Advertising. Warrnambool May carnival. History snippetsHistory of May Races and timeline 1847 to 2012. People playing at the hotel. Debate between lobster & crayfish. History of Tommy Corrigan - Jockey and his riding at the Carnival. History of Galleywood 1986 Grand Annual win. Other highlights in Warrnambool 3rd March to 12 MayHeavy paper, 4 pages historical and advertising material, A4 Bright blocks of colour with photographs and or text super size imposedwarrnambool may carnival, may races, tommy corrigan, grand annual, warrnambool hotel

Maroon coloured badge in the shape of a grape vine leaf with a maroon cord threaded through a hole in the tip of the leaf. Printed in gold is: - Worn-out Miners' & Engine drivers' Charity Carnival Steward.organization, mining, entertainment, badge, worn-out miners' and enginedrivers' charity carnival

Max Robinson (1934-2018) designed this record sleeve for the World Record Club in 1961. Robinson studied for a year at the Melbourne Technical College (RMIT University), and in his early career worked for Peter Clemenger and the graphic designer, Max Forbes. He produced a number of striking record covers for the World Record Club in the late 1950s and early 1960s. Robinson’s work is familiar to many Australians – he designed the new $10 note in 1993, which featured Banjo Paterson and Dame Mary Gilmore. The World Record Club’s operated in Melbourne from 1957 until 1976; it was a mail order service, and its art director, Geoff Digby commissioned young designers and artist to design the record sleeves. It is regarded now as one of most representative collection of Australian designers’ work of its period, and highlights the years of transition from ‘commercial art’ to ‘graphic design’. The album cover was donated to the Archive by the World Record Club’s art director, Geoff Digby. Ann Carew, 2020This record sleeve is historically significant for its association with Max Robinson, who was inducted into the Australian Graphic Design Association’s (AGDA) Hall of Fame in recognition for his work as graphic artist, but also his tireless advocacy for graphic design in Australia. It is aesthetically significant as an early example of the design work of Max Robinson. It is historically significant for its association with the World Record Club, an organisation that produced a representative collection of Australian graphic designers’ work from 1957 until 1976. the Pines of Rome . Respighi / Roman Carnival overture . Berlioz / Herbert Von Karajan / the Philharmonia Orchestra / Les Preludes . Lisztworld record club, max robinson, rmit university, rmit design archives, geoff digby, record sleeve design, graphic design

Program of a 'Monster Carnival' over 5 days, from Wednesday 11 October to Saturday 14 October 1916. Includes details of events and stall holders. Contains advertisements for local businesses and products. The carnival was to aid the Patriotic and Red Cross fundsSeven sheets of white paper, printed both sides in red and blue, folded and stapled (two staples) to create 28 pages.st kilda patriotic league, wwi, wwi fund-raising, world war i, victorian red cross

This item is an example of Carnival Ware glass. Carnival Ware is pressed glass to which an iridescent surface shimmer has been applied using metallic salts. The trade name of the colour is 'Marigold'. Carnival Ware was first produced in U.S.A in 1908 and production in both U.S. A. and other countries continued until the 1940s, with the 1920s being the decade when it was most popular. It was a cheaper version of a decorative item for the household as well as having a utilitarian purpose and is a collectable glass today.This vase has no known local significance but is retained as an example of an item likely to be found in many local households of the 20th century.This is an orange-coloured pressed glass vase. It is on a stand of three legs and has a fluted patterned top rim. The body of the vase has raised decorations of butterflies and berries.carnival ware, vintage glass ware, carnival ware glass vase

Photographs of a school swimming carnival at Greensborough Pool circa 1980s.This Pool was demolished to make way for the Watermarc complex.Digital copy of 3 colour photographs.greensborough pool, watermarc

Events, Bert Graham Collection, Bendigo East Swimming Carnival, Bendigo east Pool, Eastern Park, Saturday, February 3rd, 1962. Pets Parade, Admission, Adults 2/6, Children 1/-.bendigo, clubs, bendigo east swimming carnival

Events, Bert Graham Collection, Bendigo East Progress Aquatic & Sports Carnival, Day & Night, To be Officially opened by His Worship the Mayor of Bendigo, Cr.Garvin at 3 o'clock, on Saturday January 30, 1932.bendigo, clubs, bendigo east swimming carnival

The State Team of Victoria competing in the interstate carnival held in Adelaide in 1929.This photo includes some significant people regarding women's basketball (netball) in the 1930s, 40s and even 50s. L.C. Mills was the foundation president of the V.W.B.B.A and gained life membership in 1936, while players such as Edith Hull, Ethel McCarthy and Elsie Johnson would represent Victoria throughout the 1930s.Team photo of the 1929 Victorian Women's Basketball State Team competing in Adelaide.'Interstate B.B Victorian Team Adelaide 1929' Left to Right: L.C Mills (Foundation President), Jessie Barker, Ethel McCarthy, Edith Hull, Margaret Reilly, Eevelyn Hassey, Hazel Wilkins, Val Tasker, Nance Tregear, Elsie Johnsonwomens basketball, women's basketball, netball victoria, netball, victoria, 1929, 1920s, victorian team, womens netball, women's netball, sport, vic, netball australia, l.c. mills, jessie barker, ethel mccarthy, edith hull, margaret reilly, evelyn hassey, hazel wilkins, val tasker, nance tregear, elsie johnson

Carnival at Ringwood Lake, judging of Ringwood Henley Girl Formation of the Ringwood Athletic Club in July 1961 Ringwood CWA birthday party at Ringwood Town Hall Mayor to discuss building aged-care hostel

Brass medal with stick pin for the Red Cross Great Carnival Caulfield 1917 which was held on the Caulfield Racecourse as a fund raiser, circular medal with red cross above a coat of arms & wording around the outside.Stokes & Sons Melbevent, charitable, red cross

Aulsebrook Collection: Bendigo Easter Fair Charity Carnival 1971 Program (a) -12th- 13th April 1971 -brochure size, 29 pages -advertisements, lists of officials (b), lists of programs/events throughout the event

Events, Bert Graham Collection, Head of the Pool Bendigo East Patriotic Swimming Carnival, Eastern Park, Saturday 4th March, 1944. To be Officially opened by His Worship the Mayor of Bendigo (Cr.W.H.Taylor) at 3 o'clock.bendigo, clubs, bendigo east swimming carnival

Events, Bert Graham Collection, Bendigo East Progress Aquatic Carnival, Day & Night to be Officially opened by His Worship the Mayor of Bendigo, Cr. Geo. Bennetts, Saturday February 3, 1934, at 3 o'clock.bendigo, clubs, bendigo east swimming carnival

see page 15 Lakes Post Newspaper 9 December 1998Colour photograph three girls competing Under 16 beach sprint run, on beach, few people sitting in background, Katie Scott leading, Surf Life Saving Club Carnival . Lakes Entrance Victoriasurf lifesaving, volunteering, businesses

These two orange-coloured dishes are made of pressed glass to which an iridiscent surface shimmer has been added by the application of metallic salts. They are examples of Carnival Ware and the orange colour is known in the trade world as 'marigold'. Carnival Ware was first produced in 1908 as a relatively cheap version of decorative glassware in U.S.A. and this country was the main producer up to the 1940s, with the 1920s being the decade when it was most popular. Carnival Ware was also produced in other countries including Australia and the United Kingdom and is a collectable item today. These two dishes have no known local provenance and are retained as examples of vintage household items serving both a utilitarian and a decorative purpose..1 An oval shaped shallow glass dish with pressed patterns and handles at either end. The item is orange-coloured. .2 as abovecarnival ware, orange glass dishes, vintage decorative items

Worn by Trevor Partington in the 1960s, in athletics meets such as the Greensborough Athletics Club Carnival.Green and white striped polyester athletics singlet, size 40.HiMark by Frank H. Haworth of Glen Iris Melbourneathletics singlet, trevor partington, greensborough athletics club

Black and white photograph of Miss Molly Palmer, Queen of Fishing in the fundraising Queen of Carnival, she is dressed in white dress with decorative head dress and long train accompanied by two flower girls. Lakes Entrance Victoriacelebrations, genealogy

Colour Photograph. Bert Graham Collection, the swimmers are on the starting blocks for their race at the Bendigo East Swimming Pool for the Swimming Club carnival in 1981. The Official starter is on the right with 'gun' ready to start the race, whilst others are watching.bendigo, clubs, bendigo east swimming club

Events, Bert Graham Collection, Head of the Pool Bendigo East Patriotic Swimming Carnival, Eastern Park, Saturday 3rd March,1945. To be Officially opened by His Worship the Mayor of Bendigo (Cr. L.W.Galvin) at 3 o'clock.bendigo, clubs, bendigo east swimming carnival

Events, Bert Graham Collection, Head of the Pool, Bendigo East, Patriotic, ,Swimming Carnival, Eastern Park, Saturday 28th February, 1942. To be Officially opened by His Worship the Mayor of Bendigo (Cr. Anderson) at 3 o'clock.bendigo, clubs, bendigo east swimming carnival

Hat was worn to the Spring Carnival races at Flemington Racecourse end 1980s - early 1990sSmall red straw hator fascinator with large red feather and red veilingMiss Biernercostume, female headwear

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. Back panel is painted design of two men. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads. Silk macrame fringe and tassels to central panel and padded lotus and bowl motif hanging tassel from side panels. Velvet lettering applied to front "CHINA" CHINA /beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide.The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads. beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes