Dark green square cloth with 8 cm reinforced hem around all sides. "CWA Victoria" emblem has been embroidered in lower left corner.country women's association (cwa), textiles

The rectangular white damask tablecloth was owned by Mrs Murrell (Lily Murrell, née Young, wife of William Murrell) who ran the Linton newsagency during the 1930s and 1940s. Mrs Murrell asked people who came into the newsagency to sign and date the cloth, and later she embroidered the names and dates in various coloured thread. Traditionally such ‘signature cloths’ were used as a fundraiser for charity purposes and date back to the 1890s at least. They were at their height of popularity during World War I and the inter-war period, often embroidered in red or blue. The Linton tablecloth has a number of signatures and dates, some not embroidered, the dates ranging from 1931 to 1945. It is a delightful example of the genre and a wonderful visual record of people who lived in or visited Linton over a period of 15 years.Large ivory damask tablecloth embroidered with signatures in various coloured threads.tablecloths, fundraising, mrs murrell, murrell's newsagency

One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen hand towel and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Cream linen hand towel, bordered at each end with bands of mustrad yellow linen. The towel is embroidered with a picture of a woman in period dress collecting flowers from a garden.lisa sylvan, household linen, supper cloths, fancy work

These items come from Warrnambool High School in the 1930s. Warrnambool High School was established as an Agricultural High School in 1907 and, after a merger with Warrnambool North Technical School, it is known today as Warrnamboool College. The items came from Mirth Marfell, the daughter of Henry and Helena Marfell, who was born in Warrnambool in 1919 and went to Warrnambool High School in the 1920s and 30s. Her grandfather, John Marfell, a Warrnambool hay and corn dealer and miller connected to the Warrnambool Co-operative Milling Company, was prominent in community and civic affairs in the town. Mirth Marfell completed her nursing training at the Warrnambool Base Hospital and served in the Australian Army Nursing Service in World War Two for five years. She then became the first Australian nursing organizer for the Victorian Royal College of Nursing. These items are of interest, firstly as a memento of Warrnambool High School from the 1920s and 30s and secondly because they came from Mirth Marfell, a Warrnambool person who had a distinguished nursing career. .1 and .2 Warrnambool High School cloth hat bands each has a central navy blue stripe with narrow white edges and wide dark green borders. .3 Shield shaped blazer badge with machine embroidered text in white and green on a navy blue background .3 W h S NIL SINE LABOREwarrnambool high school, warrnamboool college, mirth marfell, warrnambool co-operative milling company, australian army nursing service, history of warrnambool

It appears that items .1 , .4 and .5 are insignia worn by members of the Royal Australian Air Force. It also appears that items .2 and .3 were gifts by members of the force for a friend or loved one. The origin of the two star shaped items is unknown. The Royal Australian Air Force was formed in 1921, being evolved from the Australian Flying Corps., the aviation section of the Australian Army in World War One. These items are examples of military insignia pertaining to the Royal Australian Air Force and are retained for display purposes..1 Propeller khaki cloth badge with red and black embroidered symbol of a propeller .2 An oval badge featuring a gold and red eagle with wings outstretched and a gold and red crown above embedded in a black transparent material. A safety clip is attached by two chains to the badge .3 A metal oval with a bronze stylised propeller attached through two holes in the metal base to a silver coloured safety pin at the back. .4 and .5 Bronze five pointed star shaped three dimensional badge. The centre of the star has a rosette. One has a single brass clip on the reverse. The other has two clips. Otherwise they are identical. Nilmilitary insignia

An example of a handstitched decorative cloth from early to mid 1900s.The item is of social significance as an example of a hand stitched project undertaken to create a decorative domestic object.Pale yellow, hand embroidered small tablecloth. Tapestry thread in fawn, cream and yellow has been used to work star shaped designs in satin stitch, stem stitch and back stitch. Feather stitch forms a border around the overall pattern.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, tablecloth, embroidered, domestic object, textile

Part of the Cooper Collection. See Catalogue No. 9586.2 for details of "Keith Cooper's" service.1. & 2. Circular shaped cloth badge with black edging. Centre features a map of Vietnam in black over embroidered medal ribbons. Red Kangaroo over yellow shield. All on white background. Red border bearing black lettering.On red border, “Australian Vietnam Forces 1962-1973”cooper collection, keith cooper, vietnam war, cloth badges

Square tablecloth with text embroidered in squares around edges. The cloth has a yellow, blue, green and red border."Darling Road Methodist Ladies Guild 1939"methodist ladies guild, darling road east malvern methodist church

Rectangular white linen cloth with white embroidered grapes/vines and crosses. The hem is edged with narrow grosgrain ribbon.

White linen communion tablecloth with drawn threadwork hemming. The cloth is signed by the minister and members of the Deepdene Congregational Church and embroidered in white silk.deepdene congregational church, rev. walter albiston

Thangkas are cloth scrolls unique to Tibetan Buddhism, depicting deities, venerated spiritual figures, or common religious symbols. Intended for personal meditation or instruction of monastic students, they are invested with the spirit of a deity to whom they are consecrated. A thangka is a composite three-dimensional object consisting of a picture panel which is painted or embroidered; a brocade mounting; and one or more of the following: a silk cover, leather corners, wooden dowels at the top and bottom and metal or wooden decorative knobs on the bottom dowel. The Shakyamuni Buddha thangka embodies the historical Buddha, Siddhartha Gautama, whose journey to enlightenment and then teaching forms the cornerstone of Buddhist philosophy.A Tibetan thangka depicting Shakyamuni Buddha.buddhist art, tibetan buddhism, holy objects

Thangkas are cloth scrolls unique to Tibetan Buddhism, depicting deities, venerated spiritual figures, or common religious symbols. Intended for personal meditation or instruction of monastic students, they are invested with the spirit of a deity to whom they are consecrated. A thangka is a composite art form consisting of a picture panel which is painted or embroidered; a brocade mounting; and one or more of the following: a silk cover, leather corners, wooden dowels at the top and bottom and metal or wooden decorative knobs on the bottom dowel. This allows a thangka to be rolled up for portability, reflecting its origins in the nomadic lifestyle of Tibetan monks.The Medicine Buddha (also known as Bhaisajyaguru or Sangyé Menla) is revered as the embodiment of healing and associated with practices helping with mental and physical ailments, as well as purifying negative karma. His iconic imagery, including the medicine bowl and healing plant, represents the union of wisdom and compassion as forces of healing. His teachings, rooted in the "Four Medicine Tantras," emphasize that the root of all diseases lies in negative emotions of greed, hatred, and ignorance.The central figure in this old thangka is Medicine Buddha, seated on a lotus throne and surrounded by other deities and figures. He has a bowl in his left hand, and a flower in his right hand. An interesting feature is that his body is not painted blue, as is customary for the image Medicine Buddha. The paint colours were derived from natural ingredients – grinded coral, turquoise and other gemstones. The 'Om Ah Hum' mantra is printed in Tibetan in red ink on the verso of the thangka.buddhist art, tibetan buddhism, holy objects

Thangkas are cloth scrolls unique to Tibetan Buddhism, depicting deities, venerated spiritual figures, or common religious symbols. Intended for personal meditation or instruction of monastic students, they are invested with the spirit of a deity to whom they are consecrated. A thangka is a composite three-dimensional object consisting of a picture panel which is painted or embroidered; a brocade mounting; and one or more of the following: a silk cover, leather corners, wooden dowels at the top and bottom and metal or wooden decorative knobs on the bottom dowel. Guru Padmasambhava (meaning 'Lotus-born', signifying his mythical origin as a being emerging from a lotus flower), also known as Guru Rinpoche, is seen as a manifestation of Buddha Shakyamuni. He was responsible for bringing advanced Buddhist Tantric teachings to Tibet in the 8th century. His teachings and legacy are deeply ingrained in Tibetan culture.A Tibetan thangka depicting Guru Padmasambhava. Framed in a traditional silk brocade border; a wooden dowel is inserted in a sleeve along the bottom edge of the fabric frame. buddhist art, tibetan buddhism, holy objects

Lilian (Lily) Thomas, 1888 - 1922, lived with her parents in Bay road Sandringham. Her sister was Dr Elsie Lilian Carne (nee Thomas) who was married to the Rev. T. Clemet Carne. They were Methodist missionaries in India and were associated with the Azamgath Zenana Mission Hospital.Square white cotton cloth with blue embroidered names around the borders. There is a dedication embroidered in the centre.In the centre: "'Lily Thomas Cot Sandringham YWMM 1927"young women's missionary movement, lily thomas, lilian olive thomas 1888 - 1922

This item was donated by Peter S Sims, who served as a Corporal in the Royal Australian Army Medical Corps in Vietnam 1969-70.Material embroidered patch with black background and gold writing.In memory of 501 Australian brothers who never returned. Vietnam (1962-1973)cloth patch, peter sims, nvvm, memorial, remembrance

This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is decorated with the Mariner's Cross symbol, connecting it to the history of the early Christian church. The cover for the cloth shows the respect the maker had for the cloth and what it stands for. The Mariner's Cross symbol also makes it appropriate as an altar cloth for the St Nicholas Seamen's Church at Flagstaff Hill Maritime Village. MARINER'S CROSS symbol: - The symbol of an anchor that also looks like a cross is called the Mariner’s Cross (also called the Anchored Cross or Cross of Hope). It looks like a ‘plus’ sign with anchor flukes at the base and a ring at the top. The anchor is one of the earliest symbols used in Christianity and represents faith, hope and salvation in times of trial. The Mariner’s Cross is linked to the scripture in Hebrews 6:19, which says, “Which hope we have as an anchor of the soul, both sure and steadfast, and which entereth into that within the veil”. This particular Mariner’s Cross also has the letter ‘X’ under the post of the anchor. In Greek, the language of the New Testament, the word for Christ is ‘Christos’, which begins with the Greek letter ‘X’ or ‘Chi’. Together, the elements on this Mariner’s Cross - anchor, cross and ‘X’ - symbolise to the Christian that Jesus Christ the Saviour gives security and safety, hope and salvation. Many church organisations still use various forms of the Mariner’s Cross. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity that has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. The Mariner's Cross embroidered onto the altar cloth gives it a connection with the early Christian church and with the Missions to Seamen. The fine hand stitching and embroidery are examples of traditional handcraft skills used over the centuries and continuing in use today.Altar cloth, white linen, with custom-made white cotton cover. The long rectangular cloth has the symbol of a Mariner's Cross (anchor and cross) embroidered with white silk thread on each short end. The wide hems are hand-stitched. The cover has two white tape ties and embroidered text in blue silk thread. This cloth and cover is part of the St. Nicholas Seamen's Church Collection. On cloth: symbol of (anchor with an 'X' stitched behind the centre of it). On cover, text "FLAGSTAFF/ HILL" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen, mariner’s cross, anchor cross, cross of hope, symbol of christianity, anchored cross, flagstaff hill maritime museum and village, maritime village, religious worship, worship service, st nicholas seamen’s church, williamstown, missions to seamen victoria, mission to seafarers, st nicholas missions to seamen’s church williamstown, missions to seamen, st nicholas missions to seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church

The US 1st Marine Division Patch was created in 1943 to recognise the sacrifices and Victory of the Marines who fought in the Battle of Guadalcanal in 1942. Part of the Bennetts Collection. See Catalogue No. 9726P for details of service for "Alva Marie Bennetts".1. & 2. Diamond shaped shoulder sleeve badge. Features a red numeral 1 with 'GUADALCANAL' embroidered in white. Five white stars surround numeral. All on a blue background.bennetts collection, alva bennetts, guadalcanal, us marines

Part of the Bennetts Collection See Catalogue No. 9726P for details of service for "Alva Marie Bennetts".1. & 2. Khaki coloured cloth shoulder badge with "AUSTRALIA" embroidered on in cream coloured thread.bennetts collection, alva bennetts, cloth shoulder badge

Part of the Bennetts Collection. See Catalogue No. 9726P for details of service for "Alva Marie Bennetts".1. Embroidered red cross badge with white and khaki edging. 2. Embroidered red cross badge with white edging.bennetts collection, alva bennetts, badge, red cross, medical corps

Shirt and trousers combination made of dark blue, light blue, beige and brown colour in stripes, cotton fabric. Cream colour, plastic buttons. Cream colour drawstring. 1. Shirt with long sleeves with no cuffs, collar, one front pocket and placket front, with buttons. Manufacturers white cotton label inside back of collar. 2. Trousers, long legs with drawstring at waist. 3. Manufacturers label, lightweight cardboard, previously sewn to shirt. Black and red print with purple stamp information. Also handwritten information, grey lead pencil.Manufacturers information- 1. Blue and red embroidered details "GUARANTEED/DEFIANCE/BRAND". 2. Lightweight cardboard details "MENS AND BOYS/ Pyjamas/ for/ SERVICE and COMFORT/ Distinctive/ Cloth/ Defiance/ Exclusive/ Designs/ RENOWNED/THROUGHOUT AUSTRALIA/ NO./ SIZE." Purple stamp "100/ O.S." Grey lead pencil "3 D/-/ 16/6". 3. Reverse side of label - handwritten grey lead pencil. "I am a refined type of/ gal desiring a boy friend/ if you would write I shall/ be only to pleased to answer/ I am 18 (1941)/ Norma Poulton/ 96 Flinders Street/ 4th Floor/ Melbourne" The handwritten note and pair of pyjamas were sent to an unknown soldier serving during World War Two.clothing, pyjamas, ww2