Black and White photograph. On the back Augustonian fair crowd at Golden Square Methodist Church approx 1936. Reading from left the ones I know: Mr. Robert Saunders, Lydia Chancellor (nee Pethard), Mrs Bellamy and Lyle Goddard on background Rev. Tom Woodford with son, Don and Barbara M. in front,Jack Mamouney, Chris Jorgenson, don't know the next two ladies, Ken Addams in beret at the back, Auntie Gert Amstrong next, Beth Organ and Belle m. in front.

This collection of works, “songs without words” was written in the 1830’s by Mendellson. He was of the opinion that the music should stand alone and hence no need for words. This collection of his work for piano solos is still on the music syllabus today. The stamp on the front cover J.B. Shepherd and Son relates the Shepherd family music store in Liebig Street, which operated around the turn of the 20th century . They sold pianos and other musical instruments as well as doing repairs and tuning and lessons.This collection of music scores by Mendelssohn is significant firstly because it is still used by music students 160 years after it was written and secondly this copy has local significance as it was owned by Grace Rome who was born in 1902 and was the daughter of one of Warrnambool’s most successful and longest living business people Thomas Rome, who incidently made one of the earliest sound recordings in Australia.Cream coloured card cover with dark green cloth binding with the title Mendelssohn in red text with black flourish. Other text on cover is black. Edition Peters at the top of cover in black text. Pages contain music scores .132 pages. Kullak printed on front cover. Light blue stamp, “J. E. Shepherd & Son, Piano, organ & music Warehouse. Tuners & repairers Warrnambool. Written in Black ink but scrubbed out with blue ink on inside fly is Grace Rome P.L.C. 1921. 1. Similarly un unknown name is scrubbed on front top right corner of cover. warrnambool, mendelssohn, lieder ohne worte, edition peters, grace rome

Charles Henry (Harry) McQueen (1910-1994) married Olive May Graham in 1935. He was a butcher by trade (McQueen's Butchers, Castlemaine). He was a pioneer of accordion dance music and was mentored by Billy McGlashan. He played by ear and his preferred instrument was a Mezon Grand Organ in the key of A. He played old time waltzes, bush dances and Scottish reels. He was well known for his double and triple right hand fingering. From 1940-1977 he led "McQueen's Old Time Band" and recorded their music.A biography written by Adrienne Losin about an old time musician and accordian player named Harry McQueen (1910-1994)harry mcqueen, old time dance music, accordian music

An older female and male sit either side of a desk. The lady holds a pen and a sheet of large print music in front of her, with a small pile of similar sheets to her right. The man holds a pen and looks at sheets of paper (presumably music) whilst sitting next to a box with the title 'Family Fun Box Organ course' to his left. In the background are filing racks, The Australian Hymn book and Braille volumes in various bindings. Over time, the RBS built up a considerable music collection thanks to the work of its dedicated supporters such as Dulcie Magnus.Digital image of two people working together to produce braille music Second century 24royal blind society of new south wales, braille music

Kathleen Meagan was placed in the Ballarat Convent of Mercy as an infant. She remained there throughout her life until she died at age 34. Her friendly, cheerful personality in the face of ill health meant that she was cherished by all who knew her. Her talents on the violin, harp, piano and cello were outstanding, and she was beloved by the Sisters of Mercy and the students of Sacred Heart College. This memorial window depicting Saint Cecilia at the organ was commissioned upon her passing in 1925, and was installed in the SHC chapel and blessed by the Bishop in 1926.Stained glass window constructed in 1926 To the memory of Kathleen Blanche Meagan RIPsisters of mercy, ballarat musicians, herr goll

This photograph records the interior of St Nicholas Seamen's Church at 139 Nicholson Street, Williamstown, Victoria, which was purchased and furnished around 1943. The furniture and furnishings are now part of the St Nicholas Seamen's Church collection. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served the world's seafarers since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the orgainsation began in Williamstown in 1857. It was a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This item is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857.Photograph of St Nicholas Seamen's Church, Williamstown. Sepia photograph. The photograph shows the inside of the Chapel of Mission to Seamen, including organ, pews and other furniture and furnishings. There is a circular stained glass window high on the back wall depicting a sailor at the helm of a ship and a man standing behind him and pointing the way - "Christ Showing The Helmsman The Way". A Sanctuary Light is suspended from the ceiling. The Sanctuary chars are visible. This shows the St Nicholas Seamen's Church in Williamstown, the furnishings and furniture of which is now part of the St Nicholas Seamen's Church Collection’.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, st nicholas mission to seamen's church williamstown, mission to seamen williamstown, mission to seamen victoria, st nicholas mission to seamen, chapel window, christ showing the helmsman the way, stained glass window, st nicholas seamen's church, religion, religious service, sailor's rest, ladies harbour light guild

Round top Essay by Mary Kerr - ''St. Kilian's Church 1852 -1888''. Handwritten 20 page document (no date) concerning the history of the early Catholic church in Bendigo, the history of the St Kilians church and the influence and works of Dr Henry Backhaus over that period. The essay is referenced with numerous footnotes (manuscripts in addition to books, newspapers etc) and final page bibliography. Extensive coverage of history including references to first baptism, first marriage, the 'Mass Tent', 'Consecrated Flat', the 'Bark Chapel', the stone church, the organ, retirement and death of Dr Backhaus.Mary Kerrchurch, history, st. kilian's catholic church, bendi, mass tent, bark chapel, dr hanry backhaus, consecrated flat, mary kerr.

Programs (10 ) from the Golden Square Methodist Church, dated from 1919 - 1929, signed by G.A. Pethard, Trustee, enclosed in an envelope with 'From G.A. Pethard, Golden Square, Bendigo' on bottom LH corner. Fund raising events for an electric blower for the church organ ; the Augustonian Fair; Harvest Festivals; the Forest Street Men's Choir and the Jubilee League are featured in the requests for funding support. The motto of the church is 'Think' - 'He can who thinks he can' A photo of the interior of the Church is shown in the 10th November, 1922, program.

Yields information the streetscape at the bottom of Sturt St, near Grenville St, the ESCo shelter and how the trams used the track, though in this case, the same tram appears three times.Black and White copy photograph of a photograph of the Grenville tram terminus, in Sturt St, featuring the buildings on either side of Sturt St. Has the ESCo shelter at the bottom of the street, which dates from 1907 (Page 49 of "The Golden City and its tramways"). Note that a weighing machine appears to be on the north side of the shelter. The photograph features three trams, that appear to be the same tram, No. 5. It has a "Stop tram at Harry Davies" roof advertisement sign. Also features the "Sutton Pianos organs and music" sign. Also a number of people crossing the street.tramways, trams, sturt st, grenville st, bridge st, esco, tram 5

In 2014 the University of Ballarat took control of the former Monash University campus in Churchill Gippsland, and UB became Federation University Australia. This is the work of students at the Camp Street Campus, Ballarat. Lecturers listed as Ben Mangan and Chrissie Smith. Student list: Fiona Appledore, Kellie Beatty, Ella Byworth, Leah Cushion, James Daniel, Chris Drummond, Peter Gaulke, Ashlen Gloury, Harley Hollow, Celina Mulgrew, Katrina Organ, Lucinda Pendock, Jeremy Pietsch, Heidi Rixon, James Robertson, Jayde Romey, Stevi Thomas, Melissa Thompson. Final page includes list of sponsors.40pp full colour book plus cover 4pp perfect bound cover, bright watermelon-orange card with holographic foil.university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy, fiona appledore, kellie beatty, ella byworth, leah cushion, james daniel, chris drummond, peter gaulke, ashlen gloury, harley hollow, celina mulgrew, katrina organ, lucinda pendock, jeremy pietsch, heidi rixon, james robertson, jayde romey, stevi thomas, melissa thompson

Brick Anglican Vicarage in Main Street purchased 1923 surrounded by trees and with picket fence and gate. In 1923 the house on the west side of the Church was purchased to be the Vicarage, the former Vicarage in Stawell West being sold. In this same year electricity was connected to the Church, the Hall and the Vicarage. The organ which had been hand pumped till then was fitted with and electric blower. This photo is a copy off a loaned postcard. The dwelling was purchased by the Anglican Church 1923, the former vicarage in Seaby Street being sold. The Spire in the background is St. Matthews Presbyterian Church. The vicarage is now demolished and replaced by a new building.Black & White photograph of a scene depicting a brick dwelling with veranda right hand side and a church spire in the background. Trees surrounding the building. A picket fence with gate and footpath in foreground.stawell religion church

A Bioscope show was a fairground attraction consisting of a travelling cinema. The heyday of the Bioscope was from the late 1890s until World War I. Bioscope shows were fronted by the largest fairground organs, and these formed the entire public face of the show . A stage was usually in front of the organ, and dancing girls would entertain the crowds between film shows. Films shown in the Bioscope were primitive, and the earliest of these were made by the showmen themselves. Later, films were commercially produced. Bioscope shows were integrated, in Britain at least, into the Variety shows in the huge Music Halls which were built at the end of the nineteenth century. After the Music Hall Strike of 1907 in London, bioscope operators set up a trade union to represent them. There were about seventy operators in London at this point. (http://en.wikipedia.org/wiki/Bioscope_show) The Projector was a rather unreliable piece of apparatus, powered by a variety of light sources, including Calcium Oxide (Lime-Light). A Calcium Carbide Burner, or the rather more superior Carbon Arc. All these methods were highly unpredictable & quite frankly...dangerous! Often resulting in explosions, burning down the entire Show! (which is probably why NO original Shows still exist. Alfred Ball's Bioscope, pictured below, built in 1905 was struck by lightning, shortly after the picture was taken! (http://www.circus-entertainer.co.uk/heritage.htm) In 1909 the first bioscopes pictures were shown at the Ballaarat Mechanics' Institute.Brass and green painted metal film projectorbioscope, vector, entertainment, projector, film, theatre, movie

TEXT OF TALK - ''THE FIRST 50 YEARS OF FREEMASONRY IN BENDIGO''. (Stamped on first and last page with name of Mc.G W Morse 'Dunmaghlas' 36 Thomas St, Kangaroo Flat. (author?; no date provided). Typed pages cut and mounted on 17 stapled pages. References to: W C Vahland; ''The Golden Lodge of Bendigo''; organ; Corinthian Lodge of Sandhurst; ''Black Liners''; Eaglehawk Lodge; Zenith Lodge; Golden and Corinthian Lodge; Art Union; Masonic Charity Sunday; Sandhurst Lodge; Corona Lodge; Royal Golden Chapter; Kinghts Templar; Mark Master Masons Degree;mcG. W. Morse, Dunmaghlas, 36 Thomas Street Kangaroo Flat. 3555clubs, social, freemasonry, bro. w.c. vahland, boltons brothers, bendigo gold rush, freemasons, brother r.c. mackenzie, criterian hotel, brother w. scott, brother edward salaman, grant's cafe.

TROVE ‘Advertisement April 2nd 1941 WHY VAXOS No. 1 MUST NOT BE CONFUSED WITH NOSE DROPS, INHALANTS, OR OTHER TEMPORARY PALLIATIVES. Vaxos No. 1 is what medical science terms an Endotoxoid, an oral vaccine, and an entirely new form of antigen with very high immunising powers. Vaxos No. I contains only pure antigens and is entirely free of herbs, drugs, or bacterial organ- isms, and is, therefore, perfectly safe for anyone to take. Vaxos No. I is produced by an Eminent Medical Bacteriologist UNDER GOVERNMENT LICENCE.and it is the ONLY PRODUCT EMANATING FROM THE LABORATORY OF THE ORIGINAL DISCOVERER OF THIS METHOD OF TREATMENT AND IMMUNISATION. As such, it must not be confused with cheaply prepared substitutes.A clear glass bottle with a plastic screw top and a clear glass, cylindrical measure with graduations of 10 to 25 drops in a cardboard box c1946. ‘VAXOS’ was used to treat respiratory infections BOTTLE ; VAXOS / No. 1 / Vaccine Products (Aust.) / Australaisian Distributors / H.C.Sleigh / (Pharmaceutical Dept.) 582 Little Colins St. Melbourne C1 / BATCH No. 1215 / Left side ; for Acute / Common Cold / Bronchitis / Antrum and / sinus troubles / Manfd. Nov.,1946 / Nett Contents 15cc. Right side : for Chronic / Catarrh / Hay Fever / Bronchial / Asthma, etc. / EXPIRY / Nov., 1948 / Medium Size Bottle . MEASURE; Paper adhering to glass - VAXOS DROPS 10, 15, 25 / Front BOX - Lid MEDIUM SIZE / BOTTLE / FOR ACUTE CASES / Base ; VAXOS / No. 1 / A colloidal polyvalent Antigen designed to / relieve and confer immunity from / respiratory tract disorders........./ Left side DIRECTIONS / ............. Batch No. 1215 / Right side ; VAXOS No. 1 / Contents ........Vaxos is made under / Government Licence by a / qualified medical bacteriologist . Back Nett. Contents 15cc / Price 12/6 / VACCINE PRODUCTS / (AUST ) /........ Manfd. NOV., 1946 / EXPIRY NOV., 1948pharmacy, medicines, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, vaxos medicines, h.c.sleigh pty ltd, bacteriology, c.s.i.r.o departments melbourne, vaccine products australia, respiratory diseases

Miss Florence Perry was at the centre of a strong and vibrant musical culture in Clunes which featured a brass band, a men's mouth organ band, an orchestra and church choirs. The success of Miss Perry's choirs in competitions was a source of pride in the town and a cause for celebration. After their success in Melbourne in 1906, the Juvenile Choir were greeted at the Railway Station on their return by the brass band and well wishers before attending an impromptu concert at the Town Hall. Miss Perry herself was born in Clunes in 1880 and worked as a music teacher in the town. Her father was the conductor of the Clunes Orchestra. Most social occasions, such as annual Balls, fundraisers and 21st birthdays, involved music played by local musicians Important artefact in the musical history of Clunes in the late 19th and early 20th centuries.WOODEN FRAMED BLACK AND WHITE PHOTOGRAPH OF THE CLUNES JUVENILE CHOIR 1906 - CHILDREN ARRANGED IN ROWS WITH THE CONDUCTRESS CENTRED IN THE PHOTO Clunes Juvenile Choir with their conductress, Miss Florence Perry. Taken by Chapel St. Prahran photographer; probably taken when Choir competed successfully in a Choral competition in Prahran.juvenile choir, clunes junior choir, miss florence perry

Deaf women dressed in white flowing robes were typically used by the Society at meetings and lectures giving a performance in living statuary. This photograph is a depiction from Rock of Ages in Statuary and Song described in a review by the Spectator - the words of the hymn softly sung by the Cornish Choir to an exquisitely delicate organ accompaniment by Mr E. J. Watkins. The Grouping of Living Statuary with the limelight thrown upon them from either side, motionless as marble figures, but with the life and love and adoration in their eyes and on their faces, formed the most beautiful objects we have ever beheld. The Audience looked and listened in breathless silence and many eyes were glistening with tears.This photo is significant as a studio photograph of Deaf women who performed 'living statuar'y at many of the lectures and meetings held in the early years of the 20th century by the Adult Deaf and Dumb Society of Victoria ; possibly introduced by Ernest Abraham to add drama to the occasion.A5 black and white photograph on a cardboard frame. The photograph features five women in robes surrounding a cross."City Chambers / 114 Elizabeth Street / Melbourne" Signature of photographer or studio name illegible.

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.No. 12 New Series; Pink Cover; Size 29.5Hx14.5W; 24 pagesdeaf newsletter, vicdeaf newsletter, australian deaf newsletter,sidney weetman, blackburn, farm and home, mr and mrs e. j. d. abraham, mr and mrs j. e. muir, m. l. miller, henry harrison brown, beech forest, mr hood, washington state school, olaf hanson, ella wilcox, e. cork, the manchester conference, french national conference,

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.No. 13 New Series; Size 29Hx14W; 24 pages (2 copies)deaf newsletter,vicdeaf, newsletter, deaf and dumb newsletter, alice butteridge, lone hand, c. a. jeffries, adult deaf and dumb society, lake park, blackburn, victorian deaf and dumb institution, ernest j. d. abraham, mrs abraham, miss a. graham, our monthly letter, victorian deaf school lacrosse club, adult deaf cricket club,f. j. rose, john jennings, matthew robert burns, henry weedon, agar wynne, w.s. keast,r. solly, e. r. peacock, h. sumner martin, harold kent, g. g. mercy, w. a. dickens, hugh munro, m. l. miller, mr mcbride, dr mccallum, young men's club, sol moss, oriana, eustace miles, robert p. macgregor, world's congress of the deaf, b. f. austin

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.No. 16; Pink Cover; Size 29Hx14W; 24 pagesdeaf newsletter, vicdeaf newsletter, australian deaf newsletter, deaf and dumb newsletter, deaf and dumb society of victoria, ernest abraham, h. sumner martin, r. j. oehr, harold kent, adult deaf lacrosse club, our monthly letter,

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.Pink Cover 29cmHx14cmW, 24 pagesdeaf newsletter, vicdeaf newsletter, australian deaf newsletter, deaf and dumb newsletter, deaf and dumb society of victoria

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.No. 1 New Series; Pink Cover; Size 29cmHx14cmW; 24 pagesdeaf cyclists, asylum, burnside, beale, blackburn, flower farm, lake park, xmas rally, new south wales, queensland, james lovett, nellie favison, athur renwick, thomas simpson, western australia, south australia, ostock, barrett townsend, iddleby

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.No. 7; Pink Cover; Size 29Hx14W; 24 pagesdeaf newsletter, vicdeaf newsletter, australian deaf newsletter, deaf and dumb society of victoria, deaf and dumb newsletter, new zealand school for the deaf, hon r. seddon, ernest j. d. abraham, l. miller, a. c. muir, mr and mrs burke, tasmanian school for the deaf, harold gregory, adult deaf and dumb building, samuel gillott, e. newbigin, h. sumner martin, councillor weedon, ernest r. w. smith, e. a. starcke, thomas bent,

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australasian Deaf.No. 3; Pink Cover; Size 28Hx22W; 16 pageshelen keller, ernest abraham, m. miller, j. charles, r. k. beattie, j. anderson, g. stubbs, j. mclean, j. e. muir, w. p. muir, w. a. patterson, r. h. luff, j. dempsey, e. r. w. smith, e. burke, f. e. frewin, l. downes, g. mortimer, a. c. muir, mrs frank frewin, mr and mrs i. a. tenney, melbourne deaf mute cricket club, deaf young men's mutual improvement society, m.miller, young women's society, mrs j. e. muir, miss a. foster, mrs luke, mrs a. wilson, mrs j. martin, captain olden, rev h. kelly, mr hood, mr williamson, john e. muir, w. p. monahan, thomas h. monahan, mrs leslie downes, new south wales institution for the deaf and dumb and blind, g. a. f. lentz, thomas pattison, australian deaf and dumb congress, matthew l. miller, blind deaf and dumb institution in queensland, tasmanian school for the blind, deaf and dumb, western australian school for the deaf and dumb, south australian institution for the blind, deaf and dumb, j. a. gibson, c. hawkins, mr showell