will eat mice and other small rodents. The species is monogamous and will find a mate by the male giving food to the female while both are in flight. It is sometimes confused with the letter-winged kite though there undercarriages when in flight are very different with the letter-winged showing the letter W or M and the black shouldered kite showing black wing tips with white towards its belly area. The feathers of this species when alive and in the wild are more white than this specimen. The iris is usually red in mature birds so this specimen may not have been a mature bird as its eyes are brown. However, this is difficult to ascertain because it is also possible that the taxidermist who replaced the original eyes with the current glass ones provided a colour which was not accurate to the age/species of the bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Black Shouldered Kite has a white face and front of body with a grey posterior from the top of its head to its tail. It has black on its wings/shoulders. Its face is white with its eyes delineated by small black apostrophe like shapes from the inner eye to the top of the eye. The specimen stands on a wooden perch and has a swing tag tied around its right leg. Its eye colour is brown rather than red, indicating it is not a mature specimen.9. / Black Shouldered Kite / See Catalogue, page 3 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, black shouldered kite

The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as a Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. He sits on a wooden perch with his head turned to the left. A swing tag is attached to its leg.11 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

A person calling herself Jack Jorgenson died at Elmore near Ballarat, Victoria on Tuesday evening, turned out to be a woman and had for years concealed her sex. She was known in the district as "Jack Jorgenson". she went to the district as a farm labourer but did not show any great desire to obtrude on the notice of the residents. Though living a lonely life in a small hut, she did not act as one who had anything to conceal. She wore masculine attire in a natural manner, but thee was a tone of femininity in her voice that she could not conceal. In 1887 she joined the local mounted rifles, and attended almost every drill and every camp until 1891, when she resigned. Her face presented a remarkable appearance, it having been terribly injured by a fragment of shell during the course of the Schlewig-Holstein war between Prussia and Denmark. She stated that in her youth she had been a soldier in the german army, and had seen active service in the Franco-Prussian war of 1870. Jorgensen was a Dane and so far as is known had no relative here. Her sex was disclosed only after her death, the only person knowing of it being Dr H..se of Elmore, who attended her some time since. The woman is believed to be the sister of a Mrs Newman of South Melbourne. Deceased had been using male attire for 20 years, and did all sorts of heavy manual work, including grubbing trees and harvesting and she once ...Newspaper clippingjack jorgenson, elmore, dane, cross dressing

The child's silk smocked dress with feather stitching is believed to have been worn by Mary Hodgetts, sister of the donor's mother. The dress is estimated to have been made in c.1919, but from its style it may date from the 1900s. This would not be uncommon as children's clothing was often 'passed-on' or reconfigured to fit a new wearer. Mary Hodgetts grew up in Kensington Park, Adelaide. As an adult, Mary enlisted in 1941 to the 1st AWAS camp. After six months she volunteers for the 58th AASL (Anti Aircraft Searchlight Battery). She was sent to Sydney where she attended Training School with 33 males and one other female. Mary was the first AWAS to receive a Commission in the RAA (Royal Australian Artillery). Mary Downer was one of many under Mary's command on returning to Adelaide. After a March through the streets of Adelaide, most of the unit transferred to Western Australia (Fremantle area) in 1943 and were scattered amongst the 55th and 65th AASL Batteries. At the conclusion of WW2, Mary travelled to Melbourne to be with her sister and studied Accountancy. She first lived in Mary Street, Hawthorn, and then bought a unit in Harcourt Street, East Hawthorn. During this period she worked as Bursar to St Catherine's Girls' School. On retirement, she purchased a house in Edgecombe Street, Kew, and lived there happily for many years. During this time she was active with the Kew Meals on Wheels, receiving her 10-years of service certificate. Mary Hodgetts died in 2018.Child's clothing associated with the history of a significant Australian woman who served with the 2nd AIFChild's silk smocked dress Shoulder width 26 cm / Length 52 cmmary hodgetts, 58th aasl (anti aircraft searchlight battery), children's clothing, women- ww2

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this dress as a vintage item. Elvie Hill (1917-2018) was a Melbourne fashion designer and a longtime Brighton resident. She established her eponymous label and became well-known for her elegant and feminine designs. She dressed some of Australia's best known women, including Lady Sonia McMahon and Dame Pattie Menzies, and was also known for her boutiques in Melbourne (the last store closed in 1991). She retired in 1999, aged 80.Long-sleeved silk chiffon evening dress with yellow/gold floral print and brown, red and black border at hem. Ruffled neckline and cuffs. Snap fastenings at cuffs and zip at back. Matching silk chiffon sash.Label, inside collar, black on white: "ELVIE HILL / OF MELBOURNE" Label inside seam: "SIZE 10 / TO FIT / Bust 80cm"di reidie, vintage clothing, melbourne designers, elvie hill, 1970s

Commemorative object produced by Simplot Food Service and presented to the City of Greater Bendigo on the occasion of the 50th anniversary of the creation of the Chicko Roll by Bendigo born boiler maker, Frank McEncroe. The Chicko Roll has been an Australian icon since the 1960's and 70's. Inspired by the Chinese spring roll and first sold in 1951 as the "Chicken Roll" despite not actually containing chicken. The snack was designed to be easily eaten on the move without a plate or cutlery and is typically deep-fried in vegetable oil. By 1965 the ubiquitous Chicko Roll was sold in every fish and chip shop throughout the country and at the height of their popularity in the 1970s, 40 million Chiko Rolls were being sold Australia-wide each year and more than one million were exported to Japan.(Wikipedia https://en.wikipedia.org/wiki/Chiko_Roll). Advertised with the slogan 'Grab a Chiko', 'Hit the Hot Spot' and 'You Can't Knock the Roll' the marketing around the Chicko Roll was aimed towards the male population with women perched on Harley Davidson's prevocatively preparing to bite into a Chicko Roll. In 2008 with a push towards healthier eating, Chicko Roll reviewed its advertising and although it continues to target young men, it switched to using a 'fun, active' young women, riding a retro pushbike near the beach to improve its image. In 1995 J.R. Simplot, an American company who also own Leggo's, Birds Eye, Edgell and John Wes,t acquired Chicko Roll to sure up their foothold in the Australian market. Life size gold plated chicko roll in a hinged wooden presentation box with red lining. Double sided, printed letter accompanying the object explains its creation and significance.0365.1; CHICKOcity of greater bendigo commerce, mayor acherman

This 1935 Coronation medal was awarded to individuals for distinguished Citizenry. To celebrate the 25th anniversary of the coronation of King George V, a commemorative medal awarded to citizens who had made contributions to their community, as recognised by their local council. The silver medal has the profile of the King and Queen Mary on the front, in their crowns and robes. Around the edge in raised letters is written 'George V and Queen Mary May VI MCMXXXV'. On the reverse are the letters GRI (Georgius Rex Imperator) in the centre, with the outline of a crown directly above the letters and the words 'May 1910' and 'May 1935' written either side of GRI. A red ribbon with blue and white edging attaches the medal to a pin. 1937 Coronation medal was awarded to individuals for distinguished Citizenry. To celebrate the coronation of King George VI, a commemorative medal was awarded to citizens who had made contributions to their community, as recognised by their local council. The silver medal has the profile of the King and Queen Elizabeth on the front, in their crowns and robes. On the reverse are the letters GRI (Georgius Rex Imperator) in the centre, with the outline of a crown directly above the letters and the words 'Crowned 12 May 1937' below. Around the edge in raised letters is 'George VI Queen Elizabeth'. A garter blue ribbon with red and white edging attaches the medal to a pin. Awards presented to males consisted of a single piece of fabric hanging from a metal bar, whilst awards presented to females had the fabric tied into a bow with the medal hanging below the centre. 2 silver medals hanging from a blue ribbon with red and white edging. 2 silver medals hanging from a red ribbon with blue and white edging.1935 - 'George V and Queen Mary May VI MCMXXXV' around the edge of the front of medal. On the reverse are the letters 'GRI' (Georgius Rex Imperator) in the centre and 'May 1910-May 1935'. 1937 - 'George VI Queen Elizabeth' around the edge of the front of medal. On the reverse are the letters 'GRI' and 'Crowned 12 May 1937'. tilly aston, tom marks, medals

7081, WMC Manager Keith Parry addressing audience, Seated from L. Mine manager Brian Micke, unknown, unknown, Don Webb Seated far right Jean Earle Standing Pat Krause (bearded), John Van Leeuwen (hat and glasses) 7081a: Crowd Scene at the opening of the Magdala decline Front: L to R Eric and Hazel Lewis, Keith and Elwyn Haymes, Joan and Keith Hallam second row: unknown , unknown, Cynthia and Glynn Cashin, unknown , unknown third row: none known fourth row: Peter Ruthven, unknown, Jack Jones, Ken Dadswell at end, behind him Ian McCann Standing behind Mr and Mrs Kinsella on L. 5th from R. Terry Monaghan 7081b: Male Breaking ground with a Gold Pick (Mr David White, Minister for Minerals and Energy) 7081c: Catapillar Dozer digging the decline. 7081d: Conveyor belt moving soil with two workers 7081e: Underground Photo, a worker looking at drill placement. 7081f: The entrance to Magdala Delcine 1981. 7081g: A large dumper in the decline underground. 7081h: A Vehicle at the entrance to the Magdala Decline. 7081i: A Large group of miners around a vehicle at the entrance to the Magdala decline. 7081j: B/W showing a large rock with the dedication Plaque 7081K: Outside machinery for the drive. 7081l: Tanks containing liquid, one with the shell logo, and a red container. 7081m: Yellow tray truck emerging from the Magdala Decline. 14 Photographs showing crowd scenes at the Magdala Deline Opening in 1981 First shows CEO of WMC Keith Parry addressing the crowd Manager Brian Micke seated on far left Mayor Don Webb seated second from right7081k: On Reverse Stawell Gold MInes: Neg 26: 257 7081l: On Reverse Stawell Gold MInes: Neg 24: 257 7081m: On Reverse Stawell Gold Mines: Neg 25: 257 mining

Photograph shows actor Megan Williams dressed as conductress Alice Sullivan posing at the right side driver's doorway of what may be an L class car, suggested by the metal downpipe from the roof to the undercarriage and the saloon windows. The photograph is closely cropped but also appears to show a male in jacket or coat inside the saloon behind the driver's compartment. The Sullivans was a successful period drama series screened on Channel 9 between 1976 and 1983. It traced the lives of a Melbourne family during the 1939-45 war and its aftermath. As women were 'finally' employed by the tramways from 1941 because of man-power shortages, Alice Sullivan's new job helped highlight the changing societal views of the 1940s. The series was know for its attention to historical details, so Alice is dressed in the conductress uniform of the 1940s - brown tunic with brass buttons and belt, collar and tie, a cap (which may not exactly match that of the day), brown skirt below the knees, stockings and flat brown lace-up shoes. Alice also wears a conductor's coin bag with ticket wallet and two blocks 4 penny tickets strategically located for the camera. One error in the historical detail is that the coin bag is hung solely around her neck, which was never done because of the weight of the coins and tickets. A more eleborate harness was soon provided for conductresses. Another error is the placement of the ticket blocks which would have easily worked loose and lost, resulting in a large deduction for the conductress's wage.Yields information about 1940s conductresses and their representation in popular drama Black and white print with note on rearIn pencil: "Channel 9 Sullivans"megan williams, alice sullivan, conductress, l class, the sullivans, conductress uniform, coin bag

This gift-boxed grooming set contains men's toiletry and grooming items in a lined and fitted case. The set was made by Fauldings from 193o to 1940 and sold by chemists and department stores throughout Australia. An advertisement promotes a variety of sets as 'Toilet Treasures by Faulding' and pictures several sets called 'caskets', and gives the different combinations a set number. Another advertisement promotes the sets as 'Gifts of Rare Discernment'. The items on offer include After-shave Lotion, a bottle of Brilliantine for hair, and an Old English Lavender shaving stick in a glass container. Some sets have Complexion Soap, a good quality sterilised Shaving Brush and Talcum Powder. A grooming set similar to the one in our collection was priced at 11 shillings in 1936 and would cost approximately AU $90 in 2022. This boxed grooming set is an example of men's toiletries sold from the 1920s to the 1940s in Australia. The supplier, Faulding, brand products have been available since 1845 when Francis Hardy Faulding opened a pharmacy in Adelaide, South Australia. The company has built a reputation for being a trustworthy supplier of pharmacy and healthcare needs for 175 years.Male grooming set; black leather-covered case with green velvet lining and strap with a metal button closure. The lid and front of the base fold out. The case is fitted with straps and a compartment to secure items inside. The set contains men's toiletries and grooming items; a nail file with ebonised handle, an oval bristle brush with shaped ebonised hand grip, and a twelve-sided textured glass bottle with a gold metal lid and a shave stick with silver foil around the base, wrapped in waxed paper. There is also a ten-sided plain glass bottle with silver metal lid, an oval metal soap container with hinged lid and an unused round cake of soap. A light brown leather stropping strap with a metal 'D' ring one end and a punched hole in the other end is fitted onto the folded down side of the case. The shaving stick is Old English Lavender by Faulding and the soap is Christy's. Inscriptions on the shaving stick wrapper, bottle base, label and lid. Shaving stick; "Faulding Old English Lavender Shaving Stick", "Faulding", "Faulding AUSTRALIA" and moulded inscriptions on the base [undecipherable]. Moulded in the soap; 'CHRISTY'S"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, male grooming set, male toiletries, male accessories, faulding, toilet treasures, gift box, casket, shaving toiletries, hair toiletries, christy's, complexion soap, ebonised handles

Sepia photograph, mounted on grey board, of Committee Cohn Bros Victoria Brewery Co. Ltd. Male figures of various ages, dressed in three piece suits of the day, various styles of hats, most figures with watch chains on vests. Inscriptions: Printed on front mount board 'Cohn Bros, Victoria Brewer Col. Ltd., Employees Picnic (Committee)', 'held at Cherry Tree, on Saturday March 7th, 1903, On back - written in pencil: 'From W?L, Newell, 30/7/74'. Royal Historical Society of Victoria, Bendigo Branch, Circular Stamp. Hand-written in ballpoint pen on front mount board :'Back row - D Guerin, Bill Emerson, - Gibson, Jim Parkinson, G Richter. Middle row - Jack Carter, D Nielson, Bart? Or Bert Newell, N Stanistroot, Ted Hasker. Front row: Greaves, Julius Cohn, Jacob Cohn, Magnus Cohn, Jack Mitchell'. History: Previous Acc. No. GP23.W H Robinson, Bendigoperson, group, cohn's brewery, see also 2001.201.01, 2001.203.01, 2001.204.01, 2001.207.01, 2001.208.01