All the Platoons in the Companies are governed by Quotas as to year born 1900 - 1903. Three Officers names are mentioned in black print; Capt J.Laidler Officer Commanding 67 Batt Senior cadets. Lieut R.L.Houston Area Officer 67B Lieut G.J.C. Dyett Area Officer 67B. .1) Parade card, light brown colour, folds in half, all print in black type, covers senior cadet Training for B,C Coy’s plus Junior Technical School for quarter ending 31March 1917. .2) Same as .1) but covers period quarter ending 30 June 1917. .3) Same as .10 & .2) but covers period quarter ending 31 Dec 1917. All three have the Cadets name at the top of page, all three are stamped inside as dates attended parade..1) .2) .3) On front cover in pencil or ink, (Cadet) “K Guiney”. .1) Stamped in purple 13 times, “Present A.O.67 B” .2) Stamped in purple 7 times,, “Present A.O 67B” .3) Stamped in purple 7 times, “Present A.O 67Bsyllabus, parades cadets, training

Paperback book with pale mauve cover. Title and authors name in black print on front along with black and white photo of the first class of trainee nurses in 1896. the back cover has a black and white photo of the last Geelong Hospital General Nurse Training Program students - school 387. numerous black and white illustrations withinnon-fictionA history of nursing education at the Geelong hospital from 1896 up to 2004. Includes hospital training of general nurses and enrolled nurses. Post graduate education is also included, both hospital-based and affiliation with Deakin University. Also included is a history of Geelong Hospitalgeelong hospital - history, nurse training - history

Stories from the 39th Battalion 1941-43, Kokoda to Gona. 70th Anniversary Edition of the Kokoda Track operations, WWII.Hard cover book with dust cover (dust cover same as book). Hard cover - cardboard with dark green glossy coloured background. White and gold print on front, spine and back. Front - illustrated black and green toned photograph of 2 soldiers in uniform in jungle. Back - black and white photograph of 7 soldiers. Brown over red oval colour patch front and back. Front and back flyleaf and end papers illustrated dark green and white maps. 320 pages, cut, plain, white. Illustrated black and white photographs, portraits, documents and maps.Opposite Title Page - printed donation label - "Donated by 39th Australian Infantry Battalion (1941 - 43) Association Inc. www.39battalion.com” books, military, history, wwii

WW1 artist printSepia parchment sketch by F. Matania dated 1916. A young soldier is bidding farewell to his fatally wounded horse, as the rest of his unit move on.The artist's name and date is located in the bottom left hand corner F. Matania, 1916. Underneath the print is the inscription "GOOD-BYE, OLD MAN." An incident on the road to Southern Flanders.

Stories from the 8th Division Australian Army Medical Corps under Malaya Command, WWII. The 39th Australian Infantry Battalion (1941-1943) Association donated four books of Military History: Cat. No. 4474 With the Twenty-Second Cat. No. 4475 Carrying On Under Fire and in Captivity Cat. No. 4476 Mod Revisited Cat. No. 4477 Forward With The FifthHard cover - cardboard with dark blue glossy coloured background. White print on front, spine and back. Front illustrated black and blue toned photograph of 6 Medical Corp Soldiers in uniform. Back, photograph of trestle bridge on Thai-Burma Railway. Front and back figleaf and end papers illustrated with grey/blue and white maps. 559 pages, cut, plain, white. Illustrated black and white photographs, portraits, maps, drawings.Opposite Title Page - printed donation label - "Donated by 39th Australian Infantry Battalion (1941 - 1943) Association Inc, www.39battalion.com” Association Inc. www.39battalion.com"books, military, history, wwii

Published in c1948 by Wightons Print, 215 Moreland Road, Coburg. These chapbooks were sold door to door after WWII by members of the Partially Blinded Soldiers Association in Victoria to fundraise for the association. The Association was established in 1924 to serve the interests and welfare of partially blinded returned soldiers. The author, George Robert Riley (late AIF and AMF) was born in Drouin in 1890; died in 1952. He trained as a compositor. Served in France and was partially blinded during WWI. He also enlisted during WW2 when he seems to have lowered his age. There do not appear to be many copies of this publication that have survived. It does not appear in either the State Library of Victoria or the National Library of Australia catalogue. The Museum of Victoria may have a copy. Apart from its significance as a fundraiser for returned soldiers, it documents culinary fashions in the post-WW2 period. Although a number of the recipes in Part 1 have exotic names, they are yet to be influenced by post-war migration to Australia.A 32 page booklet held by 2 metal staples. The paper is stained and embrittled but was probably originally cream. The cover depicts a soldier at rest under a palm tree dreaming of home and a hearty meal. Printed in shades of green and grey-black. This is Part One of Two. The chapbook contains 140 recipes, mostly broadly Anglo-European. Nilchapbooks, ww2, wightons print, mrs kate brennan, partially blind soldiers association, george robert riley

James Tissot is most famous for his artwork that depicts the European bourgeois society of the late 19th century. This societal period is often referred to as La Belle Époque, where affluent bourgeoisie living created a complicated mode of manners and dress. This subject matter used in his art made Tissot popular with the bourgeois society, however it made him unpopular with critics who deemed his works as of loose morals due to his subject matter. Tissot’s art style of Realism also put him at odds with his fellow artists and friends such as Degas and Manet who were greats of the European Impressionist movement. This print was made using the printmaking technique of etching, which allowed Tissot to make multiply prints of a particular artwork to sell on mass at a more affordable price to the general population who wished to emulate the bourgeoisie lifestyle of the wealthy.RealismRural City of Wangaratta Collection, Purchased with funds from the Wangaratta Art CouncilA rectangular portrait etching of a 19th century European young lady dressed in her best attire seated in a fashionable manner, printed in black ink on white paper. Obverse: J J Tissot/ 1883 (Artist's signature and date - located in the bottom right corner of the print)james tissot, 19th century, print, etching, portrait, tissot, wangaratta art gallery

Illustrated book with dust jacket. Book has abbreviated title and authors surname printed on spine in white ink on pale blue background. This pale blue binding extends for 55mm on front and back covers. The remainder of the covers have repeated images of various Victorian Nurses board Badges on a white background. Dust jacket has similar images on pale blue background on spine and extending 55mm on front and back, remainder of back is pale blue. On the front is an image of one person (torso only) holding another's wrist and holding a watch in their other hand and part of a stethoscope is also visible. Title and author's name are printed on front and spine. There is a 9mm wide attached gold satin ribbon bookmarknon-fictionThis book documents an important part of the story of nursing and midwifery in Victoria. the role of registration, training accreditation and monitoring of nurses and midwives has been fulfilled by three bodies in Victoria: the Nurses Board (1923-1957), the Victorian Nursing Council (1957-1994) and the Nurses Board of Victoria (1994-2010).nursing-history, nursing-law and legislation-victoria-history

Edo PeriodWoodblock printSigned l.r. cnr. bottom, pencil, backing sheet below print: "Toyokuni 1769-1825. ichikawa Yao'zo' I (1747-59) has... Probably Ichikawa Yao'zo' II or III c. 1796" b.l. margin, pencil "Hosoban/ trimmed" / 24x14actor

Coloured print of HMAS ANZAC by Tom Freeman 1996. Ship is powering forward firing forward gun turret & 2 missiles from aft. Ground troops with weapons are pictured in top background. Print is mounted on chipboard with white border & black edging. Laminated in clear plastic with small white hanging strap at rear.Above print in black type: “HMAS ANZAC” Below print in black type: “Commissioned 18 May, 1996 Port Melbourne, Victoria” Handwritten in blue ink either side of print: “Signatures” Emblem RHS bottom of print: “ANZAC UNITED WE STAND” Signatures print, anzac, mounted, hmas

View looking towards footbridge across the Diamond Creek along the Diamond Creek Trail, north of Bridge Street. Eltham Town Park was partially constructed on a tip site. The park and lake were landscaped in 1973-1974. As early as late 1980 a proposal to rename it Alistair Knox Park was met with significant community resistance with a petition of 1600 signatures against however Council ultimately pushed the name through in 1987. Many residents continued to call it Eltham Town Park for some years later. Sylvia Wiseman 1988 Entrant No. 70 No negative The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, alistair knox park, diamond creek (creek), diamond creek trail, eltham town park, footbridge, sylvia wiseman

View looking north along the Diamond Creek Trail, north of Bridge Street near footbridge across the Diamond Creek. Eltham Town Park was partially constructed on a tip site. The park and lake were landscaped in 1973-1974. As early as late 1980 a proposal to rename it Alistair Knox Park was met with significant community resistance with a petition of 1600 signatures against however Council ultimately pushed the name through in 1987. Many residents continued to call it Eltham Town Park for some years later. Sylvia Wiseman 1988 Entrant No. 70 No negative The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, alistair knox park, diamond creek trail, eltham town park, sylvia wiseman

LinocutSigned 'Rona Green' lower right corner of print. Titled 'Rom' to the lower left of printed image. Edition 11/25, numbered in lower left corner of print.

Stories about Moyston.Cream card Cover with Brown PrintReminiscences of Moyston by A.W Vanstanstawell

PrintTitle and edition: 'Aeonisation II A 1/25', lower left corner. Signed and dated 'Kees Hos '66' in lower right corner.

PrintSigned lower right corner 'Kees Hos 420'

PrintLower left titled and edition: Bushwalk 1/50 A/P Lower right signed and dated: Kees Hos '70

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 (printed on print surface in black ink) Back: (no inscriptions)

ScreenprintSigned in lower right under printed image. Edition 49/85 lower left under printed image.

LithographSigned 'Chadwick 69' in lower right corner of print. Edition 19/150, lower left corner of print.

Signed 'Mirka' lower right corner under printed image. Title centred under bottom of print. Edition 'Bon á tirer' lower left corner under printed image.

LithographSigned 'Charles Blackman' to lower right corner under printed image. Title 'Orpheus - Phoenix' centred under print. Edition A/P, lower left corner under printed image.

LithographSigned 'Charles Blackman' lower right under printed image. Titled 'Orpheus - Metamorphosis' centred below printed image. Edition A/P, lower left corner under printed image.

NilScene of Portland Harbour. View includes people walking on beaches, jetties, moored boats (some with sails, some without). Upper centre of image shows a town, with a church to the right. To the left centre is a planned garden with people promenading. In foreground is empty land with a few seagulls. A train track enters the image on bottom centre. Print is predominantly in shades of blue, grey and brown. Mounted in dark cream matt, in wooden frame with glass.Front: A. Hy Fullwood (lower left, grey paint) "Portland Victoria" A. H. Fullwood 1836-1930 (printed below image) Back: (no inscriptions)