B&w illustrations, b&w photographs, word listswiradjuri

B&w illustrations, b&w photographs, word listswiradjuri

Language is power. It is used to describe and direct events fictional and true. This book describes how historians have manufactured a flattering Australian race relations history. Conned! challenges established perceptions of Indigenous Australians.maps, b&w illustrations, b&w photographs, chartsaboriginal languages association, atsic, education, electoral system, moravian

Reproductions of various transactions and reports dealing with the surveying history of Port Phillip, including letters, maps, illustrations, tables, and a detailed history of the surveying of Victoria.maps, b&w illustrations, b&w photographs, tablesvictorian history, port phillip, robert hoddle, monee monee creek, geelong, barwon river, werribee river

The early settlers of Victoria depended on horse drawn vehicles to farm, make roads and railways, deliver produce and transport people. Horse harnesses were an important requisite for all drivers and could be found wherever there were working horses. Horse Harnesses have played an essential role in different cultures throughout history. Simple, utilitarian horse harnesses made of leather straps and iron rings were being used in early China before AD 500 as well as ancient Greece and Rome, allowing horses to pull chariots and ploughs. The Greeks and Romans were the first to use a "horse collar" which distributed the weight of the harness evenly across the horse's chest rather than relying on a "throat harness" that could damage a horse's throat or choke them. During the medieval period, European horse harnesses became more elaborate and decorative. Variations of different horse harnesses were also found in Native American and Middle Eastern cultures. Horse Harnesses usually have four basic components which include - 1. Communication - the bridle, bit and reins allows the driver to communicate instructions and commands to the horse, guiding its movement and direction. 2. Draft - the collar, hame straps, hames, traces and chains enables the horse to draw and pull the load efficiently by distributing the weight and transferring the pulling force to the vehicle. 3. Stopping - the breeching band, pole straps and breast strap helps to control or stabilise the horse and vehicle when moving downhill or stopping. 4. Support - the back pad, backband, belly band and back saddle keep the harness in the correct position and proper alignment. This show harness was used by Mr. Andy Bourke when showing his Clydesdales at shows or demonstrations. Although a more modern example with decorative embellishments, it still has many essential components traditionally found in an everyday working horse harness. The original purpose of the "housen" for example, was to run rain or drizzle off the horse's neck when they had to work in wet conditions - it was laid flat for this purpose on the top of the collar. Nowadays it is purely for show and is often used to advertise a business or stud. Horse brasses and fly terrets were fastened to various parts of a horse's harness. In the early days they probably began as amulets to ward off evil and to bring good luck and continued to be used as a festive decoration. The heyday of horse brasses was between the years 1851 and 1900. Horse brasses are fastened to various parts of the harness with many of their designs being symbolic. The ornamentation on this harness (although not authentic horse brasses) are based on the horse brasses that were popular in the 19th century. This horse harness is a significant example of the equipment that was needed wherever heavy horses were being used - particularly in the early years of Victoria's settlement by white settlers. Harnesses such as this example were used with stage coaches, drays, farming equipment, delivery carts and personal transportation.A leather and metal horse harness used when showing a Clydesdale (or other breed of heavy horse). It is made up of a number of components. 1. Decorative leather cart saddle with two large cloth pads underneath (which have a scalloped leather and stud border), a raised leather pommel and a silver and red coloured metal back strap holder across the top. It has two symmetrical sets of ornamentation (silver hearts and circles) in the front and a wide strap or girth (with a maker's stamp reading "R. Mitchell Saddler") and buckle which attaches the saddle to the horse. 2. Pair of steel hames which are gently curved (to fit on a horse collar) and are topped with steel knobs. They have several steel rings and lugs (to hold straps and chains) and a "Made in England Warranted Steel" stamp. 3. Breeching harness which consists of a number of leather straps, chains and metal rings including a wide padded leather strap with a scalloped edge that sits on the back of the horse and a thick leather strap that goes around the hind quarters of a horse which is joined to the back strap with four shorter vertical straps and buckles. These straps feature silver and red patent leather trim and silver heart shaped ornamentation. The strap also features the maker's stamp of "R. Mitchell". 4. Decorative leather bridle with blinkers featuring the same silver and red patent leather trim on the cheek piece, brow band and throatlatch. It has a stainless steel "Liverpool Driving Bit" with a curb chain, a variety of decorative silver ornaments (rosettes, diamonds plus a heart and two circles) on each end of the forehead band, dropper and strap as well as a silver metal bell (sometimes known as a "fly terret" or "swinger") that sits on the headpiece of the bridle. 5. Leather "violin shaped" dropper (or hanger) with two silver rosette shaped ornaments and a stainless steel clip on the top 6. Stainless steel "Liverpool Driving Bit" with a straight mouthpiece which is ribbed on one side. It has three rein spots (spaces) and a curb chain. 7. Leather arch shaped "Housen" covered in black and red patent leather and decorated with silver studs (some spelling out F H) and bordered with a red fringe. It has a leather strap at the back and two leather loops on the front. 8. Leather padded backband (Australian style "Stallion Draught Roller") decorated with two groups of nine metal "horse brasses" or harness ornaments displaying horseshoe, starburst and horse head designs on blue, red and white striped webbing. The backband has three notched straps at each end, a buckle near the centre and the initial B stamped in two places underneath. 9. Bellyband made of leather and red, white and blue striped webbing. It has a set of three buckles at each end (which correspond with the notched straps of the backband). 10. Wide, thick leather strap which has a buckle and notches at each end. It also has the maker's stamp of "R. Mitchell Saddler". 11.One pair of long leather traces - each with a buckle and notched loop at one end, decorated with a small silver diamond shaped harness ornament. 12. Length of stainless steel heavy duty chain with two swivel connectors.Saddle - "R.MITCHELL / SADDLER" Hames - "MADE IN ENGLAND / WARRANTED / STEEL" "MADE IN ENGLAND / WARRANTED / unclear" Breeching Straps - "R. MITCHELL / MAKER / R. MITCHELL MAKER" Housen - "F H" Backband "B / B' Wide leather strap - "R. MITCHELL / SADDLER"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, harness, horse harness, show harness, clydesdale horses, andy bourke, horse drawn cart, housen, bridle, hames, breeching straps, dropper, bit, liverpool bit, backband, harness ornamentation, bellyband, back saddle, fly terret

Bruce & Sons Clear Glass Stoppered Bottle. Diameter 6 cm x Height 25cm. A Central Join Is Apparent Along Bottle's Length. On The Front of The Bottle Is A Moulded Label With The Words ''W. BRUCE & SONS, Registered B;B Trademark Lemonade Bendigo.'' On The Back of The Bottle Is The Moulded Statement ''This Bottle Cannot Be Sold Or Used By Any Other Person'' appears. On The Base of The Bottle is a Capital M.''W. BRUCE & SONS'' ''Trademark B.B.'' ''M''food technology, bottling, softdrink bottle

[a] Printed Official Return of the Year Ended 31st December 1904 under Income Tax Schedule C,Name of Company used Initials C,B,V, B,C Ltd. [b] Included both sides on printed Cohns Victoria Brewery notepaper a list of handwritten notes and figures pertaining to that financial year.bendigo, industry, cohn bros brewery

The image was reproduced in the 1954 Ballarat School of Mines Students' Magazine. The team coach and umpire was E.J. Barker. Photograph of the members of the Ballarat School of Mines Baseball Team in uniform and holding bats. Back row L-R: A. Johnson, B. Taylor, B. Matthews, R. Dunlop, B. McLennan. Front Row L-R: William Saggers, G. Ditchfield, J. Watts, M. Gillinballarat school of mines, jack barker, ej barker, baseball, williams saggers, e.j. barker, murray gillin

It is noted in the Reynolds Prior collection (Ivy Reynolds) as the first bridge in Eltham however given the current state of knowledge, this is considered unlikely and there is no other supporting source. John Hunter Langlands, owner of the farm known as ‘Ihurst’ on the west side of Diamond Creek to the south of John Wright Murray’s land, died in 1907. In 1909 his land was subdivided into 100 lots to become the ‘Glen Park Estate’. It is possible that the bidge may have crossed the Diamond Creek to Langland's land along the original alignment of Glen Park Road which used to run between present day Progress Road and Coleman Crescent. SEPP Source (c.1970): Mrs. E.R. Reynolds, Thompson Crescent, Research The Reynolds family were early settlers in Research. The Reynolds/ Prior collection of photographs were taken by Tom Prior, the maternal uncle of Ivy Reynolds, around 1900 and the 60 photos in the album give a fine overview of many of the landmarks of Research and Eltham over 100 years ago. lvy lived in the family home for many years at 106 Thompson Cres Research. Ivy's father, Ernst Richard Reynolds and grandfather, Richard Reynolds, lived at the same address. Ivy's father Richard worked for Mr. Trail on his property in Research. Reynolds Road is named after the family. Mr Tom Prior (wife Eva) worked at the Melbourne zoo. He was very innovative and made his own camera, using the black cloth hood to exclude the light. The photographs are a reminder of the rural nature of Research and Eltham and its rich heritage. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg B&W printsepp, shire of eltham pioneers photograph collection, eltham, langlands bridge, reynolds prior collection, bridge, john hunter langlands

The second St Mary's Catholic Church Eltham was located at the corner of Main Road and Henry Street, Eltham and was opened/blessed October 13, 1912. The wooden church was built to replace an earlier brick church also known as St Mary's (1865-1912), which had been situated on the main road near present day Wingrove Park. The church and land cost £1,400 (Evelyn Observer). The wooden church was destroyed by fire in 1961. This modern (1960s) style church was built to replace the destoyed St Mary's and was called Our Lady of Help Christians. By this time Henry street had been closed off from Main Road.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg B&W printsepp, shire of eltham pioneers photograph collection, eltham, roman catholic church, churches catholic, main road, george w bell collection, our lady of help christians church

The young lady in the photograph is Sophia Alice Victoria Benzley who was born on 16th December 1974 at he Gap and died in Carlton 0n 12 December 1956 at Sandringham. At the age of twenty five she married Norman henry Hallo in 1897 at Carlton. The couple had eight children. They were Hilda b. 1899, Norman 1901 - 1979, Olive 1903 - 1958, Howard b.1905, Thelma b. 1907, Leonard b. 1911, Beryl b. 1913 and Constance b. 1916. The Benzley family acquired land and settled in Sunbury in the mid 1800s. Later generations of the family lived at 7 Barkly Street opposite the former Sunbury State School and had a little shop. The Benzley family were farmers and business people who settled in Sunbury from the 1850s onwards.A sepia studio photograph with a cream border of a young lady taken in the late years of the 19th century.benzley family, sophia alice victoria benzley

maps, b&w illustrations, b&w photographs, graphs, charts

maps, b&w illustrations, b&w photographs, document reproductions

maps, b&w illustrations, b&w photographs, document reproductions

b&w photographs, b&w illustrations, document reproductions, tables

Details the coming of the white man, including explorers and squatters to the Wangaratta area, from a white perspective, written by Wendy Mitchell, and an Aboriginal perspective, written by Freddie Dowling.maps, b&w illustrations, b&w photographs, word listswangaratta, pangarang, genocide

maps, b&w illustrations, b&w photographs, colour illustrations

A comprehensive history of the Aboriginal people of the Monaro district. Written by a collection of contributors.maps, b&w photographs, b&w illustrations, document reproductions

Place names often evoke important information about features of the environment and their place in Indigenous knowledge. On the other hand, place names given by European settlers are largely arbitrary.Maps, b&w photographs, b&w illustrations, word listsplace names, wik, cape york peninsula, ngalakgan, alawa, marra, yukgul, kaurna, yuwaalaraay, yuwaaliyaay, gamilaraay, ngiyampaa

Various authors: studies of wider patterns in Aboriginal language and culture, including migration, tool exchange, and particularly the role of linguistic evidence in establishing historical connections between Australian tribes as well as further afield in the Australasian region.B&w illustrations, b&w photographs, maps, word listsanthropological linguistics

maps, word lists, b&w illustrations, b&w photographs

Contextualizing Native American LPP: legal-political, demographic and sociolinguistic foundations; conceptualizing Native American LPP: critical sociocultural foundations; Native American languages 1492-2012; Indigenous literacies, bilingual education and community empowerment: Navajo case study; language regenesis in practice; language in the lives of Indigenous youth; planning language for the Seventh GenerationMaps, b&w illustrations, b&w photographs, colour photographslanguage planning, language policy, native american languages, language standardisation, language restriction

Includes index. Bibliography. For secondary school students.B&w illustrations, b&w photographs, maps, word listsgamilaraay, yuwaalaraay