An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value was $5. The date is not known. It is the same style as a $5 badge but has a stick pin rather than a clasp. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal pin with the Legacy torch, it is gold with orange enamel around a torch with red enamel in the flame. It is an elongated pentagon shape on a stick pin.On the reverse 'A J Parkes / $5'.legacy appeal, fundraising, badge week

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. John F. McCrae, Mayor of Kew 1910-11. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "John F. McCrae, Mayor 1910-11" [Photographer] "J.E. Barnes / Kew"mayors of kew (vic), cr. john f. mccrae, australian photographers - josiah earl barnes, kew (vic.) — municipal collection

An early example of Melbourne Legacy Club newsletter (No. 123 19th March 1929), covering the activities of Melbourne Legacy Club. Information includes speakers for the weekly Tuesday meetings (with the exception of the first Tuesday of the month when there was no speaker), personal news of Legatees, activities of boys and girls clubs, job placement for Junior Legatees, news from other clubs, and a roster of duties. The overall tone is chatty but informative and the dedication to the welfare of Junior Legatees is obvious.Brings to life the work of Melbourne Legacy in the early years.White foolscap paper with black type x 3 pages of a newsletter for legatees.'H 50' (see Item 00937) in blue ballpoint on page 1.newsletter, legatees

Newspaper articles covering 24/5/1941Australians Fighting in Crete during World War 2The Sun Newspaper 24/5/1941 Australians Fighting in CreteThe Sun Newspaper articles for May 19

The Sun dated 19/5/1944 - Cassino FallsTe Sun Newspaper dated 19/5/1944 articles covering May 1944

In woodworking, a moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed.Bertie Robert Edgar Greenwood was born c. 1880/81 and died aged 82 in Hawthorn in 1963. His father and possibly his grandfather were also carpenters. Bertie’s work as a cabinetmaker required precise planing to give lovely edges and other elaborate decorations. The major item in the tool collection is Bertie’s wooden box, which houses 45 different moulding planes. Later in his life, he used these skills extensively when he worked as a patternmaker for a plastering company. Bertie worked through his seventies, retiring when he lost a finger. The tool collection was donated to the Kew Historical Society by Bertie’s granddaughter, Pamela Webster Bloom, a former resident of Kew.Plane - Wooden Moulding, Beechwood & Metal, 5/8” Beading, Moseley & Son LondonStamped ‘5/8’, and owner name ‘G. Greenwood’ with ‘G’ subsequently over-stamped with ‘B’. Later engraved number ‘5’ added on entering the collection in 2010.carpentry, bertie greenwood, woodworking tools, moulding planes, burwood road — hawthorn (vic.)

An early example of Melbourne Legacy Club newsletter (No. 121 5th March 1929), covering the activities of Melbourne Legacy Club. Information includes speakers for the weekly Tuesday meetings (with the exception of the first Tuesday of the month when there was no speaker), committee activities, personal news of Legatees, activities of boys and girls clubs, job placement for Junior Legatees, news from other clubs, and a roster of duties. The overall tone is chatty but informative and the dedication to the welfare of Junior Legatees is obvious.Brings to life the work of Melbourne Legacy in the early years.Copy of a newsletter of 4 foolscap sheets, black print on white.newsletter, legacy publication

Photograph of Collingwood Technical School Junior School Assembly in Old School Hall 1920s. From Scott's history he dates this photo as 1929. Also photo of empty Old School Hall with seating undated but probably 1920s - 1930s.collingwood technical school, junor school assembly, students, classes, nmit,

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

WHS AGM on 5/10/2019. Gary Presland speaking on Aborininal Society.three coloured photographs of the meeting of 5/10/2019.whs agm 5/10/2019, gary presland, aboriginal society

A4 copies of Landata Victoria Historical Search documents - Vol 5598 Fol 1119416.Thomas Arthur Wentworth Burkitt of Box Hill, Retired Clerk of Courts, is now the proprietor of an Estate in Fee-simple subject to the Encumbrances notified hereunder ... 35 acres 1 rood 11 perches or thereabouts, together with right of carriage way over part of Warrandyte Coach Road on plan of subdivision no.12040. Subdivision maps includes Brysons Road, Warrandyte Coach Road (later Wonga Road), Rangeview Parade (later Omeo Parade), and Kardinia Crescent, Warranwood. Mortgages and Transfers include Mortgate - part to the Trustees of Vic District no.82 I.O.O.R, 1st August, 1929, Mortgate - part to Arthur Edward Perry, 1st August, 1929, Transfer 1426692 - George Clements Dickason and Will Gordon Sprigg, 20th August, 1929, Transfer 1766662 - Linda Elizabeth Collins, 28th March, 1940.

The State Team of Victoria competing in the interstate carnival held in Adelaide in 1929.This photo includes some significant people regarding women's basketball (netball) in the 1930s, 40s and even 50s. L.C. Mills was the foundation president of the V.W.B.B.A and gained life membership in 1936, while players such as Edith Hull, Ethel McCarthy and Elsie Johnson would represent Victoria throughout the 1930s.Team photo of the 1929 Victorian Women's Basketball State Team competing in Adelaide.'Interstate B.B Victorian Team Adelaide 1929' Left to Right: L.C Mills (Foundation President), Jessie Barker, Ethel McCarthy, Edith Hull, Margaret Reilly, Eevelyn Hassey, Hazel Wilkins, Val Tasker, Nance Tregear, Elsie Johnsonwomens basketball, women's basketball, netball victoria, netball, victoria, 1929, 1920s, victorian team, womens netball, women's netball, sport, vic, netball australia, l.c. mills, jessie barker, ethel mccarthy, edith hull, margaret reilly, evelyn hassey, hazel wilkins, val tasker, nance tregear, elsie johnson

"Sgt. David McPhie and some of his family/at Suffolk Road Mounted Police Station./Stables are shown in background./Courtesy - Mrs. P. Scales (nee McPhie)." The police established a station at 5 Suffolk Road in 1889. The first policeman was Constable Patrick Healey soon after assisted by Sgt Wilson. Constable David McPhie (1887-1963) was married to Jessica Beatrice McErvale (1891-1962) in 1914. They had a son - Angus (1916-1971) and a daughter Jean Cameron (1918-1985); she was born in Surrey Hills. In 1919 electoral rolls David McPhie is listed as a policeman at 5 Suffolk Road. Police gazettes list him as discharged on 2/11/1923. The family continue to live at 5 Suffolk Road and thereafter he is listed as a labourer. Entry in 'Surrey Hills In Celebration of the Centennial 1883-1983' states there was a mounted troopers' station at 5 Suffolk Road from 1889-1914. It was later at 5 Essex Road and then in 1923 moved to 171 Union Road (later the doctor's surgery and residence) and then to 93 Union Road where it stayed until 1947. It is not known how the donor was related to David McPhie.Image of a man, identified as Sgt. David McPhie, with five female members of his family, standing in front of the stables of the Mounted Police Station at 5 Suffolk Road, Surrey Hills.people, families, family groups, police, policemen, surrey hills mounted police station, horses, stables, suffolk road, david mcphie, miss jessie beatrice mcervale, mrs jessie beatrice mcphie

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 5 Wellington Street, Kew by Margaret Picken.5 WELLINGTON ST., KEW / MARGARET PICKEN '89 / WOODARDS ~ artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 5 wellington street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 5 Rockingham Street, Kew by Margaret Picken.5 ROCKINGHAM ST., KEW / MARGARET PICKEN '90 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 5 rockingham street -- kew (vic.)

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

5 Coleridge Street early 1970s windstormblack and white gloss photograph fair condition unmounted5 Coleridge st. Early 70s. Windstorm. C184.

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 5 Asquith Street, Kew by Margaret Picken.5 ASQUITH ST., KEW / MARARET PICKEN '88 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 5 asquith street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 5 Tara Avenue, Kew. by Margaret Picken.5 RARA AVE., KEW / MARGARET PICKEN '92 / WOODARDS ~ KEWartist -- margaret picken 1950-, 5 tara avenue -- kew (vic.), property illustrations — buildings — kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 5 Tregarron Avenue, Kew by Margaret Picken.5 TREGARRON AVE., KEW / MARGARET PICKEN '96 / WOODARDS ~ HAWartist -- margaret picken 1950-, 5 tregarron avenue -- kew (vic.), property illustrations — buildings — kew (vic.)

Felt tip pen and ink on paperSigned 'Petty 1979' lower right of drawing. Titled 'Man and Machine' bottom centre of drawing.

Three colour lithographSigned and dated lower right beneath image, pencil "W Rose 68" Edition 17/50 lower left corner under printed image.

Three colour lithographSigned and dated 'W Rose '68' lower right corner of printed image. Edition 26/50, lower left of printed image.

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

A photograph of Watsonia High School 1971 Form 2 Group 5A photograph of Watsonia High School 1971 Form 2 Group 5watsonia high school

Demonstrates a report into tram fares and tickets around Australasia.Report - 13 foolscap duplicated pages, stapled along the left hand edge, titled "Report of Sub-Committee on Fares and Sections appointed at Australasian Tramways Conference 1929" Reports on a questionnaire to 14 different systems - Bendigo considered the same as Ballarat for the purposes of the report. Looks at the Section and their average length, Overlapping sections, fares, children fares, Sunday and holiday rates, workmen's concession tickets, scholars', swimming tickets, blind passes, police officers, civil servants, municipal bodies, concessions to charitable institutions, defence force, boy scouts, state members and officials, employee's passes, periodical or prepaid tickets, specials charges, passenger luggage. Compares to the USA, flat fares, one man trams.Has "Mr Mawby" in ink on front cover and "Copy sent to Mr Old 22.7.30"trams, tramways, tickets, fares, sections, australasian tramway conference, ballarat