Showing 311 items matching "textile sample"
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Australian Lace Guild - Victorian Branch
Textile - Le Puy Lace, Late 19th Century
... used as a costume trimming Bobbin lace edging. Sample Textile ...A black silk edging used as a costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Valenciennes lace, Mid 19th Century
... as costume trimming Bobbin lace edging. Sample Textile Valenciennes ...Fine lace used as costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, Early 18th Century
... for costume trimming Bobbin lace edging. Sample Textile Honiton lace ...Very fine lace used for costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Alencon type lace, Early 19th century
... - sample Textile Alencon type lace ...Lace probably made in Burano Italy in the style of 18th century French Alençon needle lace. Fine lace used as costume trimmingNeedle lace edging - sample -
Australian Lace Guild - Victorian Branch
Textile - Point de France, Late 17th century
... or ecclesiastical. Needle lace flounce - sample Textile Point de France ...Heavy, intricate, good quality lace. Use - either fashionable costume or ecclesiastical.Needle lace flounce - sample -
Australian Lace Guild - Victorian Branch
Textile - Valenciennes lace, Early 18th Century
... . Sample Textile Valenciennes lace ...Very fine linen thread. Fine lace used for costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Valenciennes lace, 1st half 19th Century
... as costume trimming. Bobbin lace edging. Sample Textile Valenciennes ...Use: Fine lace used as costume trimming.Bobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Rosaline lace, Late 19th Century
... edging. Sample Textile Rosaline lace ...Bobbin made lace with needle made flower centres. Use: Costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Brussels mixed lace, Late 19th Century
... . Edging. Sample. Textile Brussels mixed lace ...A fine lace used as costume trimming.Bobbin lace with needle made ground and fillings. Edging. Sample. -
Australian Lace Guild - Victorian Branch
Textile - Flemish lace, Early 18th Century
... Bobbin lace edging. Sample Textile Flemish lace ...Very fine Flemish lace possibly from Antwerp. Fine lace used for costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Blonde, Early 19th Century
... be machine made. Bobbin lace edging. Sample Textile Blonde ...A very light and delicate lace for costume trimming. Probably hand made but could be machine made.Bobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Brussels Duchesse, Late 19th Century
... lace edging. Sample Textile Brussels Duchesse ...A Guipure lace, having a bar background. Fashion item. Costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Brussels Guipure lace, 1870-1900
... . household trimming Bobbin lace edging. sample Textile Brussels ...Use: domestic. household trimmingBobbin lace edging. sample -
Bialik College
Textile - Fabric swatches for library redevelopment, 2009-2010, 2009-2010
Fabric samples and options for library redevelopment, Ron Unger Architects with Genevieve Johnstone Interior Design, 2009-2010. Includes furniture fabrics and internal finishes samples. Please contact [email protected] to request access to this record.2000s, buildings -
Ararat Gallery TAMA
Textile, Richard Goodwin, Air/Past Sample/Future Tense, 1990
... /Past Sample/Future Tense Textile Richard Goodwin ... -
Kew Historical Society Inc
Document - The Story of Actil
Actil was founded in Woodville South Australia in 1910. It operated until 1970. Envelope of promotional materials sent by Australian Cotton Textile Industries Limited (Actil) to Master Graham McCallum, 26 Graham Place Box Hill, Vic. The material, which includes a booklet, samples, and correspondence resulted from an inquiry for a school project. actil, cotton, australian manufacturers -
Stawell Historical Society Inc
Archive, Stawell Woollen Mills . Norwellan Tartans
North Western Woollen Mills became Norwellan Textiles then AUNDE3 Books of Tartan Samples. Beige Coverstawell, industry -
National Wool Museum
Cloth Sample Cutter
The cutter is placed over finished cloth, inserted block is pressed down to flatten any wrinkles and the needed sample is optain by tapping cutter top with a wooden mallet. The sample is then weighed to ascertain whether the processes have produced the desired result.textile design, collins bros mill pty ltd -
National Wool Museum
Cloth Sample Cutter
The cutter is placed over finished cloth, inserted block is pressed down to flatten any wrinkles and the needed sample is optain by tapping cutter top with a wooden mallet. The sample is then weighed to ascertain whether the processes have produced the desired result.textile design, collins bros mill pty ltd -
National Wool Museum
Cloth Sample Cutter
The cutter is placed over finished cloth, inserted block is pressed down to flatten any wrinkles and the needed sample is optain by tapping cutter top with a wooden mallet. The sample is then weighed to ascertain whether the processes have produced the desired result.textile design, collins bros mill pty ltd -
National Wool Museum
Cloth Sample Cutter
The cutter is placed over finished cloth, inserted block is pressed down to flatten any wrinkles and the needed sample is optain by tapping cutter top with a wooden mallet. The sample is then weighed to ascertain whether the processes have produced the desired result.textile design, collins bros mill pty ltd -
National Wool Museum
Textile - 1992 Barcelona Olympic Games Official Occasions Men's Trousers, c.1992
... - Green sample fabric. 8341.5 - Green sample fabric. Textile 1992 ...About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8341.1 - A pair of dark green trousers made from a wool blend fabric. 8341.2 - Green sample fabric with labels stapled on. One staple that was used to attach the label has gone through several layers of fabric preventing it from being unfolded. 8341.3 - Green sample fabric with white thread attached where it has previously been sewn. 8341.4 - Green sample fabric. 8341.5 - Green sample fabric.8341.1 - On label - FLETCHER JONES 8341.2 - on labels- Wool PE. 80:20 FAILLE WEAVEolympics, 1992 barcelona olympics, olympic uniforms, trousers, wool, fletcher jones, wendy powitt -
National Wool Museum
Textile - 1992 Barcelona Olympic Games Official Occasions Shorts, c.1992
... sample fabric with labels attached. 8340.3 - Green sample fabric ...About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8340.1 - A pair of men's green shorts made from a wool blend fabric. 8340.2 - Green sample fabric with labels attached. 8340.3 - Green sample fabric.8340.1 - on label - FLETCHER JONES 8340.2 - on label - Wool PE. 80:20 PLAIN WEAVE SULZER LOOMolympics, 1992 barcelona olympics, olympic uniforms, wool, fletcher jones, wendy powitt, shorts -
National Wool Museum
Textile - Wagga Blanket, May Shortte, 1940s
This wagga style blanket was made by May Shortte using blanket samples from Solomons department store, Geelong (now Market Square Shopping Centre). May Shortte is the grandmother of Emily McNeight. Part of a collection of three blankets donated by Emily McNeight.Blue, orange, green, yellow, purple and grey wagga style blanket made with off cuts of blankets.wool, blankets, wagga, solomons, geelong, may shortte, samples -
National Wool Museum
Textile - Manor House Rug Carpet Sample, National Wool Museum, 1990s
... with jute backing. Textile Manor House Rug Carpet Sample National ...The Manor House Rug was designed by Brinton's Carpets in 1990 exclusively for the National Wool Museum. The design is based on an earlier design from Brinton's UK Persian Rug Archive Library. This Manor House Rug sample was woven at the National Wool Museum on the 1910 gripper type Axminster Jacquard carpet loom. The rug is made from 80% wool and 20% nylon, the internationally preferred blend for high quality, long lasting carpets.Red, green, blue, black, cream floral patterned carpet sample with jute backing.axminster loom, carpet, sample, rug, wool, national wool museum, brintons -
National Wool Museum
Textile - Greek Rug Carpet Sample, National Wool Museum, 1990s
... with jute backing. Textile Greek Rug Carpet Sample National Wool ...This rug sample was woven at the National Wool Museum on the 1910 gripper type Axminster Jacquard carpet loom. The rug is made from 80% wool and 20% nylon, the internationally preferred blend for high quality, long lasting carpets.Orange, cream, green, red and black patterned carpet with jute backing.back: [handwritten] 2/57axminster loom, carpet, sample, rug, wool, national wool museum, brinton's -
National Wool Museum
Book - A Forecast of the textile vogues for the coming season from R. S. & S. Woollen Mill, Geelong Part IV, Returned Soldiers and Sailors Mill, 1941
The Returned Soldiers and Sailors Mills was located near the Barwon river on Pakington Street, Geelong, where its building still stands. The mill was established in October 1922 with capital acquired from War Gratuity Bonds. The mill produced fine grade woollen products with its speciality being ‘Retsol’ travelling rugs.31 page red book bound with metal pins containing fabric samples glued onto paper, with some printed text.cover: [printed] A FORECAST OF TEXTILE VOGUES / FOR THE COMING SEASON / FROM / R. S. & S. Woollen Mill. / Geelongr. s. & s mill, soldiers, sailors, geelong, war, wool, mill -
National Wool Museum
Book - A Forecast of the textile vogues for the coming season from R. S. & S. Woollen Mill, Geelong Part 1, Returned Soldiers and Sailors Mill, 1941
The Returned Soldiers and Sailors Mills was located near the Barwon river on Pakington Street, Geelong, where its building still stands. The mill was established in October 1922 with capital acquired from War Gratuity Bonds. The mill produced fine grade woollen products with its speciality being ‘Retsol’ travelling rugs.25 page red book bound with metal pins containing fabric samples glued onto paper, with some printed text.cover: [printed] A FORECAST OF TEXTILE VOGUES / FOR THE COMING SEASON / FROM / R. S. & S. Woollen Mill. / Geelongr. s. & s mill, soldiers, sailors, geelong, war, wool, mill -
National Wool Museum
Textile - "Glenmill" Tweed
Pink and blue patterned sample of fabric, with rough cut edges. Fabric is doubled over and stitched together. A cream paper tag is attached with black printed text and hand written blue text.front: [tag] “GLENMILL” \ TWEED \ Pattern No. 4289 \ Piece No. 3602 \ Width 54 \ Length 52 5/8 \ Strings 2 \ 52 3/8 back: [tag] 80% WOOL / 20 % RAYON / 0 5 2 5/8 -
National Wool Museum
Textile - Physician Blanket Sample, Collins Bros Mill Pty Ltd
... written blue text. Textile Physician Blanket Sample Collins Bros ...Long crinkle cut blue fabric sample with label stamped in ink. A brown paper tag is attached with string with hand written blue text.front: [tag] SW3 Dyed / Blue 4 / 37 ½ lln(?) – 70 yds / PeNo 678 front: [label] TRADEMARK / PHYSICIAN / REG No 76880 / SPOTLESS FINISH / CHILLPROOF / GUARENTEED PURE VIRGIN WOOLwool, fabric, blankets, sample, physician, collins bros mill pty ltd