Ruth was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. the artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Ruth is in a seated position with a loosely draped dress.Ruthruth

Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah

Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty

Susannah designed and carved by Charles Francis Summers and accompanies four statues in the Statuary Pavilion in the Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.The artwork is of historic and aesthetic significance to the people of Ballarat White marble statue, female seated with cloth draped over lower body.Susannahsusannah, summers

B & W photo of the Ormond College Theological Hall students and staff, sitting and standing outdoors. The photo is mounted on brown card.19 students are listed on the reverse of the mount. The staff members are named as: Rev. Professor Alexander Yule, Dr Boarland, Professor Smith, Professor Oxer, Rev. MacDonald, Professor Osborn and Professor Gillies.ormond college theological hall, rev. professor alexander yule, dr boarland, professor smith, professor oxer, rev. macdonald, professor osborn and professor gillies.

The Gillies Bridge is situated on Wildwood Road which runs off Lancefield Road. It spans the Deep Creek.A coloured photograph of a concrete road bridge spanning a small creek. The bridge has four arches. Two people are standing above the 4th arch on the roadway. The hillsides on either side of the valley are bare.gillies bridge, wildwood road, bridges, george evans collection

The Nimrod Theatre Company of Sydney production as part of the Melbourne Theatre Company season 1983Information about the NIMROD company which included Max Gillies and the state of social upheaval in Italy including the never ending scandals and political murders which occurred on a regular basis paper program:good conditionaccidental death of an anarchist, athenaeum theatre, program, melbourne theatre company, dario fo

Comedy sketches including Max Gillies taking of Sir Joh & Malcolm FraserShow with Max Gillies, Shane Bourne and Mark Little Flyer and newspaper articlesstand up for xmas, max gillies, shane bourne, athenaeum theatre, program, programme, greg hocking

The play was presented by The Australian Elizabethan Theatre Trust in association with The Northside Theatre company, Marian Street Sydney. Noel Ferrier was the Executive Producer of The Australian Elizabeth Theatre Trust and Stan Coogan Acting chief Executive Officer. The play was produced in association with the radio station 3AW.Large yellow and black program - good conditionthe department, david williamson, max gillies, athenaeum theatre, elizabethan theatre trust, northside theatre company marian street theatre, tracy mann, noel ferrier, 3aw

Photograhed newspaper advertismentgillies live at the club, athenauem theatre, max gillies

small sheet of film 1855 BURSLO A TO 1855 GILLIES birth, family, register

small sheet of film 1855 GILLIES M TO 1855 Mc DONALD Abirth, family, register

Newspaper clipping from The Courier, 6/7/2017 titled "Safer Street Crossing" about the installation of a set of traffic lights at the rear of the Museum Depot. Photo looking north along Gillies St. Included in the photo is Samantha McIntosh, VicRoads Ewen Nevett and MP Sharon Knight. Tram depot in the background. Note the traffic light installation resulted (a bit of accident and good talking by Neville Britton) of a crossing into the depot. Was not included in the drawings.gillies st, traffic lights, ballarat specialist school

Three copies of Bendigo Sub-branch R.S.S.A.I.L.A. Annual Victory Ball held at the Town Hall, Bendigo on August 16th, 1949. Guests of Honour were Lt.-En. S. F. Rowell, C.B., C.B.E., and Mrs Rowell. Card is cream with gold print on the front and a blue RLS badge. Other printing is blue. The inside of the trio-fold has a Dance Program of 28 dances and a space for Autographs. The other side has the Debutantes: Dorothy Ell, Joan Ell, Clarinet Bilby, Fay Webb, Aileen Harrowfield, Beryl Gillies, Wilma Sinclair, Margaret Pettit, Joyce Lucas, Gaynor Collier, Valerie Jones and Jean Bolitho. Chaperone: Mrs H A Morey. Flower Girl: Jillian Batten. Page: Elaine Guidice. Partners: Max Frayne, Roy Speechley, Les Morey, Len Kelly, Brian Walsh, Allan Scarfe, Clive Millar, Ken Sepping, Allan Holmes, Don Peterson, Ron Campbell, Jim Jeffrey and Ken Longstaff. President Bendigo Branch R.S.L. Col G V Lansell. Chairman Ball Committee: Mr F E Jackson. Hon. Sec. Ball Committee: Mr J W Swatton. Printed by James, Print, Eaglehawk.James Print, Eaglehawkevent, social, victory ball, r.s.l. bendigo collection - annual victory ball 1949, lt.-gen. s f rowell, mrs rowell, dorothy pell, joan pell, clarice wilby, fay webb, aileen harrowfield, beryl gillies, wilma sinclair, margaret pettit, joyce lucas, gaynor collier, valerie jones jean bolitho, mrs h a morey, jillian batten, elaine guidice, james, max frayne, roy speechley, les morey, len kelly, brian walsh, allan scarfe, clive millar, ken sepping, allan holmes, don peterson, ron campbell, jim jeffrey, ken longstaff, col g v lansell, mr f e jackson, mr j w swatton

Pages 1, 2, 3,4,5, & 6 from The Bendigo Independent, Friday, December 31, 1915. Contains Advertisements, news, and War news.newspaper, bendigo, bendigo independent, the bendigo independent 31/12/1915, alex gillies, fred bassett, a r bentley, heywood's sandhurst palace, beehive exchange hotel, arcade hotel, danaher's hotel, lord kitchener hotel, crown hotel, boundary hotel, european hotel, rifle brigade hotel, queen's hotel, albert bush's stores

Coloured photo taken on the 28/3/82. Taken near Gillies Corner.bendigo, streetscape, hargreaves mall, building of hargreaves mall canopies - march 1982, mccalmans, coles

Coloured photo taken on the 14/3/82 before the construction of the Hargreaves Mall Arches. Myer and Norris Menswear in the background.bendigo, streetscape, hargreaves mall, building of hargreaves mall canopies - march 1982, myer, norris menswear, williams the shoemen, the beehive, thomas jewellers, fosseys, woolworths variety, opsm, coles, ashmans, mccalmans, gillies cnr, commonwealth bank, allans walk

Silver covered Weeroona College 2002 Annual Awards Presentation Program with the College emblem on the front. Presentation was on the 19th December, 2002. Masters of Ceremonies was Alicia Purtill and Dale Young. Awards are listed and the names of students from Prep to Grade 6 and also from Year 7 to Year 10 are listed. Listed too are the Community Service Award and Team Sports Award.weeroona college - bendigo, arthur mcphan, neville sharpe, ken stewart, graeme parker, gay huggard, rod fyffe, rod lester, jim evan, amanda hubber, richard murphy, kristen miller, todd carrington, a t dingle auditorium, alicia purtill, dale young, wiltronics, bendigo historical society, bendigo chaplaincy committee, weeroona college bendigo parents' club, gillies bros

Forty-four page dark red covered report with a red shaded photo/drawing of a young man on a skateboard, titled Storm Sequence (2000) by Shaun Gladwell. In the front of the book is a loose letter mentioning the 2007 annual Report, covering their activities of the Trust for the year. Titles in the book are: About Our Founder and Her Legacy; Trustee's Report; Grants Overview; Grants Approved in 2006-2007, which are Aged Care, Arts, Culture & Heritage; Community Support; Disability Care & Support; Education; Employment & Vocational Training; Environment; and Health; Investments and Grants - An historical perspective, Financial Summary and An Historical Insight: The Smiths in Australia. Most chapters have information.Helen Mcpherson Smith Trust Annual report 2007helen macpherson smith trust annual report 2007, helen macpherson schutt (nee smith), darvell m hutchinson am, j barry hutchins oam, frances h awcock am, keith b smith, anthony baird, darren mcconnell, liz gillies, sarah bartak, pamela beech, lonia catalano, beolite village, bundji bundji, odyssey house victoria, macpherson smith community alliance, brotherhood of st laurence, dolphin research institute, howard florey institute, the jean hailes foundation for women's health, historical insight - the smiths in australia, shaun gladwell

Yellow laminated card with two photos. The first is World champion pie eater Scott Mackay celebrating his victory with another pie and the second is Rachelle Rayner displaying her diploma from Central Valley High School in northern California. It also mentions her studies at the school.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, scott mackay, gillies, daryl dutton, rachelle rayner

178 pages, illustratedpublication, book, studies, insect, life, australasia, gillies, beechworth honey

The trowel and mallet set was purchased by Mr Swanson, the builder of the Maryborough (Victoria) Railway Station prior to the planned ceremony for the laying of the foundation stone. Duncan Gillies. the Victorian Premier, was to lay the foundation stone, but his government was defeated in the week before the scheduled ceremony. The trowel and mallet set was never used. This set was held by the Maryborough Borough (later City) Council and lay unidentified for almost 120 years until a receipt from the jeweller was discovered. The set was donated to the Maryborough Midlands Historical Society in 2010.Ceremonial trowel and mallet set in brown leather covered presentation case with blue satin lining. Trowel has silver blade with cream handle possibly bone. Mallet cream, possibly bone. H. NEWMAN/Jeweller/MELBOURNE

The Address in honour of the memory of the Late Fred J. Martell given 3/4/1938, President of the Adam Lindsay Gordon Memorial Cottage was delivered by Mr A.E.C.Kerr, President of the Adam Lindsay Gordon Memorial Cottage Committee, Ballarat. The photograph of Craig's Hotel Stables' sign is included as Adam Lindsay Gordon held the leasehold of these livery stables in 1867.Mr Martell made valuable contributions to the Ballarat community as one of the Founders of the Ballarat Art Gallery, Registrar of the School of Mines and was "really [the] founder" of the Lindsay Gordon Memorial Cottage. His ashes were scattered around the Cottage.8 pages with 3 illustrations and 2 title pages. The 3 black and white illustrations are of Fred J. Martell, the Adam Lindsay Gordon Memorial Cottage and Adam Lindsay Gordon. The photograph of Craig's Stables is high gloss in colour. Nonejohn garner, doctor, john garner collection, ballarat botanic gardens, friends of ballarat botanical gardens, fred j. martell, mr a.e.c.kerr, adam lindsay gordon cottage, adam lindsay gordon memorial cottage committee, craig's royal hotel ballarat, craig's hotel livery stables, craig's hotel livery stables metal plaque, dougles sladen, poet's corner westminster abbey, bath lane, australian poet, adam lindsay gordon bust, gardens, ballarat