On 4 April 1935 the ship was launched by Elizabeth, Duchess of York, one of the daughters of the Earl of Strathmore, soon to become queen. In 1938 the ship brought the Australian cricket team, including Don Bradman, to England for the 1938 Ashes series On 31 March 1940, the vessel was requisitioned by the Ministry of War Transport, and served as a troop ship, with no major incidents in that role during the rest of the Second World War. The 2/24th Battalion raised in Wangaratta in July 1940 sailed for the Middle East on the troopship RMS "Strathmore" arriving in Palestine in December 1940.The 2/24th Battalion was an infantry battalion of the Australian Army, which served during World War II .A unit of all-volunteers, it was formed in July 1940 from primarily Victorian volunteers and was known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. It served in North Africa in 1941–1942 as part of the 26th Brigade, which was assigned to the 7th Division, before being reassigned to the 9th Division. In early 1943, the battalion returned to Australia and later took part in campaigns against the Japanese in New Guinea in 1943–1944 and Borneo in 1945, before being disbanded in 1946. The 2/24th suffered the highest number of casualties of any 2nd AIF infantry battalion. The Unit was granted the Freedom of the City by the Rural City of Wangaratta in 1996 and one of the first, if not the first, to receive this type of honour. Reproduced photograph of ship at seaStrathmore carried 2/242/24th battalion, wangaratta, rms strathmore, ww2

Australian Commonwealth Military Forces Second World War recruitment poster. Released in 1941 before Japan had entered the war, at a time when many Australians were reluctant to enlist to fight on the other side of the world. James Northfield (1887 - 1973) was an Australian graphic artist active from the 1910s through to the 1960s .Northfield created a series of patriotic posters during World War IIDepicts a man donning a uniform, rifle in one hand, his civilian clothes lie in heap on the ground behind him.Full text; Join the AIF: This is serious! Enlist Nowrecruitment poster, ww2, james northfield

Photo 1. 1953 Premiership Team. Photo 2 1953 PREMIERSHIP TEAM REUNION 2003, BACK ROW: IAN DONALDSON, LEO JOYCE, TOM TOBIN, BILL PRITCHARD, DAVE HOWARTH, IAN WALTERS, KEITH BINION, JOHN SIMMONDS, IAN BUNN, PERCY MASKELL, MAX MCPHERSON, DON TAVENER, RON NORMINGTON, GEOFF MUNRO.|FRONT ROW: NOEL RUSSELL, KEN ANDERSON, TOM DEANE, BILL CORRIGAN, PETER WARNETT, PETER KERRINS, GEOFF STREADER, ROY DALEY

Wood block with metal photographic plate. Head and shoulders of three men wearing suits.On back: "22" "Glen Iris Presby" " Mr W S Noble" "Mr G. L. D. Don" "Mr R. F. Ingram"glen iris presbyterian church, noble, w.s., don, g. l.d., ingram, r.f.

This Beco lamp was designed by Donald Brown, a pre-eminent Australian lighting designer in the '50s and '60s. Robin Boyd often specified BECO lighting, including elsewhere in his own home. This was originally a bedside reading lamp in the upper living room, as seen in the Mark Strizic 1958 photograph in Robin Boyd's book Living in Australia p129.Beco 720 lamp, with black stand base with switch and white glass shadeBrown Evans & Cowalsh st furnishings, robin boyd, ohm2022, ohm2022_25

This Beco lamp is by Suzy's bookcase and desk. It was designed by Donald Brown, a pre-eminent Australian lighting designer in the '50s and '60s. Robin Boyd often specified BECO lighting, including elsewhere in his own home. There was a similar lamp in Penleigh's room as a bedlight near the bookcase at one time.Beco 720 wall lamp, with black shade and articulated armBrown Evans & Cowalsh st furnishings, robin boyd

This Beco lamp is attached to Penleigh's wardrobe and lights the sink and mirror area. It waslamp was designed by Donald Brown, a pre-eminent Australian lighting designer in the '50s and '60s. Robin Boyd often specified BECO lighting, including elsewhere in his own home. There was possibly a similar lamp in Suzy's's room as a bedlight near the bookcase at one time.Beco 720 wall lamp, with white shadeBrown Evans & Cowalsh st furnishings, robin boyd

Softcoverreligion, walsh st library

Hardcover w/ Dust JacketRadio Manual for Sanyao RM5500, two tickets (quite faded) to see the Australian Opera featuring Don Giovanniwalsh st library

We don?t leave our identities at the city limits: Aboriginal and Torres Strait Islander people living in urban localities Bronwyn Fredericks Aboriginal and Torres Strait Islander people who live in cities and towns are often thought of as ?less Indigenous? than those who live ?in the bush?, as though they are ?fake? Aboriginal people ? while ?real? Aboriginal people live ?on communities? and ?real? Torres Strait Islander people live ?on islands?. Yet more than 70 percent of Australia?s Indigenous peoples live in urban locations (ABS 2007), and urban living is just as much part of a reality for Aboriginal and Torres Strait Islander people as living in remote discrete communities. This paper examines the contradictions and struggles that Aboriginal and Torres Strait Islander people experience when living in urban environments. It looks at the symbols of place and space on display in the Australian cities of Melbourne and Brisbane to demonstrate how prevailing social, political and economic values are displayed. Symbols of place and space are never neutral, and this paper argues that they can either marginalise and oppress urban Aboriginal and Torres Strait Islander people, or demonstrate that they are included and engaged. Juggling with pronouns: Racist discourse in spoken interaction on the radio Di Roy While the discourse of deficit with regard to Australian Indigenous health and wellbeing has been well documented in print media and through images on film and on television, radio talk concerning this discourse remains underresearched. This paper interrogates the power of an interactive news interview, aired on the Radio National Breakfast program on ABC Radio in 2011, to maintain and reproduce the discourse of deficit, despite the best intentions of the interview participants. Using a conversation-analytical approach, and membership categorisation analysis in particular, this paper interrogates the spoken interaction between a well-known radio interviewer and a respected medical researcher into Indigenous eye health. It demonstrates the recreation of a discourse emanating from longstanding hegemonies between mainstream and Indigenous Australians. Analysis of firstperson pronoun use shows the ongoing negotiation of social category boundaries and construction of moral identities through ascriptions to category members, upon which the intelligibility of the interview for the listening audience depended. The findings from analysis support claims in a considerable body of whiteness studies literature, the main themes of which include the pervasiveness of a racist discourse in Australian media and society, the power of invisible assumptions, and the importance of naming and exposing them. Changes in Pitjantjatjara mourning and burial practices Bill Edwards, University of South Australia This paper is based on observations over a period of more than five decades of changes in Pitjantjatjara burial practices from traditional practices to the introduction of Christian services and cemeteries. Missions have been criticised for enforcing such changes. However, in this instance, the changes were implemented by the Aboriginal people themselves. Following brief outlines of Pitjantjatjara traditional life, including burial practices, and of the establishment of Ernabella Mission in 1937 and its policy of respect for Pitjantjatjara cultural practices and language, the history of these changes which commenced in 1973 are recorded. Previously, deceased bodies were interred according to traditional rites. However, as these practices were increasingly at odds with some of the features of contemporary social, economic and political life, two men who had lost close family members initiated church funeral services and established a cemetery. These practices soon spread to most Pitjantjatjara communities in a manner which illustrates the model of change outlined by Everett Rogers (1962) in Diffusion of Innovations. Reference is made to four more recent funerals to show how these events have been elaborated and have become major social occasions. The world from Malarrak: Depictions of South-east Asian and European subjects in rock art from the Wellington Range, Australia Sally K May, Paul SC Ta�on, Alistair Paterson, Meg Travers This paper investigates contact histories in northern Australia through an analysis of recent rock paintings. Around Australia Aboriginal artists have produced a unique record of their experiences of contact since the earliest encounters with South-east Asian and, later, European visitors and settlers. This rock art archive provides irreplaceable contemporary accounts of Aboriginal attitudes towards, and engagement with, foreigners on their shores. Since 2008 our team has been working to document contact period rock art in north-western and western Arnhem Land. This paper focuses on findings from a site complex known as Malarrak. It includes the most thorough analysis of contact rock art yet undertaken in this area and questions previous interpretations of subject matter and the relationship of particular paintings to historic events. Contact period rock art from Malarrak presents us with an illustrated history of international relationships in this isolated part of the world. It not only reflects the material changes brought about by outside cultural groups but also highlights the active role Aboriginal communities took in responding to these circumstances. Addressing the Arrernte: FJ Gillen?s 1896 Engwura speech Jason Gibson, Australian National University This paper analyses a speech delivered by Francis James Gillen during the opening stages of what is now regarded as one of the most significant ethnographic recording events in Australian history. Gillen?s ?speech? at the 1896 Engwura festival provides a unique insight into the complex personal relationships that early anthropologists had with Aboriginal people. This recently unearthed text, recorded by Walter Baldwin Spencer in his field notebook, demonstrates how Gillen and Spencer sought to establish the parameters of their anthropological enquiry in ways that involved both Arrernte agency and kinship while at the same time invoking the hierarchies of colonial anthropology in Australia. By examining the content of the speech, as it was written down by Spencer, we are also able to reassesses the importance of Gillen to the ethnographic ambitions of the Spencer/Gillen collaboration. The incorporation of fundamental Arrernte concepts and the use of Arrernte words to convey the purpose of their 1896 fieldwork suggest a degree of Arrernte involvement and consent not revealed before. The paper concludes with a discussion of the outcomes of the Engwura festival and the subsequent publication of The Native Tribes of Central Australia within the context of a broader set of relationships that helped to define the emergent field of Australian anthropology at the close of the nineteenth century. One size doesn?t fit all: Experiences of family members of Indigenous gamblers Louise Holdsworth, Helen Breen, Nerilee Hing and Ashley Gordon Centre for Gambling Education and Research, Southern Cross University This study explores help-seeking and help-provision by family members of Indigenous people experiencing gambling problems, a topic that previously has been ignored. Data are analysed from face-to-face interviews with 11 family members of Indigenous Australians who gamble regularly. The results confirm that substantial barriers are faced by Indigenous Australians in accessing formal help services and programs, whether for themselves or a loved one. Informal help from family and friends appears more common. In this study, this informal help includes emotional care, practical support and various forms of ?tough love?. However, these measures are mostly in vain. Participants emphasise that ?one size doesn?t fit all? when it comes to avenues of gambling help for Indigenous peoples. Efforts are needed to identify how Indigenous families and extended families can best provide social and practical support to assist their loved ones to acknowledge and address gambling problems. Western Australia?s Aboriginal heritage regime: Critiques of culture, ethnography, procedure and political economy Nicholas Herriman, La Trobe University Western Australia?s Aboriginal Heritage Act 1972 (WA) and the de facto arrangements that have arisen from it constitute a large part of the Aboriginal ?heritage regime? in that state. Although designed ostensibly to protect Aboriginal heritage, the heritage regime has been subjected to various scholarly critiques. Indeed, there is a widespread perception of a need to reform the Act. But on what basis could this proceed? Here I offer an analysis of these critiques, grouped according to their focus on political economy, procedure, ethnography and culture. I outline problems surrounding the first three criticisms and then discuss two versions of the cultural critique. I argue that an extreme version of this criticism is weak and inconsistent with the other three critiques. I conclude that there is room for optimism by pointing to ways in which the heritage regime could provide more beneficial outcomes for Aboriginal people. Read With Me Everyday: Community engagement and English literacy outcomes at Erambie Mission (research report) Lawrence Bamblett Since 2009 Lawrie Bamblett has been working with his community at Erambie Mission on a literacy project called Read With Me. The programs - three have been carried out over the past four years - encourage parents to actively engage with their children?s learning through reading workshops, social media, and the writing and publication of their own stories. Lawrie attributes much of the project?s extraordinary success to the intrinsic character of the Erambie community, not least of which is their communal approach to living and sense of shared responsibility. The forgotten Yuendumu Men?s Museum murals: Shedding new light on the progenitors of the Western Desert Art Movement (research report) Bethune Carmichael and Apolline Kohen In the history of the Western Desert Art Movement, the Papunya School murals are widely acclaimed as the movement?s progenitors. However, in another community, Yuendumu, some 150 kilometres from Papunya, a seminal museum project took place prior to the completion of the Papunya School murals and the production of the first Papunya boards. The Warlpiri men at Yuendumu undertook a ground-breaking project between 1969 and 1971 to build a men?s museum that would not only house ceremonial and traditional artefacts but would also be adorned with murals depicting the Dreamings of each of the Warlpiri groups that had recently settled at Yuendumu. While the murals at Papunya are lost, those at Yuendumu have, against all odds, survived. Having been all but forgotten, this unprecedented cultural and artistic endeavour is only now being fully appreciated. Through the story of the genesis and construction of the Yuendumu Men?s Museum and its extensive murals, this paper demonstrates that the Yuendumu murals significantly contributed to the early development of the Western Desert Art Movement. It is time to acknowledge the role of Warlpiri artists in the history of the movement.b&w photographs, colour photographsracism, media, radio, pitjantjatjara, malarrak, wellington range, rock art, arrernte, fj gillen, engwura, indigenous gambling, ethnography, literacy, erambie mission, yuendumu mens museum, western desert art movement

Part of original kit produced by a Primary and Senior Secondary School in Western Australia dealing with communication, language and Aboriginal History. Video 1. Moving Into Other Worlds Video 2. Two Way Learning and Two Kinds of Power Video 3. Now You See It, Now You Don?t Video 4. A Shared World of Communicationb&w illustrations, colour illustrations, b&w photographs, colour photographs, DVDaboriginal education, aboriginal english, cultural awareness, school curriculum, language and literacy, bilingualism, two way learning

As told to nu:nu:wul Elder Don Bell, with bi-lingual text and commentary. Provides explanation of the aboriginal alphabet, story of Queen Nellie Hamilton and and language list of words used by Queen Nelly and her daughter.Illustrations, b&w photographs, word listsngunnawal, canberra, yass, queen nelly hamilton

Dr. Ian Fry is an author.B & W group photograph of Dr. Alex Kenworthy, Peter Gavin MLA, Don Johnson, Ian Fry and Ted Colvin at the launch of Don Johnson's book entitled: 'A Bumper Life'."Dr Alex Kenworthy left, Peter Gavin, Don Johnson, Ian Fry, Ted Colvin C&N 10/6/1987 page 109"fry, ian

"Otira" was built in 1887 for Mr. Henry Berry, owner of a large wholesale grocery business. In 1923, the property was acquired by the Methodist Church for use as a home mission training college. B & W photograph of a group of 21 male and female students and staff members of the Otira Methodist Home Missionary Training College, taken outdoors. The photograph is mounted on brown card. Pictured: Charles Adams, Douglas Brimacombe, Harold Hoare, Reg Williams, Will Bromley, Harold Crothers, Harry Bock, Don Allen, Howard Kettle, Bob Brown, Athol McGregor, Will Broadbent, Sister Gwen Lechte, Marge Holden (Brimacombe), Mrs Holden, Lois Atkins. Front row: Rev. Joseph Snell, Rev. Tom Rentoul, Rev. A.T. Holden, Rev. J.R. Harcourt, Rev. R. Ditterich.otira methodist home missionary training college, charles adams, douglas brimacombe, harold hoare, reg williams, will bromley, harold crothers, harry bock, don allen, howard kettle, bob brown, athol mcgregor, will broadbent, sister gwen lechte, marge holden (brimacombe), mrs holden, lois atkins. front row: rev. joseph snell, rev. tom rentoul, rev. a.t. holden, rev. j.r. harcourt, rev. r. ditterich.

Rev. Minchin was Tasmanian Moderator in 1985. He was a secondary teacher in Victoria before studying at the United Faculty of Theology from 1970 to 1972. His first parishes were Dartmoor and Sale-Rosedale before coming to Hobart in 1980.Informal colour photograph of Rev. Minchin, Dr. Phillips and one other retreat member taken outdoors."Credit Don Ramage Tasmanian moderator, the Rev. John Minchin (right) with Dr. Phillips (centre) and a retreat member C&N 11/6/1986 page 31minchin, john, rev., moderator, tasmania, uniting church

A b/w photograph mounted on card of students of Sunbury State School No. 1002 taken in 1914. The group is taken in front of the shelter shed on Macedon Street site. (Names are on the photo and also on catalogue worksheet)Printed on front: Sunbury State School 1914 / "see on back"schools, sunbury state school, macedon street, sunbury, dempsey, bill, walls, stan, -, neville, trask, con, clayton, 'doctor', parke, cecil (saishle), griffins, maurice, ter hofstede, gerat, s, g., titford, willie, healey, perc, austin, johnnie, boardman, eric, wilson, don, smith, d. n., williams, will, baker, arthur, johnstone, bert, clarence, 'darkie', mclauchlin, bob, annie, jamieson, jessie, gilchrist, hazel, balfour, jean, rita, leggett, betty, curry, jim, hudson, ted, ray, flintoft, billie, syd, finn, jack, hilda, mavis, florence, gregor, lilian, dorothy, mclellan, alice, stagoll, millie, polly, leggo, margaret, bailey, lily, mcgregor, butcher, ruth, burke, connie, nellie, ella, alma, phillips, sadie, coggins, eileen, johnston, george, olive, gordon, effie, iris, vera, down, len, mickie, gilmour, wil, wykes, laurie, lacey, alan, huf, c. w. (mrs), shelter sheds, 1910s, george evans collection

Photorobert knowles mla, mrs pat fisken, board of mannagement, miss ogden don, dr w sloss, names

Photomary helen auxiliary, annual meeting, ogden, don, johnson, buchanan

Photomary helen auxiliary, spring tea, beverley, ogden, don, madden, nicholson, mayoress

we have an invitation to the performance held on the seventhA coloured programdon's party, athenaeum theatre, program, hocking & woods, kinselas productions, gary penny productions, graeme blundell, david williamson

Coloured double-sided poster in blue yellow and white; good conditionthe front lawn, athenaeum theatre two, the age comedy festival

DESCENDANTS OF FRANCIS CLARK & JANE RANKIN.(CLUNES)FRANK, DONALD(SEN) MARY, ELIZABETH, DON (JNR) & THOMAS CLARK c1925 , BACK: ESMA, GLEN JONES, MARY CLARK, FRONT: LIZZIE CLARK, TOM CLARK, LIZZIE WALDRON. PTE.LEN WALDRON, THOMAS CLARK c1925.FRANK, DONALD(SEN) MARY, ELIZABETH, DON (JNR) & THOMAS CLARK c1925 , BACK: ESMA, GLEN JONES, MARY CLARK, FRONT: LIZZIE CLARK, TOM CLARK, LIZZIE WALDRON. PTE.LEN WALDRON, THOMAS CLARK c1925.local history, photography, photographs, clark family, waldron

.1 SEPIA PHOTOGRAPH OF A GROUP OF CHILDREN, GRADES 3 AND 4, AT CLUNES STATE SCHOOL NO. 1552 IN 1924 .2 LIST OF CHILDREN IN PHOTOGRAPH.2 Clunes State School Grace III & IV Photo - 1924; Back Row; Bob Brock, Russell Hancock, Harry Rogers, Charlie Cook, George Morland, Don Girvan, Harry Lucy, Steve Purcell. Second Row; Muriel Williams, Carrie Spark, Mavis Jenkin, May Webb, Janey Williams, Pearl Stevenson, Alice Steart. Third Row; Jessica Carter, Jean Rodda, Ann Adam, Amy Harden, Beryl Coutts, Brenda Fetridge, Ethel Woods, Fourth Row kneeling; Jim Rowe, George Toole, Bill Jones, George Roadly, Billy Nelson, Doug Roberts, Billy Richards Front Row on Ground; Charlie Morgan, Gordon Smith, Ken Robinson, Horace Annear (names read from left to right)local history, photography, photographs, clunes state school 1924