Uniform belonged to Lt. J.K. GRIFFEN 2nd AIF, VX83853, 19th LOC SIGNALS.1) Jacket, Service Dress, Serge, khaki, Winter, 2 x Australia Badges, 2 x Rising Sun Lapel badges, 4 x Lieut badges (2 on each shoulder), 2 x Colour patches rectangular shape, white, light & dark blue with grey surround, 2 x service chevrons on right sleeve (pinned on), 4 x service ribbons WW2, metal buttons, 4 pockets. .2) Trousers, Service Dress, Serge, khaki, winter, plastic buttons, 3 pockets. .3) Peak cap, khaki, with leather band, small Rising Sun badge, grey leather inner lining. .4) Tie, cotton, khaki. .5) Braces - stripped, elastic, leather attachments..3) Inside lining maker appears to be “Tru Form”uniforms - military - army, wwii

The book includes navigational information, tables and maps, diagrams and formulas. It was written for Examiners and Students studying for their nautical Mates and Masters marine qualifications— notes have been handwritten inside the front and back covers. Notes in point form: 1. I have seen the back of a torpedo EBoat or UBoat in my starboard side 2. I _ _ _ to - - - - - - - - - Port side 3. at a distance ----------- 4. Enemy surface vessel in sight __________ 5. suspicious vessel in sight 6. enemy (undecipherable) 7. I have cut a _ _ _ adrift with my _ _ 8. FI_ _ WISE _ _ _ 9. STARWISE 0. OPEN FIREThis relatively rare book provided up-to-date navigational information during World War II. It was to be used by Examiners to assess whether students qualified to be a Ship's Mate or Ship's Master. The contents of the book were based on maritime knowledge gained over centuries. It is an aid to understanding the navigational methods of the time and the changes and improvements in more recent history.Title: Tait's Home Trade Guide: to the Board of Trade Examinations for Mates and Masters Author: James Tait, Extra Master Publisher: Brown, Son and Ferguson, Ltd. Glasgow, Great Britain Date: Revised Edition 1943 Further Information: Fourteenth Edition 1941, Reprinted Edition 1943. Revised and brought up to date by Captain H. T. Jefferys, Extra Master Printed by Nautical Press, Brown, Son & Ferguson, Limited, 52-58 Darnley Street, Glasgow Hardcover, small book, royal blue cover, silver embossed text on spine. Textbook for Mariners. Includes tables and maps, diagrams and formulas, and navigational information. The inside covers of this book contain handwritten calculations, diagrams and notes that refer to navigation. Notes inside the back cover refer to an enemy vessel and OPEN FIRE.Spint, in silver embossing "TAIT'S HOME TRADE GUIDE" Handwritten inside the back cover "R.A.D. / MOORE / PT. WELCH" Included with the text inside the back cover "Gascoyne" "506" and "RCM"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, james tait, nautical text book, navigational text book, examination text book, brown, son and ferguson limited, 1943 nautical text book, world war ii text book, wwii text book, torpedo, open fire, pt welch, vessel gascoyne, e-boat, u-boat, marine technology, world war ii, wwii, ww2, navigation exams, ship's mate, ship's master

Originally the Bow Chair started off life with the name of the ‘Smoker’s Bow Chair’ where originally, it wasn’t designed for grandeur like many chairs of the time, but instead was designed for practicality and comfort. The original Smoker’s Bow Chair was a simple chunkier version of the Windsor Chair design which first appeared in the 1820’s. Although it lacked the high back found on any Windsor Chair of the time, it maintained a heavier, sturdier appearance. The main feature was a hoop or bow which was fashioned from steamed wood. This was then curved to make both the back support and arms. The chair also consisted of a wide seat, supported by 4 splayed, spindle legs. In its original form it was found in many country kitchens of the day as well as in many inns and public houses throughout the United Kingdom. Its name of the "Smoker’s Bow Chair" because the sweeping armrests were the perfect height to support a smokers arm when smoking a pipe.A significant piece of furniture from the late 19th century designed for a specific purpose, smoking. These chairs are now highly collectable and valuable today and avidly sought by collectors of antique furniture.Chair wooden dark brown "Smoker's Bow" chair, with wide and deep seat with broad arms, turned spindles and thick turned legs joined by a double stretcher.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, furniture, smokers chair, bow chair

Originally the Bow Chair started off life with the name of the ‘Smoker’s Bow Chair’ where originally, it wasn’t designed for grandeur like many chairs of the time, but instead was designed for practicality and comfort. The original Smoker’s Bow Chair was a simple chunkier version of the Windsor Chair design which first appeared in the 1820’s. Although it lacked the high back found on any Windsor Chair of the time, it maintained a heavier, sturdier appearance. The main feature was a hoop or bow which was fashioned from steamed wood. This was then curved to make both the back support and arms. The chair also consisted of a wide seat, supported by 4 splayed, spindle legs. In its original form it was found in many country kitchens of the day as well as in many inns and public houses throughout the United Kingdom. Its name of the "Smoker’s Bow Chair" because the sweeping armrests were the perfect height to support a smokers arm when smoking a pipe.A significant piece of furniture from the late 19th century designed for a specific purpose, smoking. These chairs are now highly collectable and valuable today and avidly sought by collectors of antique furniture.Chair wooden dark brown "Smoker's Bow" chair, with wide and deep seat with broad arms, turned spindles and thick turned legs joined by a double stretcher.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, furniture, smokers chair, bow chair

Originally the Bow Chair started off life with the name of the ‘Smoker’s Bow Chair’ where originally, it wasn’t designed for grandeur like many chairs of the time, but instead was designed for practicality and comfort. The original Smoker’s Bow Chair was a simple chunkier version of the Windsor Chair design which first appeared in the 1820’s. Although it lacked the high back found on any Windsor Chair of the time, it maintained a heavier, sturdier appearance. The main feature was a hoop or bow which was fashioned from steamed wood. This was then curved to make both the back support and arms. The chair also consisted of a wide seat, supported by 4 splayed, spindle legs. In its original form it was found in many country kitchens of the day as well as in many inns and public houses throughout the United Kingdom. Its name of the "Smoker’s Bow Chair" because the sweeping armrests were the perfect height to support a smokers arm when smoking a pipe.A significant piece of furniture from the late 19th century designed for a specific purpose, smoking. These chairs are now highly collectable and valuable today and avidly sought by collectors of antique furniture.Chair wooden dark brown "Smoker's Bow" chair, with wide and deep seat with broad arms, turned spindles and thick turned legs joined by a double stretcher.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, furniture, smokers chair, bow chair

Originally the Bow Chair started off life with the name of the ‘Smoker’s Bow Chair’ where originally, it wasn’t designed for grandeur like many chairs of the time, but instead was designed for practicality and comfort. The original Smoker’s Bow Chair was a simple chunkier version of the Windsor Chair design which first appeared in the 1820’s. Although it lacked the high back found on any Windsor Chair of the time, it maintained a heavier, sturdier appearance. The main feature was a hoop or bow which was fashioned from steamed wood. This was then curved to make both the back support and arms. The chair also consisted of a wide seat, supported by 4 splayed, spindle legs. In its original form it was found in many country kitchens of the day as well as in many inns and public houses throughout the United Kingdom. Its name of the "Smoker’s Bow Chair" because the sweeping armrests were the perfect height to support a smokers arm when smoking a pipe.A significant piece of furniture from the late 19th century designed for a specific purpose, smoking. These chairs are now highly collectable and valuable today and avidly sought by collectors of antique furniture.Chair wooden dark brown "Smoker's Bow" chair, with wide and deep seat with broad arms, turned spindles and thick turned legs joined by a double stretcher.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, furniture, smokers chair, bow chair

Golf medallions awarded by the Thomastown Golf Club. Bob Jones was a foundation member of the Club and Secretary for many years.Thomastown Golf Club was a social golf club formed in 1976. This is part of the Robert (Bob) Jones collection of Club memorabilia.Golf trophy, 4 plastic or metal medallions on coloured ribbon."T.G.C. Played all games / attended every round, Bob Jones, 1987, 1990, 1991, 1993."thomastown golf club, golf trophies, bob jones, robert jones

Golf trophy awarded by the Thomastown Golf Club. The Susan Jones Memorial Trophy was donated by Robert and Evelyn Jones in memory of their decesed daughter Susan. It was awarded to the Junior Club Champion. Winners as inscribed on this trophy: 1979-1982 Gene Forde; 1983-1985 D. Lindrea; 1988-1989 S. Gibson; 1991 P. Gibson; 1992 and 1994 D. Banks; 1993 Not presented; 2001 S. Eldridge; 2002 G. Catterall; 2003-2004 J. Livock.Thomastown Golf Club was a social club formed in 1976. This is part of the Robert (Bob) Jones collection of Club memorabilia.Golf trophy, plastic golfer and 4 gilt plastic angels on timber trophy on timber base."Thomastown Golf Club. Congratulations Bob Jones on playing 351 games and attending 400 games 3-12-1995" engraved on plaque.thomastown golf club, golf trophies, bob jones, evelyn jones, susan jones memorial trophy

Syllabus used at Thomastown Golf Club. These syllabi were owned by Robert (Bob) Jones, Golf Club Secretary.Thomastown Golf Club was a social club formed in 1976. This is part of the Robert (Bob) Jones collection of Club memorabilia.4 copies of syllabus for golf club, in brown folder.thomastown golf club, bob jones, golf memorabilia, syllabus

The 50's Plus Club (previously the Active Plus Club) was formed to provide activities for community members over 50. The club is now known as Watsonia 50's Plus Club. This leaflet outlines the who, what and where of the club.4 page leaflet Black text on cream paper.active plus club, diamond valley 50's plus club, watsonia 50's plus club

A modern detailed replica to scale 1:200 of the early 20th C battleship launched in 1906. " The dreadnought class defined the basic form of battleships up to the 2nd WW. Original specifications: Length 526 ft; beam 82 ft; speed: 21 knots cruising Crew complement: 657; Armament: 10 12inch guns; 18 12 pdr guns( 4 shown on model) ; Engines: two turbines driving 4 shafts; weight: 17,900 tons fully laden; coal capacity 2977 tons; The ship was broken up for scrap in 1920 - David Lumsden donor and modelmaker Detailed Model of the Dreadnought 90% cardboard model of early 20th C. battleship one white ensign; on a polished wood plinth with cardboard hand lettered labels. Decks painted pale gunship grey and below waterline bright red. Model on polished wood plinth with bevelled edge.two card labels adhered to plinth: "David Lumsden 2014 Scale 1:72" "H M S Dreadnought"model ships, h.m.s. dreadnought, battleships, ww1, david lumsden

The magazine Picture News, published by the Herald and Weekly Times in December 1939, shows how sailors were entertained at the mission. The photographs depict sailors having a good time, dancing with the ladies from the guild and even Mrs Moira Oliver, Padre Oliver's wife, playing ping pong, sining with pianist Mrs Helen Ellis. Padre Oliver was then chaplain on the HMAS Australia, and Rev. Dixon Tracy was the interim chaplain at the mission.The photographs demonstrate the work of the mission during the war. The Picture News was a short lived magazine first published in November 1939 and ceased in 1940.4 pages of the magazine Picture News, Picture News Volume 1, number 5 dated 2 December 1939: Page 3 to 6 illustrated with photographs form the Seamen Mission's entertainments offered during the war. ww2, picture news, 1939, moira oliver, helen ellis, lhlg, dance, song, reverend dixon tracy, g. spratley, ping pong, dances

Gathering of seafarers and LHLG members carrying the Mission flag, at Graylings, property of Frederic Race Godfrey, in St Kilda, on 13 November 1905. Sixty-three men and boys were invited to the picnic. Miss Ethel Godfrey is standing on the right hand side next to another lady, wearing a dark dress and hat. In the article published in the Church and the Sailor in July 1930 after she resigned from her position of Honorary Secretary, this was the first picnic organised by her after Reverend Gurney Goldsmith pleaded for women's help during a sermon at All Saints church in St Kilda the same month. The Ladies Harbour Lights' Guild was formed on 1st October 1906 and she was nominated Honorary Secretary and Treasurer on 4 December 1906. See item 1642This was the official first picnic of the Amalgamated Victorian Seamen's Mission and the first picnic organised by Miss Ethel Godfrey. A year later she was nominated Honorary Secretary of the newly Ladies Harbour Light Guild. The Melbourne Guild was the first one of its kind and was so successful that the scheme was spread around the world.Small monochrome photograph, quite blurred, depicting a group of sailors and ladies in a park. The Flying Angel Mission to Seamen flag behind them.In the centre wearing dark dress and hat is Ethel Godfrey.Handwritten in pencil on verso: 12 Handwritten in white ink on the album page: First picnic of the Mission, Graylings, St Kilda, King's Birthday 19051905, graylings, st kilda, reverend a. gurney-goldsmith, lhlg, ethel augusta godfrey, king's birthday, picnic

Outbreaks of poliomyelitis were common up until the 1950's when vaccine became available. The cause was not known and management was difficult - paralysis in varying degrees was the usual outcome. Public concern was high especially concerning children. One of the most significant Australians to suffer from this disease, was Alan Marshall (1902 -1984) who was born in Noorat, 15 kilometres from Mortlake. He wrote an account of his boyhood after he was struck down by the disease, in the internationally acclaimed 'I can jump puddles' (1955).Rectangular piece of calico'Shire of Mortlake. INFANTILE PARALYSIS. 1. Parents or Guardians of all children aged eighteen and under coming into the Shire of Mortlake from the Metropolitan or any other area affected with Infantile Paralysis, MUST REGISTER such children immediately either personally or by post at the Shire Hall, Mortlake. 2. Parents or Guardians of such "registered" children are requested to keep them away from all public gatherings and from all contact with other children for a period of Twenty-one days, and in the event of any illness to consult a Doctor immediately. 3. Residents of the Shire with children living in the house are requested in their own interests, not to take into their homes, or allow their children to have contact with, any "registered" child. 4. The following particulars are required upon registration:- Name, Age, Sex, Local Address, Metropolitan School, Grade, Metropolitan Address, Date of Leaving Metropolitan or affected area. Registration forms may be obtained at the Shire Hall, Mortlake, and at all Post Offices within the Shire. By Order, N.TURNBULL, Shire Secretary. MORTLAKE, 14/81937. '

The register documents twenty-five weddings that took place in the Mission to Seamen's church district between the 21st of April, 1947 to the 8th of June 1950. Each certificate is a record of all the information needed to legalise a marriage under Commonwealth law, such as names, dates of birth, marital status, parents and employment. Within the register, there are four Forms of Consent, used when the bride or groom were below the age of twenty-one. There is a memo confirming the death of one bride's previous husband, a letter confirming one groom was actually a bachelor, and letters from a ship's captain, swearing a bride and groom are both unmarried.The register is a historical record of weddings performed at the Mission to Seamen church between 1947 to 1950.On front cover, handwritten in blue ink: REGISTER NO 6 / 21-4-47 - 8-6-50 / NOTE NO 94 (underlined) / CELEBRATED AT ST NICHOLAS'MARINERS'CHURCH / WILLIAMSTOWN / NO 103 (underlined) AT ST ANDREWS " " / PORT MELBOURNEwedding, marriage, 1947-1950, register, church, marriages, dio-marriages, mission to seafarers, seamen's mission

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Cream silk child's dress. Elbow-length gathered sleeves with smocking at wrists. 2-panels of hand crocheted lace forming a 3-panel yoke with central insert of cream embroidery. Full-length dress in silk with two rows of smocking on bodice. At base of dress are two panels of 6 rows of pin-tucking, separated panel of lace over silk backing. Lace at neck. Opening in centre back with 7 button holes and 5 mother-of-pearl buttons with striution carved design. Cream satin ribbon runs under smocking at back and sewn into side seams.clothing, costume, dress, 1900s

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

In 1989 Greensborough Secondary College was formed from the amalgamation of Watsonia High School and Watsonia Technical School. These documents include the reorganisation proposal, minutes of the Local Planning Committee meeting held on 5th May 1988 and staff responsibility lists from 1988 and 1989.These documents indicate the changes occurring at the time of amalgamation including the responsibilities of staff.Manilla folder with black binding tape on folded edge containing 4 documents printed on A4 paper.Written in texta pen on front cover: "1989 Formation of Greensboro' [sic] Secondary College. Watsonia H.S., Watsonia Tech School"greensborough college, amalgamation, watsonia high school, watsonia technical school, greensborough secondary college

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.White lawn infant's dress. Gathered at waist. Gathered at neck forming shoulder straps. Embroidered central panel from front waist to hem.childhood, clothing, embroidery