Photograph of 12 WWI Soldiers and a Naval Officer - all in uniform.Photograph of WWI Soldiers and Naval Officer - 1919 Back Row: W. Gothorp, H. Justice, V. McHenry, Alex McLardy, G. Dorward, W. Hawkins, Unknown, J. Hawkins Front Row: ? McColl, Duncan Campbell, Arthur Webster, E. W. Dixon, R. Briton.wwi soldiers, wwi naval officer, returned soldiers, mary karney

James Morrison Ramsay (1882-1963) was Mayor of Sandringham in 1926-27. He was a candidate for the Brighton Seat in the legislative assembly in 1928.councillor, sandringham, local government, municipality, mayor, mayoral robes, portrait, city of sandringham, jabot, dickinson-monteath studio, james morrison ramsay, cr. j.m. ramsay, legislative assembly, brighton, mayor of sandringham

Softwood Timber rack with Bonny the Horse Alfred Pickering and Norm Gray 1926. T Barker Tank Maker and Timber Merchantstawell

Pleasant Creek Hospital 1926 Presentation of bed by Stawell Technical School made by mothers club Primary School 502 of bed.stawell education medical

Stawell Railway employees before 1926 taken in front of Stawell Railway building. Mr W Boothey second from right.stawell railways transport

A pictorial article on the influenza epidemic of 1919, published during the COVID pandemic beginning in 2020News clippinginfluenza, covid pandemic

Marriage of Cecil John Jessop to Kate Robinson 1919. Postcard sent to Luxford family.Digital copy of black and white photograph. luxford family, cecil jessop

Donated by Stan McFee from the Keith McIlwraith CollectionSepia postcard of men taking part in the Back to Cowes School Celebrations in March 1926.On back: "Back to Cowes March 1926 School."celebrations - back to cowes school phillip island, phillip island, stan mcfee, keith mcilwraith collection

Black and white photograph"Written on front of photograph" Mechanics Hall - now Town Hall. November 6th, 1926. Attached to photograph - Two newspaper clippings of proposed Town Hall - Dated 1st September -1936. (mhc 146a)

A photo of Captain P E Potts in Charleroi, Belgium in 1919. The note on the back mentions he was part of a 2nd Division concert party that helped raise funds to erect a war memorial in Mont St Quentin. Mont St Quentin was a site of a major battle in 1916 where 3000 Australian soldiers died in 3 days. Another photo from Charleroi in 1919 is at 01900 and Captain Potts may be one of the officers in the front row. The photo may have fallen out of an album of newspaper clippings and photos compiled to thank Legatee Philip E Potts when he was leaving Melbourne in 1928. L/ Potts was president of Legacy in 1927-28. The album was compiled by Legatee Frank Doolan.A record of a tribute to a past president.Black and white photo of Captain P E Potts in 1919.Handwritten on reverse 'Charleroi Belgium __ 1919' in black ink and 'Capt PE Potts O/C / 2nd Div Concert Party / 'The Dinkum Diamonds' / which raised £370 in Charleroi for the St Quentin War Memorial'philip e potts, charleroi, past presidents

This medal was awarded to children of Australia up to age of i4. The medal was designed by Charles Douglas Richardson, a sculptor. . One million, six hundred and seventy medals were produced and they were distributed in 1919 to mark the end of World War One. On the original medal the inscriptions included the words: "AUSTRALIA," "VICTORY", THE TRIUMPH OF LIBERTY AND JUSTICE " and " THE PEACE OF 1919"This medal is significant as a memento of the declaration of peace at the end of World War One. Circular white metal medallion .The obverse features a figure of peace with decorative surrounds and on the top two doves and text. The reverse has a crown with rising sun rays. Below is a laurel wreath, a sailor and a soldier and text. It has a small ring attached to the top,Obverse VICTORY, the rest is indecipherable on our item. Reverse AUSTRALIA, the rest is indecipherable on our item

Awarded to: School Children of the Commonwealth of Australia Other Details: Of the commemorative medals issued to mark the end of the First World War, the most common was the so-called 'Peace' or 'Victory' medal issued to every child in Australia aged 0-14 years (and aged up to 16 if parents were in the armed forces). The medal was designed by Charles Douglas Richardson, better known for his work as a sculptor. Time constraints as well as pressure from the production of other victory medals meant that no single manufacturer could make the 1,670,000 medals. Six were therefore selected: Amor, Stokes, Schlank, Parkes, Angus & Coote (who later withdrew) and Platers. The medals were silvered bronze, with silver issues for special presentations. The Defence Department supplied a red, white and blue striped ribbon and pin. Distribution began in March 1919. Victorian school children received their medals on Friday 18 July and on 'Peace Day' on Saturday 19 July.To commemorate the end of World War 1Round white metal medals issued to mark the end of WW1. On the front "PEACE 1919", and on the reverse, "VICTORY", middle of the medal "THE TRIUMPH OF LIBERTY AND JUSTICE". on the bottom "THE PEACE OF 1919". With a plain edge.Peace with two flying doves on pedestal inscribed, PEACE / 1919 below AUSTRALIA; figure in chains on left and another entangled in bush to right (obverse) Australian sailor and soldier support wreath; above, VICTORY; within, THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE; below on plaque, THE PEACE OF 1919(reverse)

Found in the cellar of the former Barr's drapery shop, Sussex Street, Linton, which at one time had a doctor's consulting room. Bob Albert (who found them) assumed they were something to do with the medical practice. He gave the box of mosquito drops to Joan and Alan Giles. Information in newspaper advertising (found via Trove) shows the drops were marketed in New South Wales, Queensland and South Australia between about 1915 and 1927. The address on the packaging suggests these particular bottles were manufactured after 1918.Twelve green boxes labelled 'Marne's Mosquito Drops', stored in a strong cardboard box bearing a green label, also reading 'Marne's Mosquito Drops'. Information on individual cardboard packaging: "Marne & Co., Herbert St, Dulwich Hill, NSW / Registered under the Pure Food Act 1908 / Improved Formula 1919".marne's mosquito drops, pest control, mosquito drops

Eustace Menotti Flannagan (1868-1950) was a solicitor and a representative in the South Ward in Brighton Council for 16 years, retiring in 1932. He was elected Mayor of Brighton 1926-27. portrait, councillor, mayor, brighton, municipality, south ward, cr. e.m. flannagan, eustace menotti flannagan, mayoral robes

Elizabeth MacDonald (nee Weir) widow of Angus with grandsons Arthur and Frederick Hawkins 1919 on occasion of victory march Murtoastawell ww1

Kinglake Hall was rebuilt after the 1926 fires. This hall opened in 1927. It was in a derelict state when it was demolished in 1992 and a Community Centre was built at Kinglake Central. See alsoo SEPP_0010This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, kinglake, kinglake hall

"Dalgety's Annual Wool Review for Australasia: 1919-1920". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering

The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil identifies this plant as Epacris impressa - Common Heath - white flower form. Common and widespread. NB In some records she is called Marianna (as the donor calls her) and in others Marianne.Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanPainting of white heath spray, on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, baron von mueller, von mueller, henrietta d'alton, wama, wildlife art, painter, goache, halls gap, wildlife art museum australia

Photo postcard of a photo taken looking east across the bridge by Else and sent to Betty from Sale, Vic., 29 October 1919Digital file only Postcards scanned from the collection of Michael Aitken on loan to EDHS, 13 Feb 2018michael aitken collection, postcards, main road bridge, main road, eltham, diamond creek

The 1919 bushfire was the worst the area suffered. The fire struck on Saturday afternoon on the 15th February. It destroyed the station at Lavers Hill and Crowes, departmental residences at Lavers Hill and Weeaproinah, the overhead bridges at Beech Forest and Wimba, and damaged the track at various points along the line so that two locomotives became temporarily marooned at Beech Forest.. By the following Tuesday a daily fire relief train had begun operation. By the following Sunday a special train loaded with army tents travelled through to Lavers Hill and deposited most of its consignment there because little remained of this sizeable settlement. An outsider would have had difficulty in picking the place. The letters of the Lavers Hill station nameboard had been burnt although the metal letters survived, and one of the local wags had rearranged them to read "LIARS HELL". By the 1920s water trains were being used to help fight fires, a simple NQR open wagon loaded with the standard 1500 litre square iron water tank.B/W. Crowes station sign, the remains of a chimney, galvanised iron sheet and a water tank, and two men gazing at the camera. Note in the background the clear felling of the timber.crowes; lavers hill; beech forest; weeaproinah; wimba; railways; bushfire;

"Dennys, Lascelles Limited Annual", third issue, August 1926. Annual publication produced by the wool brokers Dennys, Lascelles Limited and containing articles of general interest, as well as on wool related topics.GRAHAM REESwool brokering wool growing agriculture woolclassing pastoral industry - history, dennys, lascelles limited, wimmera, hamilton, heathcote, mansfield, wool brokering, wool growing, agriculture, woolclassing, pastoral industry - history

The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. This particular plant is Correa reflexa variety angustifolia – Grampians Correa. It is endemic to the Grampians and listed as rare. It has been propagated by the Marriotts and planted in the new Endemic Garden at the WAMA site. NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanSmall painting of red/yellow Correa reflexa angustifolia showing 2 flowers and 1 in bud, painted on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, von mueller, baron von mueller, henrietta d'alton, wama, wildlife art, halls gap, painter, goauche

The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil says "This one is a composite of Purple Sarsaparilla Creeper Hardenbergia violacea (common and widespread throughout SE Australia), and Fairies Aprons Utricularia dichotoma - reasonably common and widespread in SE Australia." NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Henrietta D'Alton, WAMA, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara CricksPainting of purple pea flower and pink fan-shaped flower, intertwined & placed asymmetrically to left, trailing to right. On textured brown paper with mottled brown matt.Signed “M.W.” left of stems. Reverse side backed with stained brown paper shield-shape stamped centre top: “J.A. Reynolds. Decorator & Picture Framer, 28 Sturt St., Ballarat”. Hand-written right side (in black felt pen) “McLennan, 106 Bennett Rd. (5)”. wildflowers, flowers

The 2nd Pioneer Battalion was an Australian infantry and light engineer unit raised for service during the First World War as part of the all volunteer Australian Imperial Force. Formed in Egypt in March 1916, the battalion subsequently served on the Western Front in France and Belgium, after being transferred to the European battlefields shortly after its establishment. Rectangular shaped black and white Photograph.A Platoon of the 2nd, Pioneer Battalion Att. to the 1St.Aust. Tunnelling Company at Rance in Belgium 19 Jan 1919 Sgt. W J Branch 3rd from right front row. army, rance belgium,australian army, lara r.s.l., !st.australian tunnelling company, 2nd pioneer battalion.

Main Street Stawell. Crowd Scene with Army WW1 Tank. 1919. In front of C.C. McDonald Tobacconist. E.J. Copley Post Office Hotel. stawell streetscape ww1

George William Knott (1869-1927) was one of the first nine councillors of the new municipality of Sandringham in 1917. He was Mayor of Sandringham in 1919-20.councillor, sandringham, local government, municipality, mayor, justice of the peace, portrait, city of sandringham, cr. g.w. knott, mayor of sandringham