Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back

These are colour photo reproductions of original leaflets on photo paper.Photographs of propaganda posters. .1) "BEWARE THE MASK OF FRIENDSHIP" in colour. .2) The British Commonwealth of Nations together in colour. Displays marching servicemen. .3) The enemy has long ears. Don't talk. shows image of Jap Officer in colour.propaganda, leaflets, japanese

Two copies: (printed noted attached) 3.) Rectangular geological map edged in masking tape. Six colours define geology and are predominantly pink. Scale 40 chains to one inch .4) Notes referring to the Geological Map of Learmonth learmonth, lake learmonth, glendaruel, burrumbeet, mt blowhard, morton's hill, mt bolan, addington, mt cavern, coghill's hill, mt hollowback, mt pisgah, weatherboard hill, webster's hill, foster's hill, mt bolen, one mile hill, vaughan's hill, tourello stattion, ballarat to maryborough railway, saddleback hill, ceres, brown's hill, ross's hill, norman taylor, robert burrows, richard shephard, james finnie

The Annual General Meetings are the official report of the VSDC to the public. These are the supporting documents that go with the Annual General Meeting report and provide further information on the Administration of the VSDC The brown foolscap size book is made with cardboard covers and masking tape spine and contains the documents tabled at the Annual General Meetings from 1964-1970. Documents include: nomination letters, speakers notes, agendas, etc. Corrections are handwritten. Front Cover: "ANNUAL MEETING/from/1964 to 1970" in handwriting, in biro deaf children australia, victorian deaf and dumb institution, annual general meeting, minutes of meeting

Wire framed face mask with a hinged outer layer which can be opened to insert gauze or flannel on which to administer ether. The domed portion is attached by inserting wire edges into slots in the rim, which ends in a handle with a loop at the end.mask, ether, anaesthesia, open method

The Bruck Inhaler is a modification of the Clover Inhaler, designed by Lambert Bruck.Colour photograph of a Bruck inhaler lying on its side on a wooden table. The metal inhaler is oval shaped with one half made of glass, and also has a vertical crosspiece. Lying next to the inhaler is a face mask and a filler for measuring ether.anaesthetic equipment, bruck inhaler, ludwig bruck, inhaler, clover inhaler

6.1 x 24.8 negative strip with four photos of 2 dance programmes, one of a German Mask Ball, which has a gold thread attached and the other, a Return Ball. Cr J H Curnow printed on the front of the programme.entertainment, dance, german mask ball, peter ellis collection, negative, german mask ball programme, cr j h curnow

Depicted are five unidentified performers. Two of them are guiding a prop. One of the male performers is wearing a mask. A sign in the background reads "Rayner Myrtleford", referring to Rayner St in Myrtleford; a town located approximately 28km south of Beechworth.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5667 /entertainment, entertainment album, performance, arts, theatre, play, theatrical group, myrtleford, beechworth, rayner st

A tank crew gas mask as issued by the United States of America army during World War 2. When correctly worn by the wearer there is a tube fitting at the rear of the head which was connected to a length of flexible hose to receive a fresh air supply.

Item issued to Frederick.E.ADDLEM VX142253. Refer Cat No 432.2 for his service history and 937P.Anti-gas eye shields x 6 in concertina package with cover. .1) Cardboard sleeve. .2) Paper concertina packaging. .3) - .8) Eye shields with plastic masks. Cloth frame at top edge, elastic card attached at each end..1) Anti-gas procedure printed on front. Gas alarms procedure printed on back.protective equipment, eyes.gas, eyes.shields

Demonstrates an important part of Ballarat's tramway operations during the Second World War when black out conditions applied and headlights had to be masked, a replica mask fitted to a BTM tram.A4 size colour photocopy of a photograph of BTM tram No. 27 "dressed" in war time garb of white bumper bar, steps and headlight mask at depot. From a Kodak 35mm slide of W.A.Doubleday (16/9/95). White strips made with cardboard.trams, tramways, secv, ballarat, btm, world war ii. , tram 27

Black and white photograph of a drawing of a portable drawover apparatus. There are two vaporisers with metal valves, one made of glass, connected to the ends of two corrugated tubes which are connected to a face mask at the other ends. A small rebreathing bag is connected to the underside of one of the vaporisers.Handwritten in black ink on surface of photograph the letters A - H, J, labelling each part of the apparatus.drawover apparatus, vaporiser, anaesthetic apparatus

Wooden mask carved from log with small hollow at back. Decorated in ochre, yellow, black and white pigment with shells for eyes. Tongue extends from mouth and white tusks stretch between the mouth and the top of the head. Dried plant material covers the top of the head.

The Annual General Meetings are the official report of the VSDC to the public. These are the supporting documents that go with the Annual General Meeting report and provide further information on the Administration of the VSDC The brown foolscap size book is made with cardboard covers and masking tape spine and contains the documents tabled at the Annual General Meetings from 1955-1963. Includes the Minutes of the 100th AGM. Documents include: nomination letters, speakers notes, agendas, etc. Corrections are handwritten. Front Cover: "ANNUAL MEETING/from/1955 to 1963" in handwriting, in biro deaf children australia, victorian deaf and dumb institution, annual general meeting, minutes of meeting

Ether in oil was used for rectal anaesthesia. Rectal anaesthesia offered a way to administer anaesthesia when using a mask was impractical, such as oral or respiratory tract surgery. Undiluted ether was irritating to the bowel and even proved to be fatal. Ether in oil, developed in 1913, minimized irritation with no reported deaths.Empty clear glass bottle with cork stopper which has become dislodged and is now inside the bottle. The bottle has a white label with handwriting on the front. The bottle has been decanted.Handwritten in ink: Ether in Oil / = parts Stamped in red ink on top left corner of label: CAU... [faded and almost indecipherable]ether, ether in oil, rectal administration, anaesthesia

On September 18, 2008, Vision Australia staff and volunteers presented an information session to the students at Canterbury Primary School. Children were given kits with masks and braille to learn, and received presentations about how blind and visually impaired children use various services at Vision Australia.170 digital images of attendees, presenters and support for the eventvision australia, tess rossouw, kate gniel, seeing eye dogs australia, di seybold, canterbury primary school

The item was collected by Dr Geoffrey Kaye from a Vichy French military hospital during World war II.The inhaler comprises a black rubber face mask that connects to a metal circular chamber from which two white rubber valves are used to administer the anaesthetic agent. The ethyl chloride vials are labelled 'Kelene', a brand name. A waxed paper rebreather bag is attached to this metal chamer. mask, gas, anaesthesia, rebreather bag, world war ii, dr geoffrey kaye, ethyl chloride, kelene, french, vichy

Colour photograph. Kids in costume. Horse mask hessian body. Girl in check shirt jeans and hat. Bot in hat check shirt jeans, waistcoat. Child dressed as dog at front. Gravel Hill Primary School. 1988 Production 'The Wallaby Track'' Staple holes in corners.education, primary, gravel hill school

Kodak home developing and printing kit with booklet; black and yellow plastic carry case; 2 x developers; printing masks; photo-flo (liquid); Acid fixing powder; wood and glass frame; glass measuring cup; photographic thermometer; 'dark' light in a metal case."Kodak (Australasia) Pty Ltd Melbourne, Australia"photographic processing equipment, photographic chemicals, darkroom lamps

.3) Arthur CowleyWebbing belt & kit. .1) Belt with shoulder straps, khaki webbing, brass fittings. .2) Shoulder strap. .3) Back pack, khaki webbing with discoloured metal fittings. .4) Gas mask pack, khaki canvas with webbing straps & metal fittings. Ventilation holes at sides..1) Stamped in ink inside surface: “ZL&T 1945” .3) Handwritten inside flap: “A Cowley” .4) Stamped inside flap: “VII RMA 1942” On press studs: “Newley Pat, 1430.22*”military equipment - army, packs, gas

Adjustable metal 8"x 8" masking board for cropping and photographic printing Imperial scale, excellent condition Adjustable frame for variable cropping of prints; maaximum printing 240mm x 190mm (8.5"x 6.5") An Elande product manufactured by Lee & Diverell, Mitcham, Victoria, AustraliaELanDE product manufactured by Lee & Diverell, Mitcham, Victoria, Australia

Yields information about the dressing of a BTM tram in 2nd world war garb, white bumpers and headlight mask for the purposes of an exhibition. Demonstrates how the trams may have looked during the war period.Colour print (two copies) photograph of BTM tram No. 27 "dressed" in war time garb of white bumper bar, steps and headlight mask, photographed on the access track, c10/1995. White strips made with cardboard. See also Reg item 242. Photographed by Carolyn Dean.secv, ballarat, btm, world war ii., tram 27

Black and white negative by Wal Jack of S160, fitted with a head light mask at the St Georges Road terminus of the Holden St line in Barkly St North Fitzroy. Note the tram stop signs on the adjacent pole. Photo dated, 1/9/1941 in the Wal Jack album.trams, tramways, s class, barkly st, holden st, st georges road, headlight mask, tram 160

Rectangular medical chart made from printed and coated paper laid on white fabric (?cotton) and showing a fracture to the right leg. The chart is attached to two wooden batons with masking tape. The top baton is moulded while the lower baton is circular in cross-section. Both batons are stained black. Printed on the RHS front face of the chart at bottom edge are the words 'All rights reserved'. Printed on the LHS front face of the chart at bottom edge are the words 'RUDDIMAN, JOHNSTON & CO., Ltd., LONDON'medical chart, human body

Used by mothers during childbirth, the anaesthetic Trilene (trichloroethylene) was inhaled through a face mask [missing] attached to the rubber tubing [missing] and the vaporising chamber. The Trilene was poured into the chamber to be turned into a vapour. The machine was used in the obstetric wards at University College Hospital, London. Trilene was introduced in the 1940s. The machine was made by Cyprane Ltd.Khaki metal multi layered cylinder. Set on top of khaki metal plate with four (4) rubber feet.Stamped in red on top level of vaporiser: Cyprane Ltd •Stamped in red on serial plate: TECOTA MARK 6 / CHARGE WITH TRICHLOROETHYLENE B.P. / CYPRANE LTD. SERIAL No / KEIGHLEY / YORKS. / T1469 •Clear sticker with red printed text stuck on metal plate: PAT No 646680 / PATENTS PENDINGtrichlorethylene vaporiser, tecota mark 6

The Powerful owl is native to south-eastern and eastern Australia and is the largest owl on the continent. It is found in coastal areas and in the Great Dividing Range rarely more than 200 km (120 mi) inland. An apex predator in its narrow distribution, the Powerful owl is often an opportunist like most predators, but generally hunts arboreal mammals, in particular small to medium-sized marsupials. It is a typically territorial raptorial bird that maintains a large home range and has long intervals between egg-laying and hatching of clutches. Unlike most raptorial birds, male Powerful owls are larger and stronger than females and so the male takes the dominant position in the mating pair, which extends to food distribution. This example of a Powerful Owl show lighter brown coloured feathers and slight discolouration. The Powerful Owl has darker colourings and whiter feathers in real life. This example also show discolouration in the feet and they are brighter yellow in colour in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th centuryThis Powerful Owl has medium brown to dark grey-brown above, with white barring, and off-white front. The glass eyes are yellow, set in a dark grey/brown facial mask. The legs are feathered with yellow feet and talons. The specimen stands upon a wooden platform and has no identification tags attached. Swing-tag: n/a Metal tag: n/a Mount: no markings taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, powerful owl