Photograph shows four Second World War conductresses with ticket bags standing along MMTB Double Decker bus No. 239 at North Fitzroy Depot. The bus is fitted with headlight masks as a blackout measure. Yields information about Melbourne's Conductresses and double decker buses.Copy photograph - black and white - from the 1942 MMTB Annual Reporttramways, buses, world war 2, conductresses, double deck buses, bus 239, mmtb buses, leyland, td5c class

Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.'Looking for God in Abstract Art 2' is a play on the debate over the respective virtues of abstraction and figuration that has preoccupied artists and critics for more than a century. Sanson has always walked a wobbly line between the two, adroitly avoiding falling headlong into either camp. It is also a gentle dig at the pretensions to higher spiritual meaning in abstract art. In the centre are two photographs, one of rubber masks and the other of the artist in a lurid fright wig and mask and using a spray can like a young tagger. These images, where the artist wears a mask and teeters on bright red platforms, are wonderfully ludicrous send-ups of the 'fine art' of painting. (Geoff Wallis from 'Gareth Sansom: Alternative Person", Art Gallery of Ballarat, 2012) This work was exhibited and published in the catalogue of the exhibition 'Gareth Sansom: Alternative Person' at the Art Gallery of Ballarat in 2012 item. art, artwork, gareth sansom, sansom, mixed media, oils, enamel, photo-collage

Man in top hat standing beside the car is most probably the Reverend John P. Carney (born 1880 Ballaghaderreen, Country Mayo, Ireland - ordained at All Hallows College, Dublin, Ireland) who spent all his years as a priest in the Melbourne Archdiocese, arriving in Melbourne in 1902. He was appointed Assistant priest at St Francis Melbourne then at Castlemaine and Gordon. He left Gordon to the pastor of the new mission at Diamond Creek where he spent about five years before moving to Footscray and later Yarraville. The automobile has been identified as a Unic Taxi built in the United Kingdom about 1908 though the actual date of this particular vehicle is unclear. The registration number 7788 was issued prior to 1910 at which point they changed to numerals only of the form nnn-nnn. Reproduced on p93 of 'Pioneers & Painters'.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection'. It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 120 format B&W negative Original sepia coloured postcard (10 x 15 cm) with cracking Black and white photograph duplicate (16.5 x 25 cm) with some corrections to mask cracksInscribed on reverse 'R.C. Parish Priest, Eltham'sepp, shire of eltham pioneers photograph collection, parish priest, automobile, john p carney, diamond creek, unic taxi, pioneers and painters, eltham, motor vehicles, rev. john p carney

The Young Ladies Journal was first published by E. Harrison. It was issued from 1864 to 1920. Framed fashion plate from the Young Ladies Journal. Two women in 1864 costume, one blue, one monochrome. Bordered in pale green coloured card. Wire attached to metal loops at back. Masking tape at back.fashion illustration, ladies home journal

The object was donated by Ramsay Surgical Limited in 1944. Cylindrical metal face mask with a high neck that is open at both ends. The larger opening was placed over the patient's mouth while the smaller opening, comprising a sponge to absorb the anaesthetic and a hinged perforated lid, was used to administer the anaesthetic.waring's cone, facemask, metal, sponge, anaesthetic, ether, ramsay surgical limited, cone

Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back

These are colour photo reproductions of original leaflets on photo paper.Photographs of propaganda posters. .1) "BEWARE THE MASK OF FRIENDSHIP" in colour. .2) The British Commonwealth of Nations together in colour. Displays marching servicemen. .3) The enemy has long ears. Don't talk. shows image of Jap Officer in colour.propaganda, leaflets, japanese

Two copies: (printed noted attached) 3.) Rectangular geological map edged in masking tape. Six colours define geology and are predominantly pink. Scale 40 chains to one inch .4) Notes referring to the Geological Map of Learmonth learmonth, lake learmonth, glendaruel, burrumbeet, mt blowhard, morton's hill, mt bolan, addington, mt cavern, coghill's hill, mt hollowback, mt pisgah, weatherboard hill, webster's hill, foster's hill, mt bolen, one mile hill, vaughan's hill, tourello stattion, ballarat to maryborough railway, saddleback hill, ceres, brown's hill, ross's hill, norman taylor, robert burrows, richard shephard, james finnie

The Annual General Meetings are the official report of the VSDC to the public. These are the supporting documents that go with the Annual General Meeting report and provide further information on the Administration of the VSDC The brown foolscap size book is made with cardboard covers and masking tape spine and contains the documents tabled at the Annual General Meetings from 1964-1970. Documents include: nomination letters, speakers notes, agendas, etc. Corrections are handwritten. Front Cover: "ANNUAL MEETING/from/1964 to 1970" in handwriting, in biro deaf children australia, victorian deaf and dumb institution, annual general meeting, minutes of meeting

6.1 x 24.8 negative strip with four photos of 2 dance programmes, one of a German Mask Ball, which has a gold thread attached and the other, a Return Ball. Cr J H Curnow printed on the front of the programme.entertainment, dance, german mask ball, peter ellis collection, negative, german mask ball programme, cr j h curnow

The Bruck Inhaler is a modification of the Clover Inhaler, designed by Lambert Bruck.Colour photograph of a Bruck inhaler lying on its side on a wooden table. The metal inhaler is oval shaped with one half made of glass, and also has a vertical crosspiece. Lying next to the inhaler is a face mask and a filler for measuring ether.anaesthetic equipment, bruck inhaler, ludwig bruck, inhaler, clover inhaler

Wire framed face mask with a hinged outer layer which can be opened to insert gauze or flannel on which to administer ether. The domed portion is attached by inserting wire edges into slots in the rim, which ends in a handle with a loop at the end.mask, ether, anaesthesia, open method

Depicted are five unidentified performers. Two of them are guiding a prop. One of the male performers is wearing a mask. A sign in the background reads "Rayner Myrtleford", referring to Rayner St in Myrtleford; a town located approximately 28km south of Beechworth.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5667 /entertainment, entertainment album, performance, arts, theatre, play, theatrical group, myrtleford, beechworth, rayner st

A tank crew gas mask as issued by the United States of America army during World War 2. When correctly worn by the wearer there is a tube fitting at the rear of the head which was connected to a length of flexible hose to receive a fresh air supply.

War photography, Korea [?] Unframed, printed black and white photograph on card, of P M McCarthy in uniform [presumably in Vietnam].'P.19 © 45%' [Handwritten in biro on masking tape at the top of the back of the photo], '....(markets) 1953' [Written in biro underneath masking tape] 'CREDIT TO PUBLIC RELATIONS H.Q.B.C.O.F. HOBSON / 4461' [Black stamp with pencil written negative number, middle back of photo], 'P600A/B 5/11' [Written in pencil top left hand corner] 'P.M. McCarthy' [Written in biro bottom left hand corner]p m mccarthy

Demonstrates an important part of Ballarat's tramway operations during the Second World War when black out conditions applied and headlights had to be masked, a replica mask fitted to a BTM tram.A4 size colour photocopy of a photograph of BTM tram No. 27 "dressed" in war time garb of white bumper bar, steps and headlight mask at depot. From a Kodak 35mm slide of W.A.Doubleday (16/9/95). White strips made with cardboard.trams, tramways, secv, ballarat, btm, world war ii. , tram 27

Item issued to Frederick.E.ADDLEM VX142253. Refer Cat No 432.2 for his service history and 937P.Anti-gas eye shields x 6 in concertina package with cover. .1) Cardboard sleeve. .2) Paper concertina packaging. .3) - .8) Eye shields with plastic masks. Cloth frame at top edge, elastic card attached at each end..1) Anti-gas procedure printed on front. Gas alarms procedure printed on back.protective equipment, eyes.gas, eyes.shields

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of 1st Australian Task Force Base, Nui Dat, Engineer 'Tunnel Rats' don gas masks to check out NVA/VietCong bunkers and their connecting tunnels prior to setting explosives and C.S, gas crystals to destroy and impregnate the system.photograph, 1st atf base, nui dat, tunnel rats, gibbons collection catalogue, c s gas, explosives, engineers, nva viet cong, denis gibbons

Black and white photograph of a drawing of a portable drawover apparatus. There are two vaporisers with metal valves, one made of glass, connected to the ends of two corrugated tubes which are connected to a face mask at the other ends. A small rebreathing bag is connected to the underside of one of the vaporisers.Handwritten in black ink on surface of photograph the letters A - H, J, labelling each part of the apparatus.drawover apparatus, vaporiser, anaesthetic apparatus

Wooden mask carved from log with small hollow at back. Decorated in ochre, yellow, black and white pigment with shells for eyes. Tongue extends from mouth and white tusks stretch between the mouth and the top of the head. Dried plant material covers the top of the head.

The Annual General Meetings are the official report of the VSDC to the public. These are the supporting documents that go with the Annual General Meeting report and provide further information on the Administration of the VSDC The brown foolscap size book is made with cardboard covers and masking tape spine and contains the documents tabled at the Annual General Meetings from 1955-1963. Includes the Minutes of the 100th AGM. Documents include: nomination letters, speakers notes, agendas, etc. Corrections are handwritten. Front Cover: "ANNUAL MEETING/from/1955 to 1963" in handwriting, in biro deaf children australia, victorian deaf and dumb institution, annual general meeting, minutes of meeting

An Austox "Dental and Midwifery" (D-M) Machine on a stand with castors. The machine has attached black corrugated tubing with masks to go over the nose and mouth. There are two white, circular chambers on either side of the machine into which oxygen and nitrous oxide respectively were piped.anaesthesia, midwifery, dentistry, nitrous oxide, oxygen gas, oxygen

On September 18, 2008, Vision Australia staff and volunteers presented an information session to the students at Canterbury Primary School. Children were given kits with masks and braille to learn, and received presentations about how blind and visually impaired children use various services at Vision Australia.170 digital images of attendees, presenters and support for the eventvision australia, tess rossouw, kate gniel, seeing eye dogs australia, di seybold, canterbury primary school

Ether in oil was used for rectal anaesthesia. Rectal anaesthesia offered a way to administer anaesthesia when using a mask was impractical, such as oral or respiratory tract surgery. Undiluted ether was irritating to the bowel and even proved to be fatal. Ether in oil, developed in 1913, minimized irritation with no reported deaths.Empty clear glass bottle with cork stopper which has become dislodged and is now inside the bottle. The bottle has a white label with handwriting on the front. The bottle has been decanted.Handwritten in ink: Ether in Oil / = parts Stamped in red ink on top left corner of label: CAU... [faded and almost indecipherable]ether, ether in oil, rectal administration, anaesthesia

Colour photograph. Kids in costume. Horse mask hessian body. Girl in check shirt jeans and hat. Bot in hat check shirt jeans, waistcoat. Child dressed as dog at front. Gravel Hill Primary School. 1988 Production 'The Wallaby Track'' Staple holes in corners.education, primary, gravel hill school

Kodak home developing and printing kit with booklet; black and yellow plastic carry case; 2 x developers; printing masks; photo-flo (liquid); Acid fixing powder; wood and glass frame; glass measuring cup; photographic thermometer; 'dark' light in a metal case."Kodak (Australasia) Pty Ltd Melbourne, Australia"photographic processing equipment, photographic chemicals, darkroom lamps