IT IS ON PERMANENT LOAN FROM HEPBURN SHIRE COUNCIL. CR. C.W. BLACKMORE WAS ELECTED TO THE CLUNES BOROUGH COUNCIL ON 7-5-1952 AND SERVED AS MAYOR 1954-55; 1958-59 AND 1959-60. THE PHOTOGRAPH ORIGINAL HUNG IN THE CLUNES TOWN HALL DURING HIS TERM AS MAYOR.FRAMED PHOTOGRAPH OF CR. CHARLES W BLACKMORECLUNES BOROUGH COUNCIL CHARLES W. BLACKMORE ELECTED 7-5-1952 MAYOR 1954-55 1958-59 1959-60. CON TARANS STUDIO BALLARATlocal history, photography, photographs, councillors & officers

Sepia photograph of a Large formally dressed bridal party and guests on a veranda. Mounted on cardboard.On lower left corner of mount: "Vine's Studio, Wangaratta" Two white stickers on back: "Miss B.C. Williams, Carinya, Brimin via Rutherglen, 3685" | "c 1908"wedding

Black and white postcard portrait of John Armstrong Todd eldest son of James Little Todd and Mary Jane Todd showing a young man dressed in a pseudo nautical outfit posed in the Eden Photographic Studios ssEden set up replicating a ship deck. He lived at Lakes Entrance Victoriaclothing, genealogy

Sepia toned photograph of bride Rita Wills and her bridesmaid in Mona Mcleods photographic studio, bride in white dress with unusual split upper sleeve, simple head dress and patterned veil, seated bridesmaid in floral frock with short puffed sleeves, simple circle of flowers in hair. Bairnsdale Victoriacelebrations, clothing, genealogy

The Padbury family were early pioneers of Kew, running for over a century a funeral parlour in Cotham Road. The photograph of the mother and child can be dated to 1889-1900 when the Vita Studios were located at 125 Swanston Street.Rare photograph of members of a notable pioneering family of Kew (vic.). The photograph was donated to the Society in 1982, by Mrs Clarrie Thompson, a descendant of the family.Cabinet card, produced by Grant & Co., Vita Sudios, 125 Swanston Street, Melbourne of an infant, Horace Whitman, sitting on the lap of his mother. His mother was member of the pioneering Padbury family of Kew. "Horace Whitman with mother (nee Padbury)""grant & co -- vita studios - 125 swanston st -- melbourne (vic.), whitman-- cadbury families -- kew (vic.)

Born 1864 England. Died Kew, Vic., 1939.Black and white head and shoulders studio portrait of Rev. J. Snell, with a medal on his left lapel and wearing his clerical collar. He is looking directly at the camera. The photograph is tipped onto brown card and has the photographer's name embossed on the bottom right of the photograph. Rev Snell's name is handwritten in white on the front. "Rev. J. Snell"rev joseph snell methodist minister, methodist conference president

Sepia photograph of an infant aged about six months. She is wearing a white dress and has bare feet. On the reverse is written: Marie Melba Drusilla Sleeth, 'Cardouia', 4 Baxter St. Coburg. This is a studio portrait taken by 'Allen Studio' 318 Smith St., Collingwood.Allan Studioperson, individual, infant, marie melba drusilla sleeth, cardouia, 4 baxter st. coburg, allan studio, 318 smith st. collingwood

Luna Park with crowd milling, aerial view from the entrance towers, St Kilda bay behind.black and white image on front of postcard, unmounted, good conditionFront: Luna Park From The Entrance Towers; Whitney Bros. Photo 18; Back: Whitney Bros, Electric Post Card Studio, Luna Park, St kilda. Melbourne, Australia.

RECORD OF EVENT JAPANESE FAIR FROM K. PATIENCEORIGINAL BLACK AND WHITE PHOTOGRAPH MOUNTED ON FADED GREEN MATT BOARD CONCERT PARTY OR FANCY DRESS PARTY TAKEN JUNE 1808 CALLED JAPANESE FARE. HELD AT ST. PAUL'S PRINTED ON MOUNT BOARD BAWDEN PHOTOGRAPHER CLUNES, PRINTED ON BOTTOM OF PHOTOGRAPH EDGE VICTA STUDIO CLUNES, HANDWRITTEN IN BLACK INK JUNE 18/08 "JAP FARE" ST PAULSlocal history, photography, photographs, events and celebrations, japanese fair

RMS Oceana postcard produced by Vienna Studio, 68 Beach Street, Port Melbourne. The Vienna Studio was run by Austrian-born Kallman FEITEL, first in Richmond around 1902 then in Port Melbourne from around 1904. The Oceana was built 1887-88 for P&O at Harland & Wolff, Belfast, Northern Ireland and sailed on her maiden voyage from London for Melbourne and Sydney on 19 March 1888. The Oceana collided with the Pisagua when leaving the Port of Tilbury, England and sank on 15 March 1912. She was subsequently blown up in July 1912 by the Royal Navy as the wreck was a hazard to shipping and is now a popular diving site.White postcard with a black and white photograph of RMS Oceana.transport - shipping, vienna studio, rms ocena, kallman feitel

Studio photograph of Harry Booth. A young man wearing a dark, three piece suit, collar and tie. Included in the Dorey/Woolrich collection.Black and white photograph of young Harry Booth taken in a formal studio setting. Harry Booth was the son of Jack Booth, who owned Lots 37 and 38 in the Village Settlement and had access to creek water for successful berry crops. Harry was a local market agent and travelled to Victoria Market carrying produce from local settlers.Harry carried a variety of produce by horse and cart, apparently a twenty-four hour round trip, until the business was sold in the early 1920's. Harry Booth Eden Studios Post Cardharry booth

Sepia toned studio photograph of John Alexander and Rita Wills after their marriage at St Andrews Bairnsdale. Groom in dark three piece suite, white shirt, pale tie. Bride has simple head dress and veil, dress with long sleeves slashed at upper arm, short train, bouquet tied with white ribbon. Bairnsdale Victoriagenealogy

Black and white group photograph depicting 4 rows of soldiers taken by Lane Studios of Wangaratta. Soldier in middle of front row holding chalk board. Image most likely one of four rifle companies that comprised the 2/24 Battalion which was formed in Wangaratta in 1940Black and white photograph mounted on beige colored cardboard depicting two rows of soldiers standing and two rows sittingC Coy No 4c coy no 4, wangaratta, 2/24 battalion, 1940

Family photographs from Edith Emma Watson's collection involving Watson, Smith, Yung and extended families. .1Army photo WW1 of Jack Rutherford 1914. Son of John and Edith Rutherford. .2 Edith Alice Rutherford's Memorial Card .3 Photo of Edith Alice Rutherford .4 Family photograph taken on the occasion of Clara Emma Yung,s 90th birthday in Murtoa. People in photograph: Back row L-R Peg Watson, Jack Watson, Harry Watson, Beryl Cox, Jeff Cox, Lance Yung. Front row :Alice Watson seated on the ground, Edith Watson nursing Alison Watson, Clara Emma Yung, Annie Bolte? nursing Helen Cox, ?, Grace Watson kneeling. Front row L-R: Alice Watson, Edie Watson nursing Alison Watson, Clara Yung, Clara's sister Annie Bolte ? nursing Helen Cox, Jeanette Watson, Grace Watson. Alf Watson was the photographer. .5 Edith (Alice) Watson - artist and dressmaker. Photo taken in the garden of the family home 47 Cromie Street Murtoa, Victoria.Two sepia photos, two black and white photos and one memorial card .1) Jack Rutherford 1914 .2) Black and gold Memorial Card for Edith Alice Rutherford .3) Alice Rutherford. Born 09/1876, died 20/10/1902 in childbirth, aged 26. Alice was the daughter of George Godlip Yung and Anna Christina Weller and a sister to eleven siblings. Her baby son "Little Joe" is buried with her in the Smythesdale Cemetery. .4) Clara Emma Yung 90th Birthday Family Group. .5) Edith Alice Watson.1)Front under photo - Handwritten -'Jack Rutherford 1914'; handwritten - 'Grandpa Watson's nephew'. Professional stamp - The Model Studios 328 Smith Street Collingwood. .3) Nadar Studio; Coat of Arms ; Photographer' Address .4) Verso: Handwritten - 'Grandma Yung's (Clara Emma's) 80th B'day; Alf took Photo; Chn. Alison (Watson) Jobe, Helen (Cox) Sampson .5) Edith 'Alice' Watson. garden. 47 Cromie St Murtoayung, rutherford, jack rutherford, watson, cox, alice watson, clara emma yung, alison watson, helen sampson, harry watson, john richard watson, family history, german, german australians

This photo was donated to the Old Lintonians Association, and kept in the Linton library until 1982. Old Lintonians Collection ; No. 140. Little is known about Edward Sullivan. The photograph can be dated to the mid-1880s, as the photographer, F. E. Elliott, ran the George & Georges Federal Studio in Collins Street between 1883 and 1886.Sepia photograph of bearded man wearing suit, seated with one arm resting on a table.On back: "Edward".old lintonian collection, edward sullivan

From information on the reverse side of the image, the soldier has been identified as Pte. T.C. Hildebrand/ F Coy. Geelong/ 9/10/15.An unmounted black and white photograph of a soldier in uniform identified as Private T. C. Hildebrand of F Company, Geelong 9 October 1915on back in ink: MRS BYRNE / YOURS TRULY PTE T.C. HILDEBRAND F COY / GEELONG / 9/10/15soldiers, armed forces, uniforms, clothing and dress, hildebrand, t. c. (private), byrne, - (mrs), george evans collection

“Queenscliff (three black and white boat/ship themed set), is a depiction of a trio of sailing vessels, and a typical example of Tim Ryan’s process and style / It illustrates three images from separate editions of National Geographic – a much-loved and constantly revisited source of inspiration / Tim has reduced his subject matter to minimal line, managing to capture the form and character of the scene and the people within with delicacy and sensitivity / As is also a common trait, Tim has discarded the idea of a using a title describing the actual scenes in favour of one that holds much greater personal significance / Queenscliff is the site of his family holiday home, hence a place evoking decades of memories connected with water, horizon and water-based activity and interaction.Tim Ryan has worked within the Studio Art Program at Araluen for almost a decade / Araluen is based in the north eastern suburbs of Melbourne (Nillumbik region), that provides accommodation and day services for adults with an intellectual disability / Creating and sharing artwork is one way Araluen participants express their thoughts, personalities and abilities. The art program allows them to develop a sense of achievement and access society as equal and valued participants / Tim puts a great deal of effort into selecting his subject and arranging his page / He immerses himself in the image, studying it thoroughly and sometimes tracing over it with his finger before commencing / He focuses on the different elements and relationships that inspire, bringing out the lines, colours and shapes most fitted for translation into the picture / Favourite references are photo-laden books and magazines covering topics as broad as nature, history, archaeology, exotic foreign lands and all forms of transport.Three black and white drawings of boats/ships in Queenscliff made using watercolor, ink, fine liner, pencil and acrylic on paper. All drawings are black and white in colour with one drawing rendering a boat in warm red/orange and yellow colours. None shown, catalogue label on backdrawings / black & white / ink / boats / ships / queenscliff / araluen / ryan / disability

Kate Hudson's highly patterned and decorative prints reflect her love of Australian birds and flowers from her immediate environment, as well as oriental art and her training in textile design. Her work is influenced by the Australian artist (printmaker) Margaret Preston and the vases depicted in her prints are based on the ceramic works of her husband Stephen Hudson. The wattle depicted is the Acacia Terminalis (Sunshine Wattle), a shrub or small tree that grows to six meters in height. It’s an Australian native commonly found in New South Wales, Victoria and Tasmania.A reduction coloured lino print. A ceramic vase with a black and white target print at its' centre holds a bunch of Acacia Terminalis (Sunshine Wattle). The vase rests on an orange table cloth decorated in white stylised flowers. The background is light pink. Hand written in pencil: low left '8/26'; bottom centre ' Wattle and Circle Vase'; low right 'Kate Hudson' hudson, linocut print, sunshine wattle, acacia terminalis, still life, margaret preston, ceramics, textiles, orient

2 copies black and white photograph. As for B91.144(1). No. 1083 Position D. 2 female students working in a field of beans. On reverse, "Athol Shmith Studio Illustrative Photography 124 Collins Street, Melbourne, C.1. Cent. 27. No. 10383 Position E.", "June Bishop." Note by T.H. Kneen 26 February 1992, Student is June Bishop" (identified by Eric Littlejohn 5 February 1992.female students, athol shmith studio, orchard, june bishop, beans, students working outside, vegetable plots

From Chapman Family Album18 Studio Portraits 1 Memorial Card 1 Postcard of cousins 1 Agricultural SceneStudio Markings on some photographs

Image 11A Clifton Pugh Studio and House commenced 1950 Designed and built by Clifton Pugh and others A view from the courtyard The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcclifton pugh, clifton pugh studio and house, dunmoochin, houses, mud brick construction, alistair knox collection

Image 27 John Serle House and Studio 1971 Designed by Alistair Knox Built by owner The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etchouses, john serle, john serle house, mud brick construction, alistair knox collection

Image 27 John Serle House and Studio 1971 Designed by Alistair Knox Built by owner The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etchouses, john serle, john serle house, mud brick construction, alistair knox collection

Image 27 John Serle House and Studio 1971 Designed by Alistair Knox Built by owner The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etchouses, john serle, john serle house, mud brick construction, alistair knox collection

Image 13 David and Joan Armfield Studio House and Pottery Original building commenced by Roger Bell in 1953 Later completed by David and Joan Armfield The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcdavid and joan armfield studio house, david armfield, houses, joan armfield, mud brick construction, roger bell, alistair knox collection

Image 14 David and Claire Newbury House and Artists Studio Commenced 1954 Designed by David Newbury Built by David Newbury, Horrie Judd and others The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcclaire newbury, david and claire newbury house, david newbury, horrie judd, houses, mud brick construction, alistair knox collection

Image 11B Clifton Pugh Studio and House commenced 1950 Designed and built by Clifton Pugh and others A view of the interior The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcclifton pugh, clifton pugh studio and house, dunmoochin, houses, mud brick construction, alistair knox collection

Port of Portland Authority archivesFront: (no inscriptions) Back: Company Nursery, Dartmoor (upper left, pencil). 11 (lower right, pencil). Photography by The Arthur Studio. Further copies always available at 27 Commercial St. East, Mt. Gambier (lower right, purple stamp).port of portland

Bendigo 1950s. Bendigo Easter Procession. Easter Monday was 7 April 1958. The Studio, building constructed from small logs with tile blue roof. ? Carrol's Studio, Eaglehawk Road.Kodachromebuildings, residential, studio, bendigo 1950s. bendigo the studio, building constructed from small logs with tile blue roof. ? carrol's studio, eaglehawk road

Ada Maria Shillinglaw, daughter of Phillip and Sarah Shillinglaw was born November 27, 1889 at Eltham. In 1937 Ada married William Pearce Chrisfield. She died October 29, 1974 at Judge Book Village, Eltham. F.B. Mendelssohn & Co operated from Queen's Walk Studios, Victoria Buildings at 80 Swantson Street, Melbourne from 1888-1915 according to Sands McDougall directories"Ada Shillinglaw"marg ball collection, 1903-1908, 1905, caroline (carrie) watson (nee shillinglaw 1876-1956), the burlington photographer melbourne