Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure, the noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.Flora Farnese Presented by Thomas Stoddart 1884flora farnese, stoddart

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. In Greek mythology Leda was the wife of the king of Sparta who was seduced by Zeus in the guise of a swan.The artwork is of aesthetic and historic significance to the people of Ballarat White marble figure of a woman holding a swanLeda Presented by Thomas Stoddart 1884leda, stoddard, botanic gardens

Royal Visit to Australia Photo Badge. H.M. Queen Elizabeth. Tin and enamel. stawell

Photofitzpatrick, menadue, mcgregor, callaghan, queen elizabeth, visit, 1954

Photoqueen elizabeth, 1954, visit

Envelope with stamp issued on the occasion of the birthday of HRH Queen Elizabeth 11.National Wool Museum/ 22 Aug 1991/GEELONG/ VICTORIA 3220/ AUSTRALIAroyal visits, national wool museum, hrh queen elizabeth 11

HM Queen Elizabeth 11 and Mr C K Atkins,/ Chairman Geelong Regional Commission,/ National Wool Centre, April 1988royal visits, geelong regional commission, hrh queen elizabeth 11 atkins, mr colin k. - geelong regional commission

Photograph, portrait: Framed photographic portrait of HM Queen Elizabeth 2 and HRH Prince Phillip, 1988. The photograph has been signed by Queen Elizabeth and Prince Phillip.Elizabeth Phillip 1988royal visits, hrh queen elizabeth 11

Photograph taken during the Royal Visit, 1988, in Geelong.Photograph taken during the Royal Visit, 1988, in Geelong.

Photograph taken during the Royal Visit, 1988, in Geelong.Photograph taken during the Royal Visit, 1988, in Geelong.

Photograph taken during the Royal Visit, 1988, in Geelong.Photograph taken during the Royal Visit, 1988, in Geelong.

Photograph taken during the Royal Visit, 1988, in Geelong.Photograph taken during the Royal Visit, 1988, in Geelong.The Royal Visit/ April 1988

Photograph taken during the Royal Visit, 1988, in Geelong.Photograph taken during the Royal Visit, 1988, in Geelong.

Reproduction print of "Flora, a Spanish Sheep at Buckingham Palace,1849 ", a watercolour by Frederick Keyl (1823-1871), presented to the National Wool Museum by HRH Queen Elizabeth 11, April 28th, 1988.Red leather folder, presented by HRH Elizabeth II on her visit to the National Wool Centre in 1988. Red leather folder, presented by HRH Elizabeth II on her visit to the National Wool Centre in 1988. "Flora, a Spanish Sheep at Buckingham Palace,1849 ", print inside presentation folder from HRH Elzabeth II.ER/PRESENTED/ TO THE/ NATIONAL WOOL CENTRE/ GEELONG/ BY/ HER MAGESTY THE QUEEN/ 28TH APRIL 1988 "ER"

Letter, from Robert Fellowes, to Colin Atkins and Rachel Faggetter, conveying Queen Elizabeth II and the Duke of Edinburgh's thanks for their visit to the National Wool Museum 28th April, 1988.Letter, from Robert Fellowes, to Colin Atkins and Rachel Faggetter, conveying Queen Elizabeth II and the Duke of Edinburgh's thanks for their visit to the National Wool Museum 28th April, 1988.Robert Fellowes THE FRAMEWORKS/167 VICTORIA AVE/ALBERT PARK/..

This mug was made to commemorate the royal tour of King George VI who was scheduled to visit Australia in 1949 with his wife Queen Elizabeth & daughter Princess Margaret. The tour did not take place as the King fell ill and the tour was cancelled. Cream mug with inscription and photograph from the 1949 Royal Visit to Australia. Yellow rim. Monogram on reverse side 'Long May They Reign'Royal Tudor Waredomestic items, food & drink consumption

These medals were given to all school children to commemorate the royal visit of 1954Small medal with Queen Elizabeth and Prince Phillip's head in profile on the face and commemorative words on the rearOn the face - Queen Elizabeth ii & Duke of Edinburgh. On the rear - E II R, Royal Visit 1954 Victoriacivic mementoes, royal souvenirs

Donated by Margaret ScarlettGilt Medal on gilt bar & pin. Medal is of the Royal Visit to Victoria in 1954 & was presented to the children by the Government.(MEDAL) Queen Elizabeth 11 Duke of Edinburgh|E11R Royal Visit Victoria|(BAR) Presented to the Children by the Government of Victorianumismatics, medals - commemorative

The queen was 27 years old when she and Prince Phillip sailed into Sydney Harbour on 3/2/1954. They visited Mitcham with hundreds of school children lining the railway.Queens visit 1954. Street decorations at night.queen elizabeth ii, queens's visit 1954, mitcham streets decorations

On the page following the title page is the following information: "Mrs. Dorothy Floate's Cookery Book Presented to the Queen. Authoress Honored. On the occasion of the visit of Her Majesty Queen Elizabeth II. to Australia, Mrs. Dorothy Floate's now famous "Secrets of Success" Cookery Book was presented to Her majesty as a gift from the Authoress. It was duly accepted and gratefully acknowledged by Her Majesty." On the following pages are photographs of Mrs Floate with trophys and other awards received for competitive cooking, as well as a certificate received from the Royal Agricultural Society of Victoria at the Melbourne Centenary Royal Show in 1934.Paperback cookery book, cover printed in green background, title printed in white on a brown background, volume no and price shown in white on red background. Black and white photo of author on cover. 160 pagesdorothy floate, cooking, cookery, recipes

Thomas Stoddart was a miner turned local stockbroker. He bought 12 statues made of Carrara marble during a visit to Italy in 1882, and gifted them to the Ballarat Botanical Gardens. The sculptures were placed on pedestals of Sicilian marble and on bases of Victorian granite. The statues were unveiled in the gardens on Queen Victoria's birthday, 24 may 1884.Photograph of a statue of Thomas Statue in the Ballarat Town Hall.thomas stoddart, statues, bust, ballarat town hall

Thomas Stoddart was a miner turned local stockbroker. He bought 12 statues made of Carrara marble during a visit to Italy in 1882, and gifted them to the Ballarat Botanical Gardens. The sculptures were placed on pedestals of Sicilian marble and on bases of Victorian granite. The statues were unveiled in the gardens on Queen Victoria's birthday, 24 may 1884.Photograph of the Thomas Stoddart memorial in the Ballarat Town Hall.thomas stoddart, statues, ballarat town hall, memorial, marble, ballarat botanical gardens

VX 27898 Corporal Thomas John Morris Thomas (Tom Thomas) donated several items to Cranbourne RSL. He served in the Australian Corp Signals in WWII both in Australia and overseas. He was born at Womerah on 9/11/1906 and died at Koo Wee Rup 16/06/1984. He enlisted at Yarram on 1/7/1940 and was discharged at Royal Park on 9/3/1945.Brown card with black line drawing of a cruise liner, the H.T Queen Mary. Black printed text beneath."H.T. QUEEN MARY / YO HO! YO HO! YO-HEAVE-O! / Cpl Thomas (handwritten) / having passed the Portals of my Realm on the Tenth day of January 1941 is now permitted to enjoy all the Privileges and Perquisites thereof being now a TRUE SEA DOG and thuswise entitled to Spit to Wind'ard Drink his Grog Neat and Have the Full Freedom of FIDDLER'S GREEN whensoever ifsoever howsoever He doth it visit. / Witnessed / R. B. IRVING, O.B.E., R.D., R.N.R. / Commodore / LIEUT-COL. R. F. MARLAN / Officer Commanding Troops. / GIVEN Under My Fin Tail and Trident this aforesaid day at Our COURT OF THE FOUR WINDS AND THE SEVEN SEAS / NEPTUNE / OMNIA MARUM REX / PRO BONO PUBLICOUSE" ht queen mary, queen mary, wwii, omnia marum rex

Souvenir tin of the visit of their Majesties King Edward VII. and Queen Alexandria. Issued on the occasion of the opening of Royal Edward Dock Bristol. Issued on the 9th July 1908. Showing King and Queen on lid. On bottom of tin J S FRY & SONS Ltd Chocolate and cocoa manufacturers to HM THE KING - HM THE QUEEN & H.R.H THE PRINCE OF WALES.

Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria

In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938)