Prior to the advent of the ferry service Ithacans who wished to travel to the mainland sailed by ship. The 'Angelika', photographed in Ithaca's port harbour of Vathi, transported most of the post WWII Ithacan migrants to the main Greek port of Piraeus to embark for their journey to Australia. Migration from Ithaca to Australia ceased during the second world war years. A second wave commenced in the post war years, particular following the 1953 earthquakes which caused catastrophic damage to the island. Today travel between Ithaca and the mainland is by ferry boats. Ships and ferry boats no longer enter the harbour at Vathi, but rather dock at Piso Aetos. A black and white photograph with a thin white border of a ship steaming out of a harbour with smaller craft in the water. People are standing on the wharf watching the boat depart; behind them are buildings and mountains across the skyline.

John MURPHY VX15580 enlisted in the 2nd AIF on 26.2.1940 age 28 years 5 months. Posted to 2/7th Bn on 6.4.1940 and embarked for the Middle East on 15.4.1940, embarked for Greece 9.4.1941 and returned from there in June 1941. Embarked for Australia on 8.3.1942 and disembarked Ceylon 7.4.1942 and did not re embark until 12.7.1942 and arrived in Australia 4.8.1942. Transfers to 2nd Aust Tank W/Shops AEME on 3.10.1942 and then 2/4th Aust Base W/Shops, discharged from the Army on 3.10.1945. In the Greece and Crete campaigns the 2/7th Bn was essentially destroyed and it was rebuilt from a small core in Palestine in Garrison duties and then in Ceylon before returning to Australia..1)Medal set, brass plate mounted , group of (5) re .J. Murphy 1.1939 -45 star 2. Africa star 3. Defence medal 4. War medal 1939 -45 5. Australian service medal .2) Ribbon , single "Africa Star" with pins uniform attachment"VX15580 J Murphy"numismatics- medals - military, metalcraft

Printed at the Theater for the author, MDCCVII . And sold by Mr . Bateman in Pater -Noster-Row, London: and Jeremiah Pepyat bookseller at Dublin. Lhuyd [Lhwyd; formerly Lloyd], Edward (1659/60?-1709), was a naturalist and philologist and the Keeper of the Ashmolean Museum. Lhuyd was a pioneering linguist. In the late 17th century, Lhuyd was contacted by a group of scholars, led by John Keigwin of Mousehole, who were trying to preserve and further the Cornish language and he accepted the invitation to travel to Cornwall to study the language. Early Modern Cornish was the subject of a study published by Lhuyd in 1702; it differs from the medieval language in having a considerably simpler structure and grammar. In 1707, having been assisted in his research by fellow Welsh scholar Moses Williams, he published the first volume of Archaeologia Britannica: an Account of the Languages, Histories and Customs of Great Britain, from Travels through Wales, Cornwall, Bas-Bretagne, Ireland and Scotland. This book is an important source for its linguistic description of Cornish, but even more so for its understanding of historical linguistics. Some of the ideas commonly attributed to linguists of the nineteenth century have their roots in this work by Lhuyd, who was "considerably more sophisticated in his methods and perceptions than [Sir William] Jones’’. Lhuyd noted the similarity between the two Celtic language families: Brythonic or P–Celtic (Breton, Cornish and Welsh); and Goidelic or Q–Celtic (Irish, Manx and Scottish Gaelic). He argued that the Brythonic languages originated in Gaul (France), and that the Goidelic languages originated in the Iberian Peninsula. Lhuyd concluded that as the languages had been of Celtic origin, the people who spoke those languages were Celts. From the 18th century, the peoples of Brittany, Cornwall, Ireland, Isle of Man, Scotland and Wales were known increasingly as Celts, and are regarded as the modern Celtic nations today. (Wikipedia)Oversize book. Includes the original languages of England and Ireland, Amoric Grammar, Amoric-English Vocabulary, Welsh words ommitted from Dr Davies' dictionary, Cornish Grammar, Ancient Scottish language, Irish-English Dictionary. Four page index which includes the errata, has the list of subscribers, mainly 3 columns per page. Includes a Cornish Grammar and dictionary of the Irish language, Archaeologia Britannica, Giving Some Account Additional to What Has Been Hitherto Published, of The Languages, Histories and Customs of the Original Inhabitants of Great Britain: From Collections and Observations in Travels Through Wales, Cornwal, Bas-Bretagne, Ireland and Scotland. Chapters on: The comparative Etymology, The comparative Vocabulary, The Armoric Grammar and Vocabulary, Dr Davies's Dictionary, Cornish Grammar, Catalogue of British Manuscripts in Welsh and Latin, Essay towards a British Etymologicon, The Introduction to the Irish, Irish Dictionary etc. language, gaelic, irish, scottish, edward lhuyd, welsh, latin, greek, etymologicon, celtic

In 1953 an major earthquake caused catastrophic damage across the islands of Ithaca and Cephalonia, which are part of Greece's Heptanesian group of islands located in the Ionian Sea. Many towns and villages were left uninhabitable and resulted in another wave of Ithacan migration to Australia. The Ithacan Philanthropic Society initiated an Earthquake Appeal which was generously supported by Melbourne's Ithacan community, all of whom were affected by the earthquakes in one way or another.A black and white photograph of damage caused by an earthquake. The buildings which were built along the edge of a harbour have been ruined. There are mountains in the background.

Unidentified note has the emblem of a Star and Crescent Moon which usually indicates it is of Islamic origin. Item is in the collection of Richard William McGILVERY, RAAF. Refer to Cat 7287P for service details. medals and awards.A one unit note of currency. Writing on note in some type of Arabic script. Emblem of Star and Moon on the note which usually represents Islam. Dark blue on white paper and white cloud in middle with Arabic writing. On the back are two images side by side in blue. First is some buildings see through Greek columns. Second is a clear circle with the edge containing geometric symbols. The note has been torn into 2 parts.No. 1 in corner and some unidentified Arabic script.foreign currency, richard william mcgilvery

This book was produced as a project for the 1915 ANZAC centenary. The book became too unwieldy and was then divided into written information and a CD with the details of each man - name; rank; service number and unit. Almost 2500 names have been traced. For current Australians, the Anzac Centenary is one of the most significant commemorations to take place during their lifetime. It was a time to contemplate the legacy of those who served in World war 1 and those who never returned to their families or friends. This book records that time and especially honours those from East Gippsland.A paper back book, titled "East Gippsland's ANZACS a tribute to those who served in World War 1". On the front cover is a sepia photograph of "Thirty East Gippsland Boys" taken in early 1916 during training at Heliopolis (Greece) before embarkation for France. The book contains a selection of stories from those who served, along with a CD of the names and service records of all of those known to have enlisted from East Gippsland.anzac ww1 military-history--east-gippsland

A megaphone or loudhailer is usually portable or hand-held, the cone-shaped acoustic horn used to amplify a person's voice or other sounds and direct it in a given direction. Used to communicate with others over distances. In Greek mythology, "Stentor" was a Greek herald during the Trojan War. His name has given rise to the adjective "stentorian", meaning loud-voiced, for which he was famous. The large funnel-shaped device is made of painted metal that is riveted together. It has no metal mouthpiece at the narrow end but rather a larger opening that is associated with a movie directors megaphone. It could also be used in a maritime situation or anywhere a person needs to amplify their voice to give directions to others over a distance. The Megaphone has significance for its provenance and historic value, and also as a relatively rare item of equipment once used worldwide in not only marine situations, or light house stations as well as many other differing types of applications where a person voice was needed to be amplified when communicating with others.Pressed Metal megaphone or loud hailer, with rolled wire rims, folded seam and riveted handle painted green and marked "R" "R"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, megaphone, loud hailer, directors megaphone, communication device

A megaphone or loudhailer is usually portable or hand-held, the cone-shaped acoustic horn used to amplify a person's voice or other sounds and direct it in a given direction. Used to communicate with others over distances. In Greek mythology, "Stentor" was a Greek herald during the Trojan War. His name has given rise to the adjective "stentorian", meaning loud-voiced, for which he was famous. The large funnel-shaped device is made of painted metal that is riveted together. It has no metal mouthpiece at the narrow end but rather a larger opening that is associated with a movie directors megaphone. It could also be used in a maritime situation or anywhere a person needs to amplify their voice to give directions to others over a distance. The Megaphone has significance for its provenance and historic value, and also as a relatively rare item of equipment once used worldwide in not only marine situations, or light house stations as well as many other differing types of applications where a person voice was needed to be amplified when communicating with others.Megaphone or loud hailer, metal painted green with handle and a large indented mouth piece. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, megaphone, loud hailer, directors megaphone, communication device

Green/black clothcovered book of 412 pages. Includes illustrations and topics such as Knights Templar, Red Cross Knights, Lesson in Architecture, botany, arithmetic, algebra, static forces, Cambridge University, chemistry, latin, Euclid, fossils, geology, Greek, Electricity, German, Organic Chemistry, shells, pearls, North America, nightshades, the Thirty Years War, commerce, reflection of light, book-keeping, mosses, South America, hydrostatics, camera obscura, London UniversityStamped 'Springs Public Libray'cambridge university, knights templar, red cross knights, organic chemistry, north america, thirty years war, south america, camera obscura, london university, springs public library

A Chemold Rod Laver Tournament tennis racquet, with ribbon whipping around shoulders, and mottled black leather grip. Model name features across base of head, flanked by Classical Greek motifs. A coat-of-arms with lion and deer features on throat. Lower shaft and plastic butt cover feature blue, red, and white Chemold trademark. Materials: Wood, Nylon, String, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metaltennis

The photograph is of a music ensemble from the Greek island of Ithaca, taken sometime between 1938 - 1941. Mandolin and guitar music and cantades singing was popular with the people of Ithaca and across the Ionian Islands. The preference for this style of music and song was a result of the influence of the Venetian rule of the Ionian islands for almost 300 years. The uniforms of the young men photographed suggest they may have been members of the National Youth Organization established in Greece during the years of the Metaxas dictatorship (1936–1941) with the stated goals of helping the youth in the productive spending of their free time and cultivating their national values and cooperative spirit. Membership was made compulsory, for all young people, despite the views of families. A range of coercive tactics were used for those who were reluctant to join. The youth movement disintegrated after the regime’s ending in April 1941. Many of its members joined the Greek resistance movement. Despite the regime being a right wing dictatorship, Metaxas refusal to submit to imperialist and fascist Italy resulted in Greece entering WWII on the side of allies. Many Ithacans who settled in Australia brought with them their instruments and their love of cantades and the Ionian style of music. At family gatherings and celebrations they would play their mandolins and guitars and sing their beloved cantades.A black and white photograph in postcard format of sixteen young men, members of a mandolin and guitar orchestra. They are all dressed in dark trousers and shirts with light ties. The Ithacan Historical Society has been stamped on the back.

This badge belonged to F.J. Browne and would have been worn during World War I. Hermes (Mercury) was the messenger of the gods and known for carrying a staff known as the Caduceus. The caduceus included two snakes topped off with a set of wings. Caduceus is from the Greek root meaning “herald’s wand”.Francis James Browne died in Sydney 1963. He had a long career in obstetrics and gynaecology. Summary of appointments include: General Practice in Wales, Maternity Department of the Edinburgh Royal Infirmary, 1st director of obstetric unit, University College Hospital London. Retired and continued postgraduate teaching in London and NSW. Married to Grace Cuthbert, who was director of Maternal and Baby Welfare in NSW. Collection of objects transferred from the Archives to the Museum collection found amongst Professor FJ Browne's papers.Brass badge depicting a crown mounted on top of a caduceus (image of two snakes wrapped around a staff topped by wings). Clip attached to back of badge is inscribed 'FIRMIN LONDON'.numismatics, browne fj, world war i

Object. An elaborate item, with a light blue grosgrain ribbon background. An arched and a straight bar at the top state CORONA LODGE. A crown with fanned background, under which is a plinth and a clasp stating No 195 V.C. Below this is an inverted ^shape, highly engraved with a Greek eternity pattern, and decorative scrolling. From this shape hangs a rectangular shape 2 cms x 1.7 cms, which has a fine decorative edge, and a central motif. The underside of the ^shape is engraved as above.Front: CORONA LODGE No195 V.C. Back: Presented to Wor.Bro.W.R.WRIGHT I.P.M. by the BENDIGO CORONA LODGE No 195 V.C. 25.8.20?1organisation, masonic lodge, corona lodge medallion

Captures a soldeirs experiences in Egypt including rare photos of the everyday life and experiences of a soldier.Possibly a rare collection of a WW1 soldiers experiences captured in photographsBound album with cardboard front and back covered in aqua fabric. Greek scroll decoration on bottom, KODAK gold lettering, frontleft. 11 pages plus one cut in half. Each pages contain four photo pockets with black and white photos. Each photo has handwritten description on bottom of pocket. Photos depict Mena Camp, Egypt.1914 /1915, warships in Mudrus harbour, hospital ship and photos of soldiers with local people. Photos missing.Each photo inscribed below image with information about location. Top Right inside cover Donated by R.F. Ormaton, Box Hill. Photos belong to Capt. A. Greig Dec. 1988. Also written top left ‘J. Crowley / 105 Ocean Street/ Rosebud/ (059) 861246world war 1, ww1

Buff coloured booklet, embossed with Greek columns and Masonic star. On front of document ''Diamond Jubilee Souvenir Zenith Lodge, Antient Free and Accepted Masons of Victoria 1866 1926, No. 1133, No. 52, Bendigo''. Inside, front page,Officers of the Lodge at consecration 1866: Bro Edward Garsed, Samuel Hogg, Richard Andrews, William Webb, John Davies, G. Chaasand, Thos. O'Neill, J. Duncan. Pages contain lists of members for each year from 11889 through to 1926.Cambridge Press, Bendigobendigo, clubs, lodge

Three Volumes of The World's Greatest Paintings - Selected Masterpieces of Famous Art Galleries. Large format blue hardcovers with a decorative embossed front cover with an ancient Greek or Roman head bust at the top. The spine has two sets of gold bands at the top and bottom with the title in gold lettering. The work has one hundred fine colour plates of well know pictures with information about each master. Each book has a brown paper dustjacket with the title at the top in black lettering.non-fictionThis work is published in three volumes containing one hundred fine colour plates of well-known pictures from many lands for the general public to enjoy. In addition to the plates there is a brief account of the life and times of each master represented avoiding all discussion of technical matter as far as possible.art books, art, painters, artists, artworks

This replica ship was modelled to exact scale by Denis Paraskevatos with the original basic kit enhanced by a large number of brass and mahogany wooden parts used and showing on two labels positioned at the base of the model. These replica parts were specifically designed and constructed by D. Paraskevatos with the help of his family. This model along a large number of others have been displayed at the Victorian Parliament for ten days from the 18th March 2002 (Queens Hall) to the 28th March 2002, and the Melbourne Town Hall from 19th to 27th August 2004. The history of the 65 meter British vessel named Cutty Sark is as follows: THE CUTTY SARK (history) The “Cutty Sark” was a British clipper ship, aptly named of course as a [clipper for its speed ], which was built in 1869 on the [river Clyde in Scotland ] by the Jock Willis Shipping Corporation. It was primarily used to transport tea from China to Great Britain, as well to a lesser extent later in its life, wool from Australia; however, with the advent of the steam engines and the creation also of the Suez Canal in 1869, its days of operation as a sailing vessel were numbered, as the steam ships were now prevailing as technologically advanced cargo carriers through the shorter route by the Suez Canal to China. In fact, within a few years of its operation, as its delegation in the tea industry was declining, it was assigned primarily the duty of transporting wool from Australia to England, but this activity was thwarted again by the steam ships, as they were enabled by their technologies to travel faster to Australia. Eventually, the “Cutty Sark” in 1895 was sold to a Portuguese company called “Ferreira and Co.”, where it continued to operate as a cargo ship until 1922, when it was purchased on that year by the retired sea captain Wilfred Dowman, who used it as a training ship in the town of Falmouth in Cornwall. After his death, the ship was conferred as a gesture of good will to the “Thames Nautical Training College” in Greenhithe in 1938, where it became an auxiliary cadet training ship, outliving its usefulness as a training vessel by 1954, and permanently [being dry docked in Greenwich, London, ] for public viewing. Of course, the “Cutty Sark” was not the only tea clipper constructed and owned by the Jock Willis Corporation, as there were others who were also used for the transportation of tea from China to Great Britain. Noteworthy additionally in its impressive resume is the fact that, the “Cutty Sark” was not only valued and admired for its speed, but also for its prestige that it afforded to its owners, [as media coverage was insatiable during a tea race that was regarded a national sporting event, with fiscal bets being placed on a predicted winning ship ]. Disappointingly, even though the English tea clippers were the best in the world at the time in terms of marine design, they had never won a tea race, and Jock Willis was certainly determined to achieve this goal, as the American clippers were considered the fastest in the tea trade. Nonetheless, the British clippers were proven to be formidable opponents to their American counterparts in the tea trade, when in 1868 a British tea clipper called [“Thermopylae”, managed to travel from the port of London to Melbourne, in only sixty one (61) days, which Jock Willis was hoping to improve on such a feat with the “Cutty Sark” ] . Remarkably, the maximum speed that the “Cutty Sark” could achieve was 17.5 knots in spite of the challenges of the unpredictable winds, if any at times, and the high seas or ferocious storms. Interestingly, [the “Cutty Sark’s” greatest recorded achievement in distance in twenty four (24) hours was three hundred and sixty three (363) nautical miles ], which meant that it was averaging approximately fifteen (15) knots; much faster obviously than the recorded twenty four (24) hour distance of the “Thermopylae” which had accomplished three hundred and fifty (358) nautical miles. .... ______________ -*- Please read the complete history of the Cutty Sark vessel by Maria Paraskevatos in one of the attachments provided with this exhibit. This model along with a large number of others was constructed by the Master craftsman Denis Paraskevatos, in Melbourne and has a historic, artistic significance because of the time and artist efforts in construction.The English Cutty Sark replica model is a wooden replica scaled at 1:25. The wood is mahogany and it is normally displayed in a glass covered enclosure. It has three masts and it is the largest vessel of Denis Paraskevatos collectionCUTTY SARK LONDONreplica, ship, art, model, cutty, sark, greek, artist, paraskevatos, παρασκευάτος, πανομοιότυπο

The burse is a flat case used at Mass as a container for the corporal. Over the centuries it was decorated with symbols relating to its use as part of the Mass often matching the decoration on the vestments and chalice veil. This selection use simple lace trim with embroidered decoration representing the cross, the Christian fish symbol and the Greek Alpha and Omega.

Leather bound black spine and cover corners with green cloth-covered board covers. Gold lettering and gold graphics on spine. Set contains volumes I-XXV, catalogued as 438.1 - 438.25. Vol I: Egypt & Mesopotamia (438.1); Vol II: Israel-Persia India-Pheonicia Asia-Minor (438.2); Vol III: Greece to the Peloponnesian War (438.3); Vol IV: Greece to the Roman Conquest (438.4); Vol V: The Roman Republic (438.5); Vol VI: Early Roman Empire (438.6); Vol VII: The Later Roman (438.7); Vol VIII: Arabs Crusades Papacy (438.8); Vol IX: Italy (438.9); Vol XI: France 843-1715 (438.11); Vol XII: France 1715-1815 (438.12); Vol XIII: France since 1815. Netherlands (438.13); Vol XIV: Netherlands. Germany (438.14); Vol XV: Germany (continued) (438.15); Vol. XXIII. The United States. Spanish America (438.23); Vol. XXIV. Turkey. Minor Eastern States. China. Japan (438.24).history, world history

An advertising poster for the 1955 All Nations Festival which was presented by the Australia Red Cross Society, Victorian Branch. Nina and Olga Black participated in the festival and were featured on the poster (seated at front first and second from left) wearing Greek traditional costumes. Other recognisable national costumes are Scottish Piper and Dutch.The event held in 1955 by the Australian Red Cross promoted multicultural Australia and members of the Ithacan Philanthropic Club participated. It was the period of post WW2 mass migration which saw many nationalities making Australia their home.Photocopy of a poster for the 1955 All Nations Festival. Consisting of a group 3 men and 6 women dressed in different national traditional dress. There is a Red Cross symbol either side of the group.THE AUSTRALIAN RED CROSS SOCIETY / VICTORIAN DIVISION/PRESENTS THE / 1955 ALL NATIONS FESTIVAL / ST. KILDA CRICKET GROUND - SUNDAY, 27TH FEBRUARY 1955folk dancing, national costimes

This anvil was once the property of Warrnambool Ports and Harbours. It is associated with the shipping trade and wold have been used by a blacksmith or tinsmith for forging and shaping metal. According to Pliny, the anvil is supposed to be invented by Cinyra of Cyprus, but it was probably much older. There has been very little change in the basic design of the anvil since Greek and Roman times. This anvil is significant for its association with the local government body of Warrnambool Ports and Harbours, which is of local historic significance. It is also significant for its association with blacksmiths and tinsmiths, which are rare trades today.Anvil, small, for use by blacksmiths and tinsmiths.It was once the property of the Warrnambool Ports and Harbours.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, anvil, blacksmiths, tinsmith, tools, trades, warrnambool ports and harbours

Tooth elevators and extractors were first used in Greece in the 11th and 12th centuries. Many of these instruments were named after birds (eg. the Pelican) or objects which they resembled (eg. screws, keys, toothkey hooks). In France, the instrument is also referred to as a "clef anglais". (Bennion, Elizabeth. 'Antique Medical Instruments', 1979, p. 204-205.)Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920.She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.Dental instrument consisting of a metal shaft with small hook attachment and bone or ivory handle. midwifery, dentistry

It is unknown how this came into the collection at the Warrnambool Museum. However, during the 18th and 19th centuries it was fashionable for young men of means to undertake a 'grand tour'. During their travels they would often pick up souvenirs with these sometimes being ancient artefacts from classical Greece or Rome. It is thought that the item most probable came to the museum in this manner.From discussion with specialists at the British Museum and the University of Reading it was ascertained that the oil lamp is indeed ancient Roman and over 2000 years old. The marking on the top could be Venus although it is quite worn away so it is difficult to tell for sure.A terracotta oil lamp housed in a wooden box. On the top of the lamp are 3 circle incisions and in the centre of the circles is a depiction of a figure. There is a small finger sized handle on the side of the lamp. The handle has 2 incised lines leaving 3 raised ridges. It is squared off at the top. The top of the oil lamp has a hole in which to place a cloth wick and a spout from which the smoke would have come out. The spout is blackened from smoke. The container box is guessed to be from the time of acquisition which would be around the early 1900s and is made from a polished wood. Light in colour.In the box was a label saying, 'Venus coming out of the gate of the temple'. It also stated that the lamp may have been placed at the feet of the dead in the catacombs.oil lamp, roman, terracotta, classical, archaeology, victorian, grand tour

This kit belonged to VX19808 William James Curtis. WWII sgnigificance.2 x metal nested mess tins with swivel handlesHand inscribed with VX19808 Curtis W.J. Palestine, Egypt, Libia, Greece, Crete, Syria, India and Ceylon. Also inscribed with Dunera, Arayabank, Heroward, Costa Rica, Hero, Kimberley, Nurmahal, Smaller mess tin inscribed with VX19808 Curtis. W. J. Also engraved on side contour of a dog.

Seven assorted postcards addressed to Mrs. A. Stephens and having various themes. (a) Christmas theme card depicting a water wheel and the actress Billie Burke., (b) embossed card with an guitar and flower theme., (c) Card with a faded photograph of the Exhibition Buildings , Melbourne., (d) Cartoon with The caption ' I wish I was a dog ' (e) Embossed card with a classical Roman or Greek theme., (f) embossed card depicting a sailing ship., (g) Photograph of a child, 5 or 6 years old , in a bathing costume.postcard, various themes, water wheel , billie burke, guitar, exhibition buildings , melbourne, i wish i was a dog, roman theme, sailing ship, boy in bathing costume

Perfect Cheese Company was founded in 1930 by newly-arrived Italian migrant Natale Paquale Italiano. The company specialised in traditional Italian-style cheese but also produced Greek, Cypriot and Maltese origin cheeses. The cheeses were sold in Australia and Italy with all products being matured and non-processed. The company remained in operation until the early 2000s.This cheese press is significant as it represents the machinery used by an early cheese production company.Stainless cheese press machine with three steel supports and two threaded rods will spring tension wheels to screw down to pressurise the hoops containing cheese.J & T YOUNG AYR UKallansford, perfect cheese company, avery, cheese manufacturing, dairy industry

Perfect Cheese Company was founded in 1930 by newly-arrived Italian migrant Natale Paquale Italiano. The company specialised in traditional Italian-style cheese but also produced Greek, Cypriot and Maltese origin cheeses. The cheeses were sold in Australia and Italy with all products being matured and non-processed. The company remained in operation until the early 2000s.This weighing machine is significant as it represents the machinery used by an early cheese production company.Large metal machine with cast iron with a cast iron frame and a stainless steel rectangular bowl in a cradle. The round weighing scale at the top shows a weight scale up to 1100 pounds. A mesh stainless steel baffle strains the milk.Made in England Birmingham - AVERY SOLE AGENTSallansford, perfect cheese company, avery, cheese manufacturing, dairy industry

From its earliest days, the Ithacan Philanthropic Society has conducted an annual family picnic held at country towns on Melbourne's urban fringe. For many years Bacchus Marsh was a popular venue where this picnic group was photographed. Women would prepare delicious traditional Greek food and families would group together to enjoy a wonderful picnic spread. The annual Ithacan Picnic has been a very important event on the society's social calendar. In the early days, as many of the families ran family businesses such as fruit shops, fish shops and cafes, Sunday was the only break they had away from their work. The picnic gave them a chance to relax and to catch up with extended family and friends. Today the picnic continues to be an extremely popular day for the members where generations of Australian Ithacans get the opportunity to reunite. A black and white photograph of a large group at a picnic standing and sitting around and enjoying a picnic meal which has been spread out on the ground. Three cars are parked in the background under the trees.

The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline.