artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Members of the Stawell Brass Band. Winners of Band contest Maryborough 1st Jan 1907.stawell entertainment

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 7 & 7A Munro Street, Kew East by Margaret Picken.7 + 7A MUNRO ST., E. KEW / MARGARET PICKEN ©2000 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 7 + 7a munro street - kew east (vic)

Typed letter on Mount Morgan Gold-mining Company, Limited Letterhead relating to staffmember W. Gildard who worked in the Electrical Department at Mount Morgan. The letter is signed by Norman F. White..1) I hereby certify the Bearer Mr W. Gildard has been under my supervision this last two years and six months in Electric Light Dept Mount Morgan G.M.Co. Ltd While under me he was quick steady and industrious also possessed good mechanical ideas. He has been switch board and Dynamo attendant worked on outside circuits series are Lighting Mine Lighting under Ground Electric Bells and Telephone work. He has had experience also on our new plant turbo generators Stationary Motors and Electric Locomotives Electric Tramway Work over head wiring and ground return you will also find him most obliging and willing. Leaving of his own accord. Frank McFarlane A.G.E.E. Electric Foreman Mount Morgan G.M. Co. Ltd march 21st 1907ballarat school of mines, mount morgan gold-mining company, mount morgan, norman f. white, electricity, w. gildard, letterhead

“Yarram Park” Willaura Visited by American Seamen. Gentleman is Mr William Jennings Kinsella. The Great White Fleet was the popular nickname for the group of United States Navy battleships which completed a journey around the globe from December 16, 1907 to February 22, 1909 by order of President Theodore Roosevelt. Its mission was to make friendly courtesy visits to numerous countries while displaying new U.S. naval power to the world. One goal was to deter a threatened war with Japan since tensions were high in 1907. It familiarized the 14,500 officers and men with the logistical and planning needs for extended fleet action far from home. Hulls were painted a stark white, giving the armada its nickname. It consisted of 16 battleships divided into two squadrons, along with various small escorts.[1][2] Roosevelt sought to demonstrate growing American military power and blue-water navy capability.willaura simmons

“Yarram Park” Willaura Hunting Trip with American Seamen. Gentleman at top center back is William Jennings Kinsella. The Great White Fleet was the popular nickname for the group of United States Navy battleships which completed a journey around the globe from December 16, 1907 to February 22, 1909 by order of President Theodore Roosevelt. Its mission was to make friendly courtesy visits to numerous countries while displaying new U.S. naval power to the world. One goal was to deter a threatened war with Japan since tensions were high in 1907. It familiarized the 14,500 officers and men with the logistical and planning needs for extended fleet action far from home. Hulls were painted a stark white, giving the armada its nickname. It consisted of 16 battleships divided into two squadrons, along with various small escorts.[1][2] Roosevelt sought to demonstrate growing American military power and blue-water navy capability.willaura simmons

School of Mines Students 1907 with mortar and Pestle and Forge Tongs. Rear second from right is W.W. Telford.Black and white photograph of eight young males, four standing, four seated. Six of the men are holding tools of trade used in training - mortar and pestle, tongs etcOn the back: Stawell School of Mines Skene Street Stawell Rear, 2nd from right Mr. W.W. TELFORDstawell education

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Construction date of house depicted1845-1855 for Stonemason Benjamin Bowyer. Style Colonial Georgian. Representative of workman's cottage of the 1850'sOil painting by Jean WilsonPainting signed by Jean Wilson 1 William Street Port Fairy on reverse To the Port Fairy History Group from Phillip Ritchie, past owner of 1 William Streetdwelling, housing

2 copies of first shop in Blackburn, built in 1907 on corner Railway Road and Chapel Street, Blackburn. Mary Pearce and daughter, Jessie, outside. Mrs Pearce ran a fruit and vegetable shop. She is believed to be the first private business woman in the Nunawading Area. She was the daughter of Mr and Mrs Slaterpearce, mary, slater, jessie, shops, chapel street blackburn, railway road blackburn

The Mining Manager of the Black Range Mining Company was William JacksonTwo foolscap typed pages .1) Black Range Mining Company NL Mining Superintendent's Report by T.A. Couper .2) Black Range Kohinoor Mining Company NL Mining Superintendent's Report by T.A. Couperblack range mining company, black range, kohinoor, william jackson, couper, blair's shaft, north kohinoor

Group photograph of staff of the Kew Mental Institute (Kew Asylum) including Dr Joseph Hollow.The following individuals in the photograph are identified on the reverse: Back Row 2nd from left J McKie (Pharmacist), 4th from left Mr H. Oxlade (Accountant), 8th from left Mr T. Walsh. Front Row: Left Mr. Morrison, 2nd from left Mr Vallance, 4th from left Dr. Hollow. Inscription on reverse: "Mr McKie With Best wishes (illegible), Kew H.I. {Kew Hospital for the Insane], April 1907". [NOTE: A descendant of Mr H Oxlade has suggested that he is the man 5th from left in the back row]kew lunatic asylum, kew mental institute, dr joseph hollow

Joseph Rycroft was a "Native of Liverpool. Farmer of Victoria", 1819-1907. This short history of Joseph and his family was written by descendant Jacinta Crealy.58 p. illus., family trees, comb binding.joseph rycroft

Project report, Operation Tropic Traveller 1980/81 was mounted to field complete the North Queensland Tac map area during the periods 25 Feb to 11 Nov 1980 and 3 Mar to 13 Oct 1981 Buff colored, A4 Folder, Mosaic in brown of Nth Qld, Helicopter, Corps badges, Land rover.1 field survey squadron, 1 fd svy sqn, royal australian survey corps

Monthly Reports were mandatory for all RASvy UnitsA plastic bound, A4 carboard covered report that includes text and diagramsroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Monthly reports were mandatory for all RASvy UnitsA plastic bound, A4 carboard covered report that includes text and diagramsroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Monthly reports were mandatory for all RASvy UnitsA plastic bound, A4 cardboard covered report that includes text and diagramsroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Monthly reports were mandatory for all RASvy unitsA plastic bound, A4 carboard covered report that includes text and diagramsroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Jasper Lewis Bolton's daughter, Jo Petrovic, supplied this information on her father's role as a stretcher bearer in World War I. Jasper Bolton moved to Briar Hill in the inter-war period.3 pages, 2 web articles and personal recollection.world war 1 project, jasper lewis bolton

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Edward A. Atkyns, Mayor of Kew 1886-7. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Edward A. Atkyns, Mayor [of Kew] 1886-7mayors of kew (vic), cr. edward a. atkyns, photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Arthur Wills, Mayor of Kew 1896-7. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Arthur Wills, Mayor [of Kew] 1896-7cr. arthur wills, photographers - kew (vic) - josiah earl barnes, mayors of kew (vic), wills family, arthur wills, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. William Wishart, Mayor of Kew]1906-7. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.William Wishart, Mayor [of Kew] 1906-7mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, cr. william wishart, kew (vic.) — municipal collection

Photos relate to James Worland MILLS No 3441 59th Battalion. .1) James MILLS is 3rd from R standing with arms crossed. .2) James MILLS is 2nd from L without a hat, 3rd row from front. .3) James MILLS is 2nd on L. Refer Cat No 169P for his service details..1) Photo, black / white, showing a large group of soldiers & nurses standing & sitting outside a large building. .2) Photo, black / white, showing a large group of soldiers & nurses standing & sitting outside a large building. .3) Photo, sepia, showing a large group of soldiers & nurses with 3 children standing outside outside a large building. .4) & .5) Photos, black / white, copies of .2) & .3). .1) “Versailles 18.6.19 YMCA” .2) “Paris 17.6.19 YMCA” .3) “Paris 20.6.19 YMCA” .4) “Paris 20.6.19 YMCA” .5) “ Paris 17.6.19 YMCA”photographs, 59th, paris, ymca

Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. Process: “Sketches were ordered by phone initially as there were no mobile phones or computers then. I would take our 2 year-old son with me to the houses when the other 2 boys were at school. I photographed houses with a Polaroid camera and made a ‘thumbnail’ sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the ‘pen and ink’ was completed. This process was the only one I used the entire time. Polaroid photos gave an instant usable photo. I then delivered the sketches by hand to the offices. There were deadlines each week on a Tuesday.” “… about 2003 coloured photos began to take over the sketches and mainstream companies replaced sole traders like myself providing a one-stop shop for all advertising. I produced my last Real Estate sketches in late 2005.” Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and 2005. Each work is signed and dated. Margaret Picken approached a number of historical societies in July 2020 with a view to donating her work. Sketches for post code 3127 are held by this collection. Others for suburbs including Ashburton, Balwyn, Camberwell, Canterbury, Blackburn, Box Hill, Burwood, Glen Iris, Hawthorn, Kew, Mont Albert North and Nunawading have been donated to the relevant historical group in those suburbs. (See Balwyn Historical Society, Box Hill Historical Society, Camberwell Historical Society, Hawthorn Historical Society, Kew Historical Society, Whitehorse Historical Society). In some cases, this collection also has a copy of the matching newspaper advertisement. Pen and ink architectural drawing on drafting film of 7 Arundel Crescent, Surrey Hills (VIC) by Margaret Picken. The drawing, dated 1995, was commissioned by the Woodards real estate company.7 ARUNDEL CRES., S. HILLS / MARGARET PICKEN ~ 95 / WOODARDS ~ C'WELLarchitectural drawing, houses, surrey hills / mont albert (vic.), artists, margaret picken 1950-, californian bungalow, arundel crescent

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Lirrewa - HO39 Tarqua and Stables, 1-3 Lirrewa Grove Caulfield South https://vhd.heritagecouncil.vic.gov.au/places/120932 (as at 26/10/2020) "Tarqua", now "Lirrewa", is situated at nos. 1-3 Lirrewa Grove, Caulfield South, and was built in 1886 for Montague William Langdon, son of the merchant Joseph Henry Langdon of nearby "Rosecraddock". It is historically and aesthetically significant. It is historically significant (Criterion A) as one of the Langdon family residences, comparing in Glen Eira also with "Rosecraddock" at 10 Craddock Avenue (1857) and "Hengar" at 356 Glen Eira Road (1889-90). It is aesthetically significant (Criterion E) for its capacity to demonstrate the stylistic influences prevailing at the time especially for substantial residences. At "Tarqua", the design acknowledges the prevailing popularity of the Italian Style in the shallow hipped roof form and symmetrical facade as well as the picturesque Gothic Revival style demonstrated especially by the use of pointed arches, fretted barges and the battlemented parapeted section. This latter style was particularly attractive to persons of means on account of its English precedents, the combination of influences being skillfully handled in this instance.Page 120 of Photograph Album with six photographs (all landscape) of views of Lirrewa, mostly including its garden.Handwritten: "Lirrewa" 1-3 Lirrewa Grove [top right] / 120 [bottom right]trevor hart, verandah, lirrewa, tarqua, 1880's, montague william langdon, italian style, shallow hipped roof, symmetrical facade, gothic revival, pointed arches, fretted barges, battlemented parapet, terraces, boom era, single storey, timber roof brackets, frieze, gables, cast iron ridging, lirrewa grove, cast iron work, caulfield, arches, parapets, gardens, houses, victorian style, caulfield south

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 125 Jolimont Rd., Vermont This property is listed as having sold for $124,000 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of two single story brick houses, one behind the other. There is a driveway on the left leading to the house at the back of the block, with paths up to the front doors. In the foreground on the right is a front lawn, and a brick post box. There are two hole punch holes just below centre of the upper edgeUnits 1+2/2 Lusk Dve., Vermont Margaret Picken - 93 Woodardswhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south