Index, bibliography, ill, p.159non-fictionEighteen days before Pearl Harbour and Japan opens fire on Australia. The RAN's cover-up of the action that sank HMAS Sydney on the 19th November 1941 has been a public scandal for decades. Here is the first book to explain how Churchill and Roosevelt sacrificed the Sydney and the US Pearl Harbour fleet.world war 1939 – 1945 – naval operations - australia, hmas sydney

p.284.fictionSomewhere out there Ellie and her friends are hiding. They're shocked, they're frightened, they're alone. Their world has changed, with the speed of a slamming door. They've got no weapons - except courage. They've got no help - except themselves. They've got nothing - except friendship. How strong can you be, when the world is full of people trying to kill you?juvenile fiction, war stories - juvenile fiction

Small booklet (44 pages) "Children no longer" A guide for parents on understanding the adolescent. Published by The father and son welfare movement of Australia. Third edition September, 1958. Contents - Part 1: Physical development - The onset of puberty, the glands and how they function, general growth. Part 2: Psychological development - Mental capacity is reached, independence finding their own feet, vocation how and what shall they choose, sex development, some social and moral factors. Part 3: Spiritual development - the search for a purpose, the answer in God.books, school, sex education

Small booklet (32 pages) "The guide through boyhood" A reliable sex education book for Australian boys 8-12 years. Foreword by Professor Harvey Sutton O.B.E., M.D. Booklet published by Father and son welfare movement of Australia. Fifth edition April, 1958. Contents - Part 1: The miracle of being born; chapter 1: boys will be boys. Chapter 2: we grow from an egg. Chapter 3: father's help too. Chapter 4: how we start to grow. Chapter 5: growing and being born. Chapter 6: into the world. Part 2: Your body a wonderful machine. Part 3: A lad's friend.books, school, sex education

New Idea magazine from October 4th, 1980. on the cover: Larry Hagman - Even his real mother says he's a stinker! Exclusive W. A. shipwreck family's amazing survival story. Another blow for Princess Grace. Have you lived before? Kevin Arnett investigates. Bonus 8 pages microwave recipe book. Super crafts: 6 summer shawls -macramé lamp. Dame Zara talks about "those" rumours and what she is doing on the Gold Coast "I probably have come up here to die". 4 pages special: dressing thin: how to shed up to 15 kg. without losing weight. Price 50 cents. The magazine has 144 pages but from page 42 to page 129 there are a lot pages missing and the one left are all loose.books, magazines, women's magazine

The Australian women's weekly from July 12, 1961. Price 1 shilling, the magazine has 64 pages. On the cover a picture of Jackie Kennedy and the words: How Jackie Kennedy got to the White House, pages 24-28. Contents: Jacqueline Kennedy story - 2,000 pounds canned fruit recipe contest - the end of the beginning - Little boy lonely - The case of the duplicate daughter - The fifth candle - It seems to me - Australia nature - Worth reporting - Social - Letter box - Your bookshelf - Crosswords - Stars - Dress sense - Fashion frocks - Film - Television parade - TV colour - Cookery course - Cookery - At home - Home and family - Home plans, prize recipes - House that has everything - Gardening.books, magazines, women's magazine

Book titled - Referendum - The Australian Way, delivered by the Rt Hon Sir Ninian Stephen on Wednesday, 11 October 2000, La Trobe University, Bendigo. The 2000 Sir John Quick Bendigo Lecture. The lecture was written by Michele Matthews. Lecture mentions how the referendums in this country came to be. It was the Swiss Federation that served as the model on which the founding fathers of our constitution relied in selecting the referendum as the instrument of constitutional change. Mentioned in the back of the book is a short life story of Sir John Quick and his work in Australian Federation. Also one about The Rt. Hon. Sir Ninian Stephen.bendigo, history, long gully history group, the long gully history group - referendum - the australian way, 2000 sir john quick bendigo lecture, rt hon sir ninian stephen, la trobe university bendigo, robertson hyetts, quick hyett and rymer, quick and hyett, edmund burke, alfred deakin, playford, the australian natives association, edmund barton, sir robert garran, dr john quick, university of melbourne, michele matthews, mrs cheryle parker

Typed and handwritten notes titled 'The Mudbrick Homes on the Bendigo Goldfields'. Included is a description of a mudbrick building and how the bricks are made. Also mentioned are where there are some mudbrick houses in Bendigo and suburbs.document, the mudbrick homes on the bendigo goldfields, joch, john oc hattam

Dr John Hains, presented these two shakers to Dr Neville Davis, President of ANZCA (1995 to 1996). Dr Hains expressed in his letter to Dr. Davis, how these two shakers are made from a red cedar branch which had fallen on his property in Queensland. A pair of hand crafted red cedar salt and pepper shakers, each with a thin gold band above the base.dr john hains, red cedar, hand crafted

The question of how the United States became enmeshed in the Vietnam War has troubled three generations of Americans. Now, in this incisive and very well documented history of American intervention in Vietnam from the end of World War 2 to the first months of John F. Kennedy's presidency, historian James R. Arnold present the dramatic unfolding of the events by which Washington led us into Vietnam. At no point along this way did any policymaker consider the ultimate result of this course as seriously heed those who counseled caution.united states - foreign relations - vietnam, vietnam - foreign relations - united states

A workable solution to the worst problem of our timevietnam war, 1961-1975 - participation, american

A wrkable solution to the worst problem of our timevietnam war, 1961-1975 - participation, american

An excellent example of Australian First World War recruiting posters aimed at women, rather than potential soldiers. The poster suggests that in helping defeat Germany, women were really defending themselves.During the First World War, governments needed to convince their citizens to contribute to the war effort. In the absence of radio and film, the poster was the most effective method of mass communicationDepicts a woman with arms raised, her clothing torn and right breast exposed. Two children lie dead on the round at her feet, while the town behind her burns. Full poster text: 'Women of Queensland! Remember how women and children of France and Belgium were treated. Do you realise that your treatment would be worse? Send a man today to fight for you'poster, ww1, women of queensland

It is not known how these goggles belonging to the late Evan Johns were acquired. Evan did not enlisted in the Defence Forces but did have an interest in aviation.The frame of these goggles is in excellent condition with virtually no paint loss and only minor marking. The pressed brass frame incorporating hinged lens holders is finished in black paint.The nosepiece leather and backing chamois are both good . The original rubber facepads are in excellent shape and remain pliable; The clear lenses do have delamination marks . The strap components are excellent throughout with clear Air Ministry markings. There is the anti-glare screen, commonly known as the flip shield with the short enclosed type spring mechanism. AM REF NO 22C/167 Goggles MarkIVB

Discusses what does it feel like to be an Australian in 1959? A critique on our advanced national adolescence, limitations of our artist's creativity. We are not English or America - how do we compare? Australians want to be told they are better, the country anxious to hear well of itself. (This perhaps is related to item D015.)Typewritten, pencil edits, quarto, 4 pages, pages 6-9they're a weird mob, nino culotta, 1959 australia, cyril pearl, on the beach, so you want to be an australian, sidney nolan, john ely burchard, robin boyd, manuscript

Discusses what is a neighbourhood and how is it "broken-down" for town-planning and building regulation purposes. Discusses types of dwellings, infrastructure, zone barriers, isolation of residential zones, services etc.Original manuscript of ideas for the chapter titled 'The Neighbourhood' (pp. 32-43) by Robin Boyd in the book "Living and Partly Living", by Ian McKay, Robin Boyd, Hugh Stretton and John Mant, published by Nelson, Sydney 1971.Typewritten (c copy), pencil edits, foolscap, 2 pagesneighbourhood, suburbia, neighbourhood, dwelling types, residential zones services, robin boyd, manuscript

McKay discusses in first two documents questions about what is a house and what do residents want from a city at large. In the last he discusses national housing policy and how it has evolved since 1944.Original manuscript of an ideas for other chapters (written by Ian McKay, Hugh Stretton and John Mant) in "Living and Partly Living", Nelson, Sydney 1971. In the book, Ian McKay authored "The House", Hugh Stretton authored "The City" and John Mant authored "National Housing Policy".Typewritten Typewritten (p’ copy) Typewritten (p’ copy), quarto, 1 page, 1 page, 3 pagesnational housing policy, commonwealth housing commission report 1944, commonwealth state housing agreement 1956, ian mckay, manuscript

Softcover"October 27, 1986 - John, have a very special birthday, best love Suzy"music, opera, walsh st library

Hardcover w/ Dust JacketNewspaper clipping inserted at front: King E 1994, 'Battle of the baroque', The Age, Travel, Saturday 23 July, p. 6. Photocopied typed A4 insert at p. 637: Travel Book Newsletter, 1976, 'New books show how architecture reveals history', October. Contains review of this book.architectecture, society, walsh st library

Hardcover w/ Dust Jacketwalsh st library

John Bradley's compelling account of three decades living with the Yanyuwa people of the Gulf of Carpentaria and of how the elders revealed to him the ancient songlines of their Dreaming.maps, b&w illustrations, b&w photographsyanyuwa, carpentaria

B&w illustrations, b&w photographs, word listswiradjuri

A comprehensive account of John Batman's life. This is a broad social history of the life and contentions of the original Port Phillip settlement. It includes relations between the European colonists and the Aboriginal population. It shows how the initial Aboriginal policy lay the ground for the near genocide of Port Phillip's original inhabitants.maps, b&w illustrations, b&w photographsbunurong, boonwurrung, wathaurong, woiworung, woiwurrung, wurundjeri, wodewarrou, gerarlture, beingalite, you whamgete, you yangs, yarra river, kurung, john batman, port phillip bay, victorian history, victorian indigenous history, batman treaty

Alma Shanahan (1924-2015) was a Victorian potter who came to live at Clifton Pugh's Dunmoochin art colony at Cottlesbridge, on Melbourne's outskirts in 1953. Unable to join the co-operative proper, as she was a potter, not a painter, she built her house at the top of the hill, 135 Barreenong Road, Cottles Bridge. The c.1953 house is historically, aesthetically and architecturally significant because it is a good example of the design and ethos of mud brick dwellings synonymous with Eltham and features the extensive use of recycled materials, which was characteristic of the 'Eltham style' of architecture. Like the others in the artist community, Alma Shanahan built her own residence in stages out of local materials. Shanahan was later joined by neighbours and Dunmoochin potters Peter and Helen Laycock. She trained for a term with Peter Laycock but was otherwise self-taught, basing her practice on the teachings of Bernard Leach. After Pugh's death in 1991 she became the longest standing Dunmoochin resident. Her works are incised with her full name. Alma Shanahan was a part of the Dunmoochin Artist's community whose (other) members (Kevin Nolan, John Howley, John Olsen, Mirka Mora, Peter Laycock, Helen Laycock, Peter Wiseman and Chris Wiseman) made an important contribution to Victoria's cultural history. From the mid 1950s Pugh persuaded a number of other painters, as well as potters and other artists, to come and live at Dunmoochin and they formed one of Victoria's most important artist communities. She started potting around 1961 (aged 37). "Horse Power" was made using Chullora clay, which indicates it was made during her first seven years of production. Horse Power is about man's search for "energy" and how the "energy" can turn around. Made from Chullora (Sydney) clay. Glazed stoneware plates (x2) with brush decorations resting on hand made ceramic stands. Plate one: 2006.64.1VA (Horse Power + stand) shows a figure on horse back with blue foliage in background. Plate two: 2006.64.2VA (Flip Side + stand) shows a horse with figure under it's hooves. Hand painted signature in brown/black on back of both plates; "Alma Shanahan"shanahan, stoneware, glaze, plates, horse, dunmoochin

Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media

Principal John Pascoe stands behind Senator John L. Carrick as he speaks at the official opening of stage 1 building of the new campus at Truganina, February 1979. Classes began in temporary classrooms a year earlier and students reflected on the hive of activity while buildings went up around them in the 1978 yearbook, Literata: 'We still had to put up with the noise of the builders finishing the building' D.W 'There was hardly anything to be taught in...I thought it was disorganised, lonely and hectic' K.H. 'I do not know how the workers completed the school in such a short time' A. DiM. In a longer piece, past student and school captain, Fiona Kellett, wrote: 'Where once there were just paddocks, we now have a fine school, of which we are very proud. In the years to come this school will become bigger and everyone will see their dreams and hard work fulfilled'. Black and white photograph of a group of people seated facing a stage. On the stage, four students stand to the left of a podium at which Senator John. L. Carrick is speaking.

Used by the St John's Ambulance Association to show how to bandage injuries.Two large cotton triangles one printed images in black showing correct method of bandaging different body parts with Logo with The St John Ambulance Association at top and central man under logo has sling marked 9A and 9B. The second sling is plain calico.st john ambulance, medical