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The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah I, 1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MILLS / DISPENSARY / MARCUSE 83 / YACKANDANDAH Reverse: Y 12 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program, yackandandah -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth Carriage Museum I, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BEECHWORTH CARRIAGE MUSEUM / MARCUSE Reverse: BEECHWORTH NOSTALGIA / BW-08 / B 9 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Greensborough Historical Society
Memoir, I loved Greensborough by Val Wilson (nee Rolfs), 1936o
Val Wilson (nee Rolfs) recounts stories of her childhood growing up in rural Greensborough. In this story Val tells of a little girl who thought she could ice skate on a pond behind Grimshaw Street.A primary source recollection of Greensborough in the mid-20th century.2 typed pages.val wilson, val rolfs, greensborough, ice skating -
Greensborough Historical Society
Memoir, I remember by Elaine Drakeford (nee Roberts), 1939o
Elaine Drakeford (nee Roberts) recounts her story of growing up in Greensborough from the 1940s. As part of a large family, the 9 children played together and made their own fun.A primary source recollection of Greensborough in the mid-20th century.2 typed pages.elaine drakeford, elaine roberts, grimshaw street, bernie drakeford -
Greensborough Historical Society
Oral History, People that I have met: Cliff Lowerson; by Rosie Bray, 14/07/1920o
Rosie Bray talks with Clifford Alva Lowerson about life with his wife Iris in Eltham, Briar Hill, Montmorency and Watsonia.Oral history first published in GHS Newsletter 2014.4 pages, text and photographs.cliff lowerson, rosie bray, watsonia, oral history, greensborough -
Greensborough Historical Society
Photograph Album, Diamond Valley Community Hospital. Life at the DVCH. Functions, events and other happenings. Volume I, 1987_
Social activities at DVCH include farewells, dinner dances, community outreach activities. Includes staff newsletters and hospital accreditation information. The Diamond Valley Community Hospital was established in 1942 in Grimshaw Street Greensborough. Due to financial circumstances, the hospital closed in 2000. This collection of photo albums is from the 1990s and was collected by staff. Photographs are not named. Albums may be accessed at the GHS Resource Centre. This volume is numbered 9,As the Diamond Valley Community Hospital is now closed, this collection of albums records some of the people involved. This particular album shows the community involvement with the hospital.Photo album with blue cover. 46 pages, 133 photographs of varying sizes. Title handwritten and pasted on front cover. Inscription inside front cover: "Photos and Album by Marg Langtree." diamond valley community hospital, greensborough, dvch -
Greensborough Historical Society
Book, As I Recall: a collection of stories - country to suburbia, 2013_
Compiled and published by the Greensborough Historical Society, this book contains 26 stories of and by people who lived in the Greensborough area including Watsonia, Briar Hill and Montmorency. The book was initially funded by a grant from Banyule City Council.The first book published by Greensborough Historical Society, this volume includes oral and written histories of many local families. Copies available from the Society.90 pages, black and white illustrations. Cover has a green background with a collage of photographs.greensborough historical society, as i recall, bill cecil, bonnie dickson, val wilson, collins, thatcher, diamond valley community hospital, hutchinson, eric barclay, norm hyde, ida brown, faye fort, sculli, hazel amos, tom vickers, willimott, june hall, evans, spear family, trinnie di giacomo, elaine drakeford, ian foard, jack waites, vera lay, partington -
Greensborough Historical Society
Book, Yarra Plenty Regional Library, Fine spirit and pluck: World War I stories from Banyule, Nillumbik and Whittlesea, 2016_
A collection of stories of World War One from Banyule, Nillumbik and Whittlesea.Collected by Yarra Plenty Regional Library with contributors from the local area.227 p., illus. 2 copiesyarra plenty regional library, world war 1 -
Greensborough Historical Society
Memoir, I loved growing up in the Burra by Ian Gilbert, 1950o
Ian Gilbert recounts his life in Greensborough from 1950.Five p., typescriptgreensborough, ian gilbert -
Greensborough Historical Society
Booklet - Memoir, Rosie Bray, I remember it well by Rosie Bray, 15/08/2020
Personal recollection of the day in Melbourne when Victory in the Pacific was announced, with images of contemporary badges, articles, posters and other memorabilia13 p typescipt and photographs of memorabilia of World War IIworld war ii, victory in the pacific, rosie bray -
Greensborough Historical Society
Book, Shauna Hicks, Where do I start? a brief guide to researching your family in Australia and New Zealand, 2015
71 p. col. illustrationsnon-fictionfamily history, genealogy -
Greensborough Historical Society
Sticker - Digital Image, I love Greensborough, 1990, 1990s
Digital image of sticker (possibly a "bumper sticker") Greensborough, 1990s.Part of a collection of miscellaneous historical images with a connection to the local area.Digital image of advertising sticker. White card with red heart and black text.greensborough -
Greensborough Historical Society
Document, Ray Hooper, Briar Hill as I knew it: the memories of Ray Hooper, 10/01/1930o
Reminiscences about people and places in Briar Hill, written by the late Ray Hooper.3p. typescriptbriar hill, ray hooper, oral history -
Federation University Historical Collection
Book, John Sutherland M.A, Euclid Books I to III by John Sutherland, 1901
Red bound hard cover book of 178 pages. Published by Melville and Mullen. Pages 47 - 52 loose. M. M. Kenna handwritten in ink on facing endcover, preface page and back facing endcover. Address 'Central College, Skene Street Geelong' ((but crossed out) and date '24/4/'03' also recorded. Back facing endcover also has calculations handwritten in ink. euclid, mathematics, john sutherland, maurice m. kenna -
Federation University Historical Collection
Book, John Mawurndjul: I am the Old and the New, 2018
Hardcovered book with an image of a crocodile with rarrk design. The book is a catalogue for an exhibition developed and co-presented by the MCA and the Art Gallery of South Australia (AGSA), in association with Maningrida Arts & Culture, this exhibition presents the work of one of Australia’s leading contemporary artists – master bark painter John Mawurndjul. Bringing forth a tradition shared by generations of Kuninjku artists, Mawurndjul is celebrated for his mastery of rarrk (cross-hatching) and his depiction of djang (sacred sites). Bark paintings and sculptures made over a thirty five year period, from private and public collections, and chosen by the artist, will introduce audiences to the concepts that shape Kuninjku culture and the significant ancestral locations in Central Arnhem Land. Born in 1952, Mawurndjul is a Kuninjku elder and artist. He lives and works in Milmilngkan and Maningrida in Central Arnhem Land. Since his first exhibition in 1982, he has become one of Australia’s most widely recognised artists. In 1989 he was included in the landmark exhibition Magiciens de la Terre at the Centre Pompidou and Grande Halle de la Villette in Paris, and his works have been included in numerous solo and group exhibitions in Sydney, New York, Paris and Japan. Following the presentation of this exhibition at the MCA, it will be presented at AGSA from 26 October 2018 until 28 January 2019 as part of TARNANTHI Festival of Contemporary Aboriginal and Torres Strait Islander Art.(https://maningrida.com/exhibition/john-mawurndjul-old-new/, accessed 05 November 2018) non-fictionjohn mawurndjul, bark painting, exhibition catalogue, rarrk -
Ballarat Clarendon College
Book, George Routledge and Sons, History of the war in the penisular and in the South of France from the Year1807 to the Year 1814. Volume I, 1882
Book prize given to John Tanner (1887), Christmas 1885. First prize for French in the Upper Fifth form.Maroon calf-bound book with gold plate work on spine and borders of cover. Ballarat College school crest and motto inscribed on front cover. Six compartments on spine decorated with gold patterns; title inscribed in second compartment. Volume number inscribed in third compartment Marbled leaf edges and end papersBook plate: Ballarat College crest and motto / French / Upper fifth form / First prize / Awarded to / J Tanner / Christmas 1885john-tanner, 1887, 1885, ballarat-college, book-prize, -
Ballarat Clarendon College
Book, Charles Knight, Half hours with the best authors: Volume I, Prior to the book prize presented on Christmas, 1880
This book was awarded to John Thomas Good as First prize for Latin in the Sixth form in 1880. John enrolled in Ballarat College in 1878 at the age of 12. In the original register his parent/guardian is listed as Mrs. H J. Munch, Beulah Glenthompson.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in brown half calf with college crest embossed on front cover. Six raised ornately decorated bands on spine with gilt lettering on second and third compartments. Marble edging with marble end papers. Dampness and water damage, with the book having been plastic covered (plastic removed 2013). Slight foxing on pages, slight detachment of spine, black and white frontise piece, 624 p.Book plate inside front cover: school crest/ Latin/ First Prize,/ Sixth Form./ Awarded to/ Thomas J. Good/ CHRISTMAS. 1880.john-thomas-good, book-prize, ballarat-college, 1880, h-j-munch, beulah-glenthompson. -
Ballarat Clarendon College
bOOK, the outline of science Vols I-II
Presented to the Ballarat College in 1938 by Miss Cowan. Identity unconfirmed but possibly former CPLC student Helena CowanExample of ongoing commmunity support of the school. The Weatherly Library was opened in 1936 and its collection significantly established by donation or bequest of old collegians and members of the college community and associates.Large leather and cloth bound books with gold lettering on spineBook plate inside front cover: Crest / Ballarat College / Library / Presented by / Miss Cowan 1938cowan, weatherly-library, ballarat-college -
Ballarat Clarendon College
Book, The life of Vice-Admiral William Bligh Vol I-II
Presented to the school by the Misses Peebles, identity unknown. Example of ongoing community support of the school. The Weatherly Library was opened in 1936 and its collection significantly established by donation or bequest of old collegians and members of the college community and associates.Medium cloth bound books with gold lettering on spineBook plate inside front cover: Crest / Ballarat College / Library / Presented by / Misses Peebles 1936...peebles, ballarat-college, weatherly-library -
Ballarat Clarendon College
Book, Belgium the glorious Vols I-II
Presented to the school for the Weatherly Library in 1936 by Mrs H Symons. Mrs Symons identity is unconfirmed, possibly the wife of old collegian Henry Symons, who entered Ballarat College 1877, Son of H J Symons, butcher McArthur St, left Dec 1877, brother of Alfred, Parent of D Neil and H Mac. Henry served on Ballarat College Council 1909-48.Example of ongoing community support of the school. The Weatherly Library was opened in 1936 and its collection significantly established by donation or bequest of old collegians and members of the college community and associates.Large black cloth-bound books with indented printing on spineBook plate inside front cover: Crest / Ballarat College / Library / Presented by / Mrs H Symons 1936symons, ballarat-college, weatherly-library, henry-symons -
Ballarat Clarendon College
Book, The social and economic history of the Roman empire. Vols I - II
Presented to the school library by former staff member Dr Tony Disney. Example of ongoing community support of the schoolMedium size mid-green cloth bound books with gold lettering on spineBook plate inside front cover: Crest / Ballarat College / Library / Presented by / A R Disney / August 1966...a-r-disney, ballarat-college, library -
Federation University Historical Collection
Correspondence, F.E. Ferguson, Ballarat School of Mines to A.W. Lynch of I. and R. Morley Pty Ltd, 1949, 22/04/1949
Typed letter to A.W. Lynch informing him that, along with M.B. John, he has been appointed to the Ballarat School of Mines Visiting Committee.ballarat school of mines visiting committee, a.w. lynch, m.b. john, f.e. ferguson, i. and r. morley pty ltd -
Federation University Historical Collection
Book - Class Notes, A History of Architecture Grade I by R.D. Fraser, 1948
R.D. Fraser was a student of the Ballarat Technical Art School, a division of the Ballarat School of Mines. Numerous hand written and hand drawn class notes from from the Ballarat Technical Art School. Topics include: Egyptian Architecture, Greek Architecture (BC300-BC700), Etruscan Architecture (BC750-BC100) and Roman Architecture (BC146-BC365) Early Christian Architecture Images include: Egypt, Great Pyramids, rock cut tombs, catacombs, Egyptian Temples, Development of a Pyramid, Egyptian Construction Methods, Greece, Greek Temples, Sloping Roofs, Doric Temples, Temple of Poseidon, Parthenon, arches, Acropolis Athens, Partenon, Ionic Volute, Propylaea, Erechtheion Athens, Corinthian examples, Greek Theatre, Optical Corrections in Architecture, The Greek House, Temple of Fortuna Virilis Rome, Maison Caree Nimes, Roman Circular Temples, Basilica of Trajan, Column of Trajan, Colosseum Rome, Basilica of Constantine, Roman Arched Structures, Romas Thermae at Romes, Arch and Wall construction, columns, mouldings Clemente Rome, S. Paolo Fuori le Mura Rome, Baptistery of Constantine Rome, S. Constanza Romearchitecture, art history, ballarat technical art school, r.d. fraser, alumni -
Federation University Historical Collection
Map - Geological, U.S. Government Printing Office, Bathymetric Map of the Indonesian Region: Folio of the Indonesian Region Map I-875-A, 1974
Map was prepared on behalf of the Government of Indonesia, The United Nations Economic Commission for Asia and the Far East, the Agency for International Development and the U.S. Department of State in cooperation with the Geological Survey of Indonesia. The area covered shows the islands and seas from Latitude 12 degree North to 16 degrees South and Longitude 90 degrees to 148 degrees. Various water features are also named.Large map showing the Indonesian area - islands and seasLongitude and Latitude are shown. Major / Capitol cities indicated. Names of those responsible for the productionindonesia, united nations economic commission, department of state, geological survey, latitude, longitude, government of indonesia -
Federation University Historical Collection
Book, Robert S. Brain, Government Printer, Key to the System of Victorian Plant I: Dichotomous Arrangement of the Orders, Genera and Species of the Native Plants, with Annotations of Primary Distinctions and Supporting Caracteristics, 1887-1888
Geen covered book of 559 pages von mueller, bookplate, ballarat school of mines library plate, melbourne public library -
Federation University Historical Collection
Register, Ballarat School of Mines Register of Attendance in the Subject of Electricity and Magnetism I, 1912
John McKenzie Sutherland was taught Electricity and Magnetism at the Ballarat School of Mines. He later went on to teach the subject himselfHard covered school register with charcoal green tape spine. Inside is a handwritten class and attendance list.henry sutton, john m sutherland, john mckenzie sutherland, leslie de grut, allan perry, charles smith, urn reid, urn john reid, w g taylor, walter sporn, eric williams, henry davies, henry h davies, harold kennedy -
Lara RSL Sub Branch
1914 Star ribbon, World War I, unknown
WWI service medal ribbon. The ribbon has the red white and blue colours of the Empire, in shaded and watered stripes. The same ribbon is used for the 1914 Star and the 1914–15 Star. The 1914–15 Star was authorised in 1918 and was awarded for service in specified theatres of war between 5 August 1914 and 31 December 1915. This is a brand new ribbon for mounting a 1914-15 WWI star medal. The ribbon has the red white and blue colours of the Empire, in shaded and watered stripes. The same ribbon is used for the 1914 Star and the 1914–15 Star. Nilwwi, wwi medals, wwi cross -
Lara RSL Sub Branch
Book, Official History of Australia in the War of 1914-18 - Volume I - The Story of Anzac Author C.E.W Bean, 1937
Bean is the highly regarded and official expert, recorder of facts. From the outbreak of War to the end of the first phase of the Gallipoli Campaign May 4th 1915 Maps, Illustrations, PhotographsThe Story of ANZACRed hard cover with 602 pages worn covers deteriorated front page This is the 6th Edition 1937. First published 1921anzac, c.e.w bean, gallipoli, voyage of hms emden, a.i.f, dardanelles, turks, pine ridge, mustafa kemal, 400 plateau, anzac beach -
Federation University Historical Collection
Document - Document - Letter, Ballarat Junior Technical School: Request from The Library Association of Australia re Mr I M Kelly, 1952
.1: Request from Ian Melville Kelly for Salary adjustment for years 1951 and 1952. .2 & .3: Correspondence from The Library Association of Australia for Ian Kelly to be supervised during the Association's Examinations in June. There are two papers and times etc are specific. Writing paper, candidate's number and instructions for supervisors will be forwarded. Second letter indicates that the school has not replied to the request of the first letter.3 Cream pages, typed .2 & .3: Letterhead Signature of Honorary Secretary Judith Hunterballarat junior technical school, head master, l garner, ian melville kelly, salary adjustment, library association of australia, association's examinations, supervisors, judith hunter, honorary secretary -
Federation University Historical Collection
Booklet, Ballarat School of Mines Register of Attendances for Metellurgy I, 1908
The Ballarat School of Mines is a predecessor institution of Federation University Australia. A slim, green pastel, hard cover volume with dark blue spine. Two full-width pages for entering names of those enrolled.ballarat school of mines, alfred mica smith, metallurgy