The book was written by Len Kenna as a fund raising item for the Lions Club of Bundoora.It details the history of Bundoora from before white settlement until the modern era.A black and white printed book of 227 pages plus bibliography and appendices. It has a multi coloured outer cover depicting the Bundoora local shop and first unofficial post office. Copy 2 is Lions International edition with brown hard cover and Lions stamp on front. 4 copies.A number of oval library stamps and its dewey number written in pencil on the inner flyleaf.bundoora, janefield, land army, larundel, len kenna, bundoora lions club, mont park, yan yean reservoir

A "coffee table" book of 194 pages featuring photographic images and information about the K2 ski company.non-fiction"K2: 50 Years of Serious Fun" is a book celebrating K2, the ski and snowboard company. It marks the company's 50th anniversary and highlights its history, unique brand identity, and contributions to the ski and snowboard industry. It features anecdotes, photos, and insights into K2's evolution. The book showcases K2's distinct "garage brand" identity, characterized by its irreverent approach and willingness to do things its own way. It delves into various eras of the company's history, highlighting key athletes like Scot Schmidt and Sean Pettit, and showcasing the evolution of ski and snowboard designs. k2 ski company, ski equipment

Illustrated book with dustjacket. Book is bound in brown cloth with abbreviated title, author's name and printer's mark embossed in gilt on spine. Dustjacket has title printed in white and green and author's name in white print on a black and white photograph of a man with dark hair, wearing glasses and a white coat (Walter Florey), Abbreviated title (in white) author's name (in green) and printer's mark (in black) are printed on a brown background on the spine. The back of the dust jacket has a black and white photo of Penicillin notatum growing in a petri dish"Rise Up to Life" follows Howard Florey’s career from his university days in Adelaide, through the period of his greatest research projects at Oxford, Cambridge and Sheffield which culminated in his success with penicillin, to the final years of his life when he was the first Australian to be elected President of the Royal Society. But this biography goes beyond exploring with insight and sympathy the life of a great scientist to give the reader a vivid and dramatic picture of the scientific processes that led up to a new discovery and a new era in medicine.howard florey, penicillin, history of medicine-biography

This 1979 photograph of Jacana Primary School’s bat tennis premiers captures a lively moment in the school’s history, offering more than just a record of sporting achievement. It reflects the core values that shaped the school’s identity—active participation, determination, and a strong sense of community. Established in 1959, Jacana Primary became a cornerstone of local education, serving generations of families until its closure in the early 2000s. The image highlights the school’s dedication to fostering well-rounded development through both academic learning and extracurricular activities. As a visual record, it also serves as a cultural snapshot of suburban Melbourne during a formative period in public education, preserving the spirit and camaraderie of a close-knit school community.This 1979 photograph of Jacana Primary School’s bat tennis premiers holds lasting cultural and historical significance as a reflection of the school’s dedication to well-rounded education and strong community ties. More than a record of sporting success, the image embodies the educational values of the era—teamwork, perseverance, and local pride—central to the school’s philosophy. Serving the Jacana community from 1959 until its closure in the early 2000s, Jacana Primary played a vital role in shaping the social landscape of suburban Melbourne during a time of growth and transformation. The photograph stands as a visual testament to the role of public schools in nurturing individual development and fostering a shared sense of identity within the community.A colour photograph on Matte paper, with a white borderBack: (Blue Label) PH-5536 (white label) PH- 4412 (Manufacturers Marks) This Paper/Manufactured / By Kodakjacana primary school, education, photograph, group photograph, 1979, bat tennis

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Paperback book, white with title - 'Onkaparinga' in red writing on front coverOnkaparinga - The Story of a Mill/Carol Brockhoffblanket, blanket fever, onkaparinga, woollen mill, lobethal, carol brockhoff

Pdf transcription of Interview 1984non-fictionTranscription made in 1984 of an oral history recording. Eric Thorpe was a foundation member of Portland C.E.M.A., active in the Literary and Dramatic Groups and on the Executive. His memories of the early decades of the organisation were recorded by Lesley Jackson in 1984. Recording is no longer available. Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible.oral history - portland c.e.m.a., portland council for encouragement of music and the arts

Stevengraphs are today a popular hobby for collectors. However many came to the Australian colonies in the Victorian erabookmark, stevengraph, silk, weaving, coventry

Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible. Dorothy Woolcock's recording was damaged, but the full 1983 transcript and most of the audio have survived. Dorothy was an office bearer on the CEMA executive and the Arts Council Branch and instrumental in running Arts festivals in the 1960s and early 1970s.The series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings.community arts., oral history - portland c.e.m.a.

Portland C.E.M.A. (Council for Encouragement of Music and the Arts) was formed in 1945. In 2025, as part of its 80th Birthday celebrations, a series of taped interviews from the 1980s and 1990s were digitised with the assistance of Glenelg Shire Community Grants. (Arts and Culture) The variable quality of the original recordings has meant digitisation has not been possible for all interviews. Transcripts have been provided where possible. Collin Woolcock had been C.E.M.A. President for 17 years at the time of this interview, he was instrumental to the lobbying, fundraising and achievement of an Arts Centre for Portland. He discusses the role of Keith Stirling Anderson in assisting C.E.M.A. to find a home.The series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings.portland council for encouragement of music and the arts, oral history - portland c.e.m.a., portland arts centre history