Wimmera Flour Mills and Grain Store Taylor Street From Sketch series Circa 1890stawell businesses

Wimmera Family Homes – Fund raising Envelopes (Australia Post) for Family Group Home in Franklin Street Autographed by John Williams.stawell

Information on Maryborough and district schools and their histories.Information invaluable as access to local school historic records is currently unavailable.A set of three hardcover (red) books detailing the history of education in Victoria. Volume 1 (general account of the development of education), Volume 2 (schools in the Wimmera, central Victoria and Geelong), Volume 3 (Melbourne, upper Goulburn, upper Murray, Gippsland regions). Published by the Education Department of Victoria.

Date is approximate. In 1920 this became the home of Mr and Mrs Robert Moore, whose daughter Mabel Annie married Norman Brodley Carter of Mont Albert. The house was named after 'Glenisla', a western District grazing property located between Hamilton and Horsham on the Henty Highway and on the edge of the Grampians National Park. This was established as a super-fine wool stud in 1860 and was passed down the family until it was sold in 1922. The family transferred from this property to Melbourne. Robert is listed as a grazier in the 1924 electoral roll at Chestnut Street. With him are Victor Cecil listed as a carpenter; Isabella, Mabel Annie and Edgar Gilbert listed as an orchardist. In 2003 the house was extant minus the verandas. This photo may have been taken from the rear of the property. Ref: History of original property - Age newspaper article: 'The Best - Glenisla: historic Grampians property', 7 January 1994. Moore family details: Robert Moore born 1857 on Isle of Man; died Surrey Hills 1940 Isabella Bateson born 1869; died Surrey Hills 1938 Married in 1894 in Miram, 10 km north-east of Kaniva in the northern Wimmera. All the children were born in Kaniva. Children: Lena Florence (1895-1980) Victor Cecil (1896-1984) - a builder Edgar Gilbert (1897-1976); died Surrey Hills; married Myrtle Emary, daughter of Henry John Emary of Surrey Hills Ernest Alan (1900-1900) Mabel Annie (1901-1957); died Surrey Hills married Norman Brodley Carter (1899-1984) Clarence Arthur (1904-2004). Norman Carter took many photos in the Surrey Hills and Mont Albert are from the 1920s; many is connection with Church of England events and activities. Robert and Isabella Moore are buried in Box Hill Cemetery. Black and white photo of a Victorian home with a veranda with a corrugated iron roof and lacework on 2 sides. It appears to have a later extension at the rear. It is surrounded by mature gardens with ornamental trees (cypresses) and an area with plants in rows, which may be a vegetable garden. There appears to be significant areas of open space around the house.glenisla, homes, victorian style, gardens, norman carter, robert moore, miss isabella bateson, mrs isabella moore, victor cecil moore, edgar gilbert moore, miss mabel annie moore, box hill cemetery

Handmade from Wimmera farming district in Victoria.Long brown fleece coat with collar and two pockets.sheepskin, coat, wool, handmade, hand dyed, wimmera, farming, fashion, makers

This tag came with the donation of two kilts. The donor's mother, Joy Newall owned these kilts. She lived on a wheat/sheep farm in the Wimmera where her husband also bred merino sheep. Joy was well known in the district for the way she dressed when out in public.Four page fold out paper tag with black and white graphics and text. Graphic on the front and back shows a full length portrait of a person wearing traditional Scottish clothing resting with their hand holding an upright rifle. A piece of string is attached through a hole in the top left corner. Printed: Authentic Clan Tartans / by Fletcher Jonesclothing, fashion, tartan, kilt, scottish, wool

The donor's mother, Joy Newall owned these kilts. She lived on a wheat/sheep farm in the Wimmera where her husband also bred merino sheep. Joy was well known in the district for the way she dressed when out in public.Red and dark green tartan kilt with eye and hook fastening clips and buttons on three different size settings. A metal clasp fastens on the left side. tag: Fletcher Jones / PURE NEW WOOL / DO NOT WASH / DO NOT BLEACH / VERY COOL IRON / DRY CLEAN ONLY / REMEMBER - FLETCHER JONES / OFFERS EXPERT PROFESSIONAL / CLEANING AND REPAIR SERVICEclothing, fashion, tartan, kilt, scottish, wool

The donor's mother, Joy Newall owned these kilts. She lived on a wheat/sheep farm in the Wimmera where her husband also bred merino sheep. Joy was well known in the district for the way she dressed when out in public.Maroon, brown, yellow and blue tartan kilt with eye and hook fastening clips and buttons on three different size settings. A metal clasp and large safety pin fastens on the left side.tag: Fletcher Jones / AUSTRALIA'S FINEST CLOTHING / MADE IN AUSTRALIAclothing, fashion, tartan, kilt, scottish, wool

The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at $600/kg and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at $10,300/kg, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labeled Kadinia.Wool sample from the Million Dollar Balewool sales, million dollar bale

Norman Keith HOFMAIER (12.08.1951- ) Born Beulah, Wimmera, Victoria Norman Hofmaier was a scion of a well-known family, he completed his secondary education at Hopetoun High School and Ballarat College. Later he studied Visual Art at University of Ballarat, including painting, design and sculpture. Hofmaier’s childhood in Beulah was spent on the family property running beside the Yarriambiack Creek. Both he and his father had an intimate knowledge of the flora and fauna of the Mallee. The Wyperfeld National Park, home to the Big Desert, was a favourite place for Norman’s uncle who planted acres of native trees at the family property. Dr Di Bresciani explains: “The colours and vastness of the Mallee are represented in many works which reflect, variously, the relentless quiet and swirling energies found in the ‘dust storm might’ of the Mallee area. Most works may be described as abstract, lyrical abstract or abstract expressionist." From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. His work reflected his exploration of his inner state, sometimes flowing and placid, sometimes tempestuous. After a brief sojourn into city-life Norman returned to working in the country, until finally submitting to mental illness and permanent care in the mid 1990s. Norman Hofmaier's works are represented in major collections including that of the well- known artist Mitch Pearson ( an important influence and lifelong friend). The work 'Pastel of a Nude' was shown in a widely distributed magazine and two works owned by Mark Shannon were planned to be published as record covers in 1993. He won an award during the bicentennial recognising his skill as a Wimmera artist. From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. This work was purchased from the exhibition 'Norman Hofmaier: Mallee Mysteries' at the Lost Ones Gallery in Camp Street, Ballarat. The exhibition explored the legacy of Hofmaier’s work as well as raising money for the Ballarat Art Foundation. The Hofmaier family donated 16 works of the artist to be sold to raise funds for the foundation, to support emerging artists.Original painting in square format, featuring abstract swirls of blue, white, red, yellow and green.On back of work: 1. pools of diluted oil paint covering approximately 8 cm from each edge, 2. in right hand corner in permanent marker "N Hofmaier" 3. middle right hand side, torn exhibition label, with the words, "Belauh", "Local Art", "Prome", "Local Art", "$350", "Collect A", "oin" 4. Bottom right corner, two exhibition labels on card. Cards read: The flowing of movement before any known bodies are formed. Matter and gases bubble forming kaleidoscopic colours and shapes. Promethius 1 Oil based pigment with petrol on prepared board 1320 x 1210 mm On front of work, bottom right hand corner, in white lettering, N Hofmaier. Bottom right hand olive green frame damaged on front of work.painter, mallee, beluah, norman hofmaier, wimmera, abstract, alumni

Centenary 1948 Souvenir of Nhill: In the Heart of the Wimmera Wheatland; First Edition; Cr. 8vo; pp. (xiv), (50), (xvi); unpaginated; b/w illustrations, 30 pages b/w adverts, original stiff printed wrappers together with associated yellow celebrations program pamphlet loosely inserted at front, very good copy.nhill - centenary, 1948, back to nhill, 13th-20th march 1948, nhill & district history