Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

This photograph is a "snap shot" in time circa 1950s detailing the rural environment before the effects of the Kiewa Valley Hydro Scheme altered the basic rural setting of the valley. The golfing fairway was being mapped out on previous grazing land, before the laying of a golf course, for use by the construction workers and auxiliary administration employees of the Victorian State Electricity Commission. This photograph details a dramatic period in time which saw an enormous change to the exclusively rural area of the Kiewa Valley region in the mid 1900s. This change presented both physical and mental challenges to the existing quiet rural inhabitants of the valley. The State of Victoria had to make adjustments to the changing demands imposed by population and industrial expansions. The development of cleaner energy supplies to a growing population has its downside ,which ever way the intrusion into the "natural" landscape is made.Black and white photograph detailing surveyor posts for construction of golf course. Land used, before establishment of the Mount Beauty Village, as farming/grazing cattle and viewed towards Mount Bogong and its Alpine ranges. The photo is on 200gms paper and not on photographic paper.nilmount beauty in the 1940s - 1950s, grazing in the kiewa valley, sec victoria

This analog voltmeter is quite a large (industrial type) apparatus which permits the easy monitoring of electrical variations within the large SEC Victoria Hydro Scheme's electrical generators. These generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro schemes was achieved from the mid 1900's to the 1960's. At this point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This hydro scheme was instigated by "the Government of the day" as a bold move and was the major force of the World War II refugee and "technical" workforce inclusion of skilled and unskilled migration into the Australian environment. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual multi-cultural diversity of later years. This voltmeter is very significant to the Kiewa Valley as its use was introduced during the Kiewa Hydro Scheme. Although only a small apparatus it was part of the explosion of human resources into the valley. This influx of population transformed the region from that of a basically quiet rural region to one which evolved into both an industrial and a larger residential community. This evolution in the valley created a change, not only in the "physical" landscape but also the socio-economic expansion which permitted other "tourist" based industries into the valley. This analog volt meter has two metal rods protruding from the "back" of instrument with screw on points for the negative and the positive leads allowing the "current" to flow across the calibrated resistors to indicate on the "face" side the strength of the voltage "power". The "face" of the instrument has a zero point and then five evenly graduated marks from Zero to the "100, 200 and 300" marked points of measures. A large "V" below these pointers indicates that they represent levels of voltage. Three small screws hold the "face" in place. At the back of the meter is an aluminium "clasp" with three protruding screws (positioning fasteners) and a a screw tightening fixture for the correct fastening of the "clasp" into the correction location on the meter "board".Manufacturer's logo "CSG" underneath "ITALIA"kiewa valley tourism, victorian alps, alternate energy supplies, alpine population growth

This transformer lamp system, which has a dial to transform 240 volts to a minimum of 32 volts was used by electrical technicians to inspect internal parts of the large generators (even in small confined spaces). The reason for the reduction of the 240 volts to the 32 volts was for the safety of the inspector. The SEC Victoria Hydro Scheme's electrical generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro schemes was achieved from the mid 1900's to the 1960's. At this the point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This hydro scheme was instigated by "the Government of the day" as a bold move and was the major force of the World War II refugee and "technical" workforce inclusion of skilled and unskilled migration into the Australian environment. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual multi-cultural diversity of later years.This transformer lamp is very significant to the Kiewa Valley as it was introduced as a very small part of the explosion of human resources into the valley. This influx of population transformed the region from that of a basically quiet rural region to one which evolved into both industrial and larger residential community. This evolution in the valley created a change, not only in the "physical" landscape but also the socio-economic expansion which permitted other "tourist" based industries into the valley. This is also a specific electronic item which was manufactured in Melbourne and not sourced from Europe or Asia. This demonstrates the fast evolution of Australian technology to a high standard compatible to that of the rest of the world.This heavy hand held electrical transformer (transforms 240 volts to 32 Volts) an has one leather handle on the top with three small (gauze filtered) air holes. It also has two 2 pin directional cable distribution (clipsal) in/out points 10amps / 240 volts. There is one glassed in volts/ac meter and one variable switch (180 to 150 voltage in settings of 10 volt increments.There are two vents (one on each of the smaller sides). There is also one three pin electrical lead coming out from the top.On one side is a manufacturer's plaque with "ELECTRONIC A & R EQUIPMENT MELBOURNE" and underneath "TYPE 1719, PRI V. 180 250" underneath "V.A. 1250" underneath "CYC 50" underneath "SEC V. 115" underneath "SEC A. 10 . 8". The label on topside "CAUTION SET SWITCH TO 250 v BEFORE CONNECTING TO MAINS THEN, WITH EQUIPMENT OPERATING, SET METER TO RED LINE.kiewa hydro electricity scheme, victorian state electricity commission, transformers

This milli-volt meter was manufactured after 1950 and used by the SEC Vic (Kiewa Hydro Electricity Scheme) from that date until late 1900's. It was used to measure very small voltages associated with the operation of the various Hydro Generators. The readings were able to be shown by the resistor in use in the current circuit. During this time period, high quality testing instruments were either sourced from Europe or England.This milli-volt meter is very significant to the Kiewa Valley as it was used by those electrical technicians, who were part of the Kiewa Hydro Scheme. An "off spin" from the Scheme was the beginning of an explosion in "human" resources into the Kiewa Valley. This influx of population transformed the region from that of a basically quiet rural region to one which evolved into both industrial and larger residential community. This evolution in the Kiewa Valley created a change, not only in the "physical" landscape(better roads and infrastructure), but also the socio-economic growth within the Valley allowing other "tourist" based industries to expand within the valley and Alpine areas.This millivolts DC meter was used in the 1950's. It is contained in a wooden box and has two coloured (red/black, positive and negative) screw tight knobs which have bake-lite connections. It also has a covered (black tin) view meter marked from zero to 10 millivolts. Underneath this and within a round bake-lite is a small adjustment screw. The top of the box is fastened onto the main structure by six brass screws. The back of the structure is fastened by eight brass screws and there are four small bake-lite rest knobs.On the face of the millivolt compartment , and at the top "TO BE USED WITH DIAL HORIZONTAL TEMP. COEF. +- .08 % PER oC. Underneath the scale "MILLIVOLTS D.C. F.G." (LEAD RESIS. .05 OHMS)" underneath and to the left "MADE IN ENGLAND BY" "EVERSHED & VIGNOLES Ltd" and to the right "No. 857842" underneath Regd. TRADE MARK MEGGERkiewa valley tourism, victorian alps, alternate energy supplies, alpine population growth

This Timing Relay is quite a large (industrial type) apparatus. The Timer is started by having a voltage of 250 volts direct current (as supplied by batteries). A DC motor then rotates driving into a clockwork mechanism, the output of which is an arm rotating at the same speed as a minute hand on a clock. Attached to this arm is a mercury switch which tips and makes an electrical circuit operate in a sequence control system. The sequences that use these timers are when starting and stopping Hydro Generators. They check that the machine has connected to the power system grid before 20 minutes duration. Brakes must go on for a set time when shutting down a generator slowing at the right speed as measured by this apparatus. These generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro schemes was achieved from the mid 1900's to the 1960's. At this point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This Timing Relay apparatus is very significant to the Kiewa Valley as its use was introduced during the Kiewa Hydro Scheme. Although only a relay apparatus, it was however part of the explosion of human resources into the valley. This influx of population transformed the region from that of a basically quiet rural region to one which evolved into both an industrial and a larger residential community. This evolution in the valley created a change, not only in the "physical" landscape but also the socio-economic expansion which permitted other "tourist" based industries into the valley. This Hydro Scheme was instigated by "the Government of the day" as a bold move and was the major force behind the acceptance of World War II refugee and "technical" workforce. Inclusion of skilled and unskilled migration into the Australian environment was of a higher priority than a selective quota system of later years.. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual, multi-cultural diversity of later years.sec vic kiewa hydro scheme, alternate energy supplies, alpine population growth

This protection relay apparatus (a large electrical fuse), which permits the easy monitoring and disconnection of faulty electrical apparatus connected to the large SEC Victoria Hydro Scheme's electrical power producing generators. These generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro Schemes was achieved from the early 1900's to the 1960's. At this point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This hydro scheme was instigated by "the Government of the day" as a bold move and was the major force of the World War II refugee and "technical" workforce inclusion of skilled and unskilled migration into the Australian environment. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual multi-cultural diversity of later years.This protection relay is very significant to the Kiewa Valley as its use was introduced during the Kiewa Hydro Scheme. Although only a small apparatus it was part of the explosion of human resources into the valley. This influx of population transformed the region from that of a basically quiet rural region to one which evolved into both an industrial and a larger residential community. This evolution in the valley created a change, not only in the "physical" landscape but also the socio-economic expansion which permitted other "tourist" based industries into the valley.This protection relay unit has a black painted metal shell with four copper enclosed "prongs" fastened to the rear of the housing(from a bake-lite plate) . Between these "prongs" are four "empty" points allowing additional "screw on" bases. The front glass enclosed meter and recorder allows for the identification and automatic disconnection of any faulty equipment connected to the main power generator. This equipment acts similarly to a modern day circuit breaker found on the electrical circuit boards of residential homes.On the top section of the front panel "ASEA" to the left "Made in Sweden" and to the right "Frabrique en Suede" below this "RIS" below this a graph and next to it two columns of numbers and a pointer for each setkiewa hydro electricity scheme, victorian state electricity commission, relays, generators

This insulator disk for the high voltage carrying electrical cables was manufactured in 1964 and used by the SEC Vic (Kiewa Hydro Electricity Scheme) from that date until late 1900's. It was used to connect high voltage cables to their "towers" going from various Hydro Generators to and from power "stations". During this time period, high quality "cable" insulators were manufactured in Japan. In an earlier time they would have been sourced from Europe or England. After the 1950's the sourcing of electrical hardware was being influenced by the lower costs obtainable from Japan. Later on other Asian sources also became available.The need for a mountainous and a large area of operational requirements, such as the SEC Vic Kiewa Hydro Electricity Scheme, to distribute the electricity produced in the Victorian Alps to the major users required power transmission lines to "carry" high above the sometimes inaccessible land mass electricity generated at the power stations to the various sub stations along the valleys and ranges to flatter populated regions. The significance of this insulation "high voltage" disk to the Kiewa Valley region relates to the impact of modern technology (at that time) upon a mainly rural environment. These power lines are a stark visual "show" of the impact that the "Scheme" has on the mostly rural landscape of the Kiewa Valley and what a boost of "modern" equipment into the area has taken place. The "Hydro Scheme" had facilitated the transition of a semi rural area to an advanced rural region within a shorter time frame, than would have taken under "normal" evolutionary time. The speed of information of all "new technology" had a relatively slow assimilation rate before the SEC Kiewa Hydro Scheme came to those living in the then quieter rural communities. This high voltage (330 KV) insulation disk is made from non conductive porcelain stoneware. It is highly polished brown in colour and has a clip fastening for the high voltage cable to be attached to. This disk was hit by lightning and the burn marks are quite noticeable. The top metal connector has a "mushroom" extension jutting below the semi cone like insulation disk. Also four circular ridges or grooves (old 78 rpm disc recording style).Cable bell on top of insulation disk "4K " next to it the international symbol for electricity (triangle containing one horizontal line under one V line and one vertical flame like line.) On the opposite side "2" and to the right "64"sec vic kiewa hydro scheme, alternate energy supplies, alpine (above ground) high voltage electricity cables, volt cable, 330000 volt cable

Colour photographeltham, alistair knox park, art, classical landscape, cliff burtt, sculptures

Heritage Excursion - An Eltham South Ramble, 2 Sep 2017Born Digitalactivities, eltham district historical society, eltham south, heritage excursion, local history centre

Unknown man with Mr Douglas Jardine, artist, circa 1920s - 1930s. A well know destination for fishermen and artists.Mr Jardine was an artist circa 1920s - 1930s. He stayed at the Bogong Hotel and painted landscapes of the Kiewa River etc. Visitors often paid board with their paintings.Old sepia photo attached to cardboard. Two men each with fishing lines.tawonga pub, douglas jardine, fishermen in the kiewa river

This item was used well before European settlement and clearly demonstrates the development of the local Aboriginal tribes, Dhudhuroa and Yaitmathang in the use of a cutting /chopping implement, made from Mount William sourced material i.e. greenstone. This item was probably traded at the Bogong Mountain tribal yearly summer ceremoniesThe significance of this item places it at the fore front of human development in this region. The period when this tool was manufactured represents the time when the natural landscape had not been altered and the natural vegetation, fauna and flora, had not been subjected to imported species.This also proves that local tribes did live in this area and or the Bogong High Plains.Small ground edge stone axe head. Leading cutting edge very smooth and chiseled to a fine edge. Weight is, for its size fairly heavy. It is made from Greenstoneaboriginal tool stone ground-edge axe indigenous tool

"Laughing Waters has been a source of inspiration for many artists and designers, and was a natural extension of the dynamic art and lifestyle movement that began in the 1930s at Montsalvat. It was also an important site in the development of the Melbourne art scene in the 1960s and '70s, especially the earth building movement known as the Eltham Style. Since 2001 more than eighty artists have been in residence at Laughing Waters in Birrarung House and Riverbend. Their experiences and art making are woven together with Wurundjeri, European and family histories to create an evocative account of a special place in a bushy outer suburb of Melbourne." -- back cover. Eltham District Historical Society is acknowledged in the Acknowledgments section of this book.264 pages : illustrations, maps, portraits ISBN 9780994486707laughing waters, eltham, yarra river, artists, killeavey, mud bricks

One of a set of display images thought to be produced by the Shire of Eltham c.1979-1987Illustrative of services provided by former Shire of ElthamColour photograph 20 x 29 cm mounted on green-painted chipboard 28 x 35.5 cm (string on back for hanging)Title printed on label adhered to board below photograph (replaced June 2017)shire of eltham

Folder of information on Percy Leason, Artist, Cartoonist, Historian, Anthropologist, Eltham, 1930s. 1. Photo: ANOTHER WIREGRASS PROBLEM: A well known artist who has gone to the bush to be alone with Nature, is discovered, By Percy Leason 2. Photo: SCENE DURING THE EIGHT HOURSS' DAY SPORTS AT WIREGRASS, By Percy Leason 3. Photo: "FIRE!": "An unfortunate occurrence. When the members of the Wiregrass Fire Brigade assembled at the Fire Station last evening for their weekly practice, they were horrified to discover that the building was on fire." - WIREGRASS WEEKLY CLARION, By Percy Leason 4. Photocopy: "Goliath and the Prodigal David" by Percy Leason 1931 5. Photocopy: "Yes you are improving the place. I'll have to increase your rent." by Percy Leason 1933 6. Photocopy: Cartoon by Percy Leason 1931 7. Photocopy: Cartoon by Percy Leason 8. LEASON, Percy Alexander, Painter and Illustrator; Who's Who in Australia, XIVth Edition 1950 9. LEASON, Percy Alexander, Painter and Illustrator; Who's Who in Australia, date unknown 10. Percy Leason 1889-1959 11. LEASON, Percy Alexander, 1889-1959, Painter and Illustrator 12. Percy Leason: Artist, cartoonist and Historian, by L.J. Blake, B.A., B.Ed., M.A.C.E. (President of the R.H.S.V.); An Address to the Society on Tuesday evening 27 August 1968; The Victorian Historical Magazine, pp 158-180 13. Catalogue: The Percy Leason Collection on view in The la Trobe Library 20 September - 29 October 1971 14. Invitation: Christmas Exhibition, The Wiregrass Gallery, 4 December 1977 15. Newspaper clipping: Artist's retreat, 1980 16. Newspaper clipping: Sharper than snapshots by Giles Auty; Arts, Review, The Weekend Australian, November 13-14, 1999 17. Works by Percy leason held by Castlemaine Art Museum, October 2018alan whitmore estate agents, biography, eltham*, exhibition catalogue, la trobe library, landscape, percy leason, rhsv, shire of eltham pioneers photograph collection, wiregrass gallery

Paperback; 301 p. : ill., ports., maps ; 21 x 30 cm.ISBN 0646106198 [signed by author on title page]sugarloaf mountain

Iron sculpture by Cliff Burtt welcomes visitors to the Gateway of Eltham. It was constructed of Corten Steel in 1994 and won the Eltham Public Art Award in 1996. “Award winning sculptor, Cliff Burtt, often references the geometry of architectural forms in his bold, minimalist public sculptures. In this corten steel work the repeated arches of the temples of antiquity are in dialogue with the nearby spans of the railway trestle bridge that cuts through the Eltham parkland. The formality of the architecture is offset by the organic sweeps of the top profile of the work, which playfully acknowledges the hilly topography of the region” – Highlights from the Nillumbik Art Collection Two colour photographs of iron sculptureclassical landscape, sculptures, art, parks, alistair knox park, eltham, cliff burtt, public art

These photographs were taken from Warren's property at Newmerella. They were taken looking to the north-west.These photographs form an interesting panoramic landscape of the Snowy River flats in Orbost. The method of photographing two scenes and placing them side-by-side was used if a specialist panoramic camera was unavailable.Two black / white photographs which are designed to fir together to make a panorama. They are of river flats with maize crops and houses in the background. The photographs have been taken from a high point.on back - "From Warrens to N.W."newmerella snowy-river-flats maize-crops photography