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National Vietnam Veterans Museum (NVVM)
Book, O'Nan, Stewart, The Vietnam Reader: The Definitive Collection of American Fiction and Non-fiction on the War
The Vietnam Reader is a groundbreaking collections of the finest fiction, nonfiction, poetry, drama, film, still photographs, and popular song lyrics depicting the American War in Vietnam.The Vietnam Reader is a groundbreaking collections of the finest fiction, nonfiction, poetry, drama, film, still photographs, and popular song lyrics depicting the American War in Vietnam.vietnamese conflict, 1961-1975 - personal narratives, america -
National Vietnam Veterans Museum (NVVM)
Book, Law, Stewart, Stew's View: A Veteran's Reflections (Copy 1)
This book of poetry, written in simple language, gives a glimpse of everyday life in the Vietnam War and the life of Vietnam Veterans.This book of poetry, written in simple language, gives a glimpse of everyday life in the Vietnam War and the life of Vietnam Veterans.vietnam war, 1961-1975 - poetry -
National Vietnam Veterans Museum (NVVM)
Book, Law, Stewart, Stew's View: A Veteran's Reflections (Copy 2)
This book of poetry, written in simple language, gives a glimpse of everyday life in the Vietnam War and the life of Vietnam Veterans.This book of poetry, written in simple language, gives a glimpse of everyday life in the Vietnam War and the life of Vietnam Veterans.vietnam war, 1961-1975 - poetry -
Tatura Irrigation & Wartime Camps Museum
Booklet, K Gregory, B Pearson, W Stewart et al, From Protectorate to Smaller Town, 1985
2nd book. L3518. Incorporating 125 years of education and achievement Murchison Primary School 1860-1985. Booklet for "Back to Murchison" 18-20 October 1985.Yellow soft cover booklet. Green test and 2 pictures on front. Top on of river scene. Lower scene of street buildings. Aerial scene of town on back cover. 79 pages -
Tatura Irrigation & Wartime Camps Museum
Book, Stewart (Bill)Morvell et al, Heart of the Valley, Toolamba 1840-1983, 1983
Written to accurately record the history of Toolamba. From early days of Hume and Hovell, agriculture, schools, churches, sport and recreation. Names on Roll of Teachers and Pupils.Brown hard cover. Title in gold writing. Cream dust jacket, green writing. Sketch of gum leaves surrounding a scene of bush log hut. Family with man cutting trees. From a wood carving by Nicholas Bartels. 2nd copy. L3458.toolamba -
Uniting Church Archives - Synod of Victoria
Badge - Presbyterian Deaconess' badge
Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]CL051.1 and CL051.2 Round metal Presbyterian Deaconess' badges. The badges have writing around their blue edges and a white cross and bush in the centre. The badges each have a safety chain. The badges are in a maroon leatherette jewellery box which has a handwritten label on it."My Deaconess Badge" "Non ministrari sed ministrare"presbyterian deaconess, deaconess hilda elizabeth foster -
Robin Boyd Foundation
Book, Franz Philipp and June Stewart, In Honour of Daryl Lindsay, 1964
Hardcover w/ Dust Jacketwalsh st library -
Robin Boyd Foundation
Book, Franz Philipp & June Stewart, In Honour of Daryl Lindsay, 1964
Hardcover w/ Dust Jacketwalsh st library -
Robin Boyd Foundation
Book, Christopher Idone, Glorious Food, 1982
Hardcover w/ Dust JacketNews Clipping about Stephanie Alexander's restaurant closing. Birthday Card to Trish from Kirstie, 1997. 3 x menus from Paul Bocuse (one with signature) dated January 1989walsh st library -
Uniting Church Archives - Synod of Victoria
Photograph, Stewart & Co, C. 1908
G. S. Brett (unknown - 1934) was ordained in 1894, having attended college at Oberlin, Ohio (USA) and was a congregational minister in Brighton, 1900 - 1911.Matte black and white, head and shoulders studio portrait of Rev. G. S. Brett on buff card.Handwritten on back: "Rev G. S.Brett Brighton Cong."g s brett, congregational minister, congregational church brighton victoria -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Jeanes, Ken; Stewart, Sara; Goldsmith, Les; Hartley, Judy; Sztynda, Keryn, The Unpolished Diamond - Patties Food Ltd, 2012
A history of Nowa Nowa Primary School, East Gippsland, Victoria. Compiled from official records and personal reminiscences. Contains list of students.schools, education -
Swan Hill Regional Art Gallery
Print, MacFARLANE, Stewart, The Hoddle Bridge approach, 1985
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Koorie Heritage Trust
Document - Printed Sheets, Bennett, Catherine et al, Report on Aboriginal Skeletal Remains from Tarwin Meadows, South Gippsland - site number 80201/043, 1986
30 P.; appendices; maps; figs.; tables; plates; 32 cm.skeletal remains-aboriginal-tarwin meadows-south gippsland, anthropology-aboriginal-south gippsland., victorian archaeological survey-aboriginal skeletal remains -
Unions Ballarat
Killen in company (Don Woodward Collection), Killen, Sir James, 1989
Autobiography of Sr James Killen who was a Liberal cabinet minister in the Gorton, McMahon and Fraser ministries.Political (LNP) and autobiographical interest.Book; 182 pages. Front cover: grey background; colour photograph of Jim Killen; black lettering; author's name and title.Stamp: "D&J Hamilton" with address.btlc, ballarat trades hall, ballarat trades and labour council, killen, sir james, politics and government, politics - australia, liberal party australia, lpa, cabinet ministers, autobiography -
Moorabbin Air Museum
Book - THE SPITFIRE, MUSTANG AND KITTYHAWK IN AUSTRALIAN SERVICE, STEWART WILSON, 1988
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Moorabbin Air Museum
Magazine - AERO AUSTRALIA, STEWART WILSON, JANUARY/MARCH 2008
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Stewart Handasyde, Hampton beach, c. 1914
Stewart Handasyde, Hampton beach c. 1914, oil on canvas, 65 x 131 cm. Bayside City Council Art and Heritage Collection. Donated by the Handasyde family, 2018.hampton, beach, bayside, water, figures, sand, bathers, coast, handasyde, stewart handasyde -
Kew Historical Society Inc
Photograph - Façade of ‘Southesk', Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).A colour photograph of the façade of ‘Southesk’ taken at an oblique angle. Formerly known as ‘Ordsall’, the house was built for John Halfey in 1882 on the corner of Cotham Road and Charles Street. The Italianate mansion was built in the Renaissance villa style on a bluestone plinth. Two balustrades surrounded the parapet of the roof and ran between the groups of pillars on either side of the entrance porch. The verandah was tiled and wide and Corinthian columns supported its roof. When the house passed into the hands of the City of Kew in 1948, the Council used it for a kindergarten, an elderly citizen centre and as a home for the Leo Baeck Centre. The house was demolished in 1970.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Ceiling fresco, Ballroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.Notwithstanding its grand Italianate façade, the most important aspect of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom depicts ‘Night, represented by a female figure in a diaphanous garment, skirted with flowers, wafted before the approaching dawn into space illuminated by the moonlight, and peopled by the fairies, is a striking picture. Flying with her are an attendant Cupid bearing an artificial light, and a tired little votary of Bacchus with a reversed wine-pitcher and goblet’.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Ceiling fresco, Ballroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict two of the Seasons. Signor Rizzi was a renowned painter of flowers. He is credited with painting these parts of the murals. Examples of his floral paintings can still be seen at Villa Alba in Walmer Street.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Ceiling fresco, Ballroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict ‘Africa’. The article records that: ‘Notwithstanding the large size of the drawings they are often marked by delicate touches, and a minuteness of detail in evident sympathy with nature. The figures have grace, life and animation and the skillful shading of the colours used — chiefly amber, gold, light blue, green, light fawn and brown – is in harmony with the quiet tone of the general furnishing of the rooms.’david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Ceiling fresco, Ballroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict one of the ‘boldly drawn four great geographical divisions of the Earth’. The crowned woman, believed to represent Europe, stands aloft in a chariot drawn by cherubs holding garlands of flowers.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Ceiling fresco, Drawingroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the drawingroom was described by the reporter as ‘done in the quaint old 14th century style’. This section depicts ‘out-door sports. The fishing-lines of the jester and the almoner have become entangled, and a large wolf-dog seems disposed to arbitrate in the difficulty, while a party of young men and maidens are angling, feeding swans, or training hawks for a future day’s sport.’david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Ceiling fresco, Drawingroom, ‘Southesk’, Cotham Road, Stewart West, 1970
Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the drawingroom was described by the reporter as ‘done in the quaint old 14th century style … The second panel represents a hawking party. The ladies hold aloft the natural perches for their falcons. The men, seated in picturesque variety of attitude, hold their cross-bows, and a boy is relieving a heron from an arrow which has pierced its bosom.’david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic) -
Kew Historical Society Inc
Photograph - Former Congregational Church, Walpole Street, Stewart West, 1977
The site of the former Kew Congregational Church was the earliest 'built' place of religion in Kew. An earlier building by Charles Vickers was replaced by a new brick church designed by Albert Purchas. Following the creation of the Uniting Church, the church at 30 Walpole Street was declared redundant and demolished to make way for the Bodalla Nursing Home (itself later demolished).Colour print positive of the former Congregational Church in Walpole Street, Kew. A side on view of the red brick and concrete renders building showing the small steeple and the front entrance."Oldest church in Kew. Taken Oct 1977. Formerly Congregational church"churches -- kew (vic), congregational churches, walpole street -- kew (vic), albert purchas -
Kew Historical Society Inc
Photograph - Former Congregational Church, Walpole Street, Stewart West, 1977
The site of the former Kew Congregational Church was the earliest 'built' place of religion in Kew. An earlier building by Charles Vickers was replaced by a new brick church designed by Albert Purchas. Following the creation of the Uniting Church, the church at 30 Walpole Street was declared redundant and demolished to make way for the Bodalla Nursing Home (itself later demolished).Colour print positive of the former Congregational Church in Walpole Street, Kew. The front of the polychrome brick building showing the small steeple and the front entrance."Oldest church in Kew. Victoria. Taken Oct '77. Formerly Congregational Church"churches -- kew (vic), congregational churches, walpole street -- kew (vic), albert purchas -
Kew Historical Society Inc
Photograph - Chandler Highway Bridge, Stewart West, 2001
Colour photograph by Stuart West of the Chandler Highway Bridge from the Fairfield side of the River.Nilchandler highway bridge, stewart west -
Kew Historical Society Inc
Photograph, Stewart West, High Street, Kew, c. 2000
Photograph of High Street (Kew) by Stuart West. A tram travels towards Kew Junction intersection.high street (kew), stewart west, tram, kew junction -
Kew Historical Society Inc
Photograph, Stewart West, High Street, Kew, 2001
High Street, Kew. View west towards Kew Junction. One of a pair of photographs prepared by Stuart West comparing the vista in c. 1890 and 2001. This photograph dates from the later date.Nilhigh street (kew) -
Kew Historical Society Inc
Photograph, Stewart West, Junction of High Street and Cotham Road, Kew, 2001
Photograph taken by Stuart West for an exhibit comparing past and present streetscapes in KewColour photograph by Stuart West of the junction of High Street and Cotham Road, Kew. The photo was shot in 2001. It shows the Kew War Memorial, former Post Office and Court House.kew post office, cotham road (kew), high steet (kew)