Also identical image, good condition, clearer print, collected, also enlargement 16 cm x 25.5 cmBlack and white postcard taken from the path up Kalimna Hill, showing the concrete North Arm bridge; Bullock Island; New Works area and Western side of Entrance. Lakes Entrance VictoriaNorth Arm Bridge Lakes Entrancewaterways, bridges, coast

Photograph shows erosion on a path to a footbridge over the Plenty River down from George Court Montmorency.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty river, erosion, montmorency

The path of America's slow, gradual, and then steadily mounting involvement in Vietnam has never been fully explored.A report to the center for the Study of Democratic Institutions.vietnamese conflict, 1961-1975 -- united states, united states -- foreign relations -- vietnam

Located in the garden at Kooyong, at the intersection of the path to Talbot Crescent and the path leading to the Club house, this plaque marks the contribution of Louise Zalay. Louise worked in the library area and was a familiar figure at Kooyong until her unexpected death in 2015. This plaque was unveiled by CEO Ron Hooten, with Louise's parents and many of her colleagues in attendance, and was accompanied with the planting of a rose bush.Metal plaque with inscription embedded in garden bed.In memory of Louise Zalay A friend and colleague for 20 years 1995-2015vision australia, nameplates

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man and a schoolgirl standing on a path inside a fenced garden. In the backgroud are tall pine trees.The man is Frank Wight and the girl is his sister (perhaps Lydia). They are standing in the garden of Laura Villa.Stamped on back - Printed at Scott's Pharmacy Kodak Dealer, (143) Sturt St, Ballaratfrank wright, cornet, conductor, ballarat, lydia wright, laura villa

Postcard. Oval framed landscape with church to the left and other housing off centre right, Eventid. Birthday wishes. Two people walking a path to the left. Pond or dam to centre left. Rear. Names deleted.

Camp 13 view of two compounds and the dividing fenceBlack and white photograph of (l - r) huts, fence, compound dividing fence and barb wire, entanged. A pole with search light. Another path, fence and huts and large hall, possibly to become there hall in Murchison.camp 13

The families are: Back row (left to right): Karl Koop, Maria Koop, Ursula and Dr Kurt Lederle. Front row (sitting): Kurt Kazenwadel, Hildegard with baby Heinz, Anneliese and Fritz Kazenwadel.Black and white photograph of 4 people standing, 5 seated including 3 young (one very young) toddler in front of a floral bordered path in front of a hut. the number 754 centre front on the lawn.the number 754 internee children, camp 3, templer society, karl koop, maria koop, ursula lederle, dr kurt lederle, kurt kazenwadel, hildegard kazenwadel, heinz kazenwadel, fritz kazenwadel, anneliese kazenwadel

The series of photographs were taken shortly after the opening of the newly established Goona Warra Golf Club in the early 1980s. The golf club was part of the Goonawarra Housing Estate which was developed on the area previously known as Goonawarra Farm. The new golf club replaced 'The Pines' which was part of the Caloola complex.A coloured photograph of the front view of Goonawarra Golf Club's clubrooms. The building is on 2 levels with a large balcony across the front. Native plants have been planted around the building and a gravel path leads to the building.goona warra golf club, george evans collection

Murray Comrie Collection. Monochrome photograph, image depicting a man standing on a concrete path, with a rifle raised ready to shoot, away from camera. This is a very dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.In texta: 'Doug Twigg Trap Shooting a Newbridge Club'newbridge, sport, recreation, shooting, rifle club, clubs

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 99 Newry St., Fitzroy. This property is listed as having sold for $148,000 in 1991 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick row house with bullnose veranda. In the left foreground is a small front garden with gumtree, and on the right is a tile path to the front door. 99 Newry St., Fitzroy Margaret Picken -91 Woodards - Camberwellwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, camberwell, fitzroy

This photo taken from south side (looking towards township on northern side)Colored photograph of the footbridge over the Cunninghame Arm, taken from the path on the southern shore. It shows sand, scrub, treated pine fences and rubbish bin, town in the distance on northern shore. Lakes Entrance Victoriawaterfront, topography, bridges

Photograph shows park with narrow path, trees and timber play equipment taken along the Plenty River Trail.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty river trail, greensborough, banyule parks

An elderly man walks with a white cane along the path outside the RBS offices in Enfield, followed by an O&M instructor.B/W photograph of man using a white cane90002 FF/3royal blind society of nsw, white cane day

Lady members on path at new 11th tee: Heidelberg Golf Club. Pam Whight, Phyll Moore, Betty Butterworth.Colour photograph and caption.hgc women's golf, 11th tee

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of Marysville's main street. This is now known as Murchison Street.POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoria Dear Max./ I arrived here/ about 12AM Master E. M. Tonkin/ C/o Mrs. H. H. Castles/ Donniflour St/ Kyneton./ Vic.main street, murchison street, marysville, victoria, p. 2749, rose series postcard, postcard, souvenir

Bendigo Advertiser ''The way we were'' from 2000. Scenic: Lake Weeroona has always been a tranquil place for people to picnic and relax or alternately use the cycle path and enjoy water activities. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Coloured postcard photograph, in a brown printed frame, showing a view of the path along the weir of Lake King and the bridge. Two women, one with a baby, both wearing long dresses and large hats, are at one end of the bridge.On back of card: "W. Hine, Rutherglen" | Semco Series, Box 545, G.P.O., Melbourne"lake king, rutherglen park

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth and the postcard shows the plaque and two of the four drinking stations. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. Front: VALENTINE’S, M.355 THE FOUNTAIN, WILLIAMSTOWN GARDENS MELBOURNE, VICTORIA. REAL PHOTO. Reverse: vertical on left side of card and underlined: ‘Published by the Valentine & Sons Publishing Co. Ltd. / Queen St, Melb’. Top centre of card: Contains logo of ‘VALENTINES / REAL PHOTO SERIES’. The postcard is addressed to ‘Dear Agnes’ from ‘Una’. Marked in pencil on to right hand corner ‘1920 / $8’ believed to be put on the postcard by the vendor. postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, 1920, granite, bliss-and-sons, 1906

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 274 Springfield Rd., Nunawading Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story house, on the left is a driveway leading into the background. While in the right foreground is a front garden, with a path to the front door.274 Springfield Rd., Nunawading Margaret Picken -92 Woodards -whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

Also another copy 01181.1Black and white postcard of the Main Street. Local map on the left hand side of scene. Spanish style Central Hotel in the right foreground. Motor cars on roadway, and pedestrians in summer clothing on paths. Lakes Entrance Victoriahotels, tourism, transport

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present. Black and White photograph of Valda Treadwell in front of a fence after a swim in the dam. Amess House in background.Catalogue number written in pencil on reverse. Handwritten in pen on reverse 'VALDA TREADWELL (after swim in dam) AT THE GATE AT END OF SEA SHELL PATH IN FRONT OF HOUSE GOING TOWARDS MAIN DAM'churchill island, valda treadwell

The convention was held in the Palmerston Street Methodist Church, Carlton on June 6th, 7th, 8th, & 9th 1928. The convention was arranged by the Methodist Local Preachers' Association Melbourne Branch. Small program for the 14th Holiness Convention. It made of raw umber light card and with black text.Front cover: "The Book of Life" "June 6th, 7th, 8th, & 9th 1928" Back cover: "Thy word is a lamp unto my feet, and light unto my path. Psalm 119.105"methodist local preachers' association melbourne branch, palmerston street methodist church

The Jinker tracks were vitally important during the early years of European settlement The first routes were known as bridle pathsPhoto shows track through bush track better formed than othersBridle track written on backaccess routes, jinker track

No given information. Obviously a Photograph primarily of a graceful tree. figures not clear enough for identification of place or time.View from a Verandah of unidentified garden depicting a large tree and four people on path to right of Photograph. Photo may have been taken from Glen Isla on the Verandah. In the distance a "For Sale" Notice is visible opposite the garden.local history, photography, photographs, slides, film, unidentified garden, phillip island, black & white photograph, mrs emma anderson jacobs

Part of the Rose Stereograph Co Armadale, VictoriaBlack and white postcard of Ararat Town Hall taken from a high position on the Vincent Street side of the building. A fountain can be seen on the right and there are two garden beds. A woman is walking on a path between the Town Hall and fountain.The Town Hall Ararat, Souther Cross Series 156

Sarah Wright was the mother of Frank Wright who was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a woman in a dark dress and hat and carrying an umbrella. She is standing on a path set within the grounds of the Ballarat Botanical Gardens, with the Statue Pavillion, a statue, shrubs and large trees in the background. The woman is Sarah Wright.sarah wright, frank wright, ballarat botanical gardens, statue pavillion

EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1966, 1977. Bendigo Institute of Technology, Engineering School, Applied Science. View across the front of the university showing paths, driveway, car parking and cooling tower.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1966, 1977. bendigo institute of technology, engineering school, applied science. view front university paths driveway, car parking cooling tower

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. Black and white photograph of two people standing on the edge of the path, beside an empty trellis/pergola. A row of tall pine trees are visible in the background Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans