Comfort Station now demolished Wimmera & main Street Street Stawellbuildings, comfort station

Farming in the Wimmera. Header with the name Cottee's on the side. Used as a teaching aid.Agfacoloragriculture, farm, crop, cottee's, mouat crawford collection

Article about Mr L.J. Blake (1971) who is a Nunawading author who has written a book titled 'Gold Escort' which tells the story of a group of troopers who conveyed millions of dollars worth of gold from Forest Creek diggings to Adelaide. He did 6 years of research on the book. He was a teacher and past president of the Royal Historical Society of Victoria and honorary historian for the Shire of Wimmera.Article about Mr L.J. Blake (1971) who is a Nunawading author who has written a book titled 'Gold Escort' . gold rush, blake, j. l., forest creek diggings, adelaide, shire of wimmera, gold escorts

This map was produced for the State Regional Boundaries Committee Two colour map of Victoria showing the regions for planning and development. The regions are Central Highlands, Mallee, Wimmera, Glenelg, Corangamite, Barwon, Loddon, Goulburn, Upper Goulburn, Upper Murray, East Gippsland, West Gippsland, Port Phillip.central highlands, mallee, wimmera, glenelg, corangamite, barwon, loddon, goulburn, upper goulburn, upper murray, east gippsland, west gippsland, port phillip, victoria, m4486

unknown women but believe a Warren of MytrlebankLady in formal portrait with 2 people partially cut out of photo AGFA 997M BN12 21 MAR03 Wimmera imagingpeople, warren, myrtlebank

AboriginalGroup of Aboriginal People in European cloathes in front of two lean toos.At Carrs Plains, Wimmera District. Taken in Victoria 1868

Gold Reef Mall Main Street 2003Colour Photograph: Looking East after the removal of the mall, from the Wimmera Street Intersection.stawell business

Edith (Alice) Watson (1914–2010) studied at the Ballarat Technical Art School, at the School of Mines Ballarat, from 1930 until 1933. Watson was warmly regarded in her home town, Murtoa, easily winning local fundraiser, ‘Most Popular Girl’ in 1936. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths 1972 and 1988. Watson was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio. Alice's comprehensive folio of Ballarat Technical Art School work is held by the University's Geoffrey Blainey Research Centre.A cardboard box containing items used by Alice Watson to produce paintings. The items included are: tubes of oil colour; two paint palettes; paint brushes; imperial measure tape measure; pencils; an erasure; two pencil sharpeners; a roll of brown, gummed tape; small, round container of various pins; a State Savings Bank Victoria ruler; and a collection of scraps of artists paper held together with a metal clip which includes a list of paint colour names and a design tracing of a fuschia. There is a small, plywood, stretching board. alice watson, edith alice watson, ballarat school of mines, artists workbook, ballarat technical art school, paint, oil paint

This bolster sham is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes and household linens - adding her own handmade embroidered or crocheted decorative trim. Most beds during the late 19th and early 20th century had a feather, hair or spring mattress covered by a blanket and topped with an under sheet, an upper sheet, several blankets and a bedspread. A flat bolster could be placed either under the pillows or on top of the pillows with a decorative sham. Washing pillows and quilts by hand would have been a very onerous task (involving heating water and handwashing in a tub or using a copper) and so it became the practise of many housewives to cover the pillows and bolsters with an outer slip (or sham) of washable material which could be easily removed and washed when needed. If the bolster was kept under the pillows it wouldn't need to be very decorative but many shams or slips that were "on show" were often highly decorated with embroidery, pintucks, ribbons or lace. This bolster sham is machine made and quite plain with the exception of some pintucking and eyelet lace on each end which suggests that it would mostly be hidden under the top pillows with just the decorative edges on display.This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also significant as an example of an early 20th century innovation that helped make the working lives of housewives a little bit easier.A long white cotton rectangular bolster sham, machine sewn, with seven ties and two buttons (plus one missing button) to enable it to be folded over lengthwise and closed. It has two pull string ties near each end to enclose a bolster and is finished with a decorative edge of pintucks and handmade eyelet lace and embroidery.flagstaff hill maritime museum and village, eliza towns, sham, bedding, great ocean road, shipwreck coast, warrnambool, household textiles, sewing, bolster sham, housework, pillow sham, charles towns, nhill, haberdashery, needlework, manchester, handmade, household linen

These photographs are from a collection owned by Edith Emma Watson and passed down to the donor, her granddaughter. The Yung family were from Happy Valley near Linton. Edith's mother was Clara Emma Yung b Smith, also from Happy Valley. Edward Lancelot (Lance), Alfred Ernest (Alf) and Ernest Herbert (Ern) Yung were the sons of George Edgar Godlip Yung and Clara Emma Yung (b Smith). They were the brothers of Edith Emma Watson and Maude Holmes. Jack Yung was the son of Ernest Herbert Yung and was born in Nhill.Six black and white photographs associated with the Yung/Smith Families .1 Maud Holmes born Yung - daughter of G E & C E Yung; Edith Emma Watson's sister; married Edward Holmes. .2 Three sons of George Edgar Godlip Yung: L to R - Ernest Herbert (Ern); George Alfred (Alf) Edward Lancelot (Lance). .3 William (Will) Smith - Son of George Henry Smith and Emma Keys; Clara Emma Yung's brother .4 Jack Yung at 6 months old. .5 Jack Yung and mother .6 Jack Yung and father .7 Maud Yung.1 Verso: Alison Jobe - my Grandmother's sister Maude Holmes b. Yung .2 Verso: 3 brothers of Edith Emma R-L Lance Alf Ern Yung .3 Verso:W. Smith Will? Grandma Yung's Brother .4 Verso: Jack Yung 6 months old .5 Verso: jack Yung and mother .6 Verso: Jack Yung and father .7 Maud Yung Edie Watson's sistercox, yung, edward lancelot yung, george alfred yung, ernest herbert yung, happy valley, linton, clara emma yung, george edgar godlip yung, maud yung, maud holmes

james hill taxidermy collection moved from kewell to murtoa (house) then to tower.held under scientific licenceyellow bird black eyes - held under scientific licence. murtoa lions club (custodians).murtoa, taxidermy, mutant canary, canary, james hill, natural history, flight, natimuk

From the Victorian Heritage Register statement of significance H0791 The Marmalake/Murtoa Grain Store, originally the No.1 Murtoa Shed, is located within the Murtoa Grain Terminal, adjacent to the grain elevator tower and railway line. The shed is 280m long, 60m wide and 19m high at the ridge with a capacity of 3.4 million bushels. The hipped corrugated iron roof of the shed is supported on approximately 600 unmilled hardwood poles set in a concrete slab floor and braced with iron tie rods. These poles are the reason for use of the term "stick shed". With its vast gabled interior and the long rows of poles the space has been likened to the nave of a cathedral. An elevator at one end took wheat from railway trucks to ridge level where it was distributed by conveyor along the length of the shed, creating a huge single mound of grain. Braced internal timber bulkheads on either side took the lateral thrust of the wheat, and conveyors at ground level outside the bulkheads took wheat back to the elevator for transport elsewhere. Wheat had been handled in jute bags from the start of the Victorian wheat industry in the mid nineteenth century. Bulk storage had been developed in North America from the early 1900s. NSW began building substantial concrete silos from 1920-21. In Western Australia, farmers' co-operatives, who had to supply their own bulk storage from 1934-5, pioneered the use of low-cost horizontal sheds of timber and corrugated iron for bulk storage. Following its establishment in 1935 the Victorian Grain Elevators Board (GEB) planned a network of 160 concrete silos in country locations, connected by rail to the shipping terminal at Geelong. By the outbreak of the Second World War there was a worldwide glut of wheat, and Australia soon had a massive surplus which it was unable to export. Only 48 silos had been established under the Victorian Silo Scheme so far, and wartime material and labour restrictions prevented progress with this scheme. The storage deficit had become an emergency by 1941 as Britain obtained its imports from North America, rather than over the lengthy and difficult shipping route from Australia. In 1941 the GEB, under chairman and general manager Harold Glowrey, proposed large temporary versions of the horizontal bulk storage sheds already in use in Western Australia. The proposal was approved by the Victorian Wheat and Woolgrowers Association, who considered the use of shed storages as a longer term proposition. After initial resistance from the Australian Wheat Board, some of whose members represented wheat bagging interests, the Commonwealth and Victorian governments agreed to split the costs, and Murtoa was chosen as a suitable site for the first emergency storage. The main contractor, Green Bros, commenced work on the No.1 Murtoa Shed in September 1941, deliveries of bulk wheat began in January 1942, and the store was full by June of the same year. In the following years the Council for Scientific and Industrial Research (later CSIRO) conducted valuable research and experiment on the impacts and control of insect pests at the Murtoa No.1 shed. With these discoveries, and the development of more effective pesticides, use of the No.1 shed and the larger No.2 shed, erected in 1942/43, continued for many years. The No.2 shed was demolished in 1975. By the 1990s, pest resistance to pesticides and requirements for both pest free and insecticide free grain rendered open storage of this type unviable. The No. 1 store was also becoming increasingly expensive to maintain, and its use was phased out from 1989.Image of the Marmalake/Murtoa Grain Store which is of historical, architectural, scientific (technical) and social significance to the State of VictoriaDigital colour image of the interior of the Marmaduke . Murtoa grain storage facility better known as the Stick Shed. The shed was constructed in World War Two to store grain. The supporting columns are trees.marmalake, murtoa grain store, wheat store, stick shed, murtoa

Digital image of the interior of the Catholic Church at Murtoa. Image is taken from the choir loft and shows the altar, seating and roof detailcatholic church choir loft

Digital photograph showing the World War I and World War II war memorial gates and arch at Murtoa located beside the lake and the football ground. A figure of a solider stands atop the arch.war memorial, murtoa, arch, wwi, wwii, world war

This hall is located at 37 Duncan Street, Murtoa, Victoria, 3390Digital colour photograph showing the double storey Murtoa Mechanics Hall in the main street.murtoa mechanics hall, murtoa, mechanics institute

Gift of the artist, 1984watercolour on card

Gift of Nan Kroker, 2003watercolour on paper

Gift of the Estate of Richard Gilmour-Smith 2019watercolour on paper

Purchased through the Horsham Art Gallery Trust Fund, 2011inkjet print on cotton rag paperSigned, editioned and titled in pencil, lower edge

Gift of George and Clifford Cahill, 1982silver gelatin photograph

Gift of the artist, 2003etching on Somerset paper

The Globe Hotel High St Charlton c. 1960. The Hotel was first established in 1874 and this is the third building on the site. This building was built in 1940. The Hotel closed in 1971 (Proprietor Steve Laffin) to become flats and offices.Sepia photo of Globe Hotel High St Charlton. Group of 14 people standing and sitting on the verandah of the Hotel. One man is playing a piano accordion and another man has a small guitar or ukulele. The Globe Hotel sign above verandah. Victoria Bitter sign on the roof. globe hotel, charlton, business

Shops at the west end and on the south side of High St. Eddie Harris Mensland, and three small shops; Charles McKinley's Land Sales Agency, Hillier's Dr Cleaners and Manchester Unity. The three small shops were damaged by fire and demolished in the 1990s. Series of photos taken for use by the Charlton Shire.Colour photo of shops at the west end and on the south side of High St.Eddie Harris Mensland, Mickinley's Land Sales Agency, Hillier's Dr Cleaners and Manchester Unity. Sign on median strip pointing to Rotary Park, Public Conveniences, Electric Barbeque. Also a Give Way sign.eddie harris mensland, charles mckinley, hilliers, charlton, business, industry

Bend in High St looking towards cinema and shops. Charlton Shire High St series 1987Colour photo of High St corner looking towards the shops on the west end and south side of High St. Photo is slightly blurry. Green car parked in front of cinema. SEC sign on top of building at the top of the photo.charlton high st, charlton, rex theatre, business

High St Charlton showing west end shops. SEC office on LH side, on the RH side is Paterson's Fibre Glass Factory, Charlton Cinema. Colour photo of High St Charlton showing west end shops. SEC office on LH side, on the RH side is Paterson's Fibre Glass Factory, Charlton Cinema. Yellow panel van parked in front of cinema. Part of War Memorial in bottom right corner.sec, paterson's fibre glass factory, charlton cinema, charlton, business, industry

Built as the Rex Theatre in 1938 by the Keith family. Renamed the Roxy Theatre, then Cinema Charlton and later renamed the Rex Theatre. Taken over by the Charlton community in 2007.Colour photo showing the white Cinema Charlton. building White car parked in front of building. Dress shop on the left and hairdressers on the right. Roadwork happening in front of hairdressers.rex theatre, keith family, roxy theatre, cinema charlton, business

Paterson's Fibreglass Factory on the site of former garage and Golden Fleece Hotel (1874 - 1914). Two storey building built for Peter Johnson as the Bridge Store in 1872. Photo is part of a series taken for the Charlton Shire.Colour photograph showing Paterson's Fibre Glass factory. Green two storeu building with verandah over the footpath and part of Eddie Harris Mensland to the right. Red car parked in front of two storey building.paterson, fibreglass factory, golden fleece hotel, peter johnson, the bridge store

Derelict rear of building built as Bridge Store in 1872 for Peter Johnson, later Wylie's Building and a furniture store. Photo taken for the Museum.Colour photograph of the rear of an old, brick two storey building. Building appears derelict and disused. Not all the building is in the photo. Old rainwater tank on RH side, part of the roof is missing and the beams are exposed. Gas tank/hot water service in corner in the centre of the photo. Single door to the right of the gas tank and double doors to the left.bridge store, peter johnson, wylie's building, business

Derelict rear of building built as Bridge Store in 1872 for Peter Johnson, later Wylie's Building and a furniture store. Photo taken for the Museum by R. Brownjohn.Colour photograph of the rear of an old, brick two storey building. Building appears derelict and disused. Part of the roof is missing on the lower section and the beams are exposed. Verandah is sagging. Gas tank/hot water service in corner in the centre of the photo. Single door to the right of the gas tank and double doors to the left. One large and one small window in the upstairs section. Chimney on LH side of upper storey.bridge store, peter johnson, wylie's building, charlton, business