Showing 516 items matching "aprons"
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Clunes Museum
Photograph
BLACK AND WHITE PHOTOGRAPH TAKEN BY CON WEICKHARDT OCTOBER 1917 OF LADY WEARING CROSS ON BODICE OF WHITE APRON OVER WHITE LONG SLEEVED, LONG DRESS AND WHITE VEIL.TAKEN BY CON OCT. 1917local history, photography, photographs -
Whitehorse Historical Society Inc.
Clothing - Apron
Part of a collection of handcraft and needlework donated by Anne BarryCross stitch embroidery was popular and widely practised during the periods of the 1920's, 1930's and 1940's. It became an art formGreen and white gingham apron, cross stitched in black, yellow, red and orange diamond pattern, with a line of cross stitch at border. One pocket of white with ric-rac edgingcostume, female working -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Education kit - Sairey Gamp Miniature Doll, Nursing Through the Ages
Mrs Sairey Gamp - English Monasteries declined in 1405 the Chruch was said to have one third of English's wealth. Henry VIII dissolved the Monasteries despite their record of charitable and medical work and took over most of their property. This left large numbers of helpless sick and poor to die. For the next 300 years there was no nursing class "hospitals" were overcrowded (sometimes 6 people to a bed) and were dirty. Nursing was carried out by women of low character and morals. Charles Dickens satirized nursing conditions with the character of Sairey Gamp. Nursing had sunk to the lowest level.30cm Miniature Doll -Checked Apron over stripped skirt. Purple spotted top with orange and white scarf. Wool type cardigan and hat. Holding mop or duster in hand.Name Tagnursing history, nursing uniforms, nursing education equipment, northern district school of nursing -
Stawell Historical Society Inc
Photograph, Seppelts Workers wine tasting 1950
Seppelts Workers wine tasting – 1950Black and Withe photgraph of Seven Men with white aprons and wine glassessipping champagne. four of the men are standing with three seated in front of a table with two bottles and ttwo canndle sticks.On the rear of the photgraph is a typed note: Seppelt Cellars Great Western November 1950 Standing: Jim Harris, Charlie Bullock, Harold Carr, Joe Tozer. Seated: Stan Wathen. Leo Hurley, Warren Taylor.great western, wine making, seppelts -
Linton and District Historical Society Inc
Photograph, C Gribble, 221 Inkerman St, St. Kilda Photographer, Workers outside Grenville Standard building in Linton, c.1895
This photograph was owned by George Preston, the apprentice printing worker shown third from the left in the photograph. The photograph was given to the Society by his son Ronald Preston. The printing works site was in Sussex Street, Linton, understood to have been next to the Railway Hotel. The photograph is believed to have been taken around 1895 or 1896, when George Preston was thirteen. (George Preston was born in 1883.)Original sepia photograph, mounted on card, shows 4 men in aprons, and 1 man in dark suit in front of first Grenville Standard newspaper printing works in Sussex Street.george preston, grenville standard printing works, workers, buildings -
Charlton Golden Grains Museum Inc
Photograph, Gale, Thomas, Charlton Foundry c. 1910, c.1980
Foundry established in 1885. Bought by Dabron and Forbes in 1899. Taken over by Alfred Dabron in 1905 to 1965 when it closed. Mounted unframed black & white photo showing a group of workers inside the foundry. One man in suit, waist coat and hat, other men in aprons and rolled up shirtsleeves.Thos Gale High St Maryboroughdabron, forbes, charlton, foundry, business, industry -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - H.L Vivian Saddler, n.d
Black and white photo postcard. H.L. Vivian standing in front of his shop, wearing ankle length apron, work boots, white shirt, sleeves rolled up, waistcoat, tie.Back: H.L.VIVIAN' - handwritten, blue biro -
Glenelg Shire Council Cultural Collection
Clothing - Apron, n.d
Linen apron embroidered in red with flowers, birds and strawberries, broderie anglaise trim, no straps. Two pockets, rounded corners on skirt, heart shaped top. Button and loop fastening at waist. -
Tatura Irrigation & Wartime Camps Museum
Sketch, Mr. A Koenig, Portrait of a Lady, 1940's
Portrait of Gerda Decker in her role as Das Fuchen in Aus Dem Zerbrochenen Krug. Artist A. Konig was a graphic artist in Sydney and interned in compound A in camp 3 in 1940.Head and shoulders portrait of a lady with plaits wearing a Dutch bonnet, cream blouse and blue check, possibly apron, over the top of the blouse. Neck on the reverse of the bonnet match the check in the blouse.gerda decker, das fuchen, a. koenig -
Whitehorse Historical Society Inc.
Clothing - Apron
Purchased by member for Society CollectionWhite cotton hand embroidered designs and two pockets. Has brown binding around edges and pockets. Embroidered floral design on pockets and cross stitch Chinese lanterns at bottom of aproncostume, female working -
Rutherglen Historical Society
Image, c1880
Christmas and New Year Card from Beth Williams to her relatives and friendsBlack and white photograph of a building at a mine. Three men are standing on the veranda of the building, two wearing hats and jackets, and one in a butcher's apron. At the right of the photo is dark skinned man on a horse.At foot of photo: "With Best Wishes for a Happy Christmas and a Bright New Year"christmas, card -
Surrey Hills Historical Society Collection
Photograph, Interior of Anne's Pantry, 1991
There is a 1991 SHNN article and photo of Nick and Judy Hilverda. The girl in the photo is Nick and Judy's daughter, Jenny.A coloured photograph shows a lady, wearing an apron, standing behind a display case full of cakes. There are wire baskets hanging from the wall in the background and another display case to the left of the picture.union road, surrey hills, businesses, cake shop, pastry shop, shopkeepers, anne's pantry, (mr) nick hilverda, (mrs) judy hilverda, (miss) jenny hilverda -
Mont De Lancey
Leisure object - Doll
A peg doll made from five pegs with a wooden painted face. The doll has black woollen hair ringlets, a pink cotton dress and hat with a white apron and white pantaloons. peg dolls, dolls -
Linton and District Historical Society Inc
Photograph, Mrs. James Nelson
Black and white copy of original photograph showing a n older woman leaning on a verandah rail, wearing a spotted dress and dark apron. Her greying hair is pulled back into a bun.mrs james nelson (nee priscilla gribble) 1869-1941 -
City of Kingston
Photograph - Black and white, Red Cross Workers Bentleigh, 1915
Red Cross Workers in Bentleigh are preparing stretchers and other convalescent aids for fighting men overseas. In the background wooden crutches are leaning against the shed wall and beach chairs are being repurposed in the front of the image.Black and white image of a group of eight men standing in front of a shed with several of the men wearing work aprons suggesting manual labour with crutches leaning against the shed and beach chairsHand written in red ink enclosed in a circle: A18 / 70%community, world war i, first world war, wwi, manual labour, repurposing, red cross, crutches, bentleigh -
Lakes Entrance Historical Society
Photograph, Miss Winifred Hehir and Mr. Thomas John Hehir, 1945
dressed in well worn suit, hat on head, Winifred with an apron over her dress and cardigan taken at back of family home next to KiaOra Guesthouse Lakes Entrance VictoriaBlack and white photograph of Miss Winifred Hehir and her brother Mr. Thomas John Hehir genealogy, social history -
Bendigo Historical Society Inc.
Textile - MASONIC APRON - CARL MUELLER
White leather Masonic Apron with pale blue ribbon border and a blue rosette in each corner. White leather flap at the top with blue border and a pale blue rosette. On each side of the flap is a ribbon with 7 metal spring like pieces coming from a number of small pieces on an angle. The back is line with blue silk. An elastic apron string with a metal hook in the shape of two entwined serpents? .The hook hooks into a catch on the other side.organization, club / society, masonic apron, masonic apron, carl mueller -
Bright & District Historical Society operating the Bright Museum
Apron, Ceremonial
Ceremonial apron, made of chamois, small trimmed with black silk and stamp of Manchester Unity of the Independent Order of Oddfellows. Cream bias ties for waist. Dark brown cotton material on reverse side.Stamp of the Manchester Unity of Independent Order of Oddfellows.apron, leather, machester unity of independent order of oddfellows, chamois -
Flagstaff Hill Maritime Museum and Village
Clothing - Riding Habit, Skirt, 1920s
The Manifolds were a significant pioneering pastoral family in Western Victoria. The donated riding skirt originally belonged to Mrs Edward Manifold, formally Beatrice Mary Synnot Anderson. Beatrice was Edward Manifold’s cousin once removed whom he married in 1900. Edward, the son of John Manifold, was born on 15 November 1868 and educated at Geelong and Melbourne Grammar schools and at Trinity Hall, Cambridge (B.A., 1891). He chose the Danedite portion of land at Purrumbete, and on the death of his bachelor brother Thomas Peter (1863-1895), after a hunting accident, he took over his allocation, Wiridgil. He also owned Boortkoi, near Hexham and on these properties, he ran merino sheep, a Lincoln stud which dated back to 1870, and Shorthorn cattle. 3000 acres were also leased to dairy farmers. Edward was a member of Hampden Shire Council in 1909-31 and three times president at Camperdown. The town was largely bordered by Manifold land and partly dependent upon the local pastoral dynasties, which benefited the local area from the families’ various business interests. Though an offer to build public baths to commemorate the Queen Victoria Jubilee in 1897 was not proceeded with, the town acquired a hospital, a reserve on Mount Leura, a clock tower and a cricket pavilion, as well as notable donations from the Manifolds to St Paul's Church and the grammar school. Edward was a keen polo player and racing man. He was also a successful owner of steeplechasers and a committeeman of the Victoria Racing Club for many years. He was also a member of many Western District racing clubs. On the 16 July 1900, Edward had married his sixteen-year-old cousin Beatrice Mary Synnot Anderson by whom he had three sons Thomas Peter, Andrew and Robert Edward Manifold. Edwards's estate at his death was valued for probate at nearly £500,000. Edward died following an operation on 14 February 1931 at a private hospital in Yarra Vale Melbourne. Beatrice passed away in 1954, aged 79 in Ballarat where she was born in 1874. Contextual historic Family background: The Manifold brothers Thomas (1809-1875), John (1811-1877) and Peter (1817-1885) were the fourth, fifth and sixth sons of William Manifold and Mary, nee Barnes, of Courthouse Farm, Bromborough, Cheshire, England. The family had decided to emigrate to Van Diemen's Land. Thomas was sent ahead, arriving in Hobart Town on 23rd January 1828 with £1500 and a letter of recommendation from the Colonial Office. Thomas acquired 1280 acres on the west bank of the Tamar River. John and Peter, with their parents and three sisters, arrived on 8th July 1831. Land grants by then had finished but William brought ninety acres next to his son Thomas’ land and on the combined properties the family built Kelso House. The Manifolds’ properties were comparatively poor and when news of the Port Phillip District, in Victoria reached Thomas, he lost no time in coming to see for himself in February 1836. He was impressed with what he saw and hurried back to Tasmania to buy lambs and ewes. With one of his brothers, on July 9th he landed his stores at Point Henry and proceeded to occupy both sides of the Moorabool River. Thomas, at the end of the year, returned to Tasmania and left Peter and John to run the new property. Thomas, however, returned to Victoria for several visits and on one of these visits he, along with his brothers, examined the country near Ballarat. In December 1838 they managed to penetrate the Stony Rises, and Peter and John reached Lake Purrumbete and the Mount Leura country. During this time, on 4th July 1838, Thomas married Jane Elizabeth, eldest daughter of Captain Walter Synnot, formerly of Ballinate, County Armagh, Ireland, and then of Van Diemen's Land. Thomas joined his brothers, and they occupied the Purrumbete run in January 1839. On the journey to Purrumbete they could not take their stock and drays through the Stony Rises, so went north of Lake Corangamite, to the neck of land between it and Lake Gnarpurt. By April the move from Moorabool area was complete. As yet they had no hut and were working day and night, but their delight in their new run was unbounded. John wrote to his mother: “We are at last got to the land we wished for it is a beautiful place, and cannot be surpassed by any I have ever seen”. The three brothers occupied Purrumbete together, breeding both sheep and cattle until Thomas went to Grassmere run on the Merri River near Warrnambool in 1844. John and Peter soon gave up breeding sheep but retained the well-known '3M' brand for the cattle. These were Shorthorns, derived from four bulls originally imported by the Boldon brothers and later improved by further importations, and were renowned for size and quality. By the time of the gold rush in 1851, John and Peter were breeding over 1000 head a year, as well as fattening stores. The diggings at this time had disorganised Grassmere by drawing away Thomas's men, and his wife decided to take her two sons and two daughters to Europe for their education. Thomas gave up the property next year, went to England to join his family, and eventually brought the family back to live in Melbourne. At Purrumbete things were different. The brothers, John and Peter, preferred black stockmen to white, so the discovery of gold upset them very little while providing the very market they required. John was on his second visit to England when the rush started, and Peter went in his turn soon after John returned. On 2 September 1856 John married Marion Thomson, at Cormiston, Van Diemen's Land. They had four daughters and five sons, from three of whom, William Thomson, James Chester and Edward, the later generations of the family descend. Through the years the brothers had to contend with the scab, fluke and footrot, depression, rabbits, bush fires and pleuro-pneumonia. In 1861 they appointed as manager Henry Manifold Matson, their nephew, who had already been with them for five years. Thomas died in Melbourne on 7 November 1875, John at Purrumbete on 3 January 1877 and Peter at Purrumbete on 31 July 1885. Devout members of the Church of England, John and Peter, during their lives, gave generously towards building St Paul's Church, Camperdown, and guaranteed part of the vicar's stipend. Peter was a member of the Hampden and Heytesbury Roads Board from 1859 and carried on into the Hampden Shire Council when it was formed in 1864. However, it was not for public works that they were known, but for their personal example. In a new land where speculators and adventurers were all too common, the Manifold brothers were among those who intended it to be their home and their children's home. Industrious, unpretentious and hospitable, they were respected in their community as men of the highest integrity. This riding habit is a characteristic example of the type and style of riding clothes that well-dressed ladies wore in the 1920s. It highlights the changes that were beginning in society for women. Prior to 1918 ladies still had to ride side-saddle with skirts over Jodhpurs. Society of the time regarded women riding astride as unseemly and just not done. This riding habit is particularly significant on a number of levels, it shows the beginnings of change in society's attitudes through women's fashion after the First World War. A change that was to bring a start to a more liberating societal attitude towards women after the successful establishment of the Representation of People Act 1918 that gave women the right to vote. This garments provenance is linked to one of Victoria's important pioneering families the Manifolds, one of the first families that came from Van Diemen's land to settle the Western District of Victoria in 1844. Originally the garment belonged to the wife of the great-grandson of pioneer William Manifold, Edward Manifold who married Beatrice May Synnot Anderson, Edwards Cousin in 1900. The garment was made by the Mayfair tailors J. Busvine & Co. in the early to mid-1920s (estimate) who at the turn of the century were tailors to the Courts of Europe. Their clothing is highly collectible today and examples can be found in a number of significant museum collections around the world, notably the Metropolitan Museum of Art in New York and the FIDM in Los Angeles. Safety skirt/apron, part of a three-piece, side saddle riding habit tailored for Mrs Edward Manifold. This side saddle skirt is made from black woolen material fixing at the waist with two metal hooks and three buttons to the front opening. One internal concealed pocket lining to the top part of the apron made of cotton the seat is shaped for side saddle riding and the skirt wraps around the body the longer side draped over the leg that is in the stirrup. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, side saddle riding habit, side saddle safety skirt, side saddle apron, mrs edward manifold, beatrice manifold, female riding habit 1920s, shipwreck coast, flagstaff hill maritime village, great ocean road -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Vivian's Saddlery, Portland, n.d
Bert Vivian (1893-1974) was a second generation Portland saddler. His father William had operated a saddlery in Rosebery in the Victorian Mallee before relocating to Portland in the late 19th century. Bert began work as a saddler at W. H. Vivian, at 58-60 Percy Street Portland, continuing in the business after his father’s death in 1928. The exhibition includes saddlery and leatherwork tools, photographs and other items belonging to Bert Vivian.Black and white photo - Two storey bluestone building with iron verandah, wrought iron lacework. Two men in leather aprons, leaning on verandah posts. Sign on verandah roof: 'W.V. VIVIAN SADDLER'Back: 'VIVIAN' - handwritten, blue birovivians saddlery bert vivian, saddler, leatherwork -
Port Melbourne Historical & Preservation Society
Photograph - PMHPS's Back to Port, Port Melbourne Community Festival, Ann Smallpage, 24 Mar 2002
One of 3 colour photos taken by Ann Smallpage at the PMH&PS's 2002 Back to Port, PM Community Festival: United Stevedores overalls serving as entry signage for 'The Great Coverup' apron exhibition.Dated on back '23/3/02'celebrations fetes and exhibitions, port melbourne historical & preservation society, pmhps -
Whitehorse Historical Society Inc.
Leisure object - Toy Doll Chef
Chef doll on wooden stand. Wooden swivelled head on wooden body. White chef hat and apron, blue shirt, grey trousers (all made of cloth). Painted brown shoes. Painted face.Polandtoys, general -
Linton and District Historical Society Inc
Photograph, James Nicol and family outside their bakery & dwelling, Sussex Street, Linton
James Nicol is thought to have bought the bakery shop in Sussex Street in the 1860s. The photograph is undated.Black and white copy of original photograph which shows a man wearing an apron and baker's cap, and other people (mostly children) standing outside a white weatherboard building which has a shingled roof.On back: "James Nicol's Edinburgh Bakery, Linton".james nicol, bakery, bakehouse, nicol family -
Bialik College
Uniform - Student uniforms and school merchandise
Three boxes containing student uniforms and school merchandise. Various dates. Includes dresses, jumpers, hats, sports uniforms, towels, aprons, blazers etc. Please contact [email protected] to request access to these items.1980s, 1990s, 2000s, 2010s, 2020s -
Linton and District Historical Society Inc
Photograph, Ferguson Family, Newport, 1946
Black and white copy of original photograph of a group of 8 adults and 5 children standing in front of a building."1946 Newport / William John Ferguson / Margaret Fitzpatrick (nee Ferguson) / Joe Fitzpatrick / William Bentley Ferguson / Geraldine Price / Darrell Fitzpatrick / Maureen Fitzpatrick / Norah Neenan (Bending) / Mrs Spinks (Apron) neighbour / Mic"william john ferguson, margaret fitzpatrick (nee ferguson), joe fitzpatrick, william bentley ferguson, geraldine price, darrell fitzpatrick, maureen fitzpatrick, norah neenan, mrs spinks, mic -
Kew Historical Society Inc
Clothing - Cream Voile Pinafore, c. 1898-1904
... aprons ...An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Full-length decorative, spotted cream voile pinafore, designed to be worn over a full long dress. The pinafore has ruffled shoulder straps and a band of ruffle above the hem. This is one of two pinafores in the Weir Collection. This example, in contrast to the other pinafore, includes a small bodice.pinafores, women's clothing, edith mary weir, weir collection, aprons, protective wear -
Kew Historical Society Inc
Clothing - Cream Voile Pinafore, c. 1898-1904
... aprons ...An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Full-length decorative, spotted cream voile pinafore, designed to be worn over a full long dress. The pinafore has ruffled shoulder straps. This is one of two pinafores in the Weir Collection. This example, in contrast to the other pinafore, does not include a bodice.pinafores, weir collection, edith mary weir, women's clothing, aprons, protective wear -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Bluestone Building, n.d
Black and white photo postcard. Two storey bluestone building with iron verandah, wrought iron lacework. Two men in leather aprons, leaning on verandah posts. Sign on verandah roof: 'W.V. VIVIAN SADDLER' -
Rutherglen Historical Society
Image, c1890
Place and date of the photo unknown - maybe Millthorpe'sBlack and white photograph of a four women, two wearing aprons, a team of bullocks hauling a cart of wine barrels. There is one man standing on the cart, and one standing next to the bullocks, with a long pole for controlling them. bullocks, millthorpe, wine industry, agriculture -
Bendigo Historical Society Inc.
Photograph - RANDALL COLLECTION: E.W.HANDS , BUTCHERS & POULTERER
Photograph Copy, E.W.Hands, Butcher & Poulterer, Refrigerating Chambers on the Premises, Corner of Forest & Barnard Sts., Bendigo.This is a two story building. Seven Men dressed in butcher's aprons at front of building and some children in background.photograph, streetscape, bendigo