The Ballarat College of Advanced Education Print Award offered $1,200 as an encouragment to Australian printmakers. The exhibition was held at the Ballarat Fine Art Gallery. Four page application form for the inaugural Goldfields Print Award Exhibition printed in brown ink on light brown paper. allan mann, margaret rich, neil leveson, john crump, printmaking, ballarat college of advanced education, ballarat fine art gallery, art gallery of ballarat

Colour exhibition brochure Includes the following events - R & M McGivern Art Prize, Alexander McClintock Australian Watercolourist, Maroondah City Council Photo Competition, Comtemporary Wearables 06, Walala Wasala African Textiles and Srendip: tapestry and works on paper 1997 - 2006. Produced by Maroondah City Council and Maroondah Art Gallery.

Yields information the appearance of Sturt St from Lydiard St about 1910 with ESCo trams in the photograph.Digital image from the Wal Jack Ballarat Album of a coloured postcard looking west from Lydiard St along Sturt St with ESCo No. 17 at the city tram terminus. Has good detail of the central median strip. In the background is the Art Gallery Association building, Crockers store. c1910. Has the number 300ATR in the bottom right hand corner. Published by Valentines & Sons Publishing Co. Ltd. Melbourne and Sydney. Printed in Great Britain. For rear of postcard - see image i2.trams, tramways, sturt st, esco, lydiard st, tram 17

Bendigo Art Gallery Mid to Late 19th Century exhibition on display June 3 to July 4 2001, celebrating the transformation of a town into a city. The Bendigo Advertiser is a proud sponsor of exhibition printing a souvenir poster for the occasion depicting a water colour of Kangaroo Flat Sandhurst in 1857 by George Rowe on the cover, a chromolithograph of Sandhurst in 1887 by Francis Niven overleaf and on the back a water colour of the Bendigo Goldfields C.A. Ross & Co. Derwent Store in 1852 by John Cater of Northcote.George Rowebendigo, history, 19th century bendigo

Three Volumes of The World's Greatest Paintings - Selected Masterpieces of Famous Art Galleries. Large format blue hardcovers with a decorative embossed front cover with an ancient Greek or Roman head bust at the top. The spine has two sets of gold bands at the top and bottom with the title in gold lettering. The work has one hundred fine colour plates of well know pictures with information about each master. Each book has a brown paper dustjacket with the title at the top in black lettering.non-fictionThis work is published in three volumes containing one hundred fine colour plates of well-known pictures from many lands for the general public to enjoy. In addition to the plates there is a brief account of the life and times of each master represented avoiding all discussion of technical matter as far as possible.art books, art, painters, artists, artworks

The centre piece of the Ex-PoW memorial is Peter Blizzard's work in the Ballarat Botanical Gardens. Obituary written by Gordon Morrison, Director, Ballarat Art Gallery.The Ex-PoW Memorial is a significant landmark in the Ballarat Botanical Gardens and many visitors come to pay their respects.Newspaper Article from the The Ballarat Courier with three coloured photographs. No precise date given; sometime in 2009.None.peter blizzard sculptor, peter blizzard obituary. pre-eminent australian sculptors, peter blizzard biography. blizzard's work in the ballarat botanical gardens, stone gardens journey. ex-pow memorial., blizzard, sculptor, john garner collection, garner, dr, ballarat botanical gardens, gardens, ballarat

Local women made this quilt and book in 2004 over a period of four months. Meg Viney fibre artist and then director of Meeniyan Art Gallery initiated the project. Handmade and machine embroidered quilt with 16pp handmade book. The quilt celebrates the lives of local women in our rural environment. The quilt features cyanotype printed images of the women surrounded by blue floral-patterned fabric and gold/brown patterned trim. The book features handmade paper pages with images and stories on each of the women who were involved in the making of the quilt.

The Goldfields Print Award was conducted and sponsored by the Ballarat College of Advanced Education (later Federation University Australia) in conjunction with the Ballarat Fine Art Gallery. 1988 was the inaugural award.goldfields print award, ballarat college of advanced education, printmaking, ballarat fine art gallery, art gallery of ballarat, available

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Oil on canvas painting depicting a Panton Hill bush scape.Signed: D. Armfield in lower right hand corner. Not dated.david armfield, eltham art prize, panton hill

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires. Painting: oil on canvas. Depicting the desolate aftermath of a bushfire in Eltham. Trees are bare and burnt, foreground is sparse, whilst background is fiery red.david armfield, eltham, bushfire

David Armfield: David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1930s on painting trips and used to camp on the banks of Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Ceramic stoneware. Reduction fired, dolomite glaze, wax resist decoration over iron. Decorated/painted by David Armfield. Cast by Joan Armfield.

These oak and rattan arm chairs were previously used in the old Warrnambool Museum and Art Gallery, opened on 29th July 1886 with Mr Joseph Archibald as Curator, demolished in 1960. Chairs are significant to local history as they were originally purchased for use in the Warrnambool Museum and Art Gallery. The chairs were part of the social and cultural history of WarrnamboolChair, oak wood arm chair (set of 9), cureved back with decorated wooden edges, shield carved into top and protective metal plates on top at rear. Padded leather seat studded at edge, over rattan cane seat. Rattan cane is stitched onto wooden frame through drilled holes. Front and side legs each have two spindles between them. back legs have one. Legs are turned and slightly cambriol. Some chairs have written on back leg "1486". Made in England, c. 1896Some of the chairs have hand written black pen on back leg "1486"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, arm chair, rattan chair, warrnambool museum, warrnambool art gallery, 1890s chair, 19th century furniture, domestic furniture

Object. Brass coloured medal with a suspension piece and suspension ring on the crest. Obverse: Bendigo Town Hall, Below picture, ''J. B. EDWARDS''. Reverse: Around edge, ''Bendigo Juvenile & Industrial Exhibition 1886'', Engraved in centre ''FIRST AWARD MISS ELY HANDMADE SHIRT''. The Bendigo Juvenile and Industrial Exhibition was held in 1886. It was opened by the Governor. The exhibition was organized to encourage young people to engage in useful activities. The Picture Gallery had over 700 entries and impetus for the establishment of the Bendigo Art Gallery.numismatics, medals - civil, first award medal

Yields information about traffic conditions at the intersection of Sturt and Lydiard St and tram operations.Agfa colour slide, white cardboard mount, photo by Keith Caldwell on 16/3/1963 of: Photo of a busy scene at the corner of Sturt and Lydiard Streets. Tram 30 for Mt Pleasant and a Twin Lakes sign is departing the City terminus while No. 36 for Lydiard St North is arriving. The Town Hall and Georges Sea Food shop are in the photo along with a sign on the Post Office steps advising the location of the Government Tourist Bureau, Art Gallery and a cast sign "Danger Cross Street at Right Angles".In ink "16.3.63"tramways, trams, sturt st, lydiard st, city, town hall, tram 30, tram 36

One of these items is an 1894 letter written by the artist Tudor St George Tucker regarding one of his artworks in the Warrnambool Art Gallery collection. The other eight letters were written between 1889 and 1897 and document the controversy of the time when the authenticity of the art work by Louis Buvelot, The Waterhole at Coleraine, in the Warrnambool Art Gallery collection, was questioned. The Warrnambool photographer Daniel Clarke was querying the authenticity of the art work in the Art Gallery but evidence in the form of letters from George Folingsby of the National Gallery in Melbourne and from Louis Buvelot’s widow, Caroline-Julie, confirmed that there was confusion over the number of art works that Buvelot had executed with a similar theme. It was eventually proven that the Buvelot art work was genuine. The public spat was largely played out in the Warrnambool Standard but these original letters fill in the gaps of our knowledge on the subject. The letters came into the possession of George Lance who was involved with the Warrnambool Mechanics Institute /Art Gallery in the 1880s and 1890s and was the secretary of these institutions from 1892 to 1901. The letters were then handed on George Lance’s grandson, Bruce Morris, a well-known Warrnambool historian who was the editor of the Warrnambool Standard from 1946 to 1968. These letters are of great significance as eight of them are the original letters written in connection with the 19th century controversy in Warrnambool over the authenticity of a Louis Buvelot art work owned by the Warrnambool Art gallery. .1 A sheet of paper folded in two containing three pages of writing handwritten in black ink and pasted on paper. .2 A sheet of paper folded in two containing one page of writing handwritten in black ink and pasted on a sheet of paper. .3 A sheet of paper with handwriting in black ink pasted on a piece of paper. .4 One sheet of paper folded in two to make four pages of writing, handwritten in black ink. .5 .6 .7 A sheet of paper with handwritten material in black ink pasted onto another sheet of paper .8 A sheet of paper folded in two with three pages of handwritten material pasted onto another sheet of paper. .9 A sheet of paper folded in two with one page of handwritten material pasted onto another sheet of paper. tudor st. george tucker, artist, louis buvelot, artist, george lance, warrnambool, daniel clarke, warrnambool, george folinsby, melbourne, history of warrnambool

A postcard from a painting of a ford on the Acheron River that was painted in 1881 by H.J. Johnstone.A postcard from a painting of a ford on the Acheron River that was painted in 1881 by H.J. Johnstone. The original painting is oil on canvas and was donated to the Broken Hill City Art Gallery in 1948 by Mr. O. Von Rieben. This postcard was produced by Souvenirs Australia Pty. Ltd. in Glynde, South Australia as a souvenir of Marysville.H.J. JOHNSTONE/ A FORD ON THE ACHERON RIVER, 1881/ OIL ON CANVAS, 171cm x 245cm/ BROKEN HILL CITY ART GALLERY/ DONATED BY MR. O. VON RIEBEN, 1948 Made in/ Australia by/ Souvenirs Aust./ Pty. Ltd./ Adelaide/ BHG 2 ADDRESS Published by/ Souvenirs Australia Pty. Ltd./ Glynde/ Copyright A PITT CARDacheron river, oil painting, h.j. johnstone, broken hill city art gallery, mr. o. von rieben, postcard, souvenirs australia, souvenir

Art CollectionThe picture depicts trees with emus hiding amongst them. The trees are a cluster in the middle of a white background that gradually gets darker around the bottom and top edges. Mounted on a wooden backing which extends further then the picture, giving it a natural frame. No glass.Front: Malseed (brown paint, lower left.) Back: 1969- (Yellow circle sticker, top) 114 (small white sticker, top) Portland Art Gallery Trust (just short of top, white chalk) Nancy Malseed Environment 111 (1969) (strip of white paper, printed, top right) Malseed Environment 3 N.F.Scema, portland artists society, nancy malseed, female artist, women, women's art

James Oddie had returned from travels abroad and gave a speech at the Ballarat Art Gallery concerning the pleasure and importance of being a benefactor during one's lifetime in the light of Christian beliefs.The article indicates the esteem in which Oddie was held and notwithstanding other benefactors' contributions to Ballarat. Even if they were not as wealthy, their contributions were not forgotten.Two pages of small black and white print in columns.Bottom of the page, "Courier" is written in blue birojames oddie, benefactor, ballarat art gallery, ballarat botanical gardens, the ballarat courier, thomas stoddart, james russel thomson, frederick moses claxton, wealthy citizens, christian example, ballarat star, ballarat courier, john garner collection, gardens, ballarat, oddie

These images were taken by Geoff Biddington who was highly active in the Ballarat Branch of the National Trust. Twenty two black and white photographic views of Ballarat by Geoff Biddington. 1. Ballarat Mechanics' Institute 2. 18-20 Lyons Street south, Ballarat 3. Licensed grocer (Corner Eyre and Lyons Street South) featuring Ballarat Bertie Sign 4. Cast Iron Gasometer Frames 5. Former Ballarat Supreme Court (Ballarat School of Mines Electrical Engineering 6. Telegraph Station (Castlemaine?) 7. Ballarat Fine Art Gallery (later Art Gallery of Ballarat) 8. Former Ballarat Police Station, Camp Street 9. Former Baptist Church, Dawson Street 10. Craig's Hotel Lamp 11-13. Goller's, Camp Street 14. Old Post Box- Crown on Top 15. Former Ballarat Gaol Gates 16. Golden Point Football Club Rooms, Main Road 17. Ballarat Fire Station, Ballarat East 18. Ballarat Town Hall Tower 19. Ballan Hotel 20. Building on Inglis street, Ballan 21. Ballan News Building (Est 1872) 22. Adam Lindsay Gordon Cottagebiddington, ballarat mechanics' institute, ballaarat mechanics' institute, mechanics institute, gasometer, ballarat police station, police, baptist church, craig's hotel, goller, post box, crown, golden point, ballarat town hall, ballan hotel, adam lindsay gordon cottage, ballarat gaol gates, wrought iron, bluestone, ballarat bertie, orlando, penfolds, signwriting, licensed grover, ballarat bitter, craig's royal hotel lamp, craig's hotel

The family lived and farmed on French Island from 1902. They later moved to Phillip Island, dismantling and transporting their home to be re-erected in Findlay Street Cowes. It later became Findlay Art Gallery.25 page typed booklet. Includes black and white and coloured photographs. Section of the book, “The De La Haye Dynasty” Edited and printed by Phil De La Haye of Hastings in 2010The family of Rurric Alexandre & Fanny Charlotte (nee Dear) De La Haye by Bernie, Murray, Jennifer & Mel De La Hayelocal identities, de la haye family, findlay art gallery, french island, rurric de la haye, seaweed farming, shire of phillip island, grocery shop cowes, cowes shopping centre

Dr Briscoe was appointed Dean of the Faculty of Pain Medicine in 2008 and gifted the vase at the end of her term in 2010. Dr Briscoe was the first woman to be appointed Dean of the Faculty. The artist Robert Wynne is an accomplished glass artist in Australia. His artworks are held in significant public and private collections nation wide and overseas. Public collections include the Tasmanian Museum and Art Gallery, Artbank and the Queensland Contemporary Art Gallery. Wynne's artworks are also part of the private collections of Bill Clinton, Sir Elton John and the Royal Family Collection of Japan.Tear shaped, emerald green, hand-blown glassEtched on base - DENIZENdr briscoe, penelope (penny), wynne, robert, dean, faculty of pain medicine, fpm

A book highlighting Ballarat and surrounds for visiting tourists. Green, black and red soft covered book of 50 pages. The book includes many illustrations and advertisements. Themes of the book include: Ballarat and district, Lake Wendouree, Ballarat Botanical Gardens, Statues, gold and mining, Ballarat gold nuggets, Eureka Stockade, Ballarat School of Mines, Hepburn Lagoon, Emu River, race courses, Art gallery of Ballarat Advertisements include: Dr Lem Chinese Practictioner, Eureka Aerated Waters & Brewing Co., Sunshine Harvester, Gordon Bros., Long's biscuits, South Street, Grand National Eisteddfod of Australia, Lake View Hotel, Carlyon's Hotel, Clarendon Ladies' College, J.E. Sang Chinese Doctor and Herbalist, Reid's Ballarat Coffee Palace, Robert Sim & Co Timber Merchants, Cobb & C0 livery and stables Ballarat, Eagle Foundry, Fred A. Reed Tobacconist, Heinz bros butchers, J.J. Goller & Co. Illustrations include: Craig's Royal Hotel, McBride's Boots, John Lavis Cordial Manufacturer, R. Graham & Sons tanners, Lester's hotel, Sun Foundry, Central business College, Edwards Pyrites & Ore Reduction Co., George Farmer, Sturt Street (colour), Lake Wendouree, Ballarat East Town Hall, Lake Burrumbeet, Queen Victoria Statue, Fairy Land, Ballarat Botanical Gardens, Lal Lal Falls, Moorabool Falls, Kirks Dam, Lake Wendouree and paddle boat, Lydiard Street, Bopeep Creek, Star of the East Mine, Peter Lalor Statue, great Equatorial Telescopu at Oddie Observatory (Ballarat Observatory), Boer War monument, Entrance to Art Gallery of Ballarat, interior of Art Gallery of Ballarat, Old Curiosity Shop, Angus Rialto cafe, Ballarat Brewing Co, Royal Standard brwery, Phoenix Brewery Warrenheip, John MacLeod and Companyballarat, ballarat school of mines, buninyong, burrumbeet, cobb and co, eureka brewery, ballarat brewing co, sturt street, m1604, chinese, chinese medicine, d. lem, j.e. sang, brewery, tanners

Original Painting in Bendigo Art Gallery PAINTING WON'T HANG IN MESS BENDIGO intends to keep its big oil painting, "Gentlemen - the Queen," hanging in the Shamrock Hotel in Pall Mall. i The painting is on loan to the hotel from the Bendigo Art Gallery. And It's badly wanted at the officers' mess of the Royal Australian Artillery, 3rd Div., in Batman av., Melbourne. A formal application for It was made, In writing, to the Art Gallery by Brigadier W. Hall, commanding offlfncer. But Art Gallery members at their meeting yesterday said "No." Lending it or giving it away would "create a dan- gerous precedent for the Gallery," they decided. . "Any anyway," said Mr. W. Little, the Gallery's curator, "Brig. Hall has erred in thinking the men depicted in the painting are artillerymen. "They're offlfflcers In the Duke of Connaught's Light Infantry." But in Melbourne last night Brigadier Hall, keenly disappointed, said: VI have been told the picture was painted in the Royal Artil- lery mess at Woolwich, In England. "I have never dauhted the men are artillerymen, be- cause they wear the gun- ners' blue mess Jacket, scar- let cuffs and scarlet waist- coat." The Argus Tuesday 8 September 1953 Digitalised http://trove.nla.gov.au/ndp/del/article/23307813/1762840?zoomLevel=3Colour print of a painting by Albert Chevallier Taylor in wooden frame Glass frontedCopy by Survey Regiment 1986gentlemen the queen, argus newspaper, bendigo art gallery.

Printed in 1998 as a record of the exhibition held at Shepparton Art Gallery, July, 1998. Booklet deals with early architecture in Shepparton Region, includes maps, plans, photographic images and catalogue of 100 years of progress. Soft cardboard, light grey background with Shepparton Post Office fascade and first floor plan on front cover, view of the building from Wyndham Street and ground floor plan on back cover. The word "streetscape" printed across front seven times. early buildings, shepparton art gallery exhibitions, shepparton architecture, shepparton photographic images

Bendigo Agricultural & Horticultural Society Certificate of Merit. Awarded to Miss. H. Maru for Third Prize for Crochet work. 15th & 16th October 1890. Signed by President and Secretary. Photos of animals on front. DR 282 on back. On small accompanying card - From Glasier & Watts (late D.G. Coope) established 1871 Carvers & Gliders. Picture frame manufacturers etc. Old frames repaired and re-gilt. Map plans mounted & varnished plaques plush & ornamental work. Art Gallery. Bath Buildings. Mitchell street. Bendigo.document, certificate, personal

Artists Of The Bendigo Goldfields 1852 - 1864. Short notes on the paintings and their artists. This Collections was exhibited at the Bendigo Art Gallery, 9 March - 9 April,1989. The Artists were: Ludwig Becker, Edward Thomas Barnard, Nicholas Chevalier, William Dexter, Alexander Fox, S. T. Gill, Thomas Ham, Theodore King, George Lacy, Frederick Nixon, J. A. Panton, C. Rudston Read, George Rowe, G. J. W. Russell, Edwin Stocqueler, A. J. Stopps, W. E. D. Sturat, Thomas Wright. With Index. 32 pages.David Thomasbook, bendigo, paintings, books, catalogues, and newspapers.