The sample of crochet lace is an example of a handmade item that would have been used to edge material to create a doily for use around the home.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects.A ring of handmade crochet lace consisting of ten motifs joined in a circle. Mercerised white crochet thread has been used to crochet each motif in an open lace pattern using picot edging to give a floral effect.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted edging

Printed "How to Vote" or notice sheet titled "Tramway Union Elections - Thursday Nov. 20, 1952, Work and Vote for the Endorsed Candidates" giving a list of candidates for the various positions, with messages with photos from Dr. Evatt, Federal Labor Leader and John Cain, State Labor Party, appealing to Union Members to vote for men who supported Labor Principles and practices. Has supporting statements and photos for Vice President J. C. McDonald, Vice President Frank Cooney, President J. R. Brown and Treasurer Alec Watson. Has a statement of "What a State Labor Government Could Mean to You and Your Union". Made by the Tramway Labor Party Group, and printed by Industrial Print Carlton with their logo.hand written informationtrams, tramways, unions, alp, labor party, elections

Crochet bib for Caroline May Tyack (Caldwell). Donated by Heather McNamara from her mother-in-law Isobel McNamara.Cream crochet baby's bib with small crochet flap at top, two cream ribbon bows ob front panel. Cream ribbon ties.caroline tyack, heather mcnamara, baby clothing, bibs, crochet

Guide to knitting and crochet produced by Patons and Baldwins, c.1950s.Patons / WOOLCRAFT / REGISTERED / 12TH EDITION / 2'- / P&B / WOOLS / A PRACTICAL GUIDE TO KNITTING AND CROCHETknitting crochet, patons and baldwins (australia) ltd, knitting, crochet

Twenty page colour knitting pattern book. The cover shows a woman and girl on a roller coaster, one is wearing a pink knitted jumper, the other a crochet pink vest.front: [printed] HOW TO KNIT AND CROCHET / Patons / Book C.25 / 45cfashion, design, knitwear, home made, wool, pattern book, patons

"Boy they sure work us hard at that school" Christopher Field asleep on a couch, Eltham Christian School, 1982 From a series of photographs (some cropped) from a magnetic photo album relating to the staff, students and activities of the Eltham Christian School which operated as part of the Eltham Christian Church at Nyora Road, Eltham. See also entries for each photograph.colour photographeltham christian school, nyora road, christopher field, sleeping

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS managemen VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Three black and white photographs taken at Work Cover Launch, Ballarat, c1994.Black and white photographsviosh, victorian institute of occupational safety and health, university of ballarat, work cover, c1994

Cloth, hand crocheted cloth with image of a peacock worked into it.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, crocheted cloth, crocheted wall hanging, domestic linen, handcrafted crochet

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework. Doily, white crocheted square shape with rounded sides, crochet incorporates squares in design. From the Chamberlain Dale Lees Collection,flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, needlework, crochet, handmade, craft, manchester, linen, haberdashery

Early miners at work caption reads: "The large bucket, called kibble, is used to pull up the unwanted debris, the smaller iron buckets are used to raise the alluvial material containing gold. This material is mixed with water in the puddling barrells (foreground) and poured into the cradle (left). The rocking motion causes the gold specks to sink to the bottom from where it is collected. The remaining material may then be hand washed in the gold pan held by the miner." This photograph possibly taken at Diamond Creek.From the John Davidson collection.Photograph in black plastic frame with typed caption on matte.john davidson, diamond creek, gold miners, mines and mining

Book - 28 pages including manila coloured light card cover, centre stapled, titled “RTBU Handbook of Work Conditions and Union Rules”, published by the Rail Tram and Bus Union, Tram & Bus Division in 2007. Gives details of the Union Management - (see Key associations), delegates, a brief history of the tramway union, full garment of uniforms for new members, male and female, tram crews, officers and infrastructure workers, the do's an don'ts and classifications. Has a photo of the Union Management and delegates in the then new conference room - new offices in Queen St. Sponsored by the Austral Credit Union, Transport Health, Holding and Redlich with adverts for these companies and the RTBU Tramway Holiday units at Rosebud, Mile Jolly & Associates (Accountants), Consultum financial advisors, and the Retired Tramway Employee's Association of Victoria with contact details. 2nd copy added 26/6/2017 from donation of Ron Scholten.trams, tramways, rtbu, unions, handbooks

This baby’s hand crocheted silk bib is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A hand crocheted cream silk baby's bibclothing, brighton, moorabbin, pioneers, dressmaking, craftwork, crochetwork, market gardeners, early settlers,

These baby’s hand crocheted silk bootees are an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Hand crocheted cream silk baby's booteesclothing, brighton, moorabbin, pioneers, dressmaking, craftwork, crochetwork, market gardeners, early settlers,

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It contains 110 patterns for crocheted edgings and was written and produced in Australia, c.1945.110 / Tralin / Crocheted / Edgings / Price 1'- / Copyright Reg. / 14th Editioncrochet handicrafts - history, bamford, miss walker, miss, crochet, handicrafts - history

Crochet came from the Old French word crochet, meaning ‘small hook.’ This word comes from Croche. Croche comes from the Germanic word croc. Both mean hook and crochetage, which means a single stitch used to join separate pieces of lace together. People used this term in making French lace in the 1600s and the word crochet describes the hook and the craft. Evidence shows the starting point was the mid-1800s but as early as the late 16th and early 17th century, crocheted braiding was used in clothing and other products. Like on a man’s cape at the Victoria and Albert Museum. Crochet evolved in the early 1700s when stitching material on a tambourine reached Europe after going through India, Persia, North America, Turkey, North Africa and other places around the world. People removed the background fabric used for tambouring. The French named the new technique “crochet in the air.” In the early 1800s, shepherd’s knitting came about, along with the shepherd’s hook. It’s thicker than a modern crochet hook but still with a hooked end. By the mid-1800s, it became known as crochet or slip stitch crochet. In the 60s, the granny square and crocheted home ware appeared and became more popular.A significant domestic item used in crochet or craft work and recovered from the wreck of the Schomberg in the 1970s. For more information regard the wrecking of the Schomberg see note sect this document. The Schomberg has historical significance as one of the first luxurious ships built to bring emigrants to Australia. The collection of recovered artefacts from the Schomberg wreck and held at Flagstaff Hill Museum are significant because of their potential to interpret the story of the Schomberg and its passengers.Crochet hook made from Bovine Bone. It has two sections that screw apart. Recovered from the wreck of the Schomberg. Nonewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, crochet hook, crocheterage, craft

Australian Home Journal including knitting, netting, crochet, tatting, drawn thread, crinkled paper works etcFancy work series Australian Home Journalaustralian home journal, knitting, crochet, drawn thread work, paper roses, knitted lace, tatting

Six papers on the relationship of language and culture in the Australian Aboriginal context are presented. "Some Thoughts on Yanyuwa Language and Culture" by Jean Kirton gives an overview of some language-culture relationships and examines seven kinds of possession in one language. "Nyangumarta Kinship: A Woman's Viewpoint" by Helen Geytenbeck outlines kinship and its terminology as learned by a field linquist for her work with this group. In "A Description of the Mathematical Concepts of Groote Eylandt Aborigines," Judith Stokes describes an Anindilyakwa mathematical language in its cultural context, refuting popular generalizations about the limited counting ability of the Aboriginal people. "Facts and Fallacies of Aboriginal Number Systems" by John Harris criticizes anthropologists' and linguists' neglect of and bias concerning existing data about the mathematics of Aboriginal groups. In "Aboriginal Mathematical Concepts: A Cultural and Linguistic Explanation for Some of the Problems," Barbara Sayers suggests that the mathematical problems of some Aboriginal schoolchildren are real, but have a cultural rather than linguistic basis. "A Report on Colour Term Research in Five Aboriginal Languages" by Susanne Hargrave describes and presents preliminary analyses from a research project on color terminology.B&w illustrationslinguistics, language and culture, sociolinguistics

Digital image of a group of tramway workers (drivers, conductors) involved in a stop work meeting, The Argus, April 1954, (note no dash canopy lighting or reflector triangles on tram 32) or "out on the grass", opposite the tram depot. Has tram 32 in the background. See April 2024 issue of Fares Please! for the background story over an unfair dismissal of a trainee tram driver. Image 1 - digital image of a photograph held by Glenise Kellett image 2 - detail image of the rear of the photograph image 3 - names added from discussions with Glenise Kellett and item 7139. Image compiled by Warren Doubleday 20/11/2018. See Reg Item 1655 for a newspaper report using this photograph.Yields information about the Ballarat Trammies, late 1950's or early 1960 stop work meeting held opposite the tram depot and the workers who took part.Digital image of a Black and White photograph.On the photograph rear in ink "Ballarat Tram Depot, Wendouree Parade West of Forest St Tram 32" and on the lower edge "1950's, only time tram employees held a strike meeting - approx. 1 hour." trams, tramways, sec, unions, stop work

Sixteen page booklet with printed text, photographs and illustrations in both colour and black and white. Image depicted on the front shows two adults and two children seated in a home environment crocheting. front: [printed] WR / Guide to successful homemaking / Volume 2 / CROCHET MADE EASYfashion, women, magazine, knitting, crochet, home life

Used by Mrs Jean Ashcroft (nee Broad) probably worked by her. She came from ScotlandFine white linen table runner embroidered in mauve silk flowers and cut work. Crocheted border 8 cm widenonemanchester, table linen

Photo Album - titled "TAP - Part F - Work Trams Sheets F1 to F34", from Transit Australia Publishing. Photos used in the Destination City and other publications series. For a detailed list of photographs see htd4605i.pdf. For individual photo images see: \dbtext\hawthtramcoll\photo collections\TAP-, images TAP316 to TAP395. TAP316_2A_Preston_c1927_GJNowell.jpg TAP317_4_Preston_KSKings.jpg TAP318_4_SouthMelbourne_RayPearson.jpg TAP319_5_SouthMelbourne_9Mar1959KeithKings.jpg TAP320_5_CollinsSt.jpg TAP321_First6_Preston_RayPearson.jpg TAP322_7_HawthornDepot_RayPearson.jpg TAP323_7_SouthMelbourne_KeithKings_9Mar1959.jpg TAP324_7_SouthMelbourne_KeithKings_14Mar1965.jpg TAP325_8_HighSt-Preston_BASilcove.jpg TAP326_9W_Preston_NormCross_1979.jpg TAP328_11W_Preston_HughBallment_Mar1982.jpg TAP329_9_BourkeSt_2Sep1969_DavidClark.jpg TAP330_9_SouthMelbourne_KeithKings_29Jul1959.jpg TAP331_10_SouthMelbourne_KeithKings_26Dec1968.jpg TAP332_10_SouthMelbourne_ABeebe.jpg TAP334_First11_Hawthorn_RayPearson.jpg TAP335_11W_Bundoora_28Aug1995_HughWaldron.jpg TAP336_16_Preston_28Sep1961_KeithKings.jpg TAP337_17_HannaSt_29Jan1960_KeithKings.jpg TAP338_17_GleferrieRd_DavidClark_30Jul1969.jpg TAP339_209-18_Preston_RayPearson.jpg TAP340_18_Preston_Mar1948_JackRichardson.jpg TAP341_19_FlemingtonRd_4Jun1970_DavidClark.jpg TAP342_19_HannaSt-perway-yard_ABeebe.jpg TAP343_20_SouthMelbourne-perway-yard_27Mar1964_KeithKings.jpg TAP344_30_DogCar_Camberwell_PWDuckett.jpg TAP345_190_Camberwell_JBStranger.jpg TAP346_198_Preston_27Dec1968_KeithKings.jpg TAP347_199_Preston_15Aug1959_KeithKings.jpg TAP348a_199_HannaSt-perway_ABeebe.jpg TAP348_199_HannaSt-perway_ABeebe.jpg TAP349_206_Preston_1Nov1949_KeithKings.jpg TAP350_267_SouthMelbourne_30Jan1967_KeithKings.jpg TAP351_485_SouthMelbourne_9Mar19641967_KeithKings.jpg TAP352_533_lightrail_DaleBudd.jpg TAP353_890_HawthornDepot_27Apr1992_RJMarsh.jpg TAP354_9-7-8_HannaSt-perway_ABeebe.jpg TAP355_2Grinder_StKildaRd_ABeebe.jpg TAP356_2Grinder_HannaSt-perway_9Mar1959_KeithKings.jpg TAP357_3Grinder_HannaSt-perway_c1960_KeithKings.jpg TAP358_3Grinder_HannaSt-perway_9Mar1959_KeithKings.jpg TAP359_BallastTrailer-24_Preston_PTC.jpg TAP360_BallastTrailer-24_DandenongRd_12April1964_KeithKings.jpg TAP361_BallastTrailer-24_Aerodrome_CharlesCraig.jpg TAP362_LongBallastTrailer_Preston_Mar1948_ABeebe.jpg TAP363-exHTT-trailer_Dwg-R115_KeithKings.jpg TAP364-exNMETLCo-trailer_Dwg-R1452_KeithKings.jpg TAP365-exPMTT-cleaner_Dwg-549_KeithKings.jpg TAP366_3_Preston_1932_RayPearson.jpg TAP367_5_StKildaRd-at-CityRd_WJohnWebster.jpg TAP368_(Second-6_Preston_c1961_PTC.jpg TAP369_7-HighSt-StKilda_Feb1959_JimSeletto.jpg TAP370a_7_SouthMelbourne_1950s_JohnBeckett.jpg TAP370_7_SouthMelbourne_1950s_LMarshallWood.jpg TAP371_7_SouthMelbourne_WJohnWebster.jpg TAP372_7_StKildaRd-into-ParkSt_Feb1978_GaryDavey.jpg TAP373_8_SwanstonSt_LindsayCrow.jpg TAP374_8_StKildaRd-at-CityRd_WJohnWebster.jpg TAP375_8_Preston_MMTB.jpg TAP376_8_PrincesBridge_1954_JimSeletto.jpg TAP377_16W_Preston_1980_RayMarsh.jpg TAP378_First16_Preston_1930s_RayPearson.jpg TAP379_17_ColdbloRd_WJohnWebster.jpg TAP380_17_HannaSt_RayPearson.jpg TAP381_19_Preston_RayPearson.jpg TAP382_233_LineMarker_PTC.jpg TAP383_533_TestTram_MMTB.jpg TAP384_Grinder3_ChapelSt-at-Carlisle_1969_JeffBounds.jpg TAP386_Second6_HighSt_c1962_PTC.jpg TAP387_11_HighSt-StKildaRd_JimSeletto.jpg TAP388_15_PrestonWorkshops_1966_JimSeletto.jpg TAP389_17_SouthMelbourneDepot_DaleBudd.jpg TAP390_221_Derail-trainer_SouthMelbourneDepot_NormCross.jpg TAP391_485-trailer_JimSeletto.jpg TAP392_485-dropcentre_DaleBudd.jpg TAP393_Grinder_SouthMelbourneDepot_MMTB.jpg TAP394_Grinder3_Preston_PTC.jpg TAP395_Trailer-20_Preston_NormCross.jpgtrams, tramways, transit australia, destination city, tramcars, depots, work trams, tram 2a, tram 4, tram 5, tram 6, tram 7, tram 8, tram 9w, tram 11w, tram 9, tram 10, tram 11, tram 16, tram 17, tram 209, tram 18, tram 19, tram 20, tram 30, tram 190, tram 198, tram 199, tram 206, tram 267, tram 485, tram 544, tram 890, tram 24, tram 5, tram 6, tram 233, tram 533, tram 15, tram 221, tram 485

The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. It may have been used to edge curtains, a table runner or a mantlepiece. The Christmas Bells pattern suggests usage as a Christmas decoration.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects around the home such as curtains and mantlepieces.Length of handmade crochet lace. Mercerised white crochet thread has been used to crochet a repeat pattern consisting of three rows: a decorative top row, a middle section of diamond shapes and a bottom row of Christmas bells.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim

Construction work on replacement of Murray's Bridge over the Diamond Creek on the Diamond Creek Trail Mary (Sweeney) Murray and John Wright Murray selected 80 acres, Lot C Section 16 and Lot 5 Section 17 Parish of Nillumbik, under an occupation license in 1866. John died in 1867 and freehold was granted to his son John in 1873. The farm was known as ‘Laurel Hill’. John Junior was an Eltham Shire councillor and sometime president from 1887 up until 1897. He added Lot A Section 16 to the farm in ca1888. John and his younger brother James arranged to rent/purchase Lot B Section 17, across Diamond Creek to the west, in ca1900. It appears that John and James farmed separately for a few years, with a new homestead built for James ad family on the high point of Lot B Section 17 in ca1910. John sold off Lot 5 Section 17 in 1912. When John died in 1912 James took over the land on both sides of the Diamond Creek. The old homestead on the west side of the Creek disappeared. A farm bridge over Diamond Creek from this period may have been located close to the northern boundary of the farm. John Langlands, owner of the farm known as ‘Ihurst’ on the west side of Diamond Creek to the south of the Murray’s land, died in 1907. In 1909 his land was then subdivided into 100 lots to become the ‘Glen Park Estate’. Other similar subdivisions of nineteenth century farms around Eltham in this period included the ‘Franktonia (or Beard’s) Estate’ to the northeast and ‘Bonsack’s Estate’ between Eltham and Greensborough. Soon after the opening of the railway extension line from Eltham to Hurstbridge in 1912, Glen Park and nearby residents including James Murray agitated for a railway station or siding to be located half-way between Eltham and Hurstbridge, so that the Glen Park residents who used the railway daily did not have to walk into the Eltham or Hurstbridge stations. Some believed Coleman’s Corner (opposite Edendale Farm) was an appropriate spot for the platform. James Murray was among those who thought the railway should be located on his land, closer to half-way between Eltham and Hurstbridge stations. The Railways Commissioners warned that the locals would have to fund these works themselves. The Glen Park Estate residents initially had difficulty accessing Eltham by road, with only an old low-level bridge over Diamond Creek at the south end of their estate. A new timber trestle bridge across the creek, now on Wattletree Road, was opened in 1915. Road access to the north was gained in 1927 when the new Murray’s Road, which crossed the Murray’s land, was built. Residents continued to agitate for a Glen Park station. By 1926 the Railways Commissioners’ preferred site was on the Murray’s land. They arranged an estimate of cost of a full-length platform. The estimate was too much for the locals, who in 1928 argued unsuccessfully for a shorter and hence cheaper platform. By 1929 Murray had agreed to donate the land, but the locals would still have to fund the works. Murray decided, unilaterally it would appear, to commence work on a timber trestle road bridge over Diamond Creek to link the new Murray Road to the proposed station. Late in 1929 he stopped work on the bridge, for reasons unknown, but started work again and completed the bridge in 1931. There is no further newspaper evidence of the campaign for the Glen Park station until 1939, when Murray and another local, Mr Maxwell, met the Railways Commissioner. The Glen Park locale now included 45 homes on the west side of the creek and 20 on the Eltham side. Most of the residents used the train every day. The Commissioner remained adamant that only a full-length platform could be built for safety reasons. It appears the campaign dissolved at this point. The increasing move to cars may have had an impact. There is no evidence of Murray’s bridge ever being connected to Murray’s Road, or of it having wide use for any purpose by locals. James Murray died in 1947 and the farm was taken over by his son James (Jim). Jim started to sell off parts of the farm in the 1980s, retaining a few acres around the ca1910 homestead and building a new house there. Recreation reserves were established along the creek. In ca1990 Murray’s bridge was renovated with steel girders as part of a bike/pedestrian path in the reserve. The old farmhouse was demolished in ca2014. Born digital image (5)diamond creek (creek), diamond creek trail, murrays bridge, ‘laurel hill’, john wright murray, mary (sweeney) murra, john murray jnr, james murray, john langlands, ‘ihurst’, ‘glen park estate’, beard's estate, franktonia, bonsack's estate, glen park estate, glen park railway station

This knitted and crocheted three piece dress was made by Jean Gorsuch in 1960. The wool was purchased from the Treasure House, a wool, toys and childrens clothes shop in Station Street, Mitcham. This was a very fashionable at that time as knitted and crocheted garments were making a comeback. This was also one of the first lurex thread wool.Knitted and crochet three piece costume of a jumper, jacket and skirt. Colour Old Gold.costume, female

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by English Vogue and contains knitting and crochet patterns for womens garments.VOGUE KNITTING / No. 68 / 27 / GREAT NEW LOOKS / TO KNIT AND CROCHET / FOR SPRING AND SUMMER / 2'6knitting crochet fashion, vogue - english, knitting, crochet, fashion

This white cotton Antimacassar has a hand crocheted lace pattern of flowers and a fringe of cotton strands tied to form tassels and was made by a woman from an early settler family in Moorabbin Shire c1900 The women of the early settler families made the clothing, haberdashery and napery for their families as the market gardens and farms were established in Moorabbin Shire c1900 A hand crocheted white cotton antimacassar with tassel fringe clothing, haberdashery, crochet brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire , dairy farms, fruit orchards