Has a blue cover with the title in silver coloured writing on the front cover and spine.non-fictionA dictionary.dictionary, english, non-fiction, g f maine

The cover is blue. On the front cover is a picture depicting men who appear to be soldiers in the 1600's preparing to do battle. In the background is a building will mullioned windows. It appears that the front picture has been cut from the book's dust cover and adhered to the front cover. The title of the book is in red writing at the top of the picture and the author's name is in white writing across the body of the picture. The title, the author and publisher are written in silver ink down the spine of the book.fictionA novel by Henry Garnett that is about Oliver Cromwell, a significant figure in English history.england, history, oliver cromwell, fiction, henry garnett

A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the ANZ Bank in Melbourne in 1975.A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the ANZ Bank in Melbourne in 1975. Wykeham Lindley Perry grew up near Marysville in Victoria and painted local scenes from a very early age. wykeham lindley perry, marysville, victoria, anz bank

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 94 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - stables, lookout and neighbouring cottages.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 256 Dec 1972 STABLES [under top left photo] / Neg 248 Dec 1972 LOOKOUT [under top right photo] / Neg 254 Dec 1972 / COTTAGES WILLOW STREET [under bottom left photo] / Neg 259 Dec 1972 STABLES [under bottom right photo] / 94 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, guilfoyle, adam anderson, ripponlea, victorian, sir frederick sargood, architects, bricks, polychrome bricks, taylor and fitts, stables, lookouts, cottages, outbuildings, rippon lea

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 91 of Photograph Album with four photographs (two portrait and two landscape) of various external views of Ripponlea.Handwritten: SOUTH [under top left photo] / SOUTH [under top right photo] / WEST [under bottom left photo] / 91 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, polychrome bricks, lombardic romanesque style

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 92 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - views of entrance and left front of mansion.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 245 Dec 1972 [under top left photo] / Neg 246 Dec 1972 [under bottom left photo] / Neg 247 Dec 1972 [under bottom right photo] / 92 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, lombardic, romanesque, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque style, rippon lea, entrances

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 93 of Photograph Album with four photographs (two landscape and two portrait) of Ripponlea - lake and gardens.Handwritten: Neg 239 Dec 1973 LAKE [under top left photo] / Neg 242 Dec 1973 FERN HOUSE [under top right photo] / Neg 243 Dec 1972 FERN HOUSE [under bottom left photo] / Neg 241 Dec 1972 LAKE [under bottom right photo] / 93 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, gardens, ferns, bridges, walking trails

Four items about the establishment,history and courses provided at this Institute: 1/Research notes (2 pages in all) regarding the renaming of Caulfield Technical School to Caulfield Institute of Technology in 1968 sourced from La Trobe Library Reference Index. Several dates listed. Reference also to article on construction of building in 'Australian Builder' of January 1950. 2/Photocopy of article from 'The Australian Accountant', April 1975. Gives history of C.I.T. and of Business School courses plus photos. (3 pages) 3/Advertising flyer for 'The David Syme Business School at CIT' listing courses for enrolment by 15/12/1978. 4/Undated black and white photograph of building in progress on site of Caulfield Institute/Monash University Caulfield. Noted on reverse'Chisholm Tower', 'Contact June 29, PIC 3 PG3 100% pl2' ie likely taken by photographer for 'Caulfield Contact'.miller j.o. mr. (b.a. b. com. f.a.s.a.), huggan noel, halstead h.j. mr., kurtz david professor, holmes graham, collins mike, chataway graham, erdonmez hassan, gleeson june, voumard lou, coombe jack, caulfield technical college, caulfield technical school, caulfield institute of technology (cit), k.h. boykett building, monash university, dandenong road, caulfield east, victorian education department, school of business, school of applied sciences, school of engineering, school of industrial studies, school of general studies (humanities sociology art and design), technical schools, technical colleges, education, secondary education, mature age students, david syme business school, 'contact'

These pages are the rough notes and compilation of the Ballarat School of Mines World War One honour board..1) Roll of Honor for School of Mines Ballarat - original listing on blue feint lined cream foolscap paper. Handwritten names (lines through) with ROLL of HONOR printed at top. .2) Handwritten names on blue feint lined foolscap paper .3) A5 cream sheet of paper with handwritten names.1) ROLL OF HONOR printed on top of page .2)Revised list 12.10.15 at bottom right hand corner .3) Joined Expeditionary Forces handwritten on top of paperroll of honor, roll of honour, honour roll, honor roll, ballarat, ballarat school of mines, smb, university of ballarat, expeditionary forces, soldiers, world war one, wwi, 1st world war, killed in action, virgil tucker, alexander fraser, a.g. campbell, herbert hawkesworth, william e. figgis, stanley hepburn, robert m. serjeant, milton williamson, e. sleep an anderson, p. sinclair anderson, john h.s. thomas, leslie de jersey grut, ralph moore, louis g. buchner, william williams, thomas rhys williams, leslie w. mathews, leigh simpson, john bolton, martell, stanley kitchner, william henry o'brien, reginald callister, theodore serjeant, les kemp, basil ross, carl janssen, fred hepworth, percy levison, alfred mica smith, les mounsey, leslie blick, john r. sides, henry jerman, harold g counell, stanley kitchen, h.m. connan, reg nunn, hedley long, frank dawson, leslie kemp, mcnamee, g.h. winckler, h.j. hibbins, arthur w. hughes, syd rawlings, bent hayes, trevan ruglen, brew, w. wilberforce, e.t.a. zuabour, t.t.w. dixon, r.r. marshall, charles tait, j.j. hibbins, d.r. tunbridge, w.s. davies, j. coglan, frank clark, harold peart, frank peart, a.t. bury, a.r. mcconnell, sheppard, alf wilson, roy parker, kevin coglan, allan perry, forbes tweedie, c.e. bray, l.w. matthews, robert marshall, a. parry, h.w. preston, alfred wilson, r.w. vickery, alfred bailey, p. besmore, c. bryant, a. clegg, n. cameron, w.f.m. johnson, l.w. quirk, a.c. collins, e.c. doepel, a. gourlig, allan ross, ross allan, samuel ainsworth, les blick, c.c bray, b. beesmerse, calvin briant, h. brown, harry brittain, harold c. connell, kevin j. coglan, ted cannon, e.j. cannon, ray cormack, dixon, arthur dixon, ernest duncan, harold ferguson, n.j. hibbins, bert hayes, heddles long, leslie mournsey, ken moss, arthur w. nicholas, morshead, j.b. morshead, allan t. penny, roy parkin, paulig, paterson, l.w. quick, morris roberts, lindsay ross, a. simmons, percy senior, s. halliburton sheppard, spencer, gerard scarff, trevan, a.a. trahan, percy towly, robert tremain

The inaurgural concert of the Maisie Lewis Young artists Fund concerts.2 fold brochure. The Worshipful Company of Musicians; Maisie Lewis Young Artists Fund, in association with Youth & Music Inaugural ConcertThe Crest, center front of the program, of "The Worshipful Company of Musicians"maisie lewis young artists fund concerts

Each year World War One and World War Two veteran, and Ballarat Teachers' College Principal addressed the College community for ANZAC Day. The following are excerpts of his 1947 address. "...But we should do more than remember, and instead of pausing once a year for this purpose is should be our aim to remember daily - every day should be an Anzac Day so that we shall be inspired to take stock of ourselves if we are tryig to be worthy of almidst 100,000 dead who died to keep this country free to progress nobly towards a worthy goal, What are we dong about it? As a body of teachers er should be particulalrly concerned, as in our hands largely the growth of the children lies. In the schools we can do much in our work of every day to develop right standards and a better outlook amongst the children it is our privilege to teach. We can successfully teach the three "R's" but if this is all we do then we have failed. Is should be our aim, living in the spirit of those who gace so much, to dedicate ourselfes to the work of teaching young people how to live; to train them gently in ethical standards of conduct; to take responsibility; to live through the operation with otherts; to be prepared to give service without thought of personal gain; to realise to the full all that is best in them for the good of all. What we should do and how it is to be done is difficult to descibe, but if we ourselves have taught something of the Anzac Sprit we shall not fail. In particular, we shold take care of the orphan and th child of the disabled soldier. We should explore all avenues to see what that these children get every opportunity for higher education. As far as it lies in our power we should see that these children do not suffer - thus the legacy of war is ours. In a few months you will be going out to your schools. You will have young children around you. Let you arims be high. Try to live worthily and let your little community be the better and the finer for your coming. If you achiec somethig of thise then 100,000 shall nit have died in vain." Blue soft covered, stapled booklet named 'Extra Muros', the magazine of the Ballarat Teachers College, ANZAC Day. The contents include: The Year's Sport, J. Arthur Rank; Music; Dingo Blood; Anzac Day 1947; History of Sport; J. Arthur Rank Named images include: staff and students; Sports Committee; Social Committee; Student Council; Magazine Committee' Daylesford Camp; Anglesea Camp; Grampians Camp; Exies, College staff and students;A number of authorgraps are written into the back page. ballarat teachers' college, ellwood, lord, robinson, tozer, connelly, pattenden, collins, blake, faulds, sunderland, miller, bryan, yeo, frank lord, lindsay w. harley, lindsay w. harley, anzac day

Blue soft covered book with an image of the Ballarat Teachers' College class of 1949.The book is 235 pages and includes a biography of each member of the class of 1949, the schools graduates taught at, home towns, families, statisticsnon-fictionballarat teachers' college, margaret bennett, david collins, don evans, peter fryar, wilma gardy, jack gervasoni, isobel mcmahon, mavis miller, margaret reynolds, catherine o'shannessy, wal wall, john hogan gervasoni, family history, genealogy, education, alumni

This plan is associated with former Ballarat School of Mines Student Richard Squire (1875-1876). Gift of the Squire FamilyPlan of Berry Bank Estates. Coloured plan on cream paperberry bank estates, mining, happy valley, lake rosine estates, strathvean estates proprietary, w. luplaupitfield plateau, british banner, federal mint, moller, morrow, south pitfield consols, east banner, new lallah rookh, bull dog company, mindai, j. morpoh, poliah, f. j. morrow, piggoreet east, w. m. acheson, grand trunk, field's claim south grand trunk, south grand trunk, woady yalloak creek, mount misery creek, fitzpatric's creek, illabrook creek, great western, mount bute syndicate, narringhill creek, little woady yalloak creek, piggoreet east preemptive right, southern birthday, new birthday, prince of wales, collins, brassey birthday, howarth's lead, w. price, royal birthday, a. clinton, victoria express, patons, williams fancy, hennessy, queen of the south, n, pandora proprietary gold estate, lyonbank lease, rowe's southern, rowe's extended, w. t. rowe, wallinduc company, glenfine horseshoe company, rowe's glenfine junction, wallinduc syndicate, pitfield estates, rowe's estate, southern glenfine, h. fields, christies & fields, balmoral company, glenfine united, hallett, great glenfine, rowe consuls, nicholls, london & melbourne gold mine, j. w. pascoe, christies, glenfine central, j. king, j. durston, great western extended, oswald, woadyyaloak, berringa, squire

23 page supplement to the Ballarat Courier. Contents include key moments over 120 yeas, 120 years of Christian Brothers, The Curriculum, Old Collegians, Boarding, Indigenous Program, Social Justice, Music, arts, football, rowing, sports success, developing leaders.st patrick's college ballarat, christian brothers, peter m. casey, bill wilding, p.g. nangle, t.f. kearney, k.j. buckley, l.b. collins, r.s. stewart, william t. o'malley, william j. wilding, dougolass evin zoch, drew carey, steve moneghetti, gerald fitzgerald, steve bracks, drew petrie, gerard fitzgerald, george pell, danny frawley, paul bongiorno, geoff torney, anthony edwards

Ballarat School of Mines Students' Magazine was a Students' Association magazine. The president was G.N. Hart and the 1964 editors were Kelvin Whitford and Armand Krastins. The cover was designed by Colin Jellet. Advertising was obtained by Jon McDonald and Peter Smith. Active collaborators were John Costa, Ken Delany, Roger Lonsdale, John Byrne and Bobby Ong Gim Sen. Harry Arblaster retired in 1964 as the Principal of the Ballarat School of Mines, and E.J. Barker was appointed in his place. The Vice-Principal was H.J. TrudingerYellow/orange soft covered book of 96 pages. Articles include: Initiation, The creative Personality, Folk Singing by the Miners, SMB Silent Movies Inc., Red Roar and the Commie Threat, Paleopyrology, Conventional Wisdom, B-Day, The Malaysian Student in Australia, Moral Heresy, Sport, The Past and the Future?, The Possibility of Fusion Power, School Council, Members of Staff, list of full time diploma students. Those who had diplomas conferred were listed, as were the prize winners. Snippets: D.M. Pollard won the R.W. Richards Medal; John Costa was SRC Secretary, Jon McDonald was SRC President Images are named and include student activities Advertisement include: Ronaldson Brothers and Tippett; Electrolytic Zinc Company, Myers, Mount Isa Mines, Austaluco Aluminium, Owen's of Ballarat, Alexandria Tea Rooms, Roy Brack's Men's Wear, Lamanz, A.J. William Electrical Instruments, H.B. Selby, M.G. Taylor, T.J. Coutts, Ballaarat Gas Company, H.A. Davis Motor Service, Henderson-Palmer, Coca-Cola, Philps Electrical Industries, the Wattle, Eclipse Motors, BHP, M.B. John & Hattersley, Sheffield's Record Bar, Andrew Gault, Tait Book Company, Broken Hill Associated Smelters, Ballarat Colour Centre, Morsheads, Commonwealth Aircraft Corporation, J.J. Mortimer, Ewins, Gallery 321, J.A. Hoskinballarat school of mines, students' association, ray windmill, kelvin whitford, jennifer boyd, malcolm park, jutta bacsak, noel brady, gloria medlyn, ken felstead, jan butterworth, wayne collins, diana berry, lora richter, arblaster, stephen drew, judi woodward, michael moissinac, marilyn barclay, jon mcdonald, gloria roberts, ratnam nachiappan, jeni milbourne, daila berzins, bernard livingston, trudinger, barker, ballarat asian students' association, margaret leong, yew har ong, william cheng, elen leong, joan wright, poh teck shen, kristine goodier, kok fong ho, robert grub, tan joo lim, eric mcgrath award, kevin whitford, ronaldson brothers and tippett, electrolytic zinc company, myers, mount isa mines, austaluco aluminium, owen's of ballarat, alexandria tea rooms, roy brack's men's wear, lamanz, a.j. william electrical instruments, h.b. selby, m.g. taylor, t.j. coutts, ballaarat gas company, h.a. davis motor service, henderson-palmer, coca-cola, philps electrical industries, the wattle, eclipse motors, bhp, m.b. john & hattersley, sheffield's record bar, andrew gault, tait book company, broken hill associated smelters, ballarat colour centre, morsheads, commonwealth aircraft corporation, j.j. mortimer, ewins, gallery 321, j.a. hoskin

Brewing Education started at the Ballarat Institute of Advanced Education in 1967. Neville Gower lectured in brewing from 1967 to 1992.Blue folder of material relating to the history of Brewing at Ballarat College of Advanced Education / University of Ballarat by lecturer Neville Gower. .6) Neville Gower, lecturer in brewing in the staff office on the Ballarat School of Mines campus. Geoffrey Barrell, Senior Lecturer and Head of Section had the rear office. .7) (Stanley) Meng Swee Ng in the Teaching Laboratory, Lydiard Street South, c1972 .8) Buddha Dev Moitra and Vinod Parkash Anand in the Malting Analysis Laboratory, Lydiard Street South, c1972 .9) Walk in cold room for the storage of hops, storage and bottling samples, Lydiard Street South, c1972\ .15) 1974 Graduate Diploma Class by the pilot brewing plant. Back row L-R: Neville Gower, Enrique Vazquez, Pawan Malik Front row L-R: Geoffrey Barrell, James Ichoroh, Japeth Kadzitu, Pravin Mevada, Tomas Abrajano, Devandra Kumar, Kiran Mazumbar.ballarat college of advanced education, muzumdar-shaw, brewing, brewing and malting, mazumdar, neville gower, gower, japeth david mwamure kadzitu, meng swee ng, buddha dev moitra, vinod parkash anand, enrique badaguas vasquez, jody pepper, lovella howell, eladio cimafranca, nava chandra, collins mwaba, stareko banda

collins street, melbourne, aborigines, aboriginal

Black folder of clippings, photos, newsletters, Extra Muros, history, relating the the Ballarat Teachers' College class of 1949. It includes a short biography on Frank Lord: Teacher and Soldier by Wal Wallballarat teachers' college, william ellwood, dana street primary school, monica miller, reunions, anniversary, meph mcewan, joe scarlett, john hogan gervasoni, john gervasoni, jack gervasoni, margaret bennett, queen elizabeth ii, buckingham palace letterhead, forty-niner rose, mattee hayes, peter fryar, tom turner, cynthia silver lewin, margaret reynolds bennett, harry cumming, peg aloreo harris, verna lees kaye, lesley latch frank, gladys white hogg, lindsay campbell, joan cool read, maureen godfrey fithall, grahame fithall, david collins, ron edmonds, a gladness found, graham bartle, frank lord, allan sonsee, cecil allan sonsee, john neville stewart obituary, john hogan gervasoni obituary, richard stowell obituary, rita butt campbell obituary, john blackie obituary, jack dridan obituary, wilma gardy byrne obituary, joan johnson binns obituary, lesley latch frank obituary, mattee hayes ilton obituary, margaret panther leask obituary, moyra ahern smith obituary, margaret blaby gledhill obituary, dana street primary school letterhead

The Ballarat Junior Technical School Honour Board was unveiled on Saturday 17 June 1922 by Minister for Public Instruction, Alexander Peacock, in the presence of many parents, friends, students and staff. The Honour Board was designed by H.H. Smith, Principal of the Ballarat Technical Art School. Photograph of a timber World War One Honour Board honouring students from the Ballarat Junior Technical School, a division of the Ballarat School of Mines. ballarat junior technical school, world war one, honour board, honor board, w. paterson, w. allen, n. carmichael, s. adair, h.g. bennett, alan t. bernaldo, r. borradale, c.c. britain, b.c. burrow, h. collins, r.j. chick, c. cunningham, francis davis, a. dinon, f. edwards, p.c. frank, g. gilbert, j.p. james, g.j. leech, d.g. mcgrath, j.c. mcnab, r. parkin, l.a. ronaldson, g.o. shannon, s.l. steele, w.r. terry, s.h. townsend, h.h. smith, alexander peacock, robert borradale, albert burge, howard bennett, norman carmichael, reginald crick, herbert collins, r.j. crick, arthur dixon, frank edwards, george gilbert, sydney townsend