Part of the Zakrzewski Collection of spinning wheels donated to the National Wool Museum by Mr Wlodzimierz Zakrzewski. For many years, Mr Zakrzewski collected, researched and repaired spinning wheels from all over the world. This wheel is from the Black Forest region of Germany and dates from the late 19th century. It would have been used mostly for spinning flax. It was purchased from MacDonald Antiques at the Hawthorn Market.Part of the Zakrzewski Spinning Wheel collection.handicrafts - history flax, spinning wheels, highlights of the national wool museum: the zakrzewski spinning wheel collection - exhibition (28/07/2001 - 02/12/2001), zakrzewski, mr wlodzimierz, handicrafts - history, flax

Oblong tin systematic giving box with card inside.On tin: "The Methodist Missionary Society of Australasia Systematic Giving League. Systematic Giving Box". On card: "This recently discovered Genuine Antique Tin from the first years of this century was produced to support missionaries when their stipend was less than 200 pounds per year. It is being used in 1972 to help raise stipends above the present $2066".methodist missionary society of australasia systematic giving league

A yellow catalogue published by the Royal Historical Society of Victoria Bendigo & District Branch. It is presenting the ' Golden Days Historical Exhibition ' at the R.S.L. Memorial Hall, Pall Mall, Bendigo 12th to 17th August 1960. The categories of exhibits are antiques, bush ranging, coins and tokens, documents, fashions, firearms, geology, gold mining, pioneers, postal history, prints and photography, shipping and sport. Within the catalogue are Bendigo Advertiser July and August cuttings relating to the exhibition.history, australian, exhibition, lydia chancellor collection, collection, bendigo, australia, royal historical society of victoria, exhibits, bendigo city council

Antique paging or page numbering machine, also referred to as a paginater. Machine prints six digit numbers consecutively. It was used in the printing industry to number consecutive pages of journals in the early 1900’s. Alex Cowan & Sons Ltd. of Melbourne, Sydney and Adelaide supplied printing equipment to other firms. The parent company, Alexander Cowan & Sons Ltd., manufactured fine paper in Valleyfield, Penicuik, Scotland from 1814-1937. This page numbering machine or paginater is an example of mechanical technology used in the printing industry in the early 1900's.Page numbering machine, also known as a paginater or paging machine. Printing machine with six digits for numbering pages consecutively. Steel frame, wooden treadle plate and bench. Inscription of maker's name on metal plate. Made by Alex Cowan & Sons Ltd.Inscribed on maker's plate, "Alex Cowan & Sons Ltd. / Printers Furnishers / Melbourne, Sydney, Adelaide". flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, paging machine, treadle paging machine, printing machine, page numbering machine, paginater, alex cowan and sons ltd, australian printing industry

Part of the Zakrzewski Collection of spinning wheels donated to the National Wool Museum by Mr Wlodzimierz Zakrzewski. For many years, Mr Zakrzewski collected, researched and repaired spinning wheels from all over the world. This wheel is a late 19th century spinning wheel from Japan and was used for spinning silk. It was purchased from Kazari Japanese Interiors in Prahran, after first being offered for sale at Stonnington Antiques Fair.Part of the Zakrzewski Spinning Wheel collection.handicrafts - history silk, spinning wheels, highlights of the national wool museum: the zakrzewski spinning wheel collection - exhibition (28/07/2001 - 02/12/2001), zakrzewski, mr wlodzimierz, handicrafts - history, silk

In 1934, Victoria and Melbourne celebrated their centenaries. Realising how impossible it would be for the majority of Warrnambool residents to participate in the Victorian celebrations, the organising committee of the Warrnambool Centenary celebrations devised a week long comprehensive programme of activities including exhibitions, a pageant re-enactment at the breakwater and a mass children's display at the showgrounds. Sir Harold Gengoult Smith officially opened the Warrnambool Centenary Exhibition of Arts, Crafts, Antiques and Historical Relics. This booklet was designed and written in 1934 for the Warrnambool Centenary festivities by Frank H. Ford, Lava Street, Warrnambool. The souvenir booklet contains a brief history of Warrnambool, a map and description of Warrnambool and its facilities in 1934.The last three pages include a business directory which would be useful for research.A twenty page booklet printed on shiny paper. The front cover has a black and white photo of nine swimmers in the water (five male & four female) some with surfboards. There is a 4mm green line printed 12mm from the upper edge and a 3mm green line printed 6mm from the lower edge of the cover. There is green printing over the photograph on the front cover. On the rear cover there are two small black and white photographs of an aerial view of the city of Warrnambool and the Hopkins Falls in flood. The green line extend across the rear cover and are intersected by a perpendicular 4mm green line running from the upper to the lower edge 18mm to the left of the spine. Words are printed in black on the rear cover and the printer details are printed in green at the bottom edge.Front cover: Centenary Souvenir of Warrnambool Warrnambool Centenary Festivities 13th to 24th November 1934 Price 9d Rear Cover: Beautiful Warrnambool "City of the West" Victoria Australiawarrnambool, frank h. ford, foyle photos, a. wilkins photos, warrnambool centenary festivities 1934, warrnambool souvenir, warrnambool business directory

Worked by Edna Parker (nee Rouget)Set of 3 antique white, crocheted sewing equipment items: Scissors bag, tape measure holder and a thimble bag, each with a different crocheting pattern. The scissors bag has a crocheted button closer, the tape measure holder has 3 crocheted flowers and 3 small crystal beads on the lid and a toggle-shaped crystal closer and the thimble bag has a cotton drawstring closer with 2 pearl beads on either side and 2 crocheted flowers on front side of bag.sewing equipment, personal effects.

Part of the Zakrzewski Collection of spinning wheels donated to the National Wool Museum by Mr Wlodzimierz Zakrzewski. For many years, Mr Zakrzewski collected, researched and repaired spinning wheels from all over the world. This wheel was acquired in 1977 from an antique shop in Brighton and was Mr Zakrzewski's second purchase for his spinning wheel collection. It is a Swiss wheel and dates from the late 19th century. It demonstrates a high level of woodworking and engineering skill.Spinning wheelhandicrafts - history, spinning wheels, highlights of the national wool museum: the zakrzewski spinning wheel collection - exhibition (28/07/2001 - 02/12/2001), zakrzewski, mr wlodzimierz

The image portrays the no longer used High Altar of the Ballarat Cathedral and one of Ballarat's major artworks installed in 1880. It was designed and executed by Leonardi of Carrara, Italy, recognised as one of the premier marble workers in the world at the time. This is the only example of Leonardi's work in Australia.The altar is constructed of inlays of precious stones and antique marbles and the bas-reliefs feature Christ's passion which is also reflected in the Bentley designed Clayton & Bell window behind it. signor leonardi, high altar, carrara, st patrick's cathedral ballarat.

Part of the Zakrzewski Collection of spinning wheels donated to the National Wool Museum by Mr Wlodzimierz Zakrzewski. For many years, Mr Zakrzewski collected, researched and repaired spinning wheels from all over the world. This spinning wheel dates from the late 19th century and is German (Saxony) in origin. The bells indicate that it would have been a wedding gift from a groom to a bride or member of her family. It was purchased from Renaissance Antiques, Hawthorn, in 1982.Part of the Zakrzewski Spinning Wheel collection.handicrafts - history, spinning wheels, highlights of the national wool museum: the zakrzewski spinning wheel collection - exhibition (28/07/2001 - 02/12/2001), zakrzewski, mr wlodzimierz

Glass washboards were popular during World War II due to a shortage of metal. The body was made of wood, but the scrubbing area was glass. Washboards were normally two-sided with one side having more refined ridges and also came in a variety of sizes. The smaller washboards were used for delicates such as undergarments and petticoats, while larger washboards were used for such items of clothing as shirts and pants. They were used over the laundry tubs. (ref. Antique Traders)This glass scrubbing board is an example of the typical laundry equipment used by families in the Orbost district in the early 20th century.A rectangular glass washboard with a wooden frame. The glass insert is corrugated glass and the backing at the top is original. Frame is new (original had borer damage).On backing at top - Possum trademarklaundry-equipment washing scrubbing-board

Item used to repair books after their dust jackets, covers, flyleaves or pages had been damaged. These damaged items on a book were replaced and glued. The press allowed the glue to set under pressure until the repair was complete a press is also used for the gilding of books. The first book press has been documented in India around 100 BCE with various types and designs being used though the ages and are still in use today by craftsman to repair antique books.Over the centuries many materials from ivory to glass, have been used to bind books. Gilding has also long been a popular decorative treatment for book bindings and a book press is used in this operation. Since the 1800s, rare book conservationists have worked to perfect the methods used by their predecessors, and modern book binders are true craftsman with this press as an example of the equipment used in their trade. This item is significant as it is an early example of items used in book gilding and binding.Book binding press metal with square pressing surface driven by worm wheel thread and turning handle in working order. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This black wooden antique hinged book magnifier was typical of the elegant way that Victorian age designers combined both practicality and style into the salon. Folded down, this box would sit on a side table until required, whereupon it would expand to allow the user to read items in their hand. A platform designed to hold reading materials would be elevated into position, and the magnifier allowed for three different levels of height. On top of the magnifier are engraved decorations - one of a bow and the other of a globe, telescope and scroll.1 wooden box with fold out top and inset glass magnifier.assistive devices, equipment

When scrimshaw is mentioned, most people think of carving on sperm whale teeth only. But scrimshaw also includes engravings on skeletal whale bone–such as the jaw bone, called panbone–and ivory from other marine mammals such as walrus. Although scrimshaw is widely associated with nautical themes and designs of the 19th century whaling industry, vintage scrimshaw was also produced as tribal art in many cultures. Today, scrimshaw is recognized as a unique medium in which present-day artists have developed their own modern themes. Scrimshaw reproductions may take several forms. There are - New carvings on genuine ivory or bone with the deliberate intent to create an "antique” - New carvings on genuine ivory or bone sold as signed and dated contemporary art - Clearly marked synthetic museum reproductions and mass marketed - Unmarked synthetic replicas Painstakingly carved deliberate replicas are directed towards the scrimshaw collector and seldom appear in the general market. Pieces of contemporary art and museum copies are usually clearly marked and openly sold for what they are. The biggest problems in the general antiques market are the mass produced synthetic reproduction pieces, such as this item, that can be mistaken for the genuine item. The scrimshaw is a modern reproduction of a typical scrimshaw scene and engraved onto a synthetic substance. It has been created as a decorative piece and is currently displayed as a representation of the craft of scrimshaw.Scrimshaw carved on a non-natural material in the shape of a whale tooth. Engraving depicts a grizzly bear with two cubs next to a fallen tree. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, craft work, carving on bones, whale bone carving, engraving, scrimshaw, carving, reproduction scrimshaw

Cream coloured Document dated 29.March ? .1896 signed James Hetley & Co, W.D.Mason Collection, Quote from Glass Shade Windows & Stained Glass Warehouse,35, Soho Square London,a seal says Sole Agents for W.E. Chance & Co Antique Glass Letter to Mr Owen W. Williams stating various prices for their products including costs for freight etc. Also mentioned is the time taken by Cargo steamers -6-7 weeks en route - the mail steamers are quicker.business, retail, w d mason

A catalogue titled 'Drusilla' Mount Macedon. 'Commencing Monday, 3rd December, 1945 Sale By Auction of Antiques, Furniture and Works of Art. In the Collection of the late Phelia Maude and E. Norton Grimwade. Baillieu Allard PTY. LTD. Auctioneers. 360 Collins Street, Melbourne. Telephone: M1001 (9 lines.)' Also included in the catalogue is a newspaper cutting dated 2/3/1946 and titled 'Charming Debutantes.' The two debutantes are Judith Barrett and Phelia Grimwade the daughters of Mrs. Russell Barrett and Mrs. Lionel Grimwade.buildings, house, drusilla, lydia chancellor collection, collection, 'drusilla, ' mount macedon, place, house, home, auction, antiques, furniture, art, artwork, auctioneers, debutantes, judith barrett, phelia grimwade, mrs. russell barrett, mrs lionel grimwade, history, heritage

An antique thick heavy brown covered children's book entitled - The Leisure Hour 1887. The front cover has the title printed in large gold lettering surrounded by black outlined flowers and leaves. It is a bound edition of a collection of British general interest periodicals of the Victorian era. It has a variety of genres of fiction and factual stories, historical and topical. There are black and white illustrations throughout with some large frontispiece ones too. The stained back cover has a bunch of wildflowers printed in black outline. 860p.non-fictionA book of British general interest periodicals of the Victorian era which ran weekly from 1852 - 1905. Each issue mixed multiple genres of fiction, and factual stories, historical and topical. The articles were a mix, including biographies, poetry, essays and fiction. Each issue usually started with a piece of serialised fiction.magazines, fiction books, historical fiction, children's books, non fiction book

This money box is believed to be an antique Prattware piece modelled on a n English Methodist Chapel. It was a gift to a young girl, Sarah Ann Esam born in 1850 in Lincoln, England. Her parents John and Ann Esam emigrated to Australia in 1865 with six children one of whom was Sarah. John Esam became well known in Warrnambool as an engineer and windmill maker. His best known windmill is the one he made for "Lyndoch". Sarah Ann Esam died in Henna Street, Warrnambool in April 1915 on Easter Monday. This money box is of considerable significance because of its age, its artistic attractiveness and its connection to the Esam family who were prominent in Warrnambool in the 19th century. This glazed piece of pottery is a child's money box modelled on an English Methodist Chapel. It has a blue tiled roof with yellow edges, a slot for coins at the back.and two chimneys at each end of the building. The primary colour of the cottage is white It has two storeys, the upper one has six lead light windows framed with yellow and the ground storey has two brown doors with lead light fan windows. There is a pink colored figure standing in one corner of the base. The base is green representing grass. The edges of the base feature blue crosses interspersed with yellow dots. The black inscription on the front is artistically written. One chimney is damaged.as are the four base corners. S. ANN. ESAM. Born August 8th LINCOLN 1850esam, money box, prattware

This lamp pattern was originally made in USA between 1880 and 1900. The pattern is called Feathered Cartouche and generally had a painted motif on each of the panels on the front. This lamp is probably a copy of the American lamp and made in Australia sometime in the first half of the 20th century. The lamp has an English style collar rather than an American one and the pattern is not as crisp as the American ones. There were several lamp patterns made here that were copies of American patterns and that style of collar was used on most of them. (ref Oil Lamp Antiques)This item is an important example of the early technology of artificial light. It has historical significance in demonstrating lighting devices used before the widespread use of electricity.Ornate clear glass kerosene lamp. Glass chimney is missing. Base is square and patterned with raised oval shapes, as is the stem. Both base and stem are hollow. At the top, the kerosene holder is squarish with round corners.. The wick holder is of brass and has a small wick adjustor.lamp, kerosene lamp, lighting - domestic

The wheel came in a container from Liechenstein - Anitque Export Establishment (P.O. Box 21 498, FI - 9493 Mauren, Liechtenstein). It came with a number of dressers and tables. The flax on the original bobbin was present when Mrs Fabb purchased the wheel. Mrs Fabb purchsed the wheel c. 1985-1990 from a secondhand/antique shop in Para Road, Greensborough, Melbourne. The wheel was repaired by Mr Carrington (Zakrzewski) He made two more bobbins and the last piece on the distaff (which was missing when Mrs Fabb acquired it).W7230 Email dated 09 May 2008 regarding donation of spinning wheel from Felicity Ellis to Lynette Christiehandicrafts - history flax, spinning wheels, spinning, zakrzewski, mr wlodzimierz, denmark, handicrafts - history, flax

Original and copy of original: (10410a) golden coloured A5 program. On top of front page 'Royal Historical Society of Victoria, Bendigo and District Branch presents Golden Days Historical Exhibition, R.S.L. Memorial Hall, Pall Mall,Bendigo, 12 to 17th August 1960. Hours 10 a.m. to 10 p.m. Adults 3/- children 6d.' Inside, program lists major displays: antiques, bushranging, coins and tokens, documents, fashions, firearms, geology, gold mining, pioneers, postal history, prints and photography, shipping, sport.bendigo, history, golden days historical exhibition

A faded, badly damaged black miniature leatherette antique hardcover book, The Book of Common Prayer. The Church of England together with The Psalter or Psalms of David. On the front cover and the spine is stamped in gold lettering - Common Prayer. At the bottom of the spine is printed in gold: London. Underneath the title on the front are five tiny crowns in a line. At the back there are Forms of Prayer, The Form and Manner and other prayers. The pages have gilt edges. 355Pp but some are missing at the end. On the right front end paper is a bookplate from St Hilda's Sunday School , Macclesfield with the award to Ada ? 1904.non-fictionA miniature, antique, The Book of Common Prayer, and administration of the sacraments, and other rites and ceremonies of the church, according to the use of The Church of England: together with the Psalter or Psalms of David. Prayer books help us find the words when we are in a crisis and do not know what to say, as well as for daily and Sunday worship in the English language.religious books, hymn books, prayer books

By the 19th century, porcelain had become the favored material for doll heads, and starting in the 1830s, high-quality china dolls hit the market. Most of these were made in central Europe, and often the assembly work was done by individual families, which is why many antique china dolls are not marked. German-made china dolls usually have black molded hair and blue eyes. The most common china dolls are Low Brow china dolls, made in the millions in the 1890s (so called because their hairdo has bangs and lays low on their forehead, giving them a "low brow").This doll is a good example of a late 19th century china doll.China-headed doll with soft body. It has a low brow,moulded black hair and is wearing a black dress with a white collar and cuffs. Over the dress is a white pleated, embroidered pinafore. It has a broderie Anglaise petticoat.doll toys china-doll

Edwardian black lace long skirt. Four layers. Top layer of black lace in three panels. Top and bottom panels gathered centre panel flat seamed scalloped hem line. Second and third layers of black net with cut edges. Fourth layer of black satin. Skirt gathered onto 7cm waistband of black shantung. Thirty three cm split from waist at the back. Back fastening at waist overlapping with three hooks and eyes and two press studs. Purchased at an antiques store in Camberwell in 1970's. No provenance. Machine made.costume, female evening, black lace and satin skirt

These old spools or bobbins were used in textile mills and on looms in factories. The wooden one is a piece of the Industrial Revolution. Two vintage or antique wooden and thick cardboard industrial large sewing spools. The wooden one is an example from the Industrial Revolution. It has a round wooden top and base, with metal bands around both ends. There are two holes in one end at the side of the bigger hole in the middle which the spool would be attached to a machine. It has thick twisted discoloured cream string like thread wound around it. The cardboard wide open ended spool is smaller with thick cream coloured silk thread wound onto it.They were probably used in mills or factories.cotton reels, thread holders, threads

This medicine glass was previously owned by Sybilla Margaret Kucks (1904-1978), daughter of Henry and Julia Kucks, and granddaughter of William and Sibilia Kucks. Sibilla was born in Warrnambool and lived there until 1917 when she moved to Armadale, Victoria, with her family. The medicine glass was among her effects left to her nephew William when she passed away and has been looked after by his wife Eva and treasured as a memento of their Warrnambool heritage. Mrs Sibilla Kucks sold sweets and fancy cakes in her Liebig Street shop from 1873 until the 1880s. She operated one of Warrnambool’s earliest dedicated confectionery shops at a time when sweets were more commonly found in a fruiterer’s shop. Her window display would have been full of brightly coloured sweets in shiny glass jars tempting passers-by. Sibilla (née Leyendecker) married Johann Wilhelm Kucks in New York, USA in 1856. Both were originally from Prussia. They sailed to Australia on the Ocean Rover and arrived in Melbourne June 10th, 1858. Seventeen days later their second child, William Jnr., was born. Warrnambool’s population was around 2,000 in 1859 when Sibilla and Johann (known as “William”) settled here. William was employed as a tailor by Cramond & Dickson. In 1859 the couple bought George Fergusson’s bakery in Timor Street and opened it as “W. Kucks Baker”. Along with fancy breads and biscuits, he advertised baked dinners to order. William supplied bread to the Warrnambool Hospital until the 1880s. In 1873 William built a row of four shops at 140-146 Liebig Street, one of which became Sibilla’s confectionery shop, and another was the new home to W. Kucks Baker. In 1877 William constructed a building in Liebig Street for the Warrnambool Steam Packet Company, which has since been incorporated into the Warrnambool Art Gallery. Its western wall shows to older construction and design. William and Sibilla had five other children. By 1896 their sons William Jnr. and Henry operated the business as “Messrs Kucks Bros., Bakers & Confectioners”. They employed six staff and used three carts for deliveries over a thirty-mile radius. They catered for clubs and functions including the Exhibitors’ Picnic Luncheon for the Warrnambool Industrial and Arts Exhibition (1896-7). In 1907 Messrs Kucks Bros. baked a monster Pyramid Cake for a local bazaar. It contained coins of various sizes and weighed 84lbs (38kg). Everyone buying a slice hoped to be lucky enough to end up with a coin! William Kucks Jnr. also became licensee of Terang’s ”Wheatsheaf Hotel”, its name and logo connecting it to the family’s bakery in Warrnambool. William (1825-1911) and Sibilla (1833-1910) Kucks and three of their seven children are buried at the Warrnambool Cemetery in a family grave. John Sambell migrated from England and established his chemist and dentist business in Warrnambool around 1890 in his premises in Fairy Street. The business later included his son Herbert. The maker, Whitall Tatum & Co, is clearly marked on the base of the bottle. The company was a a well known maker of prescription bottles. He used the brand "W. T. & Co. from Mid-1870's until the late 1880's, moulded into his glassware. This medicine glass is significant as one of very few remaining items from the history of John Sambell, chemist and dentist, Warrnambool. It is also significant as an example of medical equipment that has a design still used today. It is also significant for its association with William and Sibilla Kucks, a colonial family in Warrnambool that was greatly involved in the community and commerce of early days in Warrnambool.Medicine glass, (measuring glass or dose cup), clear glass, round. The antique chemist measuring glass is wide at the top and tapers to a narrow base. The glass has side seams and an uneven base. The glass has imperfections ans bubbles. The base is uneven. The measuring scale lines have been scored into the glass and the measurements and other inscriptions have been moulded into the glass. Glass is from J. Sambell, chemist and dentist in Warrnambool. On the back there is a measuring scale in tablespoons and teaspoons. There is also an inscription of the maker on the base. The glass was made in the late 1880's by Whitall Tatum & Co., America.Embossed within a round border "J. SAMBELL / CHEMIST / AND / DENTIST / WARRNAMBOOL" The scale on the back has "TABLE" "1" and "2", and "TEA" "8", "4", "2" and "1" The base has "W.T. & CO." around the edge.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, medicine glass, measuring glass, dose cup, medicine dispensing, medicine measurement, sambell pharmacy warrnambool, sambell chemist and dentist, warrnambool chemist, history of warrnambool, early 20th century chemist, john sambell, medical equipment, warrnambool medical services, kucks family in warrnambool, william and sibilla kucks descendant, mrs kucks' confectionery, william kucks baker, warrnambool dentist, herbert sambell, whitall tatum & co, w. t. & co., warrnambool steam packet, warrnambool art gallery

The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. It was removed to the University's Historical Collection in 2012.White plaster cast of a woman with closed eyes. The cast is hollow, with an opening at the back. There is a metal wire at the back so it can hang on the wall.ballarat technical art school, ballarat school of mines, art, drawing, plaster, drawing the human figure from cast, drawing from the antique

The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. It was removed to the University's Historical Collection in 2012.White plaster cast showing the side profile of a child's face.ballarat technical art school, ballarat school of mines, art, drawing, plaster, drawing from the antique, drawing the human figure from cast, copy, replica