This is a 1991 program for the City of Warrnambool Eisteddfod. This Eisteddfod was first held in 1975 when the Rotary Club of Warrnambool organized a community festival attracting 150 entrants. Following this the Warrnambool City Council became the organizer of this event. Today the Warrnambool Eisteddfod is dedicated to showcasing local talents in speech, drama, music, dance, calisthenics and debating in an annual event that goes over 40 days and has over 1000 entrants. A highlight is the Aria Award for the best senior vocalist. This program is of some interest as it gives details of the events held in the Warrnambool Eisteddfod in 1991. This is a booklet of 84 pages. It has a blue and white cover and printed material. This includes office bearers of the Eisteddfod, advertisements, a program of events with the names of entrants, a list of sponsors and some annotated pages indicating the winning entrants. Front Cover: ‘City of Warrnambool Eisteddfod Society Inc. featuring the Fletcher Jones Aria Sponsored by the Fletcher Jones Foundation, Prize Awarded, $3,000, 1991, Sections include Brass, Calisthenics, Recorder, Woodwind, Dancing, Highland D’cing, Speech & Drama, Choral Strings, Organ, Piano. Official Sponsor, Victorian Ministry for the Arts’1991 warrnambool eisteddfod, warrnambool eisteddfod

Beechworth's Anglican Church, Christ Church St Peter and St Paul, has served the Beechworth community since 1858 in its present form, following its beginnings in a tent in 1855. The Victorian branch of the National Trust classified the building as regionally significant in 1959 and the organ as of significance to the nation in 1992. Building a place for Anglican worship was a priority in the early days of Beechworth's settlement as the town was a site of regional administration due to its association with the economic and social expansion of Victoria during the Gold Rush period. The Church garden features several significant trees monitored by the Beechworth Treescape Group, including a cork oak growing near the Ford Street entrance, an Atlantic cedar, a bunya or bunya-bunya pine and two kurrajongs. Some of these long-established trees may be visible in this lantern-slide image. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's social amenities and religious infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.Obverse: 1 /beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, christ church, indigo shire, north-east victoria, churches, architecture, anglican, religion, atlantic cedar, organ, magic lantern, christ church st peter and st paul, beechworth treescape group, cork oak, bunya pine, bunya bunya, kurrajong, quercus suber, cedrus atlantica f. glauca, araucaria bidwillii, brachychiton populneus

A Report of the Commissioners, presented to Parliament in 1891, noted that: ‘The great Musical Festival, which was inaugurated and maintained during the time the Exhibition was open, was such as had never before been attempted. In that comparatively short period, no less than 263 orchestral, grand choral, and other concerts were given by the Centennial Orchestra and Choir, numbering nearly 800 performers, under the conductorship of Mr. F. H. Cowen. At these concerts the works of the great masters were performed in a manner hitherto unknown in these colonies, and your Commissioners are encouraged to hope that the stimulus given through their agency to the study of Music will prove strong and lasting. They also desire to return their thanks to the ladies and gentlemen composing the Centennial Choir, who devoted much time to the rehearsal and performance of the great choral works given during the Festival, and whose valuable services were rendered gratuitously.'An illuminated certificate inscribed to Miss L. Wilson in ‘recognition of valuable services rendered as a member of the Centennial Choir during the currency of the Centennial International Exhibition, Melbourne 1888’. The illuminated certificate lists a number of works performed by the choir, at left, and also pictorial roundels of the exterior of the Exhibition Building and of its grand organ. Attached to the card on which the certificate is also attached is a separate Memorandum from the Music Business Manager to Miss Wilson. No other correspondence is extant to explain the reason for her request.Inscription: To Miss L. Wilson / In recognition of valuable services / rendered as a Member of / The Centennial Choir / during the currency of the / Centennial International/ Exhibition, Melbourne 1888. Separate Memorandum: CENTENNIAL INTERNATIONAL EXHIBITION MEMORANDUM FROM EXHIBITION BUILDINGS FITZROY 8/10/1888 E. MILLER (MUSIC BUSINESS MANAGER) TO Miss Wilson Dear Madam In answer to your note I have the honor to inform you that you may remove your dress at any time, though you may need to show your choir pass & may have to submit to parcel being looked at - as the Customs officers are obliged to keep a very careful watch on any outgoing parcels. Yours obediently E. Millercentennial choir - 1888, centennial exhibition - melbourne (vic) - 1888, certificates

The Music Advancement Society of Bendigo presents the third concert 1961 series 'The Golden Square Choral Society, Conductor - Cyril Warne. 'Mozart Requiem Mass. City Hall, Bendigo on Saturday, 8th July 1961 at 8.15 p. m. Soloists: Bettine McCaughan - Soprano, Betty Fairbank - Contralto, Gregory Dempsey - Tenor, Morris Williams - Bass. Accompanists: Shirley Clark - Piano, Hedley Jones - Organ. Book of Words - One shilling. Boltons Print, Bendigo.program, music, mozart requim mass, the golden square choral society, bettine mccaughan, betty fairbank, gregory dempsey, morris williams, shirley clark, hedley jones, madge edgar, mary stanistreet, l r harvey, edgars authorised newsagnecy, e. m. i. recordings, allan's, cyril warne

Black and white photo: Head and shoulders image of F. Liszt He is wearing a three piece suit, waistcoat buttoned up to neck, stiff white collar. Long white hair, profile image. Generic letter from F. Liszt is printed on rear of postcard. The letter reads; mason & Hamlin Co. Boston - Letter from Franz Liszt to Mason & Hamlin Co.. Highly esteemed Sirs; - What a magnificent organ for which I have to thank you! It is a marvel, and really praiseworthy! Even players of moderate ability will be able to create much admiration in its use. I shall have this summer, in all probability, a call from Dr. Naumann, of Jena, Walter Bache, of London, and St. Saens, who, in my opinion, is the most eminent and greatest master of the organ. I shall not fail to induce these artists to become acquainted with your instrument. There need not be any fear of its being misused; it will remain closed to the ordinary player. Accept, dear sirs, the sentiment of my deep esteem and gratitude. Weimer, June 12, 1883. F. Liszt.Mason & Hamlin Co., Bostonperson, individual, f. liszt, sandhurst, bendigo, pethard, f. liszt

Community Arts Centre - a. Space Requirements: 'Spreadsheet' - single page ruled up with horizontal rows listing 21 Bendigo arts organizations and vertical columns inserting 20 varied space requirements (e.g. main auditorium; stage; back stage; wings; etc) + Total space requirement for each organization. No date or author provided; b. Same 'spreadsheet' but specified as space in square feet. Attached is a handwritten note (no stated author) entitled ''Plaza Proposal'' (19/1/77) stating that the schedule is for the area requirements of local groups with information as to spending money of architectural surveys of existing buildings and time constraints on putting forward any proposition. List of Community Arts organisations; M.A.S.B.,M.L., Competitions society, Repertory society, Shakespeare Society, Operatic Society, concert Orchestra, Benola Choristers, Brass Bands Association, Pipe Bands Association, Victorian Society of Organ's, Film Group, Bendigo Arts Council, Photographic Society, W.E.L., Music Teachers, Spinners & Weavers, Wyse Players, Organ Club, Friends of the Art Gallery, California Gully Youth Club.

The Wesleyan Church, Denham Street in Lower Hawthorn, as the area was then called, was opened on 2 May 1886. The building was designed by Geelong architect William Henry Cleverdon and was built of brick in the Gothic style. Its dimensions were 55 x 33 ft and the façade incorporated a rose window and spire 50 ft high. A wooden vestry was placed to the rear. The building and the organ were seriously damaged by fire on 1 April 1970, started by a painter's blowtorch. The church was not rebuilt.B & W photograph of a group of young men standing and sitting with the minister outside the Methodist Church in Denham St. Hawthorn.denham street methodist church, organ, hall

The Wesleyan Church, Denham Street in Lower Hawthorn, as the area was then called, was opened on 2 May 1886. The building was designed by Geelong architect William Henry Cleverdon and was built of brick in the Gothic style. Its dimensions were 55 x 33 ft and the façade incorporated a rose window and spire 50 ft high. A wooden vestry was placed to the rear. The building and the organ were seriously damaged by fire on 1 April 1970, started by a painter's blowtorch. The church was not rebuilt.B & W photograph of a group of 8 tennis players standing in front of a tennis pavilion. denham street methodist church, organ, hall, tennis

The Wesleyan Church, Denham Street in Lower Hawthorn, as the area was then called, was opened on 2 May 1886. The building was designed by Geelong architect William Henry Cleverdon and was built of brick in the Gothic style. Its dimensions were 55 x 33 ft and the façade incorporated a rose window and spire 50 ft high. A wooden vestry was placed to the rear. The building and the organ were seriously damaged by fire on 1 April 1970, started by a painter's blowtorch. The church was not rebuilt.B & W photograph of a group of 8 men and women with 2 ministers, sitting and standing outdoors. The group was probably from the Denham St. Methodist Church.denham street methodist church, organ, hall, tennis

This collection of works, “songs without words” was written in the 1830’s by Mendellson. He was of the opinion that the music should stand alone and hence no need for words. This collection of his work for piano solos is still on the music syllabus today. The stamp on the front cover J.B. Shepherd and Son relates the Shepherd family music store in Liebig Street, which operated around the turn of the 20th century . They sold pianos and other musical instruments as well as doing repairs and tuning and lessons.This collection of music scores by Mendelssohn is significant firstly because it is still used by music students 160 years after it was written and secondly this copy has local significance as it was owned by Grace Rome who was born in 1902 and was the daughter of one of Warrnambool’s most successful and longest living business people Thomas Rome, who incidently made one of the earliest sound recordings in Australia.Cream coloured card cover with dark green cloth binding with the title Mendelssohn in red text with black flourish. Other text on cover is black. Edition Peters at the top of cover in black text. Pages contain music scores .132 pages. Kullak printed on front cover. Light blue stamp, “J. E. Shepherd & Son, Piano, organ & music Warehouse. Tuners & repairers Warrnambool. Written in Black ink but scrubbed out with blue ink on inside fly is Grace Rome P.L.C. 1921. 1. Similarly un unknown name is scrubbed on front top right corner of cover. warrnambool, mendelssohn, lieder ohne worte, edition peters, grace rome

Programme for the Celebration Recital - Sandhurst Cathedral of the Sacred Heart 14/5/1977 Consecration and Solemn Opening. Stapled four pages within coloured paper cover with image of stained glass of cathedral on cover. Frontispiece is acknowledgements and thanks and interior two pages outlines the nine items of the concert with mention of performers. Final page details the history of the building of the church and, in particular, the construction of the organ and details of its use and the six cathedral organists to that point. Two copies. Stamped with RHSV Bendigo Branch stamp.church, history, cathedral of the sacred heart, sandhurst cathedral. cathedral organists mrs tamlyn, mr henry whitford, miss lucy sexton, miss eileen haines, mrs selby agg, mrs elizabeth evans, mr ernest wood. organ opening at sacred heart cathedral. dr crance. dr. beville. messers thomas cockram and sons. monsignor murphy. john parker. his lordship, most rev, b. stewart. architects, messers reed, tappin and smart.

Rectangular medical chart showing the upper part of the human body, skeleton, organs and blood circulation.The chart is made from printed paper on a fabric (?cotton) base and is attached with metal tacks to timber batons at each end . The timber batons are stained black. A strip of red cotton tape is attached to the mid-part of the upper baton and has been used to secure the chart when it is rolled up. Metal ring eyelets are screwed into either end of the upper baton and were used to hang the chart.The artists name 'J.Teck' is included on the lower edge on the front of the chart (LHS). The logo of the St John's Ambulance Association and the words 'ST JOHN'S GATE, LONDON E.C. 1' are printed on the lower edge of the chart (on the front of the chart at RHS). The words 'BLOOD CIRCULATION' are written in blue ink on the top margin of the chart on the reverse side.medical chart, human body, blood circulation, j. teck

Black and White photograph. On the back Augustonian fair crowd at Golden Square Methodist Church approx 1936. Reading from left the ones I know: Mr. Robert Saunders, Lydia Chancellor (nee Pethard), Mrs Bellamy and Lyle Goddard on background Rev. Tom Woodford with son, Don and Barbara M. in front,Jack Mamouney, Chris Jorgenson, don't know the next two ladies, Ken Addams in beret at the back, Auntie Gert Amstrong next, Beth Organ and Belle m. in front.

Charles Henry (Harry) McQueen (1910-1994) married Olive May Graham in 1935. He was a butcher by trade (McQueen's Butchers, Castlemaine). He was a pioneer of accordion dance music and was mentored by Billy McGlashan. He played by ear and his preferred instrument was a Mezon Grand Organ in the key of A. He played old time waltzes, bush dances and Scottish reels. He was well known for his double and triple right hand fingering. From 1940-1977 he led "McQueen's Old Time Band" and recorded their music.A biography written by Adrienne Losin about an old time musician and accordian player named Harry McQueen (1910-1994)harry mcqueen, old time dance music, accordian music

An older female and male sit either side of a desk. The lady holds a pen and a sheet of large print music in front of her, with a small pile of similar sheets to her right. The man holds a pen and looks at sheets of paper (presumably music) whilst sitting next to a box with the title 'Family Fun Box Organ course' to his left. In the background are filing racks, The Australian Hymn book and Braille volumes in various bindings. Over time, the RBS built up a considerable music collection thanks to the work of its dedicated supporters such as Dulcie Magnus.Digital image of two people working together to produce braille music Second century 24royal blind society of new south wales, braille music

Kathleen Meagan was placed in the Ballarat Convent of Mercy as an infant. She remained there throughout her life until she died at age 34. Her friendly, cheerful personality in the face of ill health meant that she was cherished by all who knew her. Her talents on the violin, harp, piano and cello were outstanding, and she was beloved by the Sisters of Mercy and the students of Sacred Heart College. This memorial window depicting Saint Cecilia at the organ was commissioned upon her passing in 1925, and was installed in the SHC chapel and blessed by the Bishop in 1926.Stained glass window constructed in 1926 To the memory of Kathleen Blanche Meagan RIPsisters of mercy, ballarat musicians, herr goll

Sepia photograph of two young men wearing suits, one seated on tall object with left arm resting in knee, right arm resting on left, the other with fob chain, standing, leaning right arm on object, left arm crooked onto waist."Richard (born c1864, married Catherine Honora O'Beirne on 7.4.1890) and Thomas Kennedy, taken while they lived at Fingal Park and managed it with the help of 2 sisters. The Family were still in Portland. Richard (Dick) was secretary with our Mother and organiser of the very first concert at Linton. Proceeds were in aid of a church organ which I believe is still there. HB Mrs Barry"richard kennedy, thomas kennedy, fingal park, catherine o'beirne

Round top Essay by Mary Kerr - ''St. Kilian's Church 1852 -1888''. Handwritten 20 page document (no date) concerning the history of the early Catholic church in Bendigo, the history of the St Kilians church and the influence and works of Dr Henry Backhaus over that period. The essay is referenced with numerous footnotes (manuscripts in addition to books, newspapers etc) and final page bibliography. Extensive coverage of history including references to first baptism, first marriage, the 'Mass Tent', 'Consecrated Flat', the 'Bark Chapel', the stone church, the organ, retirement and death of Dr Backhaus.Mary Kerrchurch, history, st. kilian's catholic church, bendi, mass tent, bark chapel, dr hanry backhaus, consecrated flat, mary kerr.

Programs (10 ) from the Golden Square Methodist Church, dated from 1919 - 1929, signed by G.A. Pethard, Trustee, enclosed in an envelope with 'From G.A. Pethard, Golden Square, Bendigo' on bottom LH corner. Fund raising events for an electric blower for the church organ ; the Augustonian Fair; Harvest Festivals; the Forest Street Men's Choir and the Jubilee League are featured in the requests for funding support. The motto of the church is 'Think' - 'He can who thinks he can' A photo of the interior of the Church is shown in the 10th November, 1922, program.

Yields information the streetscape at the bottom of Sturt St, near Grenville St, the ESCo shelter and how the trams used the track, though in this case, the same tram appears three times.Black and White copy photograph of a photograph of the Grenville tram terminus, in Sturt St, featuring the buildings on either side of Sturt St. Has the ESCo shelter at the bottom of the street, which dates from 1907 (Page 49 of "The Golden City and its tramways"). Note that a weighing machine appears to be on the north side of the shelter. The photograph features three trams, that appear to be the same tram, No. 5. It has a "Stop tram at Harry Davies" roof advertisement sign. Also features the "Sutton Pianos organs and music" sign. Also a number of people crossing the street.tramways, trams, sturt st, grenville st, bridge st, esco, tram 5

This photograph records the interior of St Nicholas Seamen's Church at 139 Nicholson Street, Williamstown, Victoria, which was purchased and furnished around 1943. The furniture and furnishings are now part of the St. Nicholas Seamen's Church collection. HISTORY of the Missions to Seamen: - The Missions to Seamen is an Anglican (Church of England) charity that has been serving the seafarers of the world since 1856. It was inspired by the work of Rev. John Ashley, who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired, others continued the work, founding the Missions to Seamen. It adopted a Flying Angel as its symbol, inspired by a verse from the Bible in Revelation 14. Today, over 200 ports in the world have Missions to Seamen centres and chaplains. A Missions to Seamen’s club offers a warm welcome to sailors of all colours, creeds and races and provides a wide range of facilities. The Missions to Seamen organisation changed its name to the Mission to Seafarers in the year 2000 and continues, including Missions to Seamen clubs in Victoria’s cities of Melbourne, Portland, Geelong and Hastings. Flagstaff Hill’s St Nicholas’ Seamen’s Church is named after its namesake from Williamstown, Victoria, which began in 1857. Bishop Perry opened the first Sailors’ Church there, known as ‘Bethel’, on an old hulk floating in Hobson’s Bay, Port of Melbourne. In 1860, a Sailors’ Rest began operating from various rented premises at Williamstown. In 1878, the Sailors’ Church moved into an old Wesleyan chapel in Ann Street. By the end of that year, they were able to purchase the building, which they had already refurbished. In 1883, they affiliated with the Victorian Seamen’s Mission. A few years later, in 1906, the building had to be demolished as it was no longer safe. While they were raising funds for a new building, the Sailors’ Rest temporarily moved to a building in front of Customs House in Nelson Place. Around this time, in 1906, the Ladies Harbour Lights Guild was formed in Australia to support and raise funds for the Mission to Seamen organisation in Melbourne. Two of the most significant ladies of the Guild were founding members Ethel Godfrey and Alice Sibthorpe. During the Mission's time at Siddeley Street, Melbourne, the activities of the Guild raised funds for the Mission to Seamen's Chapel at their new, and still current, premises in Flinders Street, Melbourne, opened in 1917. The Guild continued its important work until the 1960s. In 1908, the Williamstown Mission had enough money to purchase the former Mascotte skating rink on Thompson Street, Williamstown. In August of that year, they were inaugurated into the Victorian Missions to Seamen. They continued at that venue for a few decades. In 1943, the former ES&A Bank building at 139 Nelson Place, Williamstown, was purchased to become the new Mission to Seaman’s Club. On May 6th, 1944, it was officially opened, described as a ‘distinctive little building’. Funds had previously been raised for the building and furnishing of the chapel at the rear. The chapel was named St Nicholas’ Seamen’s Church, after St Nicholas, fourth-century bishop and patron saint of sailors. Services were held on Wednesdays and Sundays. The church was supported by the Williamstown Lightkeepers’ Auxiliary, newly founded by Mrs Ethel Margaret Musther in 1943, as well as the Harbour Lights Guild and the League of Soldiers’ and Sailors’ Friends. The Williamstown Mission to Seamen’s Church operated until 1966, when the Port of Williamstown was no longer used by large international ships. The Commonwealth Government then leased the premises. In the formative years of Flagstaff Hill Maritime Village, the Advisory Board decided to include a Missions to Seamen Chapel and Recreation Room in its village. The Missions organisation was a significant feature of ports during the late 1800s and early 1900s, the period that the Village represents. They often erected Missions to house social and worshipful activities for seamen. Flagstaff Hill’s curator, Mr Ken Marshman, approached the Melbourne Board of Management of Missions to Seamen regarding the Williamstown branch. Consequently, the Board gave its permission for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill Maritime Village. A provision of the transfer was that the Victoria Missions to Seamen be recognised, that the items would remain as a collection, and that the chapel would be called St Nicholas Seamen’s Church and conduct Divine services. The donation was approved on 21st May 1979. Flagstaff Hill's St. Nicholas Seamen's Church: - The conception of Flagstaff Hill’s Missions to Seamen’s Church was partly motivated by the offer of Stained Glass Memorial Windows, originally from the local Warrnambool and District Base Hospital, which was undergoing multi-storey development in the late 1960s and early 1970s. The hospital’s Manager/Secretary was keen to see the historical window installed in an appropriate location. The church, or chapel, was designed by a local architectural draftsman in conjunction with the Flagstaff Hill Planning Board and was built by Mr Leon Habel. The designers had the hope that the church would be used for formal worship such as weddings, funerals and multi-denominational special services such as War commemorations. The design is based on the ‘Missions to Seamen’ buildings in both Portland and the Port of Melbourne. Placement of the furnishings was done as accurately as possible according to photographs of the Williamstown St Nicholas Seamen’s Church and with assistance from local clergy. The Recreation Room was furnished and arranged on advice from experienced members of the Missions to Seamen organisation. A framed document in the building recognises the donor of the furnishings, Victoria Missions to Seamen, as well as the names of some of the original donors and their donated item/s. The design of the building incorporates local features such as Warrnambool sandstone, which was no longer commercially available but was procured from demolished buildings and uniformly cut, to be used as a veneer over the stronger Mt. Gambier stone. Also, traditional green American roofing slate was used, sourced from the 1908 local shipwreck “Falls of Halladale” by Flagstaff Hill volunteer divers. The bell tower includes a bell believed to be from a local shipwreck. The additional furnishings were acquired locally, and several items were donated by Warrnambool residents. Light fittings in both rooms were assembled to simulate 19th-century gas light fittings. The stained-glass window at the back of the church is a memorial to Dr Connell, a well-respected member of the Warrnambool community. It was originally installed in 1928 in what was then the main building of Warrnambool Hospital. The St Nicholas’ Seamen’s Church at Flagstaff Hill was officially opened by His Worship the Mayor, Cr. John Lindsay, on Sunday 11th October 1981. The event included a service of thanksgiving conducted by the Warrnambool Ministers Fraternal. Since then, the Chapel has been the historic venue for many weddings.This item is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857.Photograph of St Nicholas Seamen's Church, Williamstown. Sepia photograph. The photograph shows the inside of the Chapel of Mission to Seamen, including organ, pews and other furniture and furnishings. There is a circular stained glass window high on the back wall depicting a sailor at the helm of a ship and a man standing behind him and pointing the way - "Christ Showing The Helmsman The Way". A Sanctuary Light is suspended from the ceiling. The Sanctuary chars are visible. This shows the St Nicholas Seamen's Church in Williamstown, the furnishings and furniture of which is now part of the St Nicholas Seamen's Church Collection’.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, st nicholas mission to seamen's church williamstown, mission to seamen williamstown, mission to seamen victoria, st nicholas mission to seamen, chapel window, christ showing the helmsman the way, stained glass window, st nicholas seamen's church, religion, religious service, sailor's rest, ladies harbour light guild

In 2014 the University of Ballarat took control of the former Monash University campus in Churchill Gippsland, and UB became Federation University Australia. This is the work of students at the Camp Street Campus, Ballarat. Lecturers listed as Ben Mangan and Chrissie Smith. Student list: Fiona Appledore, Kellie Beatty, Ella Byworth, Leah Cushion, James Daniel, Chris Drummond, Peter Gaulke, Ashlen Gloury, Harley Hollow, Celina Mulgrew, Katrina Organ, Lucinda Pendock, Jeremy Pietsch, Heidi Rixon, James Robertson, Jayde Romey, Stevi Thomas, Melissa Thompson. Final page includes list of sponsors.40pp full colour book plus cover 4pp perfect bound cover, bright watermelon-orange card with holographic foil.university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy, fiona appledore, kellie beatty, ella byworth, leah cushion, james daniel, chris drummond, peter gaulke, ashlen gloury, harley hollow, celina mulgrew, katrina organ, lucinda pendock, jeremy pietsch, heidi rixon, james robertson, jayde romey, stevi thomas, melissa thompson

Brick Anglican Vicarage in Main Street purchased 1923 surrounded by trees and with picket fence and gate. In 1923 the house on the west side of the Church was purchased to be the Vicarage, the former Vicarage in Stawell West being sold. In this same year electricity was connected to the Church, the Hall and the Vicarage. The organ which had been hand pumped till then was fitted with and electric blower. This photo is a copy off a loaned postcard. The dwelling was purchased by the Anglican Church 1923, the former vicarage in Seaby Street being sold. The Spire in the background is St. Matthews Presbyterian Church. The vicarage is now demolished and replaced by a new building.Black & White photograph of a scene depicting a brick dwelling with veranda right hand side and a church spire in the background. Trees surrounding the building. A picket fence with gate and footpath in foreground.stawell religion church