This item is part of the ‘Jack’ collection. Photographs, negatives, slides, glass plates, stereographs, postcards, letters and other ephemera obtained from Tyaab Packing House Antique Centre in December 2013. All items collected by long-time collector and camera enthusiast Jack Russo. australia; portrait; 1970's; woman; rural; family; wedding

Black & white portrait style photo of a woman elaborately dressed seated at an ornate desk

Black & white portrait photo of young lady in gown with elbow resting on table

Julia Eileen Gillard, Australia's 27th Prime Minister, on 24 June 2010 Julia Gillard became Prime Minister and the first woman to hold the office. She was elected unopposed by the Parliamentary Labor Party. The Prime Ministers walk at Ballarat Botanical Gardens has over time created a special and unique understanding of our Prime Ministers and the strength of belief, passion and understanding we had for these leaders. The different styles used reflect the times and the techniques used to undertake these portraits of leaders makes us consider those elements of official portraiture, including textures, sizes and features and proportions used by some of the artists. The artwork is of aesthetic and historic significance to the people of BallaratBronze bust cast on granite and concrete plinth.Julia Eileen Gillard Prime Minister 2010 - 2013prime minister, australian pm

Norman in the photo is possibly the Rev. N.G. Smith in South Australia, 1914-1960.Sepia portrait photo of the interior of the second Warrnambool Methodist Church with two young men and one woman who is seated.Family of H.H. Smith, right to left: Victor, Norman and Daisywarrnambool; methodist church; h.h. smith; rev. n.g. smith; victor smith; daisy smith

Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951

A short portrait, including family tree, of the Boyd family, starting with Captain John Boyd (A.D.C), Robin Boyd's grandfather.Double page spread on pp 14-15, with family tree and photographs of David and Hernia Boyd and their children.walsh st library

Marion Anne McKellar, the daughter of William Gilbert McKellar and Maria Jones was born in 1838. She married Henry Henty in 1859 and they had 9 children. She died in June 1919. Henry Henty and his wife Marion had ‘Tarring’, Kew built for their family in 1872. The Henty family resided at ‘Tarring’ until the death of Marion Henty in 1919. ‘Tarring’ was then sold to Ruyton Girls’ School, and the School moved to the site, (now 12 Selbourne Rd, Kew) in 1920. ‘Tarring’ was renamed ‘Henty House’ in honour of its original owners. Full length, sepia toned studio portrait of Mrs Marion Henty (b.1838-d.1919). Mrs Henty is standing, hold holds a book in front of her while looking to her left. She is wearing a lace cap on her head and has a cameo broach around her neck.marion henty, henry henty, tarring, selbourne road, marion mckellar, ruyton girls' school, kew (vic), woman, book, cameo, studio portrait, 1890s

Mrs Charlotte Anderson was born Charlotte Eliza Alsop in England in 1838 and arrived in Australia in 1848. She married lawyer James Anderson in 1864, and in the year of his death in 1878 she became the founding owner-Principal of Ruyton Girls' School, Kew. Mrs Anderson operated Ruyton initially in her own home of 63 Bulleen Road, Kew (now 63 High Street South). According to Ruyton histories, Mrs Anderson is said to have begun the school with her own two sons, four daughters and some of her Alsop nieces and nephews who resided in Kew. Around the time of the addition of Maud King, the first student outside the family, the school changed to a 'Ladies College', and the boys were sent elsewhere for their education. By late 1881 Mrs Anderson began using the name 'Ruyton' for the school, in honour of a connection to Ruyton-XI-Towns, Shropshire, England where her great-grandfather had been vicar and where she was baptised. In 1882 Mrs Anderson moved the School to Edgecomb in Studley Park Road from 1882-1888. The larger premises enabled her to begin accepting boarding students from 1882. She retired due to ill health and sold the school to her friend Miss Eliza Bromby. Mrs Anderson lived at 'Bongamero', in the King Valley, Victoria until her death in 1906. She is buried in Boroondara Cemetery. One of Ruyton's four Houses, Anderson, is named for Charlotte Anderson. Artwork AC/0099 is a framed reproduction photograph of an original portrait of Mrs Anderson, c.1900-1906. The location and date of the original photograph is unknown, but may be held among Ruyton papers at the State Library of Victoria (MS 12079). The reproduction was probably created to be part of the gallery of Principals and significant people for the Conference/Boardroom, Henty House.A framed, black & white reproduction of a photographic portrait. The portrait shows the head and shoulders of a middle aged woman wearing Victorian-era clothing including a dark ribbon tied around her collar. She wears a lace cap on her head, and the cap's tail is draped around her shoulders. The woman's body is partially turned away from the camera, while her face is turned toward the camera. Plaque on frame: "Mrs Charlotte Anderson/ 1878-1888"charlotte anderson, ruyton, ruyton girls' school, kew (vic), bulleen road, high street south, studley park road, edgecomb, woman, school, teacher, principal, anderson, reproduction, 1990s

Possible dates: b. 12/10/1868, d. 14/10/1947. Husband, Alfred Coates was Home Missionary in Diamond Creek from 1910 to 1913 and in Bacchus Marsh on 18/3/191, according to the Argus, p. 19, 18/3/1916.B & W studio portrait of Sister Bessie (Emma Elizabeth Dau - married Alfred Coates in 1888) as a young woman.dau, emma elizabeth, sister bessie, methodist central mission, home missionary, alfred coates

Dr. Jill Tabart was the first woman Moderator of the UCA in Tasmania. She has also been President of the UCA.(1) Colour photo of Tabart talking to Edna Turner and, possibly, Gordon Powell at Pilgrim Church, Launceston (?); (2)-(5) portrait photos of Tabart, head & shoulders; (6)-(7) Tabart at a lecturn.Identification of Tabart as Moderator of Tasmania 1984; C&N 21/10/84.tabart, jill

A black and white copy of a portrait of a young woman who is resting on the back of an upholstered chair. Her hair is parted down the middle and is pulled back. She is wearing a high necked white frilled collar with a dark blouse with a pendant at the neck. The sleeves are long and trimmed with lace at the wrists.1880s, george evans collection

Tyree - Brown Wedding. Three photographs. 1864 Mary Hodgman (nee Tyree) Thomas Brown Timber Merchant Main Street Mary and Thomas Brown Thomas Brown died Melbourne 17/4/1879 aged 54. Mary was born in England and Died in Stawell 1/11/1898.3 B/W Photographs: 3413 Showing side on head and shoulders portrait of a woman. 3413a: showing a full portrait of a man standing next to a chair. 3413b: Portrait of 2 people a Man seated and a lady standing. 3413 has inscription - Barwell Photo No21 Collins Street East Melbournestawell

Woman on Left man on right in uniform has glasses. Studio Portrait.

Wangaratta Art Gallery CollectionA black and white cross stitched portrait of a woman on a laptop screen.clare mccracken, cross stitch, portrait, textile

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Three figures embrace in despair (two men, one woman). One throws his arms around the other two figures who are consoling each other in an emotional embrace. Surface treatment is textured . Metallic brown colour. 'WEGNER THE WAKE 1 AG205643'wegner, figurines, bronze, black saturday, sculpture

Mrs. Bow Hutchings with childrenB/W Photo of a woman and Three children. woman is seated holding youngest child the other two standing.rs Bow Hutchings and Familystawell portrait

Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio portrait of man and woman in oval Decorates cardCharles & Fanny Best W.H.Watts Ryrie Street, GEELONG.

Huttley Martin FamilyB/W/ Portrait of a young woman in long floral dress, high heels, pearl necklace - headdress holding floral bouquetLorna ( as Madge's Bridesmaid)huttley, martin

Huttley - Martin FamilyB/W Photo: Seated woman - dark Striped dress, necklace, chair cushioned, hair in bun, mop cap.Stewart Ho 217 &219 Bourke Street east Melbourne. Reverse: ?Logo? Per Solen Pingohuttley, martin

Fred Martin at his home 6 Campbell St Stawell. Photo of Fred seated on veranda stairs and a woman seated beside the doorway.Fred Martin at his house 6 Cambell St. Stawell. Fred is sitting on the veranda stairs talking to a woman seated on the veranda.Fred Martin at his house 6 Campbell St. Stawell.stawell portrait

Doll (Dorothy) Bearup. Not much is known of the family. Records shows the Bearup Family came to Stawell around 1908 -1913 from Hamelton (502 School index). RM2 (1908 - 1913). Mr. Robert Bearup was employed by the Gas Company, as manager (Municipal Directory 1923 Mag Box 6 RM2.Black & white portrait photograph of young woman. The photo is oval with a plain background. O'Shannessy & Falk (or Fall) Elizabeth St. (Cardboard frame of photograph has been cut, only these letters shown). In pencil on back Doll Bearup.stawell

Portrait of David Scallan & his Wife. David Scallan was a mining broker. David was also the first Shire President 1864 - 65. In 1864 he was a member of the Roads Board. Also, the first Committee of Management of Central Park. One of the main Stawell inner streets is Scallan St.Photograph of a woman and gentleman standing in a studio setting. Womans frock has a frilled skirt with long sleeves. Gentleman had light coloured trousers with a long dark coat buttoned at the neck. c 1865 - 70'sstawell