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Koorie Heritage Trust
Book, Bonwick, James, Discovery and Settlement of Port Phillip; being a history of the country now called Victoria, up to the arrival of Mr. Superintendent Latrobe, in October, 1839 by James Bonwick; revised, at request, by W. Westgarth, 1856
Contents: Discovery of Port Phillip; First Settlement of Port Phillip; Abandonment of the Colony of Port Phillip; Further discoveries in the Country; Hume and Hovell's Overland Trip; Settlement of Western Port; Captain Sturt on the Murray; Major Mitchell's Australia Felix; The Successful Settlement of Port Phillip; Batman and Gellibrand's Application; Settlement of Portland Bay; Life of Batman; Batman's visit to Port Phillip; Fawkner's Yarra Settlement; Mr. Wedge's Narrative; William Buckley; The Association and Government; Progress of the Settlement; Flocks and Flock-masters; Government; Stewart, Simpson, Lonsdale, Latrobe; The Land and Land Sales; Law, Police and Port; Commerce, Trade and Shipping; Melbourne and Geelong; Hotels and Licences; Amusements; Rise and Progress of the Port Phillip Press; Religion in Port Phillip.142 p. : 1 fold-out map. ; 21 cm.Contents: Discovery of Port Phillip; First Settlement of Port Phillip; Abandonment of the Colony of Port Phillip; Further discoveries in the Country; Hume and Hovell's Overland Trip; Settlement of Western Port; Captain Sturt on the Murray; Major Mitchell's Australia Felix; The Successful Settlement of Port Phillip; Batman and Gellibrand's Application; Settlement of Portland Bay; Life of Batman; Batman's visit to Port Phillip; Fawkner's Yarra Settlement; Mr. Wedge's Narrative; William Buckley; The Association and Government; Progress of the Settlement; Flocks and Flock-masters; Government; Stewart, Simpson, Lonsdale, Latrobe; The Land and Land Sales; Law, Police and Port; Commerce, Trade and Shipping; Melbourne and Geelong; Hotels and Licences; Amusements; Rise and Progress of the Port Phillip Press; Religion in Port Phillip.victoria -- history -- to 1834. | victoria -- history -- 1834-1851. | melbourne (vic.) -- history -- to 1834. | melbourne (vic.) -- history -- 1834-1851. -
Mission to Seafarers Victoria
Article, New Light on the Light of the World
Abstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.non-fictionAbstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.jesus, stained glass windows, bronwyn hughes, pre-raphaelite, william holman hunt (1827-1910) -
Flagstaff Hill Maritime Museum and Village
Vehicle - Vessel - Dinghy, Proudfoot's Boat, c. 1885
This boat or dinghy is one of a few remaining boats made for Proudfoot’s Boathouse, 2 Simpson Street Warrnambool, on the Hopkins River, in about 1885. It was one of many rowing, fishing, sailing and picnic boats that were available to hire. Proudfoot’s Boathouse, a beautiful Victorian Period building, was designed, built and established by Thomas Proudfoot. He applied to build a boat jetty in 1885. He died in 1900 and his wife Catherine took over, running it for many years. Later her son Bruce and after that her granddaughter Ena Hunt and her husband took over; it remained in the family until 1979. Proudfoot’s was a very popular tourist destination for visitors coming from Melbourne to fish and row and enjoy afternoon tea. The buildings, including the ‘U’ shaped jetty and tearooms, were restored and modified in the 1990s by the Warrnambool Sports Club, under the control of the Warrnambool City Council. The dinghy was brought to Flagstaff Hill in about 1992 and restored to its original condition and painted in traditional paint colours of orange with dark green gunnel and black and gold pinstripes. Since that time it has been painted by Flagstaff Hill's boatbuilder.This dinghy, Proudfoot’s Boat, is significant for its association with Proudfoot’s Boathouse, which is listed on the Victorian Heritage Register, VHR H0620. “Proudfoot's Boathouse on the Hopkins River near Warrnambool is an outstanding example of a late-19th century boathouse complex with associated residences and jetties. Thomas Proudfoot first applied for a jetty licence in 1885 with a view to establishing a boating business on the Hopkins River. The early single-storey sections are thought to date from this period. The two storey second stage probably dates from 1893 when additions were constructed. The entire complex was designed and built by Proudfoot himself. The business remained in the Proudfoot family until 1979. The buildings were modified in the 1990s in the process of creating a sporting club on the site. Proudfoot's Boathouse is of architectural, historical and social significance to the State of Victoria. Proudfoot's Boathouse is of architectural significance as perhaps the finest example of a 19th-century boathouse in Victoria. Although recent modifications have reduced the intactness of the buildings, many original features remain. The beautifully ornamented buildings still provide an attractive instance of 19th-century leisure facility architecture. Proudfoot's Boathouse is of historical significance as an example of late-Victorian recreational and tourist facilities. Boathouses were popular 19th-century tourist and recreational attractions, providing refined and healthy activity. This boathouse shows the early realisation of the tourism and leisure potential of seaside towns such as Warrnambool, a potential that has become increasingly important as port uses have ceased and other industries have been subjected to financial pressure. Proudfoot's Boathouse is of social significance because it illustrates the continuity of the attraction of this kind of leisure facility. Although the glory days of the boathouse were in the 19th century, those that survive continue to be well patronised. Proudfoot's Boathouse has been an important recreational facility and attraction for tourists flocking to the Hopkins River, one of the State's most popular boating and fishing resorts, since 1885.” (Statement of Significance is from the Victorian Heritage Register)Wooden vessel or boat, called a dinghy, known as Proudfoot’s Boat. Paint work is orange with dark green gunnel and black stripe. The rowboat is propelled by oars and has two pair of thole set into the gunnel (gunwale) to hold the oars in place and to serve as a fulcrum when rowing. The boat is dated around 1885. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, small marine vessel, dinghy, proudfoot's boat, proudfoot's boathouse, picnic boat, orange and black boat -
National Wool Museum
Book, Registered American Merinos selected by W G Markham, Avon, NY,USA from the best American flocks
"Registered American Merinos selected by W G Markham.." 1883Office copy/ July 1880sheep breeding merino sheep - history, hay, mr alfred markham, mr w. g., sheep breeding, merino sheep - history -
Bendigo Historical Society Inc.
Newspaper - "Visitors Flock to Bendigo"
Bendigo Advertiser. a. Coral and Jim Evans standing in front of Specimen Cottage during the Bendigo Open House Weekend. October 28 2019 b. Service of BHS Volunteers recognized. December 10 2022 c. Caroline Kennedy visits Bendigo. March 4 2023national trust open house, specimen cottage, jim evans, kay macgregor, caroline kennedy, john joseph, eureka