The Uebergang family came from Silesia to Australia in 1848 and were early settlers in the Allansford area. The sons and other descendants also purchased farms in the area. The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992 after which the property was sold. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. The collection of items from their property was put into store for a number of years before being given into the care of the Cheese World Museum. The family often re-used, recycled and repaired items and examples can be seen in the museum. This photograph is part of the collection of items given into the care of the Cheese World Museum. Studio portrait of Ray and Joyce Uebergang standing in front of the draped curtain. Joyce is wearing a floral dress and long coat with matching hat. She has a handbag over her left arm and is carrying gloves. Ray is wearing a double-breasted suit.Ray and Joyce Uebergang (on reverse)allansford, uebergang, tooram park, ray uebergang, joyce uebergang

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house partly hidden by bushes and trees in its garden. Other features include tiled roof, striped window awnings and a letterbox with "5A" above the low matching unpainted brown brick fence in the foreground. 5Amurrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, beauville historic area, striped awnings, brick fences

A commemorative Textile made by a group of volunteers to commemorate the 50th Anniversary of the Battle of Long Tan. The quilt has a green border and various panels which have been stitched in by the sub branches. 0077.1 is a matching fabric wrap/sheet for storing and transporting the quilt.VVAA Victorian Branch 2016 - on the top. "Honour the Dead but Fight like hell for the living" on the bottom.v v a a – victorian branch, textile, quilt

Rectangular, Clubman tobacco tin with a light blue background and a dark blue 3.5 cm. diagonal strip across the hinged lid. It contains three small, cardboard picture cards with images and names of: a cart, a harp and a star, together with matching name lables.On lid: The merged gold letters "M", "T" and "C" surmounted by a gold crown at the top left hand end of the dark blue diagonal stripe and the name "CLUBMAN" at the right hand end, together with: "A Distinctive Cigarette" in very faded black lettering. Printed at the bottom of the lid are the words: "Silk Tipped Virginia" in black print. Also on the lid are the hand-written letters "CN" written in black permanent ink. Inside the lid: "The Clubman" with the company logo underneath. "A Distinctive Cigarette manufactured from carefully selected tobacco for discriminating smokers" "The Marcus Tobacco Co."tobacco tins, tobacco containers, smoking equipment

Part of the "Kevin John Herdman" No. 397661 Collection. See cat No. 5942P for details of his service.Khaki wool serge fabric battle dress trousers with five button fly. Plastic buttons. Two side pockets, one fob and one button down hip pocket on RHS. Cotton and polyester fabric lining. Manufacturers label with black print attached to lining of hip pocket. Mending patch attached to label.On Manufacturer's label in black print: "CONWAY BROS PTY LTD, ADELAIDE, ^ , 1969, class 8405-66-025-6183, SIZE WAIST 33R, MATCHING JACKET 37-38R, NAME, ARMY NO.. Stamped in purple on Manufacturer's label: AWM 11".trousers, battle dress, kevin john herdman, army

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of unpainted variegated brown brick house with an arched porch, tiled roof, striped awnings, sash windows and low unpainted matching brick fence in the foreground with "33" on the brick pillar beside the driveway next to a low black cast iron gate. murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, striped awnings, sash windows, brick walls, metal letterboxes, cast iron work

Black & White Studio photo of seated male aged approx mid thirties. Printed on front. Yeoman & Co , 47 Chapel Street, Prahran. Male holding cane with hat on knee. Turned down collar with neck-tie. Buttoned jacket not matching trousers.Yeoman & Cophotograph, person, male

Evening dress, burgundy velvet, 1950s. Shoulder straps, A-Line design, 30cm zip down back. Matching jacket, long sleeves, sixteen self covered buttons and loops down the front. Sequin design pattern down the front of the jacket and over the shoulders.costume, female

Black metal Singer Sewing Machine with gold floral design placed in a wooden box, has a matching curved wooden lid. Has grey electric cord and black plug attached. Has accessories in a green cardboard box, labelled with SINGER (attachments, needles)see photossewing machine, sewing, electric, singer, sewing accessories

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.A plain tightly fitted black woollen bodice [without a matching skirt] with flat black fabric buttons at the front and on the sleeves. The sleeves are cut in the American style. The jacket has a high neck. It is lined with a brown silk fabric and tightly structured with extensive bands of baleen.bodices, weir collection, fashion -- 1890s, edith mary weir (nee betteridge), illapa - 84 princess street -- kew (vic.)

Modern porcelain or ceramic doll, belonging to 6th generation of Henry and Martha Sebire. Emma & Karlee Jennings.Porcelain or ceramic doll with blue eyes and red lips. Wearing a long sleeved white lace and embroidered christening style dress with a matching bonnet, a ribbon bow is on the bodice of the dress, and two white buttons on the back of the dress. Towelling type cotton body with panties.dolls, baby dolls, toys, leisure objects

The burse is a flat case used at Mass as a container for the corporal. Over the centuries it was decorated with symbols relating to its use as part of the Mass often matching the decoration on the vestments and chalice veil. This selection use simple lace trim with embroidered decoration representing the cross, the Christian fish symbol and the Greek Alpha and Omega.

Black & white photograph. Unknown Studio portrait of young male aged early twenties. Holding cane & cigarette in holder. Matching coat & vest over trousers of different cloth. Turned down shirt collar with small bow tie. American style cowboy hat.nilphotograph, person, male

Printed cotton button through dress in colours of red, pink, green on cream background. Seven pearl buttons down front. Kick pleat in hemline,round neckline,short sleeves with turn back cuffs, and matching buckle belt. Hidden pocket in side seam.Laurie McCarthycostume, female

A Slazenger (UK) 'Lawn Tennis Ball' box. Printed on lid: 'MADE ENTIRELY IN ENGLAND/OFFICIALLY AUTHORISED BY THE LAWN TENNIS ASSOCIATION'. Front and rear of box printed with '1934'. Contains six matching balls, probably original. Materials: Ink, Cardboard, Paper, Rubber, Wooltennis

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.With the black lace evening dress (2917.0093.1) there is also a matching lace square with long lace ties (2017.0093.2) that might have been used as a mantilla or as a shawl. The outfit was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. women's clothing, evening wear, shawls, lace, doris bennet (nee willmott)

This pattern book was produced by the Villawood Textile Company, Sydney and contains a knitting pattern for a jumper and cap.Four page booklet with black and white printed text and graphics. The front cover features a colour image of a man and a woman both wearing knitted jumpers in yellow and black with matching knitted hats. The man is also wearing ski googles and the woman is holding ski poles.Front: [printed] L 361 / Villawool / KNITTED / in 12 and 8 PLY / SIZES 90 to 110 cm / 36 to 44 in.knitting handicrafts - history, villawood textile company, knitting, handicrafts - history, skiing, clothing, design, winter, fashion

18cm x 12.5cm black and white photograph of the buildings at 67 and 69 Sydney Street. Pictured is Cuts 'n' Curls, Ye Olde Blacksmith Shoppe and a Milk Bar. The forge is housed in a scrappy looking building with mis-matching corrugated iron roofing and rendered walls. storefronts, shopfronts, retail stores, hair salons, hair dressers, forges, milk bars, blacksmiths

Slide, Allan Budge Slide Collection: House, Cnr Wills and Arthur Streets .Gables and Lacework. An intricate gable with french windows under and effective polychomatic brickwork. The chimneys are notable. (Note: Since this photo was taken, an excellent matching extension was added to the back for the owners --the ANZ Bank.)house, public, allan budge slide collection:, allan budge slide collection:

Before mechanisation, pills were rolled by hand using equipment such as this pill press. Powders ingredients were blended together to form a resin, rolled and laid across the width of the platform. The paddle was then used to push the "sausage" shape through the grooves, creating a small, consistently sized and shaped, pill. The pill was then allowed to dry for later sale. This pill press is of uncertain origins but is representative of the type of equipment used to create pills in the 19th Century. It has the capacity to make 24 pills at once, and markings on the metal plate indicate each pill would have been the equivalent of "5 grains" (approx 0.3 grams).Rectangular wooden platform with a metal (brass) plate divided into 24 (twenty-four) grooves with a catchment area. The wooden paddle has two handles, one on each end, with a matching metal plate and grooves, as well as metal (brass) guide bars to help the paddle align with the platform.Handwritten on base of platform in black ink over white background: C11087 Handwritten on inside of guide bar on paddle in black ink over white background: C11087 Manufacturer's detail stamped into metal groove on platform: S. MAW SON / & / THOMPSON / LONDONpill press, pharmaceuticals, apothecary, pharmacy

Lady's hat made from light pink straw like synthetic fabric with a matching pink ribbon around the crown. The band is tied in a bow with a decorative silver clasp stitched onto the band. Hand stitching presents as the hat being hand made. Black chin elasticattached.hat, millinery

An unsealed Penn 'X-76 Extra Duty High Visibility' tennis ball can. Missing metal ring-pull seal lid. has original plastic reclosure lid. Contains three non-matching Penn balls. Materials: Metal, Ink, Synthetic material, Rubbertennis

Silk, lace and cotton top, probably matching the skirt, 0258. Silk outer, with cotton on the inside, high necked with lace decoration. Shell buttons running down front, silk decorated on sleeves with similar floral/pleated design. Sleeves puffy at top, fitted lace at bottom.No visible markings.costume, female, top, blouse, silk, cotton, cream, lace, clothes

Photo features the 1939 Floral Tram, No. 29, photographed in Wendouree Parade, rendered in colour. March 1939. Has four ladies dressed in matching clothes standing outside the tram and four inside the doorways. See Item 7000 for a hand coloured image. with the ladies standing in the tram and 8965 for an actual postcard with Wal Jack notes on rear.Yields information about Ballarat 's 29 decorated for the 1939 Ballarat Floral Festival and its appearance and its use and publicity and demonstrates its colours of the flowers used.Digital image from the Wal Jack Ballarat Album of an Agfa postcard. Written on the rear in ink "No. 29, March 1939 as floral tram"trams, tramways, floral tram, decorated trams, tram 29

Thick white cotton crocheted collar. Half circle scallop pattern and scallop edges. Open pattern. Two matching full circle cuffs of crocheted cotton. Hand made in 1960's by Lillian May Ellison (nee Rogers) Natimuk. Stored inside box 11400 650.Labelled ; Grandma Ellison made these.costume accessories, female, crocheted collar and cuffs.

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative hearth tiles used the fireplace of the morning room at Villa Alba. The patterns within the decorative tiles are self-contained or show their pattern when assembled with matching tiles. The multicoloured tiles have a grey or maroon background. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- morning room

An unsealed Penn 'X-76 Extra Duty High Visibility' tennis ball can. Missing metal ring-pull seal lid. Has Wilson-branded plastic reclosure lid. Contains three matching Penn 1 balls. Materials: Metal, Ink, Synthetic material, Rubbertennis

The epergne was presented to Amelia Jane Donaldson (wife of Dr J.B. Donaldson Snr) "as a mark of esteem" by friends at the Presbyterian Church in 1907. Dr James Blair Donaldson had a medical practice in Linton from about 1889 until 1920, when his son, also named James Blair Donaldson, took it over.Silver-plate epergne for holding flowers. Epergne has a round base, and six branches radiating from a central stem. Branches each have a funnel-shaped small swirled-glass insert for holding flowers, while central stem has a matching, but larger glass vase insert.Engraved on base of epergne: "Presented to Mrs. J.B. Donaldson by her friends of the Presbyterian Church, Linton, as a mark of esteem. 26-4.07". Maker's marks stamped underneath base of epergne.amelia jane donaldson, dr james blair donaldson snr., ornaments, epergnes, vases