A pair of small round bronze coloured metal cuff links or studs. There is a gold coloured circle inset on each.studs cufflinks accessories jewellery

English SAS Sniper glovesKhaki green coloured gloves with brown leather palm side covering. Khaki dark green knitted cuff sas

Part of the collection of Dr Frank Forster.Pessary. Consists of a hollow stem with a rounded flange at one end. At the end of the stem is a small ridge with a round 'cuff'.pessary, intrauterine device

In August 1940, 13th Light Horse (Gippsland) converted from horse to mechanised initially as 13th Motor Regiment then 13th Armoured Regiment. Trained in Victoria and as the Japanese threat to the mainland declined the regiment was disbanded in October 1943. It is likely these fashion items were made after the war and worn by a member of the regimental association.A fine example and in excellent condition of regimental memorabilia intended to identify a former member of a World War II armoured regiment.Gilt tie bar and pair of matching cuff links with enamel colour patch of the 13th Armoured Regiment AIF. 13th armoured regiment, fashion

Belonged to Mrs. Ada CookOne pair white/cream kid leather, gauntlet-style gloves, with a 1 cm. fringed edge to cuff.gauntlet gloves, gloves

Western fashion in the 1890s saw women's capes become an item of fashionable choice as they fell gracefully over an expansive sleeve. Capes often had a high neck, and were frequently trimmed with jet passementerie and fur. This capelet has a fashionable dog-collar neckline which became fashionable from c.1895, lasting as a style to c.1905. The capelet was probably part of a mourning ensemble.The capelet originally belonged to Catherine Francis Ellen Gulliver (nee Wells) who was born in Ballarat in 1874. The item was passed by descent to her daughter Catherine Francis Helen Taylor (nee Gulliver) [born 1896], and then to her granddaughter, Doris Catherine Kriesfield (nee Taylor) [1922-2015]. Victorian-era capelet, designed to cover the shoulders, and ornamented with shamrocks outlined in jet passementerie. The capelet has a dog-collar neck, that is lined with leather. The original lace, forms a wide border edging the satin. The front of the capelet has large hooks and eyes.fashion design, women's clothing, outerwear, capes, capelets, fashion -- 1890s -- 1900s, mourning wear, catherine francis ellen gulliver, doris catherine kriesfield

This lady's jacket and vest has been made early in the 20th century and worn at formal occasions such as family celebrations, receptions etc.This garment is a fine example of a lady's jacket, made about 100 years ago and could have part of some one's mourning attire. It is a display item.This is a lady's fitted jacket made of black satin with a vest. There is satin brocade on the front sides of the jacket. The jacket has a peplum waist at the back and cuffed long sleeves edged with lace. There are hooks and eyes on the front to allow the jacket to be closed. The vest is made of fine black lace over a cream insert at the front. An added feature is a white lace collar with a black ribbon tie. vintage women's clothing, warrnambool history

Items in the collection re: "William Anthony (Bill) THEODORE DSM". Refer Cat. No. 7926P for his service record.1. Jumper part of winter ceremonial uniform worn by Recruit to Leading Seaman ranks RAN. Also known as a "Barathea" or jumper. Black colour wool fabric with square collar, V shaped front openings, long sleeves with cuffs and two dark blue colour plastic buttons. One good conduct stripe on left sleeve. Rid ribbon on black fabric. White cotton fabric manufacturers label. 2. Bow attached at bottom of front V - navy blue cotton tape. known as a "bow". Manufacturers Information - black thread embroidery "ESQUIRE PTY LTD / 1940/ size" Owners stamp on underside of Collars - white ink stamp "W. A. Theodore"uniform, ran, ww2, william a theodore

Collar of cream silk lace with flower pattern on each collar point.costume accessories, collar accessories, handcrafts, lacemaking

The coat along with matching hat and dress ensemble was made in 1980 at the Deniliquin TAFE 'Garment Assembly' course which was 2 years in duration. Mrs Sayer was always crafty but not great at other subjects. Coat is lined with a petticoat which Mrs Sayer wore in 1958. The seal fur collar was purchased by Mrs Sayer's mother at the shop 'Manly Corso' in Sydney, after WW1 with money from her father.Light brown wool coat with seal fur collar attached. Lined with red fabric from the petticoat of a taffeta and lace dress that was worn by Mrs Sayer in 1958. Wooden buttons down coat and on sleeves. Coat has been handmade and has no label.coat, wool, fur, fashion

Unknown donor, this item was typically worn by Army personnel for day to day duties at Base and workshops etcA day to day typical item of clothing worn by some Army personnel for their duties.Green cotton overalls. 410 mm shoulder width, 1143.5 mm length, 53 mm arm length-top of shoulder to arm end.,48mm waist width, 73.5mm leg length,62mm zip front from collar to waist., 39.5 mm collar with 75mm width.5mm sleeve cuff width., 45mm width for leg cuff. 16 mm zip length for all 4 pockets. Two pockets vertical from waist line-22.5 mm from middle of waist. Top two pockets with zip sloping from shoulder down towards centre of chest.Top of zip 11.5mm from shoulder with bottom of zip 23.5mm from shoulder. The pocket finishes at waist line-15mm from waist to lower zip position. Cloth hanger 7 by 25mm sewn on inside neck. Four pleats at lower back of coveralls.Green tag on neck: “A.G.C.F. VICTORIA 1985 ARROW SIGN SIZE 85-90SH 8405.66.060.4199 SERVICE NO . NAME............................ “ One other tag below first tag. The second tag is a tear off tag (7mm long ,8.5mm wide)made of light canvass off white colour with the following inscription within a 6.5mm width by 5.5mm deep 2mm black border “ THIS TAG IS FOR IDENTIFICATION ONLY PLEASE REMOVE BEFORE WEARING Docket No 44784/1 Order No 295024 34 Size. 85-90 SH Garment No 20273 Remarks. R 34 “ “ 29” At bottom right hand corner of white tag. army, geen

Used by Jim Waites (Shearer/Farmer), Kanyapella (Item over 100 years old?)Suede leather shearer's coat, quite marked, taupe colour, long-sleeved, with press-studs(See photo) Protector Safety Apparel on collar label sheep, shear's coat, shearing, farming, farmer, agriculture

1. This is a deep blue cotton polyester shirt. It has two breast pockets, held shut with 1 button each. It has 5 buttons to hold shirt closed. It has long sleeves with the cuff held closed with one button. It has a fairly broad collar and epaulettes of the same material. 2. This is a deep blue cotton polyester shirt. It has two breast pockets, held shut with 1 button each. It has 5 buttons to hold shirt closed. It has short sleeves. It has a fairly broad collar and epaulettes of the same material.1. Written on label is W326143 B. Williams. 2. Written on label is W326143 ACW Williams.uniforms, air force cadets

Small gold badge. Possibly a cuff link. The centre shows an eagle bust. There are banners with wording on sides, top & bottom.Banners: Top: "8TH BATTALION" Bottom: "CELER ET AUDAX" (Latin) Left: "BALLARAT", Right: "REGIMENT"numismatics-badges-military, 8th, passchendaele barracks trust

Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]Six pairs and four odd assorted cuff studs in a green plastic box with a clear lid which bears an inscription."Where are those darned studs? RIGHT HERE WITH BEST WISHES FROM"deaconess hilda foster, sunday school council of victoria, australian inland mission, deaconess hilda elizabeth foster, mother christmas, presbyterian girls' home elsternwick

One pair ladies' gauntlet-style cream, mesh-knit gloves with cream, floral applique' and embroidered trim on cuff.clothing accessories, gauntlet gloves, gloves

One pair white/cream short lace gloves, with floral lace pattern on back of hand and scalloped edge to cuff.clothing accessories, gloves

See Ref NA4362Grey hand knitted long sleeved school jumper, school colours, cream and maroon around neck and sleeve cuff.costume, children's uniform, handcrafts, knitting

Peter Ball collection, refer Cat No 4704Army issue Great Coat khaki colour, outer lining heavy duty with green light inner lining, all gold colour buttons intact and have a crown and crossed rifles on, plastic brown buttons under collar one missing, large white label sewn in on with maker, date & personal details, white card label on LH side with coat size.On collar label in black print, “David Klein PTY LTD Victoria 1967 (arrow up) Size 7 Class 8405 - 66 - 012 - 0495”, hand written on in black, “3796117 BALL PC”.clothing, great coat, army issue

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream organdie collar. Machine embroidered with flowers and leaves at the edge of the collar. Trifoils embroidered at the neck edge of the collar. The collar is divided into three panels by two embroidered lines which open into a diamond shape at the outer edgewomen's clothing, lace, collars

BHS CollectionBlack linen-like dress. Peaked collar. Front opening, fastened with five press studs. Seventeen covered buttons decorate the front opening from neck to waistline. A three point five cm wide band marks the waistline, caught at eight points.Skirt has four panels of fabric. Long set-in sleeves have a turn-back cuff, decorated with three covered buttons.

Seamans collaruniform, 1960+, ran

Seamans collaruniform, 1960+, ran

Gift to Alex Gillespie from H. L. (Harry) Richardson. Nec Tamen Consumebatur translates to "Not Yet Spent".Silver and teal blue pair of Presbyterian Church of Australia cuff links, G144.1 & G144.2 in a mustard coloured velvet box G144.3"NEC TAMEN CONSUMEBATUR"presbyterian church of australia, gillespie, alex

Worn by donor's husband Gary in the 1990sMauve male shirt. Pocket on left side and fastening down the front with six buttons, plus two buttons on sleeve cuff.Van Heusen, Full Cutcostume accessories, male

Belonged to Mrs. H.N. LordPair of round cuff links and tie stud - in black onyx edged with gold. All in white box lined with red velvet.cufflinks, clothing accessories, neckwear, studs

Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts. The brown colouring on this animal suggests that it is a young bird, with its grey adult feathers coming in. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcher Bird (likely female, based on size) has a light grey and brown bill with a sharp hook. The majority of the feathers on its back and tail are an olive-brown colour. The feathers of its underparts, the patches on either side of its bill, and two stripes coming up either side of its neck are a yellow-white colour. There are some light grey feathers coming through in small patches, particularly across the back, the top of the underparts, and along the upper half of the legs. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.18a. / Collared Crow. Shrike / See Catalogue; Page 10. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcher bird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair