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Mrs Aeneas Gunn Memorial LibraryBook, Bruce Bairnsfather, Fragments from all the fronts, 1917
Humorous cartoons illustrating the war in France 1914-1918Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures -
Mrs Aeneas Gunn Memorial LibraryBook, Alex. M'Kinley & Co, Hello, soldier! : khaki verse, 1919
A book of poetry and humour from the First World warIll, p.131.fictionA book of poetry and humour from the First World warworld war 1914-1918 - humour, world war 1914-1918 - poetry -
Box Hill Historical SocietyBook, Burwood Boys: Seven stories of success, 2018
The seven stories in this book are told by former residents of Burwood Boys' Home, some of whom arrived there from other residential institutions. The stories provide a window into an earlier era of Melbourne's social history, from the 1930's to the 1970's. These are stories of resilience, good humour and positivity, but also of abandonment, confusion and fear as families made hard decisions. They vary in length, and include one longer extract from an autobiographical work by Hector Davis OAM, who arrived at Burwood, aged eight in 1934.A5, 154 pages; black & white photos and some coloured photosnon-fictionThe seven stories in this book are told by former residents of Burwood Boys' Home, some of whom arrived there from other residential institutions. The stories provide a window into an earlier era of Melbourne's social history, from the 1930's to the 1970's. These are stories of resilience, good humour and positivity, but also of abandonment, confusion and fear as families made hard decisions. They vary in length, and include one longer extract from an autobiographical work by Hector Davis OAM, who arrived at Burwood, aged eight in 1934.burwood boys' home, child care, burwood children's home, reminiscences, davis> hector, bastow> ted, williams> vern, richardson> kevin, howden> bob, snell> ed, holmes> michael j. -
National Vietnam Veterans Museum (NVVM)Book, Parry, Bill, A Walk Thru Life
Enjoy the humour and relive the era of the "Sixties", as you follow him from recruit training to a battalion and then to the steamy massage parlours and jungle.fictionEnjoy the humour and relive the era of the "Sixties", as you follow him from recruit training to a battalion and then to the steamy massage parlours and jungle.vietnam war, 1961-1975 - fiction -
Merri-bek City CouncilCeramic - Ceramic, acrylic paint, gold lustre and mix media, Bundit Puangthong et al, FOOD, 2018
These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists -
Merri-bek City CouncilCeramic - Ceramic, acrylic paint, gold lustre and mix media, Bundit Puangthong et al, FLESH, 2018
In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex. -
Mrs Aeneas Gunn Memorial LibraryBook, Chatto and Windus, The pick of 'Punch' : an annual selection, 1945
Selections from the satirical publications PunchIll, p.205.fictionSelections from the satirical publications Punchhumour - english, satire - english
