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Creswick Campus Historical Collection - University of Melbourne
Sample
A mounted Insect Collection, collected and produced by a student from the VSFMounted insect collection -
Creswick Campus Historical Collection - University of Melbourne
Sample
A mounted Insect Collection, collected and produced by a student from the VSFMounted insect collection -
Creswick Campus Historical Collection - University of Melbourne
Sample
A mounted Insect Collection, collected and produced by a student from the VSFMounted insect collection -
Creswick Campus Historical Collection - University of Melbourne
Sample
A mounted Insect Collection, collected and produced by a student from the VSFMounted insect collection -
Creswick Campus Historical Collection - University of Melbourne
Sample
A mounted Insect Collection, collected and produced by a student from the VSFMounted insect collection -
Creswick Campus Historical Collection - University of Melbourne
Sample
A mounted Insect Collection, collected and produced by a student from the VSFMounted insect collection -
Creswick Campus Historical Collection - University of Melbourne
Sample
A mounted Insect Collection, collected and produced by a student from the VSFMounted insect collection -
Creswick Campus Historical Collection - University of Melbourne
Sample
A mounted Insect Collection, collected and produced by a student from the VSFMounted insect collection -
Creswick Campus Historical Collection - University of Melbourne
Sample
A mounted Insect Collection, collected and produced by a student from the VSFMounted insect collection -
Creswick Campus Historical Collection - University of Melbourne
Sample
A mounted Insect Collection, collected and produced by a student from the VSFMounted insect collection -
Mission to Seafarers Victoria
Photograph - Gelatin silver photograph, Wherrett & Co, c. 1910
This photograph is part of a donated sub-collection relating to the history of the Ladies Harbour Lights Guild. This photograph is presumed to be of two sisters named Lillie and Olive Duncan, who were members of the Guild in the 1930s & 1940s. Their father David Hood Duncan was a farmer. This is a photograph of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals involved in the LHLG and the activities carried out by that organisation. The image is also significant as an insight into the childhood of these two young girls.Sepia photograph of two young girls in white long-sleeved dresses and wide ruffled white hats tied with a large bow under the chin. The photograph is mounted on a brown cardboard.Inscribed on base edge of mount "Wherrett & Co." "The Studio: SALE" ladies harbour lights guild, lillie duncan, olive duncan, girls, lhlg, sale -
National Trust of Australia (Victoria)
Photograph, Bedroom, c1903
Black and white photograph mounted on light grey coloured card. Photograph shows Sargood's Bedroom taken looking towards the west facing bay window.Written on photograph: 'BED ROOM' Written on front of mount: 'Rippon Lea' sargood family, rippon lea -
Wangaratta RSL Sub Branch
Photograph
Photograph of soldiers wearing slouch hat and holding rifles mounted on horseback - most likely Victorian Mounted Rifle contingent.The Victorian Mounted Rifles (VMR) was a regiment composed of Australian forces that served in the Second Boer War.Black and white photograph of eight soldiers mounted on horsebackHandwritten top left corner "Contingent"victorian mounted rifles, contingent -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Memorabilia - Chain Mail Epaulets, In Memory of Trooper Rees Harworth
2 Chain Mail Epaulets in a glassed frame of dark wood. The Epaulets are mounted on a dark green background Between them is a Ceylon Mounted Rifles Corp Badge Below the Epaulets within the glassed from is a brass plateIn Memory of Trooper Rees Harworth Price Ceylon Mounted Rifles Presented by Mr Charles Harworth Priceceylon troopers, epaulettes, chain mail, india, ceylon mounted rifles -
Wangaratta RSL Sub Branch
Plaque - Shield, Women's Auxiliary
Women’s Auxiliaries were formed by mothers, wives, widows, sisters, daughters and aunts of men who served in the First World War. In May1918 a small band of women from the "Friendly Union" organised themselves,under the leadership of Mrs F C Purbrick, into a Women's Auxiliary of the Wangaratta Returned Soldiers Association (RSA). Their first task was to furnish club rooms for the RSA and this was achieved by seeking donations and raising money by selling jams, jellies and posies of violets by selected girls wearing special badges in the street. Over the years funds have been raised through raffles, competitions, street stalls and catering at numerous events to assist the aims of the Returned Services League. In 2018 the Wangaratta RSL Women's Auxiliary celebrated its centenary. Women have played a central role in sustaining the activities of ex-service organisations. Women's auxiliaries are dedicated to fundraising, supporting the activities of their local RSL, and caring for veterans in their wider community. Today, there are more than 1200 auxiliary members in Victoria.Red timber shield mounted on brown laminated base of particle board in a larger shield shape with metal emblem. Women's Auxillary RSL on metal logo with Crown and Australian Flag mounted on red shieldwomen's auxiliary, wangaratta rsl -
Rutherglen Historical Society
Image, c1920-1930
This view of Rutherglen shows, on the left: Red Boot Shop, Victoria Hotel, Quon Fruit Shop and Bank of Australasia. Banner across street reads in part "M.U.I.O.O.F. Welcomes Old Bros." MUIOOF is the Manchester Unity Independent Order of OddfellowsOne of three black and white photographs mounted on orange paper. This one is a view of Main Street looking west.Written on mount: "Main Street looking west from roundabout. Circa 1920-30"main street, red boot shop, victoria hotel, quon family, bank of australasia, muioof, manchester unity independent order of oddfellows, shops, hotels, banks -
Federation University Historical Collection
Photograph - Collection of 35mm Slides, "Aust Graphics", 1999
This collection is likely a teaching aid for lecture deliveries. Several feature "Mambo" designs/ Slides are marked Jan 1999. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 13 mounted 35mm slides featuring images of works by featured Australian graphic designers."Aust Graphics" handwritten on one slide. Each slide mount has "Jan 99" printed on it.australia, graphic design, posters, mambo, teaching aid, lecture slides -
Flagstaff Hill Maritime Museum and Village
Photograph - Portrait, Arthur & Son, photographers, Miss Carmichael, 1878
Miss Eva Carmichael, the subject of the photograph, was one of only two survivors from the wreck of the Loch Ard, wrecked on Mutton Bird Island near Port Campbell, Victoria, on June 1st, 1878..The photograph holds great significance for its connection to Eva Carmichael, one of two survivors from the wreck of the Loch Ard. It is also significant for its connection to the Loch Ard, one of the most tragic shipwrecks in Victoria's coastline and listed on the Historic Shipwreck Register.Photographic portrait mounted on brown cardboard of Miss Eva Carmichael. Miss Carmichael is standing near an upholstered chair and rests wth both hands upon a masonry pillar. Behind her is a balustrade in the classic style common to that period. The background consists of a large tree giving the impression of a garden setting. It was produced at the studio of Arthur & Son, Mount Gambier, 1878. Inscriptions handwritten below the photograph. Handwritten in white "Miss Carmichael" Stamped "Arthur & Son / MOUNT GAMBIER"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, shipwreck loch ard, eva carmichael, portrait, arthur & son, mount gambier, loch ard, shipwreck, mutton bird island -
Kew Historical Society Inc
Photograph - W.B. Villa, Kew, c.1919
The photograph offers significant information relating to late Victorian / Federation colour schemes and fencing.The block fronted villa has a corrugated iron roof and a flat projecting verandah, ornamented with a trellis design of timber. The front window features a timber shade, mounted on brackets. The treatment of the block-fronted panels shows that there is an attempt to highlight imitation quoining through use of a darker colour. The windows and door are also in this darker shade. The front fence and gate are made of wooden pickets. It is unlikely that the photograph was taken at the time of the villa's construction given the size of the shrub/tree in the front garden.Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.A real estate photograph, mounted on brown card, showing a double fronted weatherboard villa, located in Kew, Victoria. On the reverse of the photograph is a subdivision plan for the Altyre Estate.Stamped on mount: Top - "KEW. Close tram. Fine View. / W.B. Villa Containing 8 Rooms. / Up-to-date Conveniences. EL Etc." Below - "Land 40 x 165. 615 pounds. Sold"houses - kew, real estate photographs -
Ballarat Heritage Services
Photograph - Image, At the Foot of Mount Warrenheip, 1915, 1915
This photo of Mount Warrenheip has been confused for Mount Buninyong. Locals have confirmed it is Mt Warrenheip.A horsedrawn vehicle is driven down a road in front of Mount Warrenheip.horse drawn vehicle, horse drawn vehicle, mount warrenheip, warrenheip -
Clunes Museum
Photograph, CIRCA 1940
BUILDING OF BRIDGE OVER MOUNT CREEK ON ROAD TO MOUNT BECKWORTH.PHOTOGRAPH OF TOM HARVEY AND FRANK CARROLAN, BUILDING BRIDGE OVER MOUNT CREEK.local history, photography, photographs, bridges -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Fern Grove, near Mount Munday, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography, Australian National UniversityAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on board‘The subject of this illustration is situated in one of the wildest and most romantic places in the Gipps Land ranges, about midway between Mount Munday and Mount Juliet. The foliage in this locality is very luxuriant, comprising mostly Fern Trees which are interwoven with various descriptions of grasses and stunted Fern leaves. Beneath this mass of vegetation flows a branch of the Contentment Creek.’landscape photography - victoria, nicholas caire, ferngrove - victoria -
Rutherglen Historical Society
Photograph - Image, 1918 to 1921 (Approximate)
Small round black and white photo of a girl Hannah Wiggton, mounted on a square of white cardboardAt bottom of mount: "Thalma" "Rutherglen. opp. Post Office." On back of mount: "Hannah Wighton (Mrs Williams)" in black ink. "R'glen" in red pencil. "Dennis Williams Mother" in black pencil. "Mother of Katie, Mary, Dennis & ?" in blue ink.hannah wighton, hannah williams, katie williams, mary williams, dennis williams -
Mont De Lancey
Photograph - Framed Photograph, c1880s
Henry Sebire returned to Guernsey on the "Caledonian" in 1888. He came back to Australia via sailing ship to Jersey and then to the coast of France. Travelled by train to Paris and Marseilles, and left for Australia on "Oceania". Arrived in Melbourne in December 1888. The "Oceania" was built in France in 1884 - 4162 tons, barque rigged, 415 feet long, 585 HP. Sank in the English Channel on 24th September 1916. On loan from Alvan Sebire - Great Grandson of Henry and Martha Sebire. Notes relating to description and details of the ship researched and recorded by Alvan Sebire are in the drawer of sideboard in diningroom.Photograph of passenger ship "Oceania" passing through the Suez Canal. Cream mount in dark brown frame."The Oceania" written in ink on photo mount "No. 37" and illegible writing on bottom right hand corner.oceania, ships, guernsey, henry sebire, caledonian -
Rutherglen Historical Society
Photograph - Image, A. E. Nevill, June 1904
Information about the dating of this photograph was provided by the 'Ask A Librarian' service of the State Library of Victoria. The Scripture Referendum was held on the same day as the Victorian Parliamentary Elections, in which J. Bowser ran against A.K. Buckley for a seat in the legislative assembly in the electoral district of Wangaratta and Rutherglen. The Scripture Referendum had three questions: "1. Are you in favour of the Education Act remaining as at present, strictly secular? 2. Are you in favour of such legislation as shall cause the scheme of Scripture lessons recommended by the Royal Commission on Religious Instruction to be taught in State schools during school hours to children whose parents desire the teaching (such lessons would be given subject to a conscience clause exempting teachers who object)? 3. Are you in favour of the prayers and hymns selected by the Royal Commission being used?" [source of text - Victorian Year-Book 1904. page 29]Black and white postcard sized photograph mounted on light cardboard. Photograph is of a group of men standing in front of shop "C.G. Nevill, Job Printer". Posters in the window are showing the results of "The Referendum", which has been identified as the Scripture Referendum held in Victoria on 1st June 1904. Poster in window at the right of the photo advertises a performance of Maggie Moore in Struck Oil, to be performed in the Town Hall on Saturday, 18th February 1904.On bottom of mount: "A.E. Nevill, Rutherglen" Written on back of mount: "Mr M. Pascoe, Rutherglen, Vic."nevill, printer, referendum, scripture in schools, secular education, victorian state elections, wangaratta rutherglen electoral district, maggie moore, struck oil -
Hume City Civic Collection
Photograph
This photo is part of a larger collection donated by Eric Boardman. There are 6 references to O'Shea in Margaret & Trevor Dunn's Directory of Residents in the former Shire of Bulla (1850s-1920s; three of these are for Cornelius O'Shea listed in the 1891 rate books as a state school teacher, in the 1919 voters' roll as teacher and in the 1929 voters' roll as of independent means. Other references are to Joseph Michael O'Shea, Annie Agnes O'Shea and Agnes Mary O'Shea.A family group in a garden setting. There are 5 females and 2 males, with the older male and female centrally seated. A sepia photo mounted on a grey board.On the front in lead pencil in the upper LH corner of the mount board "(School teacher)"; "Eric Boardman" in red pencil on the centre back & "O'Shea family" in upper LH corner of the back of the mount board.teachers, o'shea, cornelius, matson & frazer, boardman, eric, george evans collection -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Julia Street, Portland, c. 1929
Dalgety & Company was an agricultural business which sold supplies to pastoral farmers in Victoria.Black and white photo attached to grey mount board. Large group of people on the road in Julia St. facing south in front of Dalgety & Co. Ltd. Two storey bluestone building.Front: 'BACK TO PORTLAND November 1929' -printed in black on photo mount, beneath photo. 'M.E. Andrews, PORTLAND' printed in black on photo mount, left hand corner.rural industry, julia street, portland -
Mission to Seafarers Victoria
Photograph - Mounted photograph, Black and white, Theological Faculty - King's College - London University - June 1919, 1919
Frank Leslie Oliver is photographed here in King's College, London in June 1919. Second row standing 8th from the left. According to his autobiography Frank Oliver, senior Chaplain from 1930-1960 at MtS, studied primarily at Trinity College, University of Melbourne after war service in the Army Medical Corps. Established in 1829 under the patronage of George IV, King's College is one of the oldest and most distinguished centres for the study of classical languages, literature, thought, religion, art, archaeology and history in the UK.Black and white mounted group photograph. Many in the group are wearing military uniform In black ink along the lower edge of mount: Theological Faculty - King's College - London University - June 1919kings' college, london university, student, theology, padre oliver, padre frank leslie oliver -
Rutherglen Historical Society
Image, c1915
Black and white photograph, mounted on cardboard, of 25 young men in military uniform.Written on mount to the left of the photo: "Jim Downs" with a mark on photo pointing to man on far left, second row.soldiers, world war i, world war 1, ww1, wwi -
Rutherglen Historical Society
Image, Salon Studios, 1950s
Photograph is part of a collection from the Presentation Sisters, Mount Carmel Convent.Black and white portrait photograph of a young girl in a confirmation gown.On back of photo: "Alice Thom[illeg.], Great Southern" At bottom of photo mount: "The Salon Studios. Chiltern and Rutherglen"mt carmel convent, presentation sisters, mount carmel convent, alice thomas