‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

Multi-part object of 6 identical racquets (parts are numbered from 2008.986.1 to 2008.986.6). Each racquet is: a Dunlop 'Maxply Austral' model with yellow net strings and handle wrapped in Dunlop-branded plastic packaging. Racquet in white paper factory bag. Materials: Wood, Plastic, Adhesive tape, Paint, Leather, String, Nylon, Papertennis

Cardboard box, originally packaging for men's hankerchiefs. Graphic on lid depicts a woman holding a racquet and ball, wearing clothing of ca. 1865 fashion. On underside of lid is a handwritten list (indecipherable). Box empty. Label on end of box indicates: BEST QUALITY/GENTS/PURE LINEN CAMBRIC HKFS/ 1 DOZ. Materials: Cardboard, Ink, Papertennis

Cardboard box, originally packaging for chocolates. Lid depicts a woman and man seated on grass with a tennis racquet, and a tennis net partially visible in the background. Materials: Cardboard, Ink, Papertennis

Cardboard box, originally a packaging for chocolates. Lid depicts a woman dressed in early 1900s fashion holding a racquet. 'SCHRAFFT'S CHOCOLATES' and 'COPYRIGHT 1904, W.F. SCHRAFFT & SONS' printed on lid next to image. Blue ribbon is attached to sides of lid and tied in a bow on top centre. Box contains only a loose rice paper lining. Materials: Cardboard, Ink, Papertennis

Deck tennis set. Consists of rubber ring and plastic packaging with rules sheet enclosed. Materials: Cardboard, Ink, Glue, Wood, Natural fibre, Papertennis

Cardboard box, originally packaging for chocolates. Graphic on lid depicts a woman with a parasol and a tennis racquet, standing near a tennis net. Based printed with words: 'ROMANCE CHOCOLATES/MANUFACTURED BY/COX CONFECTIONERY CO./BOSTON --MASS./NO.83/NET WEIGHT HALF POUND'. Materials: Cardboard, Ink, Papertennis

Sealed paper bag of three Wilson (USA) 'Championship' tennis balls. Materials: Ink, Paper, Rubber, Felttennis

An 'Abbey' two-part wood and hemp rope single ball cleaner in printed cardboard packaging. Also in box is a small pamphlet with instructions for use. Materials: Cardboard, Ink, Wood, Rope, Papertennis

Common every day items food used by the ADF in combat situations. This shows the combat ration one man that has been used by the ADF since the Vietnam War era. The CR1M consists of two main meals, various light snacks, sundry and beverage items. The CR1M is designed to provide the daily nutritional value to sustain a soldier over a 24 hour period. Failure to consume all food items with this period will impact upon functional energy levels due to an unbalanced nutrition intake. Excluding tea and coffee aal food items are consumable either hot or cold. It is advised to fill one cup canteen with water, immerse one 250g main meal pouch and heat for 10 - 15 minutes. For heat source use use issued hexamine stove and tablets. residual boiled water is safe and may be used for hot beverage makingCombat Ration One Man (24 hour). Sealed in a clear plastic bag with the letter 'C' printed in blue on the front (indicating that contents are menu 'C'). This pack includes small packages of supplies in various shapes and sizes, including: M and M's chocolate, potato with onion powder, sweetened condensed milk, cream spread, tea bags, safety matches and toilet paper. Front - Blue text - C / NOT FOR PRIVATE RESALE TO PUBLIC ration pack, consumables, supplies

A part of a yearly marketing and information material promoting the Victorian Alpine Area and packages available for the 1993 winter season.This item is important as it documents seasonal activities at Falls Creek Alpine Resort An A4 sized marketing booklet, including images and advertising information printed on glossy paper.victorian alpine region, falls creek marketing, accommodation falls creek

non-fictioncity of ballaarat, welcome, ballarat, lake wendouree, rowing, canoeing, 1956, southern hemisphere,

Issued to Service Personal whilst on active service to render first aid if required.Unopened rectangle packet covered in off-white cotton (or similar) containing a bandage and gauze pad. The front of the package is printed with an inscription identifying it as a 'First Field Dressing' along with a list of contents and instructions for use in blue writing. Text crossed with diagonal red arrow from bottom right hand side pointing to top left corner. FIRST FIELD DRESSING Tear apart the uncemented corner as indicated by the arrow and remove the paper. Take the folded ends of the bandage in each hand, and, keeping the bandage taut, apply the gauze pad to the wound and fix the bandage. In case of head wounds when respirators have to be worn, care should be taken to adjust the pad so that it does not interfere with the fit of the face piece. DO NOT HANDLE THE GAUZE OR WOUND Johnson & Johnson Pty. Ltd. Sydney July, 1942 ww11, bandage, gauze, dressing, wound

Set of six tramcar signs as listed, wrapped in brown paper and marked in Keith Kings handwriting: "Spare Interior Notice Plates (ex Preston W/s 1/9/72)" Package had not been open. The adhesive tape was loose when opened. Contains items: Reg Item - short description and condition: 2418 - To stop car pull left hand.... - tarnished 2419 - Wait until car stops - tarnished, paint marks and remnants of tape. 2421 - No Smoking - tarnished 2423 - Entering or leaving - 56H x 254W (different to that collected) - dirt marks 2427 - Passengers must not stand - heavily tarnished and dirty 2429 - Passengers are not allowed - has been partly bent - tarnished. Retain in paper bag.trams, tramways, signs, tramcars, tramcar bodies, mmtb, new trams

Report 12 A4 pages, including card covers, centre stapled, full colour printed on off white paper, titled "Route 96 Project Overview". Looks at the route itself, project objectives, governance arrangements, communications and consultations. Includes a note that the Government has order 50 new trams. Notes the proposed works packages and who would be managing them - VicRoads, Yarra Trams or PTV. Includes photos of Bourke St, street plans and information numbers. Has the State Government, VicRoads and Yarra Trams logos. Published 2012.trams, tramways, ptv, route 96, east brunswick, yarra trams

Folder containing various documents regarding the launch of the "Melbourne Met Pass". .1 - Green coloured folded card folder with the Met logo and "Metropolitan Transit" on the outside and two The Met business cards for Jennie Owers - Manager Sales and Services and Margaret Douglas, General Manager Marketing stapled to the inside. .2 - Two page press release headed "Victoria Transport", dated 19/9/1987 regarding the launch of the new Tourist Package by the Met, has quotes from MTA Managing Director - Kevin Shea and Minister Tom Roper. .3 - Folded card A5 sheet, titled "All the information you need to tell them where to go", contains retail and wholesale price information and information on the packages available. .4 - Poster, printed on gloss paper and folded titled "101 things to see around Melbourne" advertising what you could see using the Met Pass. Contained within a green plastic folder titled "Melbourne Met Pass" .5 - book - 80 pages, card cover, printed on gloss paper - a very extensive guide to Melbourne and suggested trips. .6 - folded map showing both the train and tram systems containing information about the zones, art galleries, shopping, gardens sports Arena, museums and eating. .7 - Sample Met Pass - not numbered - printed on yellow card with green ink and conditions of travel on rear.trams, tramways, the met, tourist tickets

The souvenir paper carry bag from the SS Himalaya, was obtained by Mr Bates on his voyage from the UK to Australia in 1971. One side has a copy of a coloured drawing of the SS Himalaya and on the reverse the SS Iberia. Both ships belonged to the P & O (Pacific & Orient) shipping companytransport - shipping, mr bates, ss iberia, ss himalaya

This reference book would be used by sea merchants when trading in cargo.The book is significant for its association with reference information for sea merchant traders. Book, tall and narrow, with index tabs on the side edges of the pages. FULL Title: The Seaman and Merchants Complete Expeditious Measurer: The Seaman and Merchants Complete Expeditious Measurer; containing a set of tables which show at one view the solid contents of all kinds of packaging and casks, according to their several lengths, breadths and depths; also rules for determining the contents of all sorts of casks in wine and beer measure, according to the Imperial Standard. Author: Mr J W Norie (John William Norie) Date: 1853 Publisher: Charles Wilson Printer: Bateman and Dennis, 95 Leadenhall Street, London, England 1853 The front end paper has an inscription. It refers to the Schooner, Rose Anna, Melbourne, 1857.Hand written script: "Rose Anna / Schooner, Melbourne, 1857"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the seaman and merchants complete expeditious measurer, book, sea merchants, cargo, calculations, measurements, sea trade, maritime book, sea transportation, cargo rate calculations

Powdered milk was sod in cans before plastic packaging was introduced. The Nestle Company manufactured the Sunshine powdered milk in Australia and was made from full cream pasteurised milk which had the water content removed from it this would then allow the tins of powdered milk to be transported without refrigeration. The powdered milk could then be made up by adding water at the recommended quantities as per directions on the labels.A white, and green paper covered rusty tin. The front of the label is printed in black advertising Sunshine full cream milk powder. The back has recipes printed on it.Nestle/SUNSHINE/milk/FULL CREAM MILK POWDER/NET 3LB - AUSTRALIAsocial history, cooking, domestic food and drink, milk products, powdered milk, george evans collection

Kelene is the proprietary name used for ethyl chloride in France which became synonymous with the agent in Europe. The manufacturer, Gilliard P. Monnet and Cartier of Lyon, also supplied Redard with his ampoules in 1890. Ethyl chloride was discovered by the French chemist Guillaume-Francois Rouelle in 1759; however it was not until 1901 that Frederic-Henri Basse manufactured sufficient for scientific study. Marie Jean-Pierre Flourens, Professor Comparative Anatomy at the University of Paris, first reported the effect of the inhalation of ethyl chloride after some experiments with and other agents in dogs. He described three experiments in which the dogs died, however death followed a period of insensibility as with ether although of much faster onset.Ten large glass phials containing 3g Kelene (Ethyl Chloride) stored in their original packaging. The box originally had twelve phials with now only ten remaining. Of the ten, 8 still contain the Kelene, 1 phial is empty but intact and 1 phial is broken. The cardboard box has a maroon paper cover, removable top with the product label and literature pasted across the base and top of the package. All product information is in French.ethyl chloride, kelene, local anaesthetic, gilliard p. monnet and cartier, france

Large brown glass bottle in original packaging once contained 1lb of ether. The bottle is wrapped in brown paper wrapping with black and red print on a white label. It reads [in red ink] POISON /NOT TO BE TAKEN / WOOLWICH ELLIOTT [logo] / [black ink] 263 61 / Anaesthetic Ether / B. P. / NET 1 LB. / This ether contains 0.002% w/v of Hydroquinone as a / preservative, in accordance with the B.P. / [red ink] CAUTION: Keep well corked in a cool, dark place / [black ink] WOOLWICH-ELLIOTT / CHEMICAL COMPANY PTY. LTD. / SYDNEY / USE BEFORE JAN 1964 / [in red ink] HIGHTLY INFLAMMABLE / [black ink] MADE IN AUSTRALIAether, anaesthetic, poison, glass, bottle, woolwich-eliott chemical co, sydney, anaesthetic ether, hydroquinine, inflammable

This cotton wool, used by Dr.William Roy Angus, Surgeon and Oculist, was donated to Flagstaff Hill Maritime Village by his daughter, Bernice McDade. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he would take time to further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . The organisation began in South Australia through the Presbyterian Church in that year, with its first station being in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill where he’d previously worked as Medical Assistant and purchased a share of the Nelson Street practice and Mira hospital from Dr Les Middleton one of the Middleton Brothers, the current owners of what was once Dr Tom Ryan’s practice. Dr L Middleton was House Surgeon to the Nhill Hospital 1926-1933, when he resigned. [Dr Tom Ryan’s practice had originally belonged to his older brother Dr Edward Ryan, who came to Nhill in 1885. Dr Edward saw patients at his rooms, firstly in Victoria Street and in 1886 in Nelson Street, until 1901. The Nelson Street practice also had a 2 bed ward, called Mira Private Hospital ). Dr Edward Ryan was House Surgeon at the Nhill Hospital 1884-1902 . He also had occasions where he successfully performed veterinary surgery for the local farmers too. Dr Tom Ryan then purchased the practice from his brother in 1901. Both Dr Edward and Dr Tom Ryan work as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He too was House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. Dr Tom Ryan moved from Nhill in 1926. He became a Fellow of the Royal Australasian College of Surgeons in 1927, soon after its formation, a rare accolade for a doctor outside any of the major cities. He remained a bachelor and died suddenly on 7th Dec 1955, aged 91, at his home in Ararat. Scholarships and prizes are still awarded to medical students in the honour of Dr T.F. Ryan and his father, Dr Michael Ryan, and brother, John Patrick Ryan. ] When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery states “HOURS Daily, except Tuesdays, Fridays and Saturday afternoons, 9-10am, 2-4pm, 7-8pm. Sundays by appointment”. This plate is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. Dr Edward Ryan and Dr Tom Ryan had an extensive collection of historical medical equipment and materials spanning 1884-1926 and when Dr Angus took up practice in their old premises he obtained this collection, a large part of which is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. During his time in Nhill Dr Angus was involved in the merging of the Mira Hospital and Nhill Public Hospital into one public hospital and the property titles passed on to Nhill Hospital in 1939. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. ). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (The duties of a Port Medical Officer were outlined by the Colonial Secretary on 21st June, 1839 under the terms of the Quarantine Act. Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. Their interests included organisations such as Red Cross, Rostrum, Warrnambool and District Historical Society (founding members), Wine and Food Society, Steering Committee for Tertiary Education in Warrnambool, Local National Trust, Good Neighbour Council, Housing Commission Advisory Board, United Services Institute, Legion of Ex-Servicemen, Olympic Pool Committee, Food for Britain Organisation, Warrnambool Hospital, Anti-Cancer Council, Boys’ Club, Charitable Council, National Fitness Council and Air Raid Precautions Group. He was also a member of the Steam Preservation Society and derived much pleasure from a steam traction engine on his farm. He had an interest in people and the community He and his wife Gladys were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”.The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other items and equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery.Box of cotton wool. The cotton wool sheet is covered in blue tissue paper that has been rooled tightly and stored within a rectangular blue cardboard box. The box has white printed text on one side and a coloured paper label on another side. The text includes instructions for use. Made by Johnson & Johnson Pty Ltd, Sydney. The object is part of the W.R. Angus Collection.'Red Chain Cotton. 1 Pound Interleaved. Johnson & Johnson Pty Ltd, Sydney. Sterilized after packaging. Made in Australia. Absorbent.' 'To open, cut along the perforation. To close tuck-in flap. This cotton is of superior grade specially made for wound and surgical purposes. It will also be found useful in the household, office or factory and as a general toilet accessory.'flagstaff hill maritime museum and village, great ocean road, shipwreck coast, cotton wool, medical, johnson & johnson, red chain cotton, w.r. angus