The church in the image is the former St. Michaels Catholic Church that was on Sunbury Road in the small Bulla township. After holding religious services at the Daniel property 'Narbonne' at Oaklands Junction until 1876, the permanent church building opened 0n 19th November 1876. Services were held there until the land was sold in the 1980s and the building was demolished despite undergoing renovations in 1978. Members of the Catholic faith then worshipped at the Sunbury Catholic Church. The note on the flip side was written by a Sunbury resident to his sister.A post card with a non-digital sepia photograph of a weatherboard church in an open grassed area. A short note has been written on the flip side of the card.st. michaels church, bulla, catholic church

Used at Burnley campus for garden maintenance and teaching turf and grass methods Mobile impact irrigation system that travels along a wire. Sweep arms with spray attachment on top. Much smaller than B22.0021.Moderl ?5 Rain Mobile Buckner Australasia Pty Ltdgarden maintenance, irrigation, mobile irrigator, buckner

Sepia image mounted on board: two women and two men, sitting and reclining on grass . Woman on LH side dressed in long dress, leg-of-mutton sleeves, hat, other woman long dress, hat on grass in front. Men are wearing three piece suits, ties, and boaters. Written on bottom of image : Rose Herbel, A Dehne, Dora Herbel, Wm. Kileen, As we like it !person, group, group in park, sandhurst, bendigo, group portrait, 'as we like it'.

This mat was donated to the Museum by the Rev. Andrew Rule Osborn. Reverend Osborn donated several artefacts including Aboriginal artefacts, Zulu and Pacific Islander objects. The Reverend came over from Tasmania to serve here in Warrnambool. His wife Annie was a fantastic author and wrote children's literature which was serialised in the newspapers. She was a supporter of women's suffrage and also the first woman editor of The Age.A flat circular mat made from native Australian grasses. Indigenous Australians would use this as a baby-carrier on the back. One band would be placed around the lower back and mat and two higher up. The child would be placed between the back and the mat. It was also sometimes used as a sun shade or something to sit on. It is a spiral form with grasses woven around to bind it together.aboriginal, indigenous, child carrier, mat, native grasses, reverend andrew rule osborn, annie osborn, women, mothers

The Jetty first built in 1870 connected Cowes to Crib Point. The service for mail, provisions and visitors from the mainland. A bridge to the Island was built in 1942 from San Remo.View of Jetty from Mussell Rocks, in the foreground a grassy slope. Three figures amongst mounds of grass and overhanging Pine tree branch. A very picturesque view.local history, photographs, jetties, cowes, phillip island, black & white photograph, betty kus collection, jetty cowes, cowes pier, bruce bennett

This is a photo of items made out of Banksia Bauerii. During the 1960's to the 1990's, local women made wooden items and jewellery of pressed flowers for sale at the Wildflower Show.The photo shows a display of wooden items standing on a white dip[lay stand. Dried flowers and grasses can be seen in the background, as well as a sketch on the wall to the right.events, wildflower show

Professor Kerry Cox was Vice Chancellor of the University of Ballarat from 01 January 2001.Digital image of Professor Kerry Cox standing in high grass in front of a body of water. The water is probably the dam near the swimming pool at Mount Helen Campusuniversity of ballarat, kerry cox, cox, vice-chancellor, mount helen

This is one of a series of Aboriginal rings which are found in the Sunbury area. The former Shire of Bulla published a detailed study of the Aboriginal Ring sites in the early 1990's.A coloured photograph of a sacred site featuring an Aboriginal ring within the Sherwood Housing Estate. There is a cleared grassed area with a distinctive ring in the foreground with the housing estate in the background.sherwood estate, aboriginal ring sites, george evans collection

Sunbury Secondary College was established in 1959 and was built on the site of the former rabbit canning factory on the corner of Riddell and Racecourse Roads. Over the years the school has expanded in number and size to cope with the increased needs for secondary education in the area.A black and white photograph of a double storey building and a single storey physical education centre. The buildings are built on a raised embankment with an open grassed section in front of the building.sunbury secondary college, education, schools, george evans collection

Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape

Cylindrical lawn mower with grass catcher. Green painted catcher and engine cover, orange petrol tank and handles. Pull start with engine control on RHS handle. Name prominantly printed on front of catcher "Qualcast / four stroke / Super 12". Sticker on engine "Stowmarket, SIP (in a red diamond background) Suffolk / Engine type 75G14 Model No. 25A / Made in Englsnd / Recommended Lubricants" followed by a table of lubricant makers and oil specification.machinery, lawn mowing

Monotone image of windswept bush. Costal landscape. Bush in the foreground is leaning to the right. Grasses in the foreground. The image is mounted on off white board and frame in a black frame.3/15 (Second State) / Cape Bridgewater / Carmel Wallace '93cape bridgewater, drypoint, etch, etching, carmel wallace, landscape, coastal

Carmel Wallace works out of a studio in Portland Victoria and is an award-winning artist and a finalist in major Australian prizes..Screen print of the waters edge, Swan Lake Discovery Bay Coastal Park. Hues of blues, red's, maroon, browns, tan and black for the edges grass matter. Bottom edge below the print in grey lead: 8/20 Water's Edge, Swan Lake Carmel Wallace '90swan lake, carmel wallace, coastal, screen print

Photograph of Alan Partington as a young man, wearing a boater hat and sitting in grass.Digital copy of black and white photograph, and closeup..alan partington

Central Park Gardens. Boy at center and large grass trees on right. c1900Post card showing a male standing in Central Park Gardens. Also an enlarged copy of the post card.stawell

Ringwood Golf Club Pro giving a pupil a lesson and photo of four ladies putting out on a green.2 black and white photographs, one golf pro with pupil and 1 of four ladies on green and man on a grass cutting machine. (undated) +Additional Keywords: Harvey, Peter

On The Creeks. Early life at Strathfieldsaye in the valley of the three creeks, Axe, Emu, and Sheepwash. Primarily covering the Parish of Strathfieldsaye, but 'hopping' through the fence when the grass looks greener.Barbara Mitchellhistory, australian, strathfieldsaye

historic, miningColour photo, Mine holes and mounds in open field, dry grass, gum forest in valley below. Green Hill Diggings, Sandy's Hill Rd., Durham Leadmining, green hills, sandy's hill rd., durham lead

An article in the Nunawading Gazette calling for new volunteers to join the Nunawading Indigenous Plants Project to plant and cultivate some of the 200 species of native trees and grasses in Nunawading reserves.native plants, nunawading indigenous plants project, trees, witherspoon, margaret, strachan, janine, mundell, tina

The photograph is from the album of Ivy Child. It gives an insight into the size and make up of the settler selections in Kalorama between 1927 and 1932. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph looking from a flat, grassed area up a hillside. There has been significany clearing of trees with a patchwork of crops planted. A fence is visible in the foreground.ivy child, kalorama, selections

Photograph black & white, Bert Graham Collection, Annual Club Picnic 1961, Lake Jubilee, Daylesford. 12 people having a picnic lunch on the grass in front of a building.bendigo, clubs, bendigo east swimming club

The students from Bulla Primary School were engaging in a variety of creative activities as part of their studies. The activities that they participated in were dancing, drama, singing and instrumental music. The activity in this photograph the children were preparing to lift the coloured banner into the air. It was an activity that involved group cooperation and coordination.This activity engaged the children in group cooperation and coordination.A non-digital coloured photograph of group of children standing in a grassed area, in a large circle while holding onto a large coloured circular banner with an adult supervising the group.creative activities, bulla primary school

Twenty page book with black and white printed text and graphics. The front cover features a black and white image of a child sitting on grass with his arm around a dog. front: [printed] Patons Knitting Book / No. 167 / “KEVIN” / See page 17 / 7d. / A PATONS AND BALDWINS PUBLICATIONfashion, women, knitting, crochet, home life, patterns

Florence Tatham Mellblom (nee Henry) was a painter, naturalist and photographer. She was born at Portland, Victoria, and studied art in Ballarat. She was a talented etcher from childhood, and joined the Portland Camera club. She also produced many watercolour paintings of the historic places of Portland. She was married (1932) to Karl Enoch Mellblom.Image of a bluestone building to the back of the painting. Next to it is a smaller reddish building. In front of the building there is grass and shrubland. Trees are to either side of the buildings. The sky is blue with white clouds.Bottom left - F Mellblomfemale artists, female artist, women, portland shire, bluestone building

During May through to July 1920 Prince Edward, later to become King Edward VIII of England toured Australia to thank the country for its support during World War One and to strengthen ties between Australia and the United Kingdom. He arrived in Victoria on the 26 May 1920 and on the 29 May attended a special agricultural show at the Royal Agricultural Showgrounds at Flemington. Bacchus Marsh district was invited to contribute to a display of agricultural produce and products which was displayed in the Government Pavilion at the Showgrounds. The display according to a newspaper report in the Bacchus Marsh Express on 5 June 1920 included 33 trays of fresh fruit, preserved fruit, pickles, sauces, bacon and other small goods, vegetables, hay grasses, grain, turned wood, wines and other drinks', &c., aided by pot plants, flags, draping of maroon and gold (official Exhibit colors) made up a color scheme and general effect worthy of the occasion. The Prince inspected the exhibit and expressed his admiration of it, his only regret was that he could not give more time to its examination. There was also 'an improvised "pheasant" nestling in one corner, and what "amazing" eyes it had!'. The organiser of the display was F. C. Minns, and the decorator was T. Stewart. This photograph is notable for its size and high quality framing. This signifies the importance the local community placed upon being chosen to participate in a major royal event and the desire to record this in a grand and elaborate way for posterity. Very large framed photograph of the agricultural produce and products from the Bacchus Marsh district displayed as part of a special exhibition for Prince Edward, the heir to the British throne when he visited Melbourne in May 1920. The display comprised a wide variety of produce such as fresh and preserved fruit, meats, vegetables, hay, grasses, grain, turned wood, wines and other drinks. The image is divided in the middle into two different angles of the display.A caption in gold lettering at the foot of the image reads 'The Prince's Show May 1920 Bacchus Marsh District Exhibit Royal Agricultural Society Showgrounds'royal visits, shows and exhibitions

Two residents of Mirridong sit near the windows looking towards a grassed area between buildings. 1 B/W photograph of elderly lady and man sit near the window at Mirridong.DF181 approx 1/3 sizeassociation for the blind, mirridong home (bendigo)