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Flagstaff Hill Maritime Museum and Village
Container - Bottle, Pre 1974
Phenyle has been used for decades as a cleaner and disinfectant. It is well know for its use for cleaning outdoor toilets and easily identified by its strong odour. The brown glass bottle is immediately recognised as containing a poison. We've all seen them in a hundred different mystery movie scenes. The medicine cabinet opens and there, sitting on a shelf, is the incriminating object -- the ominous dark bottle with the skull and crossbones on the label. In off-screen reality, however, poison bottles have quite a different identity -- they are distinctive, varied, colorful -- and definitely collectible. Obviously, the one thing that sets the poison bottle apart from all other bottles is the need for prominent and immediate identification as a receptacle for toxic material, and this was achieved in a number of ways, including shape, color, embossing and labeling. Poisons were commonly found in the home for the purpose of controlling rodents and other pests, and were sold by grocers and druggists. For consumer protection, as far back as 1829, New York State made mandatory the marking of the bottles with the word "poison" in large letters. Then, in the middle of the 19th century, the American Pharmaceutical Association recommended legislation regarding identification of all poison bottles. In 1872 the American Medical Association also made recommendations -- namely that poison bottles be made of colored glass, and also have a rough surface on one side -- making them identifiable even in the dark -- and the word "poison" visible on the other (the skull and crossbones wasn't quite as ubiquitous as those movies led us to believe). However, passing these laws was not easy, and the manufacturers were essentially left to do as they wished. For collectors, the high point of poison bottle manufacturing was the period ranging roughly from the 1870s to the 1930s. At that time some, of the bottles were distinguished by particularly bright colors, such as cobalt blue (the most common) and emerald green. Others, particularly rare and collectible, had unusual -- and appropriate -- shapes, including skulls, leg bones and coffins. In order to better identify these lethal vessels by feel (not forgetting that there were many people in this period who could not read) when groping for them in the dark, they had such elaborate tactile patterns as quilted diamonds, lattices, hobnails and prominent vertical or horizontal ribbing, as well as spiky knobs and ridges. In addition, many had sharp points on top for the same precautionary purpose. Further efforts to distinguish poison bottles from others included uncommon multisided and triangular shapes, and unusual, hard-to-open tops, the predecessors of the modern child-proof openings. https://www.southcoasttoday.com/story/lifestyle/2001/08/19/poison-bottles-steeped-in-history/50352280007/The recognition and awareness of bottles containing poisonpous substances is extremely important for safety reasons.Bottle, brown glass, diamond shaped. "Bright Star" phenyle. Paper label attached, but peeling off and badly damaged. Corked with contents. Text moulded into glass, some with a border of stars. Poisonous contents, not to be taken. Registered Number 2140. Volume is 20 fluid ounces. Printed label "Bright Star". Text is moulded in the glass in raised lettering: "PHENYLE" outlined and decorated with star border. "POISONOUS", "NOT TO BE TAKEN" "V / DM / A" within oval, "REGD NO. 2140" (D and O are smaller and underlined) . Base is marked "F190".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bright star, phenyl, cleaning and disinfecting chemical, poison, bottles -
Stawell Historical Society Inc
Book, The Stawell Uniting Church Evening Fellowship - A Long Heritage 103 Years, 1999
History of the Evening fellowship of the ChurchesWhite card cover with double green border and Green text inside border.Underlined Text:. The Stawell Uniting Church Evening Fellowship - A Long Heritage 103 Years. (Divide) (Text Not Underlined) The Uniting Church Evening Fellowship 1977-2017 The Presbyterian Evening Guild 1951-1976 The Metodist Evening Guild 1914 -1976stawell religion -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
White singlw card with Gold border on three sides and a white border. Beside the white border is a pink/yellow weaved area which extends slightly to the other 3 borders. There is abunch of 3 daffodils and leaves leaning on a blue border. In the bottom right corner is 'With best Wishes' printed in gold.person, greeting cards, malone collection, malone collection, greeting cards -
University of Melbourne, Burnley Campus Archives
Photograph, James Leslie Provan, Burnley 1942 Album Page 1, 1942
Border of Hydrangeashydrangeas, flowers, burnley, 1942, j.l. provan -
University of Melbourne, Burnley Campus Archives
Photograph, James Leslie Provan, Burnley 1942 Album Page 1, 1942
Border of Hydrangeashydrangeas, flowers, burnley, 1942, j.l. provan -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 81, 1947
Herbaceous Borderherbaceous border, e. m. gibson collection -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 81, 1947
Herbaceous Borderherbaceous border, e. m. gibson collection -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Series 2.18, 1942
Series 2: September 1 1942Orchard Border.orchards, james leslie provan, j.l. provan -
University of Melbourne, Burnley Campus Archives
Photograph, James Leslie Provan, Burnley 1942 Album Page 2, 1942-1943
Orchard Border.orchards, burnley, 1942, j.l. provan -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Series 1.13, 1942
Series 1: March-April 1942Orchard Border.orchard, borders, james leslie provan, j.l. provan -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Series 1.14, 1942
Series 1: March-April 1942Orchard Border.orchard, borders, james leslie provan, j.l. provan -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Hat Badge
The Border Regimentbadge/buttons, ww1, army -
Kew Historical Society Inc
Decorative object - Velvet mantel hanging embroidered with chenille thread, c. 1890
Variably described as mantel hangings, pelmets or valances, these became a common form of Victorian interior decoration in the second half of the 19th century. The hanging uses arrasene embroidery which was introduced for artistic embroidery c.1883. Arrasene embroidery was a variation of chenille embroidery and was mainly used for curtain borders, mantel hangings and screens. When used to embroider flowers on velvet or plush, it was sewn upon the surface without being ‘drawn through’. Madonna lilies, irises, daffodils and narcissi were commonly used in designs of mantel hangings.Velvet mantel hanging embroidered with chenille thread. The scalloped edge of the pelmet is bordered by multicoloured silk cording. This example was owned by Netty Cornish of 15 Peel Street, Kew, and donated by her daughter, Mrs F Plumridge in 1980. The embroidered flowers in this example include narcissi and roses.mantel pelmet, peel street, kew, nettie cornish, mary plumridge -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour, n.d
Port Of Portland Authority ArchivesFront: Border ruled in Pencil '23 1/2 cms' topborder, '52' 917 in enclosed area. All in pencil. Back: Border ruled in pencil. '23.5 cms' top border, '52' 917 in enclosed area. All in Pencilport of portland archives, harbour construction, wharf, battery point -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Bentinck St, Portland Victoria, c. 1920
Possibly from Bowerbird MuseumBlack and white photograph of Bentinck Street in Portland looking south towards the Gordon Hotel.Front: 'Bentinck Street Portland' - printed lower border -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Henty Beach, Portland, Victoria, 1920s
Possibly from Bowerbird MuseumBlack and white photo of Henty Beach, showing beach, railway, pier, baths. Cars on beach in foregroundFront: 'The beach Portland' black print lower borderhenty beach -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour, n.d
Port of Portland Authority ArchivesBack: Border ruled in pencil Top border '(22) in pencil Bottom border '28 ems x 20 1/2 ems' in pencil Centre - '57% ' in pencil '27 3/4 x 20 1/4'' in blue pencilport of portland archives -
Coal Creek Community Park & Museum
Golden Orange Cordial
turnable cork lid black bordered label with orange inside the border. Black writing reads Golden Orange Trade mark symbol in the top right within the borderMarchant & Co Soft Drinks Golden Orange A fresh Fruit Drink Trade Mark Rego Australia The Property of Marchant & Co Its use by others is Illegal Wak Grade -
Flagstaff Hill Maritime Museum and Village
Domestic object - Plate, Johnson Bros, Early 20th century
This white oval plate with a dainty green border and self-pattern was made by the famous ceramics manufacturer Johnson Brothers of England. The pattern was patented on April 15th 1902. The serving plate is typical of dinnerware brought into Australia by migrants or importers of pottery and used in Australian households, giving many years of service. The Johnson Brothers firm was established by Frederick Johnson in 1883, at works in Hanley, Stoke-on-Trent. Frederick was later joined by his brothers Henry and Robert. The company's focus was to supply the export market. In 1968 the company became part of the Wedgewood Group. J. & G. Meakin Eagle Pottery temporarily took over the tableware division in 2000, and China took over all Johnson Bros. products in 2003. All of the Wedgewood Group was taken over by Fiskers in 2015, who discontinued the Johnson Brothers line of products. This serving plate is an example of domestic crockery used in Australia in the late 19th and early 20th centuries. It originated from England and was made by a well-known ceramic manufacturer.Plate, oval, earthenware, scalloped edge with impressed pattern and border of small green leaves. Maker's mark and name is on reverse. Pattern was patented on April 15th 1902. Made by Johnson Bros. of England.Maker's Mark; [Crown symbol] above "JOHNSON BROS, ENGLAND" "PATD APRIL 15TH 1902"flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, dinnerware, serving plate, johnson bros, english serving plate, green leaf border, oval plate, platter, chinaware, plateware, crockery, chine, porcelain, earthenware -
Whitehorse Historical Society Inc.
Clothing - Collar
Cream net collar with two borders of lace and two borders of lace crosswise at points of the collar.costume accessories, collar accessories, female, costume -
Flagstaff Hill Maritime Museum and Village
Domestic object - Dressing table tray, Mid 20th century
Dressing tables (also known as Vanity Tables in the U.S.A.) have been around since the beginning of the seventeenth century, however it wasn't until the early to mid 20th century that they began to be found in the homes of the middle class and they were often a matching part of a bedroom suite. Dressing tables often featured a variety of objects such as combs, brushes, hand mirrors, perfume bottles, cosmetics, nail buffers, ring holders, jewellery and trinket boxes and trays. The origins of this tray are unknown however its design is reminiscent of trays (and Dressing Table Sets) produced by two English firms in the mid 20th century - "Delina" and "Regent of London". A paper (written by the Warwickshire Industrial Archeology Society) notes that the products items produced by "Regent of London" in the 1940's "satisfied a demand for previously unattainable items, offered to the general public aching for change after wartime privations, post war austerity and years of having to 'make do and mend'." This tray is composed of several decorative elements and materials. The metal border is gilt brass with two filigree bow handles, the main part of the tray is two pieces of circular glass and the encased doily is a mix of embroidered net and petit point. It was suggested in the paper written by the Warwickshire Industrial Archeological Society that the different pieces would have probably been produced elsewhere and brought to the factory to be assembled into the finished product. This vanity or dressing table tray is significant as it is a rare example of an accessory available to and used by women in the mid 20th century. It is also significant as an example of an everyday household item which would have been a valued possession and was made in a style that reflected the importance placed on it to be decorative as well as functional.Round footed dressing table tray with a gilt brass border, filigree bow handles and an embroidered net and petit point doily encased in glass. The gilt border is decorated with a stylized leaf design on the side and a floral design on the top. The petit point embroidery in the center is of five flowers in pink, mauve and yellow surrounded by buds and leaves.vanity tray, dressing table tray, glass tray, gilt brass, petit point, embroidery, net embroidery, doily, filigree, brass tray, flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, domestic object, dressing table -
Warrnambool and District Historical Society Inc.
Document - Illuminated Address Gideon Nicol, 2014
Gideon Nicol (1836-1908) was a seaman who came to Warrnambool in 1858. In 1865 he selected land at Mount Warrnambool . He was one of the founders of the Farnham Cheese and Butter Factory and the Garvoc Cheese and Butter Factory and was a Shire Councillor from 1879 to 1906. These items will be useful to include in the Gideon Nicol file.These are scans of two pages from a book and an illuminated manuscript. One page is red with an ornate border and the other is blackish with an ornate border. The illuminated address is multi-coloured with an ornate border‘Gideon Nicol, July 16th 1906’; ‘G.N.’warrnambool, gideon nicol, illuminated address, warrnambool shire, garvoc butter and cheese company -
University of Melbourne, Burnley Campus Archives
Photograph, James Leslie Provan, Burnley 1942 Album Page 2, 1942-1943
Hilda Kirkhope Border.hilda kirkhope, burnley, 1942, j.l. provan, students -
Australian Lace Guild - Victorian Branch
Textile - Milanese or Flemish lace, 1680-1720
Use: Domestic. Household trimmingBobbin lace border -
Australian Lace Guild - Victorian Branch
Textile - Brussels Point de Gaze, Late 19th or early 20th century
Fine needle lace use as costume trimming. The detail image shows typical tiered rose petals.Needle lace border -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour, n.d
Port of Portland Authority ArchivesFront: Border ruled in red biro. Back: Border ruled in pencil. 51cms wide x 27 ½ cms deep. (Front cover) harb024 / all in pencil.port of portland archives, k s anderson wharf -
Ballarat Clarendon College
Leather coin purse
Coin purse possibly the property of Marion Boyd Wanliss (1896 - 1984), daughter of old collegian Newton Wanliss or Newton's second wife, Margaret Hannah Bannister. . Marion Wanliss attended the University of Melbourne (MB BS 1920; MD 1929); after research into cancer as a postgraduate in Vienna, she practised as a physician at the Queen Victoria Memorial Hospital. She was also a prominent conservationist. Leather coin purse envelope style with metal fixtures; shield shaped clasp at front; three sections of concertina design. Engraved on metal border of purse flap: M Wanliss, Ballaratmarion-wanliss, newton-wanliss -
University of Melbourne, Burnley Campus Archives
Slide, A. Pout, C78 (2), 1949
The Mabs Younger Slide Collection is made of 20 envelopes containing 24 35mm Kodachrome colour slides. The photographs were taken in December 1949. Photographer A. Pout - Burnley School, W. Pattinson - Melbourne Conserc. C102 1 & 2, A. Pout - Botanical Gardens C99. Labelled and typed list. The collection was donated to the Archives by Mabs Younger on the 16 November 1990.3 copies2 border Japanese Hydrangea C94-1, 94-4.mabs younger, slide collection, a. pout, kodachrome, burnley school, w. pattinson, botanical gardens, hydrangea, flowers -
Robin Boyd Foundation
Slide, Robin Boyd, 1950
Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Stressa, ItalyItaly / Stresa / Nosa Sressa Border / Up (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide -
Melbourne Legacy
Book, Numurkah Nathalia Legacy Group History 1949- 2004 and on, 2004
A detailed history of the Numurkah/Nathalia Legacy. Part of Melbourne Legacy. This publication gives an account of the people involved, fund raising activities, camps and holidays, wood drives and much more. A fascinating account of a small group of Legatees and their endeavours to help Legacy widows and families.Significant in that the story of this Legacy group was typical of many small country legacy groups.Clear front cover showing title underneath in black lettering. Spine and back thin cardboard, black pattern design. Pages white A4.Legacy logo in black, title in black print, grey border.branches, history