Showing 7932 items matching "artist"
-
Ballarat Tramway MuseumDrawing - Illustration - Art work, Gordon Thurling, "The last tram in Ballarat", 1971
Strong association with the artist Gordon Thurling and demonstrates in a pen and ink drawing the last tram in Sturt St at the time of the closure of the SEC system.Black and white drawing of tram 39, with destination "Sebastopol" with Ballarat Town Hall in background, which has been coloured with green, grey and yellow watercolours. Has words "The last tram Sturt St. Ballarat - 19th September 1971" with a thick brown border. Printed onto off white paper and mounted onto heavy cardboard. Artist - Gordon Thurling, BTV6 graphic artist at the time. Second copy from donation of ?? added 20-6-2017 - see image i2.and 8546 for a photocopy of a coloured version.trams, tramways, town hall, drawings, last day, closure -
Melbourne Tram MuseumNewspaper, West Australian, David Hummerston, "A bumpy ride for Art on Wheels", 27/12/1980 12:00:00 AM
Newspaper cutting from the West Australian" Perth, 27-12-1980 from their Across the Nation section, titled "A bumpy ride for Art on Wheels", reporting on various artist decorated trams in Melbourne, the tram numbers, the artists. Includes a photo of Mirka Mora standing at the driver's door of tram 243. Also notes an application for a Restaurant tram. Written by David Hummerston in Melbourne. Cuttings has the Aust. Press Cuttings Agency source sheet pasted to the top left hand corner along with the paper name and date stamp.trams, tramways, transporting art, decorated trams, restaurant tram, tram 243 -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Print - Lithograph, William Balfour Ker (1877-1918), A Hurry Call, The Doctor v The Stork, 1905
William Balfour Ker was a Canadian-American artist. He was also a declared socialist, and his political stance was often reflected in his art. This lithograph is a compelling illustration of the race against time sometimes faced by doctors when trying to get to a patient to assist in birth before the baby is born.A black and white lithograph. At top right, a stork is flying through the air, with a baby bundled in a cloth that it is holding in its beak. To the left, a horse drawn buggy follows rapidly behind, with the driver wielding a whip and urging on a speeding white horse. The artist's signature printed at bottom right corner of image reads 'WM.BALFOUR-KER'. The lithograph has been mounted and framed in wooden frame. The outer edge of the frame is black, and the inner edge is gold. On the back of the object, a small piece of paper bearing the title of the lithograph has been attached at bottom centre. It reads 'A HURRY CALL, THE DOCTOR v THE STORK'. A second tag attached to the back of the work reads 'From FF', suggesting the donor of this object was Frank Forster. An old display label is attached to the bottom left of the back of the work. A wire and two hooks have been attached to the back of the frame for hanging.obstetric delivery -
Footscray Community ArtsUntitled, Arthur Boyd, (estimated); Signed by artist 1974, Printed 1998
MEDIUM: Screenprint of drawing. DESCRIPTION: Black and white, signed print under glass, black outer frame, white board inner frame.Two figures are central on a light background. A man approaches a woman on a period chair. Signed across bottom of print (proper right).print, boyd, signed, limited, edition -
Footscray Community ArtsThat Dress, Rai Banda, (exact); Taken 1974-7, re-printed 1997, signed by artist 2006
MEDIUM: Photograph/Print DESCRIPTION: Black and white photograph print No outer frame White board frameSigned, titled and dated under bottom of image on printbanda that, dress photograph -
Lara RSL Sub BranchCard & Envelope, Raphael Tuck & Sons,Ltd.Publishers to the King and Queen, Australian Comforts Fund Xmas & New Years Greeting Card 1918-19, Circa 1918-19
Small Christmas card produced for the Australian Comforts Fund, Christmas 1918. Christmas & New Years Greetings, 1918-19, with scenes of battles at Villers-Brettonneux and Hamel, and views of a captured tank and a 14cm. gun. Produced by Raphael Tuck & Sons, Publishers to the King and Queen.These cards were sent by service personal serving overseas to family members back home.l Sent by J.L.Mcintre while on active service in France to his loved ones back home.Christmas card with blue and black lettering Australian Comforts Fund Christmas & New Years Greetings, 1918-19, Produced by Raphael Tuck & Sons, Publishers to the King and Queen. The card depicts four scenes from the First World War: Australians Advancing from Villers-Brettonneux August 8th 1918, A German tank captured by the Australians near Villers-Brettonneux, Capture of Hamel Village July 4th 1918 by Australians assisted by a detachment of Americans, Captured by The Australians a 14 C.M. German Naval Gun intact with its Train & Equipment.Australian Advancing from Vlllers-Brettonneux.August 8th 1918. From Original specially painted for the Australian Comforts Fund by Captain Will Longstaff.A.I.F.War Artist. -
Mission to Seafarers VictoriaBook (item) - Scrapbook, Victoria Missions to Seamen, c. 1906
This scrapbook. although much smaller than others in the collection, contains newspaper clippings, notes and correspondence relating to the work at the Mission.This scrapbook outlines the many events, concerts, important visits and social occasions held at and by the Mission during this time frame. It includes the names and activities of many prominent Melburnians and shows the vivacity of the work at the Mission.Small red sticker on inside of reverse cover: "NORMAN BROS./Stationers, Printers,/and/Artists' Material Importers/52-58 Elizabeth St."scrapbook, newspaper cuttings, seamen's missions, mission to seamen, newspaper clippings, events, melbourne -
Kyneton RSL Sub BranchFramed charcoal drawing, Pte Ronald Hack WX 3921
The artist has written under the portrait: "Big Bronzed Jungle Fighter Pte Ronald Hack WX 3921 2/16 AIF" -
Pyrenees Shire Councilpainting, Sue Jarvis, Hillside Winter by Sue Jarvis, 1991
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture oil painting of a homestead"signed: JARVIS (lower left) verso (affixed): HILLSIDE, Winter (Beaufort) 1991 Sue Jarvis, Artist Ripponshire Art Award 1991" -
Glenelg Shire Council Cultural CollectionPrint, Beth Oag, Reclining Nude, c. 1974
NoneDiptych prints of a nude woman reclining on her right side. Her right hand is curving up to wrap over the top of her head. Her left arm is behind her body, out of sight. A darker area at the base of image indicates a blanket on which she is reclining. Background is featureless.Front: Artists proof E.D.6 (lower left) "Reclining nude" (centre) B. Oag (lower right) (pencil) Back: (no inscriptions)nude, female artist, women, women artist -
Geoffrey Kaye Museum of Anaesthetic HistoryPainting - Portrait, Audrey Wilson, Presidential Portrait of Dr Michael J H Hodgson, 1995
Dr Michael Hodgson was apppointed ANZCA President in 1992 until 1993. The painting, undertaken in 1995, was later unveiled in 1996 with Dr. Hodgson present. Further information about Dr. Hodgson can be found on The Lives of the Fellows, http://anzca.online-exhibition.net/fellows/fellows-1992/michael-john-hind-hodgson/ Oil painting on canvas of Dr Michael J H Hodgson seated in front of blue-grey drapery and a window showing Ulimaroa in the distance. The subject is wearing the Presidential gown but not the Presidential badge. Framed in a plain grey and gold frame with a brass plaque affixed on bottom center front of frame. [plaque] Dr Michael J H Hodgson / President 1992 - 1993 [Artist's signature lower right corner] Audrey Wilson / 1995hodgson, michael, anzca president, ulimaroa -
Flagstaff Hill Maritime Museum and VillageArtwork, other - Etching, Eric Tonkin, Flagstaff Hill Warrnambool, 1985
The etching depicts the Historic Precinct of Flagstaff Hill Maritime Museum and Village. It includes the building that were transferred from Middle Island to Flagstaff Hill in the early 1870s; Lighthouse, Keepers' Quarters, Chart Room.Depiction of historic buildings at Flagstaff Hill, Warrnambool, part o f the History of Warrnambool. The artist is a local citizen.Etching of Flagstaff Hill Lighthouse complex - artist Eric Tonkin. Picture shows the Chartroom, Lighthouse Keeper's Quarters, Assistant's Quarters, Privy and Flagstaff. Framed behind glass, black and gilded frame. Sticker and inscriptions on the back."Rec No 389A" "FLAGSTAFF HILL" Etching by Eric Tonkin, 34 Howard St, Warrnambool, Ph 62 4707"flagstaff hill, warrnambool, etching, flagstaff hill lighthouse complex, artist eric tonkin, historic precinct flagstaff hill lighthouse, eric tonkin, flagstaff hill maritime museum and village, lady bay lighthouse, lighthouse keeper's quarters, chart room -
Coal Creek Community Park & MuseumPhonograph Record, What are the wild waves saying? Life's dream is o'er
Phonograph record, black shellac with a black and gold Zonophone label. A side: What are the Wild Waves Saying? B side: Life's Dream is O'er. Artists: Messrs Ernest Pike & Walter Miller (English duet with orchestra). -
NMIT (Northern Melbourne Institute of TAFE)Photograph: NMCOT Wilbur Wilde with Performing Arts students 1992
Two black and white photos of Northern Metropolitan College of TAFE Performing Arts students at Greensborough campus 1992. One includes Saxophonist Wilbur Wilde who was a Guest Artist, performing with students. The second is of the students in class.northern metropolitan college of tafe, wilbur wilde, performing arts students, students, nmit -
Healesville Sanctuary Heritage CentrePostcard - Postcard - black and white drawing of platypus
Original postcard featuring black and white pen and ink sketch of a platypus. Landscape in background; water in foreground. Name of artist in right hand lower corner of card. Also Sanctuary identification printed on front and reverse of card.THE SIR COLIN MACKENZIE SANCTUARY, HEALESVILLE A. JORDAN/FROM A PHOTOGRAPHplatypus, sir-colin-mackenzie, healesville-sanctuary -
Whitehorse Historical Society Inc.Article, Capturing the spirit of the times, 2004
Article about artist couple, Grahame and Inge King.Article about artist couple, Grahame and Inge King. Grahame is 90 and Inge 86 but both are still actively producing their work from their home in Warrandyte. Inge is regarded as Australia's greatest living sculptor and Grahame is a printmaker.Article about artist couple, Grahame and Inge King. king, grahame, king, inge, artists, sculpture, printmaking -
Whitehorse Historical Society Inc.
Article, For Ats' sake, 1990
Nunawading Schools Community Art Project for more than 10 years has encouraged local students to be artistic and creative. The project sponsored by the city of Nunawading gives primary and secondary students the chance to work with professional artists.nunawading schools community arts project, city of nunawading, mourney, hazel, brown, margaret, atkinson, bruce, o'neil, jan, heatherwood special school, antonio park primary school, blackburn lake primary school no 4860, lobos, robert, spicer, grant, green, rebekah, tierney, damien, clark, felicity, feiner, julia, werner, michelle, pringle, mark -
Whitehorse Historical Society Inc.
Article, Art lover snaps up 'Feeding Time' for $552,000, 1995
Impressionist painting formerly held in Alan Bond's collection reached top auction price at Christie's Art Auction in Melbourne - Frederick McCubbin's 'Feeding Time' - other paintings by Australian artists also sold for top prices.mccubbin, frederick, whiteley, brett, boyd, arthur, gould, john -
Federation University Art CollectionSculpture - Artwork, Donna Marcus, 'Melbourne' by Donna Marcus, 1999
Donna MARCUS (1960- ) Featuring instantly recognisable kitchenware Donna Marcuus transforms them with colour and placement to create sculptural installations. The individual elements in each work, originally produced in the 1950s and 1960s, are transformed and trigger memories and personal memories through experience of the items in a different, earlier context. In 1981 Donna Marcus was awarded a Bachelor of Visual Arts from the Tasmanian School of Art, followed by A Master of Arts (Visual Arts) from the City Art Institute (University of New South Wales). In 2006 Donna Marcus received a PhD from Monash University in Melbourne, Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Anodised aluminium sculptural pieces made from old cookware. The 'Cities' that Donna Marcus depicts in anodised aluminium reflect the artist's travel and history. These urban representations draw on memories from home and more particularly, the kitchen. art, artwork, donna marcus, sculpture, annodised aluminium -
Federation University Art CollectionCeramic, Tall Bowl with Blue Interior by Kurt Webb, 1988
Kurt WEBB United States of America Acclaimed ceramacist and ceramics instructor Kurt Webb attended Illinois State University. He teaches classes with young adults and high school students.Stoneware ceramic piece most probably made at Churchill Campus in 1988 while Kurt Webb was a visiting artist. The exterior features blue and green shaps on tan, with the interior a mid-blue colour with impressed shapes and swirls. kurt webb, ceramics, gippsland campus, jan feder memorial ceramics collection -
National Vietnam Veterans Museum (NVVM)Banner, Wall Hanging
Commemorative Banner by Artist Jan Townsend. Black border with ANZAC badge emblems. Lest we Forget Large Anzac image :helicopter flying. Three combat soldiers, tank, poppies and Ode to Soldiers. Cross, sandbagswall hanging -
Federation University Art CollectionWork on paper - Bookplate, 'Ex Libris Bookplate for Zelma and John Gartner' by Wim Zwiers
The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was part of the 2013 Australian Bookplate Award. Wim Zwiers (b. 1922, Holland) Zwiers studied at the Academy of Fine Arts in Rotterdam from 1940 and graduated from there in 1944. Renowned as copper and wood engraver Zwiers became a teacher at an academy in Groningen. Zwiers has produced a few hundred bookplate. Around 1992 started to use the computer making ex-libris and other small graphics. Although he was not the first who started making computer exlibris, he surprised many by starting at age seventy. Framed etching - a bookplate for Zelma and John Gartner featuring a woman reading in the foreground and a weatherboard house in the background. Gift of the Keith Wingrove Memorial Trust, 2015Edition: 170/200 Signed: Wim Zwiersartist, artwork, printmaking, framed bookplate, available, bookplate, zweirs, zim zweirs, life drawing, keith wingrove memorial trust, australian bookplate design award, john gartner, zelma gartner -
Ringwood and District Historical SocietyPhotograph, Sketch: Ringwood. An artists impression 1881 or 1891
Typed below photograph of sketch, "Ringwood. An artists impression 1891. Note some of the antimony mines and miners huts shown". Other copy states, "Artist impression of Ringwood, 1881." Written on backing sheet, "Illustrated Australian News, 29/1/1881. p.4. Impressions of Ringwood with miners cottages and poppet heads." -
Ringwood RSL Sub-BranchWWI card, Copy of Paintings "Australians Advancing fro Villers-Bretonneux" and others of the same era
Painting on paper background.Copy of Original painting of Australian advancing from Villers-Bretonneux August 18th 1918. Specially painted for the Australian Comforts Fund by Captain Will Longstaff. A.I.F War Artist. Captured Train Gun, Start of The Great attack,8/8/18 and The Capture of Hamel Village July 4th 1918 by A Pearse, War Artist. -
![Painting - Artwork - Painting, [Boost It] by Josh Muir, c2014](/media/collectors/530576742162ef0fa09a2288/items/573d58712162f11db090922b/item-media/5b67ae0d21ea6e0344f91cc6/item-fit-380x285.jpg)
Federation University Art CollectionPainting - Artwork - Painting, [Boost It] by Josh Muir, c2014
Josh MUIR (14 August 1991- 05 February 2022 ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. iN 2014 Josh Muir was THE Australian Indigenous Mentoring Experience'S (AIMe) Program Manager Assistant at Federation University Australia in Ballarat.Australian Indigenous Mentoring Experience Z In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.Signed lower right "jmuir"josh muir, artwork, artist, aboriginal, hutchinson indigenous fellowship -
National Wool MuseumUniform - 1992 Barcelona Olympic Games Women's Official Occasions Cotton Blouse, Wendy Powitt, c. 1992
About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.A long sleeve cream coloured dress shirt with a detachable printed neck tie. The neck tie is decorated in an Australian floral design inspired by the artist Margaret Preston. The shirt has two breast pockets and double sets of cream buttons. The rear of the shirt is unadorned. 8124.4 - Floral fabric sample. 8124.5 - Floral fabric sample.BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform -
Eltham District Historical Society IncPhotograph, Walter Herbert Withers (1854-1914), c.1920
Walter Withers (1854-1914) was born in Handsworth, Warwickshire, England. He migrated to Australia in 1882 and in time was to become one of the country's most famous painters. In 1887/8 he spent a year in London and Paris during which time he married Fanny Flinn. When he returned to Melbourne he was engaged by publishers doing black and white illustrations. In the late 1880's he became associated with artists who formed the renowned "Heidelberg School" and in 1890 moved to "Charterisville" at Eaglemont. He lived in the Heidelberg area until 1903 when he purchased a house on two and a half acres (one hectare) at the corner of Brougham and Bolton Streets, Eltham. He had long been attracted to the Eltham area, but needed access to Melbourne for his painting classes. The extension of the railway in 1901 made the move possible. He remained in Eltham until his death and is buried at nearby St Helena. Many of his important paintings were painted during these later years. There are important collections at the National Gallery of Victoria and the Geelong Art Gallery. His Eltham house remains and his name is honoured by a small park at the corner of Bible and Arthur Streets. Source: Information panel produced for EDHS exhibition in 1990. john withers collection, artist, sepp, shire of eltham pioneers photo collection, walter herbert withers, walter withers -
Federation University Historical Collection
Newsletter, Ballarat C.A.E. News, 1978
Federation University Australia was established on 1 January 2014. Formerly known as the University of Ballarat, its enabling legislation was the University of Ballarat Amendment (Federation University Australia) Act 2013. Although formally created as a University in 1994, the University of Ballarat has a lineage back to 1870 with the establishment of the School of Mines Ballarat, making it the third institution of higher learning to be established in Australia and the first to be established in regional Australia. On 1 January 1994, Ballarat University College became the University of Ballarat and in 1998 the University merged with three TAFE Institutes to become a dual sector institution with multiple campuses. On 1 January 2014, the University of Ballarat amalgamated with the Monash University Gippsland Campus to form Federation University Australia. The Gippsland Campus also had a long lineage dating back to 1928 with the establishment of the Yallourn Technical School which became a predecessor institution to the Gippsland College of Advanced Education formed in 1968. In 1990, it was renamed the Monash University College and in 1993 became the Gippsland Campus of Monash University. In 2016, Federation University Australia announced plans to take possession, over a two-year period, of Monash’s Berwick Campus in the south-east corridor of Melbourne. Federation University Australia, or FedUni, is headquartered in Ballarat and offers programs in Higher Education and Vocational Education and Training to regional Victoria and beyond. The University’s commitment to educational and social equity, teaching excellence, research distinction, environmental sustainability and regional capacity building has enabled it to develop in a way that draws on its proud heritage to inform its future. Its regional character sets a framework for the University’s priorities but does not constrain it from serving wider community interests, nationally and internationally. The name Federation University Australia was chosen to convey the scope and capacity of an expanded regional university with a federated network of campuses.Four pages stapled newsletter for the Ballarat College of Advanced Education. Articles include: * Oriental art (Sumi-e) arwork display and demonstattion by Malaysian artist Yop Teow Khoon at the invitation of Ballarat Asian Studies Resource Group. ballarat asian studies resource group, sumi-e, yop teow khoon, almos maksay, neil crouch, ron kemp, trevor sweatman, max brooke, zig plavina, ballarat & district accident prevention group, walter robson, \sue smith, bob allan, peter sargeant, tudor waights, marj sergeant, cam vincent, helen ffairhall, don fairhall, new carpark near pool, board of studies minutes, martin westbrooke, peter beckman, brian sunter, hewlett-packard 300 -
Bendigo Historical Society Inc.
Book - THE WAY WE WERE - KANGAROO FLAT PRIMARY SCHOOL, 1993
70 page soft cover booklet 'The Way We Were, Kangaroo Flat Primary School' Published 1993 under the Artists in Schools Program. Illustrated with B&W photos and sketches by the pupils. Printed by Sloan's Printery, BendigoKangaroo Flat PS -
Coal Creek Community Park & MuseumPhonograph Record, Gaîté Parisienne - Ballet Music
Phonograph record, black shellac with a grey Columbia "Magic Notes" label. A side: Part 3, Gaîté Parisienne - Ballet Music. B side: Part 4, Gaîté Parisienne - Ballet Music. Artist: The London Philharmonic Orchestra.Reference number DOX - 590
