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Bendigo Military Museum
Book, The Long Way Round. Escape Through Occupied France, 1988
Black and red soft cover. Drawing on front cover of seven soldiers walking along a path with bombed township in the background. Author - WILLIAM MOORE Pages 182Written on front page "Donated by Bgo Y Mens Clubbooks-military-history, escape -
Bendigo Military Museum
Book, Saving Australia. Curtin's secret peace with Japan, 2006
Black and yellow soft cover. Front cover has photograph of two men facing each other with a women standing between them (head and shoulders). Back cover has photograph of Japanese man in ceremonial dress. Author BOB WURTH Pages 336Written on title page "Donated by Bgo Y Mens Club"books, military history -
Bendigo Military Museum
Book, R G Grant, MI5, 1989
Black, buckram hard cover, gold title on spine. Black dust cover with white lettering, contents description on back. 192 pages cut edges - illustrated.Donated by Bendigo Y Mens Club on front end page.books, history, espionage -
Bendigo Military Museum
Book, Forgotten Heroes - Aborigines at War from the Somme to Vietnam, 1993
Contains biographical details of aboriginal soldiers from Victoria who enlisted in conflicts from WW1 to Vietnam.Orange card soft cover with illustrations front and back. 88 pages on cream pages with cut edges. Contains illustrations.Inside front cover: Donated by Bendigo Y Mens Clubbooks, military -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah XI, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: YACKANDANDAH / ERNEST MARCUSE Reverse: Y 1 / 012 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah IV, c1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Marcuse / YACKANDANDAH / Reverse: YACKANDANDAH / Y 8 / 020 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah VII, c1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ERNEST MARCUSE / YACKANDANDAH / Reverse: Y 10 / 016 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Bank of Victoria – Yackandandah I, c1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BANK OF VICTORIA / YACKANDANDAH / Reverse: Y 6 / 017 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Bendigo Military Museum
Equipment - DIXIES, Department of Defence, 1) June 1980. .2) may 1970
Australian Army Pattern issue Mess tins, one fits inside the other..1) Small oblong aluminium tray with folding handles. .2) Large oblong aluminium tray with folding handles..1) Stamped on, “7350 - 66 - 014 - 5895 - SMP/Y 6/80” .2) Stamped on, “7350 - 66 - 014 - 5895 - SMP/Y 5/70”mess tins, dixies -
Federation University Historical Collection
Images, Charles A. Scott Egg Collection
The Collection is held in the FedUni Science Museum (Mt Helen Y Building)Low resolution photographs of the historic Scott Egg Collection held by the Federation University Science Museum, along with a spreadsheet of holdings. Australia's native birds are protected. It is illegal to collect eggs or to interfere with birds' nests without a permit.birds, eggs, bird eggs, science, scott, charles a. scott -
Federation University Historical Collection
Document, Federation University Herbarium Pressed Specimens Listing
The Collection is held in the FedUni Science Herbarium (Mt Helen Y Building). Listing of families and genera of botanical specimens held in the Federation University Science Herbarium.herbarium, botany, plant specimens, botanical specimens, plant families, plant genera -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Students in Chemistry Class, c. 1957
Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 103. See photograph B93.0606Black and white photograph. Students in Chemistry Class using vacuum bell jar. 2 copies, one an enlargement.On reverse, "Jack Farrance (Biological Sciences)1952-75, Alan Werner, Jocelyn Care." (Both 1957.)students, chemistry, jack farrance, biological sciences, alan werner, jocelyn care, green grows our garden, a.p. winzenried, vavuum bell jar, belljar, students in class -
Bendigo Historical Society Inc.
Document - BASIL MILLER COLLECTION: 'TROLLEY WIRE' MAGAZINE, April 1967
Magazine of the South Pacific Electric Railway. Vol 8, No. 3 Issue No. 109.South Pacific Electric Railway Co-operative Society Limited. Box 103, GPO, Sydney. NSWperson, individual, basil miller -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Ammunition Pouch
Leather Pouch for 10 .303 rounds. N Made b y M.Marvey co ltd Walsall England. Stamped 169217 dated G & M 1906equipment, 1906, army -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: ARMENTIERES AFTER GERMAN OFFENSIVE, STREET TO THE STATION, POSTCARD, 1914-1918
Postcard, WW1, B&W image of damaged buildings along the street leading to the railway station in Armentieres. Rubble on both sides of street. Copy Y 2postcard, postcard, ww1, france, armentieres -
Lara RSL Sub Branch
Honour Board Lara RSL, 1982
Donated by H J Y Marshall family. (No2698 29 BN 1AIF)Honour Roll for Presidents and Secretaries of Lara RSL sub branch from 1928. State Councillors from 1948Wooden Varnished Board with triangular capRSL Lara sub branch containing names of past presidents and secretaries of the sub branch from 1928 to present in gold letteringhonour roll lara sub branch marshall family -
Ringwood and District Historical Society
Photograph, Hone family on verandah 1905
Black and white photograph. Duplicate of item no. 103 showing a family group of a man, woman and child standing on veranda of weatherboard home with a boy seated on a draught horse at one end of the house.Written on backing sheet, "Hone family, 138 Warrandyte Rd. 1905" The Hone Residence 138 Warrandyte Rd., opp. Unsworth Rd. - 1903 or 1905. The boy on the horse, William, was born in 1894 and worked in Bentley's timber yard for many years. The house was still in use in 1965 but has since been demolished. -
Bendigo Historical Society Inc.
Document - KELLY AND ALLSOP COLLECTION: THE ZINC CORPORATION LTD. SHARE NOTE, 02/10/1926
Share certificate dated 02/10/1926 for 100 ordinary shares in the name of Michell P Kelly, 103 Wills Street, Bendigo from Berwick, Moreing & Co, General Managers.business, stockbroker, kelly & allsop, kelly & allsop collection - the zinc corporation ltd share note, bewick moreing & co., michael p kellyj fitzgerald -
Bendigo Military Museum
Photograph - PHOTOGRAPH, WW1, 1914-1918
Frederick Campbell Moller No 2233, 103 Bty 3 FAB AIF. Refer Cat No’s 1662.3, 1661.3.Photo, sepia tone, copy of original, soldier seated in uniform in slouch hat re F.C.Mollerphotography - photgraphs, moller -
Clayton RSL Sub Branch
hard cover non-fiction book, Australian War Memorial, RAAF Saga The RAAF at WAR, 1944
Prepared by the RAAF Directorate of the Public Relations. Published b y the Australian War MemorialForeword by Air Vice-Marshal, Chief of Staffhard cover non-fiction book -
Kadimah Jewish Cultural Centre and National Library
Programme, Farewell Concert for Jacob Waislitz; 1947
On leaving Australia. Farewell speech by Jacob Waislitz. Chairman Ginter. M.C. Y. Sherdovid herman theatre, jacob waislitz, rachel holzer. moishe potashinski, mila waislitz -
Ringwood and District Historical Society
Letter, Results of East Ringwood Progress Association Community Fair Junior Art Competition 1960
East Ringwood Progress Association Community Fair Junior Art Competition results in 1960. Winners were Lyn Gordon, Helen Buchanan, Christine Tripovich and Y Peters. -
Bendigo Historical Society Inc.
Ephemera - BADGE: Y. M. C. A. 7TH ANNUAL FESTIVAL 1914
Round, white badge with a yellow and an olive green ribbon with a green edge threaded through a hole at the top. Badge is for the Y. M. C. A. 7th Annual Festival 1914.organization, society, entertainment, badge, y. m. c. a. 7th annual festival 1914 -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: THE LYS NEAR SAILLY AFTER GERMAN OFFENSIVE, POSTCARD, 1914-1918
Postcard, WW1, B&W image of the timber remains of a bridge over the river Lys near Sailly after a German offensive. Possibly a footbridge. Copy y 18postcard, postcard, ww1, sailly, german offensive, bridge -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1929 - 34
The Knight's Tea-Rooms, which were known as "Coonarah". See "Victoria's Wonderland" p. 103-104 for further information.Photo shows a house with a smaller building to the right (Knight's tea-rooms at the Wannon).There is a car parked in front of the house and an unsealed road runs through the foreground.buildings, tea rooms -
Moorabbin Air Museum
Manual (Item) - Griffon Mk 74 Engine Maintenance Notes
Description: GRIFFON 74-7 MAINTENANCE MANUAL ROLLS ROYCE 109 PAGES PUB NO: TSD 103 Level of Importance: . -
Tatura Irrigation & Wartime Camps Museum
Photograph, Kormoran Crew, 1989 copy
Copy of original black and white photograph of group of Kormoran crew members.Copy of black and white photograph. Group of ten prisoners of war - four wearing light (probably white) uniforms. Six in darker colours. Trees and barracks in background. Sign with 103 at left of mencamp 13, murchison victoria, internment camps, 103, kormoran crew -
Bendigo Military Museum
Book - BOOK, BIOGRAPHY, Colleen McCullough, Roden Cutler, V.C, 1998
Book, black cloth covered hard cover with title in gold on spine. Coloured dust jacket with photo of Roden Cutler as an active soldier on front & in dress uniform in old age on back. 418 pages, some black & white illustrations.Hand written on fly leaf: “Donated by ,Bgo "Y" Mens Club”books - military - biography, vc, cutler -
Bendigo Military Museum
Book, Stephen Lebert, My Father's Keeper, c.2001
Book, black cloth, hard cover with title in gold lettering on spine. Black& white dust jacket illustrated with photographs, 243 pages with some photographic content.Hand written on fly leaf: Donated by Bendigo Y's Mens Clubbooks, military, history -
Bendigo Military Museum
Book, Norman Gelb, Desperate Venture - The Story of Operation Torch, the Allied Invasion of North Africa, 1992
Red and grey hard cover book with dust jacket. Dust jacket sepia photo background of 2 officers plus black & white photo of soldiers coming ashore from a boat.Written on title page in pen: Donated by Bendigo Y Mens Clubbooks, military, history