Black and white photograph. Several articles from Ringwood newspapers and the Argus (images attached) show the initial idea as Nov 1933 (3000-01 Ringwood Baths-Idea.jpg), Commencement in January 1934 (3000-02 Ringwood Baths-Start.jpg), and operational by November 1934 (3000-03 Ringwood Baths-Operational.jpg). An Argus article (via Trove) from 15 Mar 1934 describes a union complaint about use of workers on sustenance in the construction.(3000-04 Ringwood Baths-Complaint.jpg) Typed below photograph, "Building the old Ringwood Baths in Ringwood St. Looking towards Warrandyte Rd. 1934.

Personal recollections of Louis John Michel after the events which he described in The Argus on Saturday 28 December 1895

Catalogue card reads, "Ringwood train derailment". 11th Feb, 1908. (As reported in The Argus, Wed 12 Feb 1908, p7)

The Argus was a morning daily newspaper in Melbourne that was established in 1846 and closed in 1957 and was considered to be the general Australian newspaper of record for this period. Widely known as a conservative newspaper for most of its history. George VI became King after his brother, King Edward VIII, abdicated in 1936. The coronation of King George VI and Queen Elizabeth as King and Queen of the United Kingdom and the Dominions of the British Commonwealth and as Emperor and Empress of India took place at Westminster Abbey, London, on 12 May 1937. King George ascended the throne upon the abdication of his brother, King Edward VIII, on 10 December 1936, three days before his 41st birthday. Edward's coronation had been planned for 12 May 1937 and it was decided to continue with his brother and sister-in-law's coronation on the same date. This newspaper provides a detailed pictorial representation of the coronation of King George V1 in London on 12 May, 1937. The commonwealth countries, including Australia joined in the celebration. Saving an item dedicated to the royal family is typical of the general feeling of respect and admiration felt by the rural communities towards the British Royal Family.A special edition souvenir newspaper which is a forty page pictorial commemorating the Coronation of King George VI. It is titled "THE ARGUS and AUSTRALIAN CORONATION SOUVENIR". On the front cover is a coloured painting /print of a horse parade/procession with banners printed by "ROWED". In the bottom right corner is the cost - 1/-. It contains a complete record of the ceremonies as well as large portrait photos of the royal family designed for framing. argus-newspaper george-v1 coronation

This majestic peacock embodies technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897), and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians, loved majolica, and the large peacock would have been the ultimate home accessory, as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became famous pottery and porcelain manufacturers. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best known work. Comolera, kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio, to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today some historians now believe that twelve were fired at the Minton factory, research is still on-going. These peacocks were so admired that the Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, assuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics, tiles and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares including the peacock at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria in calm foggy weather in June 1878 on the final leg on the ships journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods including this peacock back into the sea. The two men found the peacock in its case ‘bobbing along in the water’, and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue the head had broken from the body. This account was proven to be true in 1988, following the birds display in Brisbane. This peacock began its life in Australia, not in grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton &Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home for many years, and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Florence tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell the peacock, it was displayed in the window of the Argus newspaper office on Collins Street, and at the National Museum on 1st June 1935, the date of the 57th anniversary of the Loch Ard wreck. As a result, the peacock again attracted public attention with books, newspaper and magazine articles being published telling the story of its survival from a shipwreck. After Miller's death, the peacock remained in an antique dealer's shop in Melbourne for many years until it was bought at auction by Frank Ridley-Lee, in the 1940s, who displayed the bird at his home in Ivanhoe/Heidelberg. The peacock remained in the hands of the Ridley-Lee, until it was offered for sale in 1975 as part of Mrs Ridley-Lee's estate. In 1975, an advertisement in Melbourne newspaper, the Age announced the sale by auction of the art collection of the Ridley-Lee estate that included this peacock. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to raise the necessary funds through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half of the of the cost. On 9 September 1975, the peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since, it has only left Warrnambool twice. Firstly, in 1980 at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire

The tin was made by Wilson Bros, Melbourne, for Edwards' Ensign Tea Pty Ltd, Melbourne, Victoria, Australia, 1900-1940. There was a fire at their factory in Flinders Street Melbourne on April 30, 1921 which completely destroyed the building. New premises were obtained at 310/18 King Street Melbourne in 1923. there continued to be bill board advertisements for Ensign tea at the King Street address, also regular adverts in the Argus newspaper during1942.An Australia icon during the first half of the 20th century as tea drinking was a popular past time and social activity.Container for tea with hinged lid. Label yellow with map of Australia. Lid is coming away on one hinge. "Edwards Ensign Tea" On label "Edwards Ensign Tea"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tea tin, tea caddy, drink, container, wilson bros, ensign tea

This file contains six items about this mansion: 1/Three pages of handwritten notes by Peta Darke, dated December 2013, concerning the title and ownership of Repton from 1881 till 2013, earlier called ‘Wahgunyah’ 2/Handwritten list of owners of Repton from various editions of Sands and McDougall Directories compiled by Peta Darke on 06/12/2013 3/Black-and-white photograph of exterior of Repton, undated, photographer unknown 4/Seven copies each of a classified advertisement in The Argus newspaper relating to Repton and its occupiers. Dates are 15/01/1927, 15/12/1928, 07/03/1917, 10/07/1926, 02/07/1940, 10/04/1944, and 28/01/1949 5/Article in Property Review Weekly dated 15/11/2013 advertising forthcoming auction on 30/11/2013. Includes colour photographs of exterior and interior. Also brochure real estate agent advertising forthcoming auction of Repton: includes 4 colour photographs of exterior and interior, description of property and plan of layout. Produced in 2013. 6/Printed information taken from 'Trove' regarding former residents of 'Repton', Elm Street, Elsternwick by Claire Barton. Research is from the Stubss family tree about Dermot Du Moulin Ryan whose mother's address is listed as this property.repton, wahgunyah, elm avenue, elm road, elsternwick, roan andrew, partridge john douglas, partridge alice anna, partridge john roland phelps, phillips ida mary charlotte, steers reuben rivers, mann agnes, gruer william frank, taylor james alexander, marmaras george, marmaras arthur, supported housing, stevens edward, matthews herbert, repton court flats, marmara drive, lehte, fosbery avenue, taylor florence ethel, wood john frances wealth, brick houses, land subdivision, flats, victorian style, stubbs family, ryan dermot du moulin, ryan kate, elm street, house names, ryan h h

In 1862, the units of the Mounted Volunteer Corps in Victoria were formed into a single regiment known as the Victorian Volunteer Light Horse. This title changed again in 1863, to the Prince of Wales Victorian Volunteer Light Horse ( Hussars ). In 1870 a uniform was adopted that was based on the British 19th Hussars. Troops were based at various times at Geelong, Ballarat, Kyneton, Bendigo, Castlemaine and Dandenong, as well as metropolitan Melbourne. In 1885, most of the Cavalry were incorporated into a newly formed Victorian Mounted Rifles. (http://www.awm.gov.au/collection/REL/18070.001) "It is notified in the Gazette that Lieutenant Laurence Whyte, Ballarat troop Prince of Wales Light Horse, has been appointed captain, seniority to date from January 31. " (The Argus, 17 February 1883) "An official inspection of the P.W.L.H. took place in the Royal Park last evening by the colonel-commandant, assisted by Colonel Rede; Captain Medealf in command of the, troop. After bring exercised in field movements, a sword competition took place, toe first prize bring awarded to Trooper L. Whyte ; the "second to Sergeant Blight; the third, to Trooper Jenkins; and the fourth, to Trooper Orr, of Creswick. Major Sleep officiated as timekeeper. The colonel commandant complimented Captain Med-calf upon the efficiency of the troop, and officers and men afterwards dined together at Craig's hotel. (Ballarat Courier, 09 March 1877.)Silver coloured sword and scabbard with leather hand grip within the hilt. The sword was awarded to Trooper Whyte of the Prince of Wales Victorian Volunteer Light Horse (Ballarat) in 1877.. Engraved into handle "Ballarat Troop P.W.V.V.L.H Officers Trophy FIRST PRIZE WON BY Trooper Whyte AT SWORD Competition 8th March 1877" volunteer forces, sword, trooper whyte, prince of wales victorian volunteer light horse (ballarat), l. whyte, laurence whyte

Ponsonby Carew Smyth, A.R.C.A. London, was Victorian Art Inspector of Technical Schools. "Ponsonby May Carew-Smyth (1860-1939), educationist, was born on 7 August 1860 at Cork, Ireland, son of Emmanuel Uniacke Smyth, gentleman, and his wife Catherine Giles, née Carew. Carew-Smyth's initial art training and teaching was at the Belfast Government School of Art and Design. In 1885 he entered the National Art Training School at South Kensington, London, where he remained as student and teacher for five years. He also taught at Rugby School, studied at the Royal School of Wood Carving and the Guild School of Handicrafts, London, and was sent by the Department of Science and Art to study art, art education and museum procedures in Paris. Testimonials to his career in England affirm his ability and dedication as an educationist and his integrity as a man. On 23 December 1890 Carew-Smyth married Marie Reynolds of Brixton; they migrated to Australia next January. In September Carew-Smyth applied from Melbourne for the position of master of the school of art and design, established under the auspices of the Ballarat Fine Art Gallery. Opening in November, the school offered day classes and a broad curriculum, and under Carew-Smyth's guidance, established a sound reputation. In November 1899 he was appointed inspector of drawing in the Department of Education. Carew-Smyth saw drawing as a crucial link between primary and technical education, insisting on it as a 'mental process quite as much as a manual'; he believed strongly in the utilitarian value of drawing to the artisan class and of art as 'craftmanship'. By his emphasis on teacher-training, by his role in the Teachers' Training College, and by his constant travels, writing and lecturing, he upgraded both the standard and importance of drawing early in the century. His meticulous mind formulated the Austral Drawing Books which provided the basis of instruction in the subject in Victoria until 1927. Although he gave his occupation as 'artist', Carew-Smyth was primarily an educationist. He was actively involved in the early years of Prahran and Swinburne Technical colleges, and especially the Working Men's College which held his interest even after his retirement. In 1906 he was appointed chairman of the Victorian State Schools' Equipment and Decoration Society, and he was important in the organization of the state schools' exhibition that year. He designed the commemorative wall plaques installed in state schools after World War I, and the art teachers' certificate. He was prominent in bringing about the 1922 Jubilee Exhibition, and the 1926 showing of work of overseas schools, and especially the 1934 Melbourne centenary 'Early Victorian Art' exhibition. In the 1930s he wrote wide-ranging, informative and sometimes humorous articles for the Argus on various aspects of the decorative arts. In mid-1936 he was acting director of the National Gallery of Victoria. To students his single-mindedness sometimes suggested sternness, but Carew-Smyth was always held in the highest regard both professionally and personally. His colleagues recalled a man of kindness, unstinting devotion to work, and humour; he was considered quite a raconteur. Survived by his wife, a son and a daughter, he died in his home at South Yarra on 9 October 1939, and was cremated." (Margot Lethlean, 'Carew-Smyth, Ponsonby May (1860–1939)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/carew-smyth-ponsonby-may-5501/text9359, accessed 4 June 2013.)Image of the face and shoulders of a bearded man - Ponsonby Carew Smyth. The image was originally published from the State Schools Exhibition Catalogue, 1906. (Cat. No. 401)carew smyth, inspector, technical schools, art.

Quite possibly this event was held at the North Melbourne Ragged Boys' Home, so there is every possibility the members of the home produced the serviette. Monash joined the Melbourne University company of the militia in 1884 and became lieutenant in the North Melbourne Battery in 1887. "WELCOME HOME TO GENERAL MONASH. Ex-members of the North Melbourne Battery Australian Garrison Artillery, have arranged a welcome home dinner to their former commanding officer, Lieut.-General Sir John Monash. All ex-members interested are requested to meet on Saturday evening at the Ragged Boys' Home, Latrobe street." (The Argus, 15 December 1919) Note the use of British Flags.Square crepe-paper serviette featuring a number of British flags. North Melbourne Battery A.G.A. Welcome Home to General Sir John Monash G.C.M.G., K.C.B., V.D. 7th February, 1920john monash, monash, general monash, north melbourne battery, ragged school, ragged boys' home, world war one, armed forces

The Bronze Medal and Certificate of Merit of the Royal Humane Society of Australasia were awarded to James Patten for the bravery he displayed on 18th April 1890, and presented to him on 21st May 1890. The Royal Humane Society of Australasia was founded in 1874 with the aim to recognise those who risked their lives to save others and to assist those whose acts of bravery caused them or their surviving dependants to be disadvantaged in some way. The producers of the certificate were Fergusson & Mitchell, a Melbourne organisation established by 1858 that was an engraver, lithographer and printer. Details of the incident were published in the Argus, Saturday 19 April 1890, page 11 - "FATAL BOATING ACCIDENT, (BY TELEGRAPH FROM OUR CORRESPONDENT.), WARRNAMBOOL, FRIDAY A fatal boating disaster occurred in Lady Bay this morning, the victim being Joseph Lowe, licensee of the Bay View Hotel, South Warrnambool. The deceased, in company with two lads named James Ferrier and James Patten, went out in a small dingy to shoot musk ducks. The water was perfectly smooth, and the party were tempted to proceed as far as the mouth of the Hopkins River. In their eagerness they neglected to keep clear of the breakers, and were presently carried in on the crest of a large wave, and the boat cap sized within a cable's length of the shore, precipitating the occupants into the water. Patten and Lowe stuck to the overturned boat, Ferrier striking out for the shore, which he reached in an exhausted state. In the meantime his companions had been washed off the boat, and were struggling in the breakers. Lowe was unable to swim, and Patten kept him afloat, at the same time making gallant attempts to get him ashore, but finally had to leave him to his fate. Ferrier, seeing Lowe's danger, undressed and swam out, but became exhausted. Ferrier and Patten were both found in a fainting condition by persons who saw the catastrophe from the jetty, and ran along the beach to render assistance. Attempts were subsequently made to rescue Lowe's body, which could be seen washing abort in the surf. These proved unsuccessful, and no hope is now entertained of recovering it. Lowe was a smart young man, 28 years of age, and unmarried. He was formerly bar-man at the Commercial Hotel here, having been engaged in Melbourne...." The bronze medal and accompanying certificate of the Royal Humane Society of Australasia recognise the bravery of James Patten, a Warrnambool citizen who risked his life in the attempt to save the life of his friend Joseph Lowe.Certificate, cream paper, rectangular, decorative border and headings, printed and handwritten in pen and ink. Letterhead of The Royal Humane Society of Australasia. Awarded on 21st May 1890 to James Patten of Warrnambool. for his bravery on 18th April 1890.Print and writing includes - "The Royal Humane Society of Australia under the patronage of Her Majesty the Queen and their excellencies, the Governors of all the Australian Colonies and Fiji. At a general court of directors holden at the Offices of the Society Melbourne on the 21st day of May 1890, it was resolves that the courage and humanity displayed by James Patten, aged 20 years, labourer Warrnambool in attempting to rescue Joseph Lowe from drowning in the North Eastern bight of Lady Bay 18th April 1890. Call for the admiration of this court and justly, entitles him to the Bronze Medal of this society which is hereby awarded." Signatures [Secretary] and [President]flagstaff hill, warrnambool, flagstaff-hill, maritime museum, maritime village, shipwreck-coast, flagstaff hill maritime museum & village, bronze medal 1890, royal humane society of australasia, james patten, medal, australian award medal, commemorative medal, numismatics, life saving, lifesaving, rescue, bravery, drowning, joseph lowe, james ferrier, lady bay, hopkins river, boating accident, certificate of merit, lithograph, north eastern bight

WALTER THORNHILL SP London The firm established in 1734 by Joseph Gibbs changed its style in early 19th century to Morley & Thornhill. The firm changed to Thornhill & Co (1820), Walter Thornhill (1850), Walter Thornhill & Co (1875) Walter Thornhill & Co Ltd (1895) and Walter Thornhill & Co (1905). Advertisement in The Argus, Saturday January 22 1921 FOY & GIBSON'S Pty Ltd. Smith Street Collingwood Summer Fair Bargains Thornhill. Bednal, and Co.' Ivoride Handle TABLE KNIVES, stainless steel blades, 35/- per ½ dozen. Per TROVE A butter knife with stainless steel blade and bone handle on blade ; TRADE 'ORIS' MARK / THORNHILL, BEDNAL & CO. / SHEFFIELD ENG. / STAINLESS STEELbutter knife, sheffield england, cheltenham, moorabbin, bentleigh, early settlers, pioneers, cutlery, stainless stell, thornhill bednal & co

1910: Mr W. Harvey and Family of Cheltenham. In 'Moorabbin a Pictorial History1862 - 1994' by John Cribbon, William Harvey, is shown in the 1862 Rate Book, to be the owner occupier of a paling house in Argus Road valued at 15 Pound. This person may be related to the W Harvey in the photo.Photograph is black and white. In this photograph their is a father and mother, and their five children. The mother and the children are all dressed in their best dresses. The father is wearing a suit with a waistcoat and a white shirt that has a winged collar but no tie The mother and father are both sitting on separate chairs, mother to the left and the father on the right. The mother has the baby on her lap and the father has a small child on his lap. Three girls are in the middle of the mother and the father.Front of Mount :Yeoman Co 287 Chapel St. Prahran Victoria. Back of Mount : W. Harvey & family / pheteonham / about 1910mr w harvey, 1910, family of cheltenham, argus road, cheltenham, early settlers, market gardeners, moorabbin shire, brighton, bentleigh, cheltenham, dendy's special survey 1841, two acre village, cribbon john, dairy farmers, poultry farmers,

The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts which are now preserved by the current members of CMHS at Box Cottage Museum . Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interest.Helen Stanley has produced a bi-monthly Newsletter, 2007 - 2013, for the members of the City of Moorabbin Historical Society that contains well researched interesting historical items, notification of upcoming events, current advice from Royal Australian Historical Society , Museums Australia Victoria and activities of Local Historical Societies. The Newsletter is an important record of the activities of the CMHS. Tom Sheehy, past President of CMHS, was an Historian and Author of ‘Battlers Tamed the Sandbelt’. A4 paper printed both sides x1. Issue 6 of the bi-monthly, City of Moorabbin Historical Society Newsletter produced by Society member and Secretary, Mrs Helen Stanley in April 2008. Notice of Dr G Whitehead talk , titled ‘Murder” on April 27th and Subscription fees due. Another excerpt from the CMHS August 1963,, by Tom Sheehy, President, ‘This is the News of the early twentieth century…’.The ‘Moorabbin News “ began in April 1900. Tommy Bent was elected to State Parliament, horse races at Epsom Course Cheltenham, and the development of Cheltenham as many businesses set up ‘opposite the Station’. ‘The Mechanics Institute and Temperance Hall and the Exchange Hotel faced one another in defiance’ CITY of MOORABBIN HISTORICAL SOCIETY / APRIL 2008 NEWSLETTERcity of moorabbin historical society, stanley helen, melbourne, moorabbin, brighton, chelsea, cheltenham, ormond, bentleigh, market gardeners, pioneers, early settlers, moorabbin shire, sheehy tom, whitehead dr graham, box cottage museum, highett, bent thomas, moorabbin news cheltenham, epsom race course cheltenham, victoria, fletcher n, fiander mrs., puttick george, moorabbin co-operative society ltd., hay h., freeman j.w., montanjees m., royal oak hotel, rose m.a., matthews j.t., hewett h., cope and dow builders, market gardeners and fruit-growers association, proudman e.w., benjamin m.e., edwards t.a., solicitors, pharmacy, butchers, bootmakers, bakers, hairdressers, barbers, house painters, grocers, publicans, drapers, craftsmen, members of parliament, valuers, moule w.h., argus newspaper, coachbuilders, cheltenham railway station victoria, thompson w., post office

The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts which are now preserved by the current members of CMHS at Box Cottage Museum . Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interestHelen Stanley has produced a bi-monthly Newsletter, 2007 - 2013, for the members of the City of Moorabbin Historical Society that contains well researched interesting historical items, notification of upcoming events, current advice from Royal Australian Historical Society , Museums Australia Victoria and activities of Local Historical Societies. The Newsletter is an important record of the activities of the CMHS and this month Celebrates the 50th Anniversary of CMHS. The puzzle around the naming of the suburb McKinnon tells the story of Daniel, Donald and Laughlin MacKinnon. 5 x A4 paper printed on 1 side Issue 20 of the bi-monthly, City of Moorabbin Historical Society Newsletter produced by Society member and Secretary, Mrs Helen Stanley in February 2011. Notice for meeting February 27th and the Subscription $5 is due. Despite the recent heavy rain the Cottage and grounds were unaffected, however an possum / rat appears to have entered the Cottage via the Chimney and caused the breakage of 2 glass kerosene lamps that were on the mantelpiece and lots of droppings before escaping. Teresa Murphy, editor of ‘The Moorabbin Leader’ Newspaper, visited Box Cottage and discussed a proposed regular feature ‘Down Memory Lane’. Volunteers are requested for Open Days, and are reminded of the Visitors’ Book, Children’s Treasure Hunt Cards and the Volunteer Hours Record. Accompanying it is the Story of Daniel MacKinnon b Glasgow arrived Port Phillip 1839 died 1889, his son Donald MacKinnon b 1859 Terang, Victoria – 1932 and Laughlan MacKinnon b1817 Isle of Skye -1888 no relation to eitherCITY of MOORABBIN HISTORICAL SOCIETY / FEBRUARY 2011 NEWSLETTER city of moorabbin historical society, stanley helen, mackinnon daniel, mackinnon donald, mackinnon laughlin, melbourne, moorabbin, brighton, cheltenham, ormond, bentleigh, mckinnon, market gardeners, pioneers, early settlers, moorabbin shire, box cottage museum, city of moorabbin, box william, glen eira historical society, the moorabbin leader newspaper, murphy teresa, the argus newspaper

The Argus Newspaper April 1900 reports that ‘ A meeting of the Victorian Football League was held at Port Phillip Club Hotel, Flinders-street’ Melbourne . An ale tankard from Port Phillip Pub c 1900hotels, ales., moorabbin, bentlleigh, melbourne, early settlers, victorian football league, australian rules football, herron john, port phillip club hotel

The tin was made by Wilson Bros, Melbourne, for Edwards' Ensign Tea Pty Ltd, Melbourne, Victoria, Australia, 1900-1940. There was a fire at their factory in Flinders Street Melbourne on April 30, 1921 which completely destroyed the building. New premises were obtained at 310/18 King Street Melbourne in 1923. there continued to be bill board advertisements for Ensign tea at the King Street address, also regular adverts in the Argus newspaper during1942.An Australia icon during the first half of the 20th century as tea drinking was a popular past time and social activity.Container for tea with hinged lid. Label yellow with map of Australia. Lid is coming away on one hinge. "Edwards Ensign Tea" On label "Edwards Ensign Tea"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tea tin, tea caddy, drink, container, wilson bros, ensign tea

The diorama of mounted specimens of seaweed was framed by Richard Foster Norton for Thomas Watson and is dated 1860. Watson was the Warrnambool District Surveyor at the time (1860). The inscription on the back of the frame links the artwork to the Pigeon Hill property, which was located on Allansford Road (corner of Staffords Road – north side of the Princes Highway-A1). In the 1860s, the property known as Pigeon Hill was owned by William Wall who was a publican who ran several hotels in Warrnambool and district. In 1860 Wall, was running a hotel in Wangoom, near Pigeon Hill. Further research is required to determine the exact location, but Pigeon Hill could also have been the name for that area and may have had other people living there. Thomas Watson was a member of the local horticultural society. Another possible creator of the artwork is Samuel Hannaford, a biologist with a particular interest in collecting marine flora. Hannaford left Warrnambool in 1857 and went to Geelong, so it is possible he collected the specimens had them framed in Geelong, and then arranged for their return to Watson. The other known seaweed collector was Henry Watts, who lived in Warrnambool in the mid-19th century. The seaweed collection in this box was possibly one of Watts' and could have been prepared for the Victorian Exhibition of 1861, Richard Foster Norton, also known as R.F Norton, was one of only a handful of picture framers in 1850s Melbourne. Norton was born on the 24th of July 1822 in Yelvertoft, Northamptonshire and prior to his arrival in Australia, Norton is listed in England as having the occupation of a painter. It appears that he established his business in Melbourne in 1854 or 1855. Between 1855 and 1865 he operated from 87, then 83, and later 80 Collins Street. In the Argus newspaper, Norton advertised his business as a Print seller, Carver, Gilder and Picture Frame manufacturer, supplying the growing demand for artworks and decorative furnishings in the colony during the Gold Rush. Norton also had a Geelong branch in Market Square, where this work was produced. This framed work is highly significant. Previous research has found that only six frames are in existence that can be attributed to be made Norton, dating from the late 1850’s to the mid 1860’s. Moreover, Thomas Watson the owner of the artwork, is one of the government surveyors of the region during the mid-19th century.Diorama in deep wooden frame, behind glass. Seaweed specimens have been mounted within the frame. The back of the frame has handwritten inscriptions including the framer's label (portions missing). The diorama was framed by Richard Fraser Norton. Printed label; "RICHARD FOS --- Picture Framer and -- MANUF -- CARVER, GILDER, ---- PAINTINGS CLEANED, LINED AND --- GLASSES RESILVERED, FRAMES --- Architectual Decorations created to any design in Paper Mache, Carlton Pierre, or Composition, Country Orders promptly attended to, The Order Suppl ---, BRANCH ESTABLISHMENT, MARKET SQUARE, GEELONG" flagstaff hill, warrnambool, maritime museum, richard foster norton, r.f norton, picture framers, melbourne, geelong, artwork and decorative furnishings, gold rush, seaweed, botanical specimens, 1860, pigeon hill, district surveyor, thomas watson, william wall, wangoom, samuel hannaford, henry watts, victorian exhibition, 1861, yelvertoft, northamptonshire, market square