Although the slides are unnamed, one design features the name of Travis Price, placing these works around 1997 and the "Silverscreen" graduating year. Digital scans of photographic slide transparencies. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

9 mounted 35mm slides of student work.

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Students from several universities were involved in the organisation of the annual AGIdeas conference. It is likely a UB student member accidentally returned these to the university rather than the Design Foundation, Cato Partners.

Blue box with clear lid containing series of mounted 35mm slides of presenter work used at the 2000 AGIdeas design conference.

Box reads "2000 AG. Ideas Presenter."

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Black and white text on these slides features terminology relevant to design such as Contrast, Intensity, Hue, Value, Visual texture, Figure-ground relationship, Form, and Composition. An accompanying group of full colour artworks and photographs, featuring male figures with clasped hands, probably aim to demonstrate the above terms. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

Series of 12 mounted 35mm black and white text slides (numbered 1 to 12). 9 full colour slides (numbered 16-28, incomplete).

"DESIGN" "Lecture" and "1" handwritten on first slide

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These slides were likely submitted to the Art Director’s Awards. They include an image of "Promotional Use Only" packaging, and slides of screen captures from the multimedia CD. See 29169. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

Series of 13 mounted 35mm slide transparencies in yellow box with frosted lid.

"Art Directors Awards" written in marker on container

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Probably TAFE design student works, possibly connected to item 29218 Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

Series of 5 mounted 35mm slides featuring un-named student works.

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Photographs of packaging works by University of Ballarat, Bachelor of Graphic Design/ Multimedia students. Many of these works were likely created for the Packaging Design Awards. Several use the application of graphics created in-house at the University of Ballarat on the "Colourease" system. Digital scan contact sheets of photographic slide transparencies. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

Series of 41 unmounted 35mm slide transparencies of student packaging designs.

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These are most likely student works from Koorie Art and Design course, 1994. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

Series of 11 35mm mounted slides, from Koorie Art and Design classes, 1994.

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These are likely graduating students of the University of Ballarat Diploma or Advanced Diploma of Graphic Design, as two staff members -- Alister Heighway and Peter Lambeth -- are included. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

Series of 35mm mounted slides featuring TAFE design students (and staff) with their faces pressed against glass or perspex.

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Possibly SMB TAFE design students. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

Series of 21, 35mm mounted slides. Likely images of SMB TAFE design students.

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Digital scans of photographic slide transparencies. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

Plastic container containing series of 20, 35mm mounted slides of two-dimensional student works. White/grey slide mounts. Possibly TAFE diploma or advanced diploma works. Digital scans of photographic transparencies. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

Slide 29218.17 is printed with "JAN 99"

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1997 Student exhibition. 35mm slides scanned at 1200ppi on flatbed scanner. Levels and white point adjusted for image clarity. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

An example of student exhibition design during the 1990s

Series of 23, 35mm slide transparencies. Housed in a frosted slide box with yellow Kodak lid.

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35mm slides scanned at 1200ppi on flatbed scanner. Levels and white point adjusted for image clarity. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

Series of 8, 35mm slide transparencies, white face grey reverse.

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Digital scan of photographic transparency. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

55 x 55mm unmounted transparencies, #8 and #10

#8 and #10

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Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.

55 x 55mm unmounted transparency, #1

Old tape label reads 12256

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Ewen Ross was lecturing in Visual Art at Horsham TAFE when these works were undertaken.

Various examples of artwork undertaken by TAFE student at Horsham. Many of them relate to exercises relating to the Elements and Principles of Design. .1) An exercise in the Elements and Principles of Design by David McGennesken .2) Banksia by Walsh .3) Portraits in Colour by Erica Hein .4) Scaling (Owl) by David McGennesken .5) Subjective Colour by David McGennesken .6) Texture by Michael Rudolph .7) An exercise in the Elements and Principles of Design by Michael Rudolph .8) Shape by Michael Rudolph .9) Shape by David McGennesken .10) Texture by David McGennesken .11) Design Value by David McGennesken .12) An exercise in the Elements and Principles of Design by Michael Rudolph .13) Texture by Erica Hein .14) Design by Erica Hein .15) Design by Erica Hein .16) Tonal .17) Cross Hatching by Erica Hein .18) An exercise in the Elements and Principles of Design .19) Shape by Kris Young .20) Tone by Michael Rudolph .21) Colour by Michael Rudolph .22) texture by Michael Gromm .23) Cross Hatching by Michael Gromm .24) Cross Hatching by Nicholas Stevens .25) Birds Eye .26) a and B Relief Print .27) Colour .28) Still life relief Print

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.1) Image of the Social Science Congress held in the Great hall of Manchester Assize Courts in 1866 .2) Names of Attendees

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Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.

Watercolour painting of a standing woman with short light brown hair, in a green striped sleeveless shirt, a dark green shorts, and green heels, she is at the beach and there are birds in the background.

Watermark (1917 UNBLEACHED ARNOLD)

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