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Ruyton Girls' School
Magazine, Ruyton Girls' School, The Ruytonian, 1928
In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1928, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on blue and papyrus coloured paper. 43 pages.Front Cover: Kathleen Petty / ACC 72 / THE / RUYTON / IAN / RECTE ET FIDELITER. / [Unintelligible script] / APRIL, 1928 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher -
Ruyton Girls' School
Magazine, Ruyton Girls' School, The Ruytonian, 1980
In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1980, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on white and papyrus coloured paper. 48 pages.Front Cover: lyMcKENNAMarikoJESSOPJaneFORBESSarahHEWITTHollyGRAINGERMelanieWARDDuschaBRADLEY / quelineATHORNEJanePETERSONKirstenGIBSONElizabethCROYLEKerranANDERSONSarahANDREWS / GRAYKerrynHARBERTPaigeHAYWARDSuzieJONESAnneLEWISNicoleMcCLUREKatrinaMARWICKLiza / SAmandaMORRISCatherineOSTWALDMelissaROWEKKirstySIMPSONKatrinaSTEPHENAnnabelWOODS / stinaFRASER-SMITHJaneFURPHYSarahGOODSALLBridgitHOGANPriscillaHUNTMichelleKLINGER / eMATTEASophieMITCHELLDaniellePONDHelenRADDENMarcelleRONGEAndreaSCOTISFleurFRASER / ALYSANDRATOSFionaANDREWARTHAPriscillaBATROUNEYKateCLARKESuzannedeJULIATamsinGRIEG / MelanieHAYWARDAnnaHILLLucindaHUTTONSandraMcCANNAAnnabelleMOODYPenelopeMORGANNicola / MelindaYEOSamanthaABDALLAHKathrineALSYDANDRATOSJulieBARNETTAnnaBARRACKKimOSTWALD / AnnaGOODSALLMeganGRAINGERGenevieveGUTHRIEMMelanieHOLDSWORTHDinaMcPHERSONCatroina / BERGSMoiraRUSHJulieSCARBOROUGHSarahWORTLEYJulietteYEOHopeANTOINIDESPennyBAKERJulie / kandraCOOPERElizabethCOXTiffanyHALLOliviaHARRISCarolineHEWITTDanielaIGINICaroline / EITHCatrionaMORRISONLouiseRUSHLisaSEATONMichelleSINNERAiJinTEHRAchaelTONKINSSophie / SLucindaGIBLINKatherineGURNEYMelanieHALLAMKarenHAYWARDCatherineHEZKYEmmaBUNKER- / LottePRATTTessRABYSimoneRALTONEmineRIGGALLDeborahRIGGIOKatrinaSCHLAGERMargaretWAL / naDIXONJacquelineFINCHAMSallyGALESBrennaGRANTElizaHARRISCorrineHEALEYAmeliaJONES / ShannanSCOTTElizaSIMSTracySINNERKatherineTOWELLKatherineWEINERAmandaBERNTSENKim / thCHELLFionaCHESTERMANEmmaCOATESKateCOLEMANAmandaGERRITYFionaGRAYDENEELizaMcKENZIE / elissaPERESSarahPORRITTCarolynREIDMelissaSECCULLJaneSHEEDYSashaSTEPANKatherineTEH / BARRETTAmandaBASFORDSarahBELLJoyBURTONLindsayCOWANTaniaCRUICKSHANKMelissaFLANDERS / EFionaMacDONALDLisaMAWBYSallyMENZIESRachelMILLERCathyO'DAYSilviaPALAZZOSabinaPOND / HOPERobynBAINBRIDGEElizabethBATROUNEYBrigitteBENARYVanessaBROWNESSophieMcFARLANE / MeganJACOBSAlineJONASAlexandraKEPPELLKatherineKLINGERCaitlinLUNDHelenMANNINGKym / RIDeborahSEARLEKatrinaSTRICKLANDMichelleTHOMSONSuzanneWALTERSCojanaWAREMarnieWIL / ONJulieGOODSALLMeredithGREYSusanISHERWOODCatherineKEON-COHNCatherineMEACHAMKim / eRANSOMPenelopeRENDELLMelindaSIMMONSMelissaSMITHRebeccaSMITHCathrynSPRATLINGNic / JoannaWITTMANKateWOODSFionaANDERSONKylieANDERSONDianaBARNESJacindaBIRCHCeriMARTIN / eDIXONMargaretFRASERZaraGUTHRIELucyHASEGillianHEFTERSSusanLEONARDMichaelaPRATTRuth / LTanyaDARRERBridgetFORBESKarenFREMDERCarolineGORRELLNNikkiHALLSusanneHANSENLisaHEN / herineSMITHJacquelineSTURTElizabethWATSONSally-AnnWILKSRobynBARDASSJenniferMcCRAW / cityFITZELLEDianneJOHNSTONAmandaLARKINAlexandraPATERSONSusanROBERTSSuzanneTORRANCE / TECathrynWORKMANLisaANGELLLuiseBARNETTLisaCLARKEFelicityCRAIGBronwynDIMMICKJane / RosemaryJOHNSMaritaLEPTOSPhilippaMACKEYClareMOLNARCassandraMcKENZIEPenelopeWATSON / ELLKatherineCOXLisaDURRANMerrynEKBERGPenelopeHUNTJaneLEWISSamanthaMARSHALLMiranda / SIMMONDSDianeWATTSNicolaWHITEFelicityBALMERNadineBUSHLucindaCUSSELLJenniferLEITH / elleJACOBSKatherineMITCHELHILLAnneMcINTYREHelenMcKELVIEAmandaPARRY-OKEDENAndrea / JaneBRIERSFionaBRUNTLisaCHANGSerenaCOEKathrynCOPPOCKPrudenceFIELDMelissaWHITEHEAD / SJenniferMOLONEYHelenSEARLELindaSHAWLisaSTUARTAndreaWALLINGAMeredithWALTERSAndrea / SENElizabethJESSUPCatherineLAWSONAlisonLEONARDGeorginaMAWBYKylieMcINDOEJennifer / NatalieWOODKatrinaWRIGHTClarissaANDERSLouiseARCHERJennyBAIGNETSueCHANTLERBronwyn / KateKANTORCatherineLIVERSIDGEJuliaMICTHELLJacquelineMcWILLIAMLindaPATERSONTiarni / BRAITHWAITESusanDAVIEDeborahFENTONSusanHAGGERElizabethHEINERowenaJAMESRobynTAYLOR / RWINKatePHILLIPSMayaROZNERRobynSHAWKateSMALLWOODLianSMITHPeggyVELONISSusanCARRE- / SarahCLARKJennyCOLESJoanneDOWDNEYPamelaFIZELLECarolineFOWLERJaneFREEMANKateWATERS / stenVIZEMelissaWALKER / RUYTONIAN'80 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher -
Ruyton Girls' School
Magazine, Ruyton Girls' School, The Ruytonian, 1981
In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on white and black coloured paper. 47 pages.Front Cover: R / U / Y / T / O / N / I / A / N / '81 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher -
Ballarat RSL Sub-Branch Inc.
Flag - Red Ensign
Hand heldflags, ballarat rsl, ballarat -
Port of Echuca
Black and white photograph, 04/03/1984
Photograph related to no.P000041, P000045 - P000048 of P. S. Adelaide re-floating. Copyright held by Riverine Herald newspaper. Original and negatives held by Riverine Herald.. Photograph taken from the river looking south west as the Adelaide enters the water backwards, from the soil ramp . The right hand side of the photograph is in shadow so is very dark. 2 people can be seen on the deck with possibly another boat moored beside the Adelaide and a small motor boat to the left of that.A significant social and historical event in Echuca as many local community groups had committed many hours and much money to re-float the Adelaide to add it to the stocks for the development of the Port of Echuca as a major tourist attraction for the region.Black and white photograph of re-floating of the P. S. Adelaide in the river, possibly still partly on soil ramp. Deep shadows on the right prevent detail of front of the boat and much of the right hand bow. There are spectators in a small motorboat on left of the Adelaide and possibly another boat coming along the side of the Adelaide (2 people can be seen on the left hand side of the Adelaide). 2 people are on the deck of the Adelaide.p. s. adelaide, echuca,victoria,re-floating of the p. s. adelaide. riverine herald newspapers, -
Federation University Art Collection
Bookplate, ‘Ex Libris Zelma'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A coloured bunch of flowers is depicted above the title with scrollsbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Ballarat Tramway Museum
Document - List, State Electricity Commission of Victoria (SECV), "Numbers and Particulars of Trams" - Bendigo, c1964
Gives details for each tram at that time, where from, date of purchase, New or second hand (all ), Straight or drop sill or drop centre, Body builder, Seating capacity, overall length, overall height, overall width, Lightning arrester, controller make and type, Truck Maker and type, type of truck, axle type, wheel diameters, wheel base, axle diameter, motors type and maker, Motor horsepower, Gear Teeth, Air compressor make and type, Brake Valves make and type, Governor make and type, Weight in tons and whether suitable for one man operation. Side list gives details of abbreviations, list of tram types and note on Birney 15. List of trams include "Cleaner Car". Undated. See item 3430 for Ballarat version and 8721 and 8722.Yields detailed information about Bendigo trams -c1964Dyeline print from a typed list.2nd copy has in ink "BTPS 613" in the top right hand corner.tramcars, bendigo, equipment, lists, data -
Queenscliffe Maritime Museum
Equipment - Signal Light Box / flashlight
Flashlights where a vital tool for night time map reading, signaling with coloured lenses and many other uses. The blackout during the war also meant for a extended popularity of flashlights. Many carried them onto the streets to see as the streetlights where very rare and to top that of mostly blacked out. Most flashlights where fitted with blinds or coloured lenses to hide the bright light they produced. These coloured lenses where also used to signal between individual soldiers. Mostly used in the 1940s by the military and civilians alike. A small metal light signal box or flashlight.Petrix No. 678signal box, flashlight, petrix 678 -
Kiewa Valley Historical Society
Pat Butter Profiler, Circa 1950s
This butter pat profiler may have been manufactured post 1967(year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce.This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This butter Pat/Profiler has on its base two patterns. On each end it has horizontal grooves cut into the wood which produce distinct lines onto the surface of the butter. between these grooves there is a section of two double lines crossing in the middle and separated by eleven horizontal lines The base has an elongated rectangular shape. The upper body has been sanded into a smooth convex shaped form where a wooden circular hand grip has been fashioned.On the top of the hand grip is stamped in black print"T. & W. Davies" and under this"TAWONGA 3697"domestic food preparation, wooden butter pat, butter mould circular, dairy industry -
Tramway Heritage Centre
Photograph Album (part of), Ray Pearson's Photo Album - Trams of Victorian Railways, Ballarat, Bendigo, Geelong
Page 6 of Ray Pearson's Photo Album. Brown card page with three photographs (landscape format) placed on page using clear plastic photo corners. All photographs depict trams in Bendigo. A hand written inscription appears beneath the top left photo. The brown paper is indented in some places from text written on facing page and also has minor damage to bottom right corner where it looks like an adhesive photo corner has been removed.Hand written inscription in biro under top left photo: 4/3/72 BENDIGObendigo tramways, bendigo tram, vintage tram -
Parks Victoria - Cape Nelson Lightstation
Instrument - Lamp, Aldis
This portable, hand held visual signaling lamp, with trigger mechanism and inner reflective disk, was used for optical communication via Morse code, with the concave mirror tilted to focus the light into pulse signals. Larger versions of these lamps are fixed on ships or pedestals and have shutters in front of the light that are opened and closed to transmit signals. Smaller hand held versions like the Cape Nelson example have a concave mirror that is tilted to focus the light into pulse signals, and despite their size the lamps were renowned for their brilliant light. Invented by Arthur C W Aldis (1878‐1953) and pioneered by the British navy in the late nineteenth century, they continue to be used to the present day. Details on the Cape Nelson lamp include a serial number, a date of 1960 and the initials of the Department of Transport, which at that time incorporated the Commonwealth Lighthouse Service. Another lamp of the same date which is held at Wilsons Promontory was provided to the lighthouse by the Department of Shipping for signaling ships but was also used for communicating with Cliffy Island, 18 nautical miles away. Point Hicks also has an Aldis lamp and an associated case, which is painted an army green colour. A fourth lamp and case formerly at Cape Schanck disappeared from the collection sometime between 1995 and 2003. These types of lamps are not rare in museum collections.These types of lamps are not rare in museum collections however the Cape Nelson example has a reliable provenance to the lightstation and has first level contributory significance as a fine example of the Aldis lamps that were distributed to lightstations throughout Victoria and Australia.This object is comprised of a black metal encased Aldis lamp with electrical cord and associated wooden carrying case with metal clasp and red leather hand grip. yes -
Flagstaff Hill Maritime Museum and Village
Clothing - Jacket, before April 1874
THE JACKET This jacket has been tailored to flatter the wearer’s figure. It also has elements that keep it in good shape and condition, preserve it from soiling and give it a longer life: - the hooks and eyes that join the jacket to the skirt allow the outfit to be made in two pieces but fit close to the body without exposing undergarments - the seams for the metal stays have been cut and stitched to allow maximum movement of the wearer and still keep a trim figure - the discreet breast pocket allows the wearer to keep a handkerchief, coins or other small items close at hand - the lining includes removable padded shields to absorb underarm perspiration - the lining has two cotton loops attached for hanging up to air and freshen it - new cuffs have been attached over the original sleeves that have buttonholes but no buttons. The buttons may have been used to replace missing buttons on the front of the jacket or perhaps to repair worn cuffs The amber coloured satin jacket is fully lined, has turned-back cuffs, a band collar, and looped, coffee-coloured braid trim. A row of closely spaced, round bronze buttons with a floral motif form a decorative closure most of the way down the front of the jacket, below which are metal hooks and eyes that finish at the waist. Underneath the cuffs there is a closely fitted cuff with a row of three button holes but no buttons. The jacket lining has vertical metal stays spaced around the midriff, sides and back. There is an absorbent, removable pad hand-stitched to the underarm section of each sleeve opening. A small satin pocket is stitched discreetly onto the lining above the chest on the right-hand side. There are also two cotton loops sewn onto the lining. Several small metal rings are sewn at intervals around the inside of the waist A satin bow from the same fabric is attached at the centre back of the jacket at waist level. antique satin jacket, colonial evening jacket, ladies evening jacket, 19th century ladies satin jacket, evening outfit -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, c. 1840s - 1870s
This broken black glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late 1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a cylindrical dip mould. The molten glass was blown into the mould to give the body a uniform symmetrical shape and size. After the body was blown, the glassblower removed it from the mould and formed the shoulder and neck by free-blowing the glass. The base was pushed up with a pontil tool that gave it the concave shape. The finish for the mouth was added by hand to form the collar. The mould gives the body a slightly textured surface. There is usually a line around the shoulder where the mould meet the base, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, black glass, 'gallon' style. Applied lip, straight collar with circular lines from being hand moulded. Shoulder seam, body tapers inwards towards base. Heel has varied width, shallow base has small pontil mark. Mouth is chipped. Glass is discoloured and has uneven surface and encrustations. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, ale bottle, beverage bottle, black glass -
Beechworth RSL Sub-Branch
Photograph - Portrait, Pte W.C. Kelly DCM 46th Infantry Battalion
Father of William and Jack Kelly who both served in WWIIPortrait, Photographic; W.C.Kelly. DCM Wooden frame with gold coloured inlay. on light green mounting board. Paper and cork backing. Sealed with duck tape. Picture frame hook with hanging wire Self adhesive label stuck to glass bottom left hand corner/ 4521 PTE W. C. Kelly D.C.M /46th. Inf. Btn. 1st. A.I.F. portrait -
Bendigo Military Museum
Postcard - POSTCARDS, PHOTOGRAPHIC WW1, Edgar Dawson collection : Battalion comrades
This six-postcard group is the fourth in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. The 57th had a company of men largely from Bendigo and Eaglehawk. These postcards are from his personal album. Many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P Service details available through the NAA. Collection of six black and white postcards: 1. Photographic portrait Harper, Thomas Francis 783, 36th Btn 2. Studio portrait of Young, Bertram John 304, 57th Btn on left 3. Portrait of Dawson, Willie Stanley 2163 57th Battalion 4. Studio portrait of Fleming, James Holmes 3107 57th Btn on left 5. Photographic portrait of Walsh, Alick 3494 57th Btn 6. Photographic portrait of Hughes, Francis Vane 4521 57th Btn .3 On verso "This is Will Dawson" in Edgar Dawson's hand .6 On verso "This is CQMS Hughes, he was in my company at Broadmeadows"57th battalion, postcards, album dawson dcm, edgar dawson dcm -
Clunes Museum
Photograph, RICHARDS & CO. 19 STURT STREET, BALLARAT
SEPIA PHOTOGRAPH OF MATRON ADA JOHNSON IN HER NURSES UNIFORM - STARCHED COLLAR AND CUFFS. WEARING A CAP. HER HAND ON SOFA, EMBOSSED CURTAINS DRAPED AROUND.On reverse hand written in blue biro; Mrs Ada Johnson, matron of Clunes Hospital for quite a few years and during 1st World War 1914-1918 when the town was without a doctor. Her experience and knowledge was a great asset to Clunes. Retired about 1921photographs, hospital [old], matron ada johnson -
Melbourne Legacy
Newsletter, The Legacy Libeller: with which is incorporated "The Somers Slanderer", 1932
Dated 'Xmas 1932'. Pages headed 'Camp Savige, Tuesday' indicate that it was created for a camp at Stan Savige's property. It recounts the cricket competition between the Dark Blues, Light Blues, Green and Orange teams. Written and illustrated by Pat Hanna in a satirical style it was clearly intended to entertain as much as to inform, but the humour would be seen to be heavy handed or not funny at all today. Nevertheless it demonstrates that campers enjoyed their stay at Somers. See also 01289 and 01291. In the early years, Legacy organised outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring close to the beach. Permanent camp buildings were built in 1930. In 1930 Lord Somers (Governor of Victoria) also started a camp at a nearby property and the area was renamed Somers. Legacy Somers Camps continued intermittently at Stan's property until it was decided in 1951 to make other arrangements for holidays.Illustrates the sort of activities considered appropriate to occupy camp participants, and the amateur enthusiasm of the newsletter producers in the early half of the twentieth century.Foolscap sheets x 3 pages, black on cream, penciled drawings, corrections and linesLegacy symbol hand drawn in pencil. Penciled 'please return ARB'newsletter, camp savige, legacy somers camp, savige property -
Ballarat Tramway Museum
Book, Australian Tramway and Motor Omnibus Employees Association (ATMOEA), "Federal Rules of the Australian Tramway and Motor Omnibus Employee's Association", 1969
Ninety six page book with blue cover, titled "Federal Rules of the Australian Tramway and Motor Omnibus Employee's Association" as amended by the Australian Council 1969. Cover - light blue cover, saddle stapled with two staples to the off white printed rules of the Union. Rules printed on 76 pages, with pages 77 to 80 numbered only and the last 16 pages un-numbered. Pages ii to iv has a detailed index giving rule number and page number. 2290.1 - additional copy with "L. Bird" in ink on the top right hand corner. - added 1/2/2008 2290.2 - additional copy with "A. Jeffreys" in ink on the top right hand corner - added 6/8/2016 .1 - On top right hand corner of cover "J. Everett" in blue ink. .2 - ditto for "L. Bird" .3 - ditto for "A. Jeffreys" trams, tramways, unions, atmoea, rules, federal rules -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Photo mounted on backing card with clear protective film over image and card. Black and white image is of a man and woman photographed from the chest up, standing together. They are dressed formally, the man in a pale coloured suit with waistcoat and the woman in a pale coloured shirt with button detail. Both are wearing ties and she is wearing a dark coloured brimmed hat. The number P386E is printed in white in the lower left hand corner of the image. There is a white border varying between .2mm to .5mm around the photograph. The words Zena Dare & Brother are printed in sepia along the lower left hand edge of the backing card. The words Christmas Greetings have been written in silver on the right hand lower edge of the backing card. On reverse card is addressed to Miss Gladys Esmond McKenzie St Golden Square with a one penny stamp affixed post marked Melbourne.Rotary Photographic Plate Sunk Gem Series Rotary Photo EC. P 386Epostcard -
Glen Eira Historical Society
Article - Craigellachie
Advertisement from the Melbourne Weekly Bayside of 07/09/2011 for the private sale of Craigellachie for $3,750,000.00. The advertisement includes a brief description of the house, one coloured exterior photograph (113mm x 168mm) of Craigellachie and one coloured interior photograph (55mm x 85mm) of Craigellachie.craigellachie, st kilda east, lynedoch avenue, orrong road, caulfield north, architectural styles, victorian style, brick houses, gary peer real estate, kingston phillip, krongold darren, towers, architectural features, zelman sally, cast iron work -
Ballarat Tramway Museum
Photograph - Digital image, L. H Simpson, 1912
Yields information about the streetscape of Sturt St from near Alexandra Square and one of the Ballarat Toastrack trams.Digital image of a postcard of Alexandra Square, Ballarat, featuring cross bench tram number 19. In the view of the southern side of Sturt St., with A. Whittle Chemist and Scott Chemist in the view. The postcard has been hand coloured, produced by L. H. Simpson. David Critchley notes that it was hand dated 5/12/1912. See Reg Item 4141 for the actual postcard. trams, tramways, sturt st, alexandra bandstand, tram 19 -
Flagstaff Hill Maritime Museum and Village
Tool - Wood Saw, Mid to late 20th century
A saw is a tool consisting of a tough blade, wire, or chain with a hard-toothed edge. It is used to cut through material, very often wood, though sometimes metal or stone. The cut is made by placing the toothed edge against the material and moving it forcefully forth and less vigorously back or continuously forward. This force may be applied by hand, or powered by steam, water, electricity or other power sources. An abrasive saw has a powered circular blade designed to cut through metal or ceramic. In ancient Egypt, open (unframed) saws made of copper are documented as early as the Early Dynastic Period, circa 3,100–2,686 BC. Many copper saws were found in tombs dating to the 31st century BC. Models of saws have been found in many contexts throughout Egyptian history. As the saw developed, teeth were raked to cut only on the pull stroke and set with the teeth projecting only on one side, rather than in the modern fashion with an alternating set. Saws were also made of bronze and later iron. In the Iron Age, frame saws were developed holding the thin blades in tension. The earliest known sawmill is the Roman Hierapolis sawmill from the third century AD used for cutting stone. The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, as the maker is unknown but the pattern or design and type of wood used indicate it is a tool of modern manufacture around the mid to late 20th century.Wood hand saw with wooden handle attached to saw by 4 rivets. No blade markings Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, handsaw, wood saw, carpenders tools, cabinet makers tools, wood cutting -
Tatura Irrigation & Wartime Camps Museum
Photograph, German War Cemetery Opening 1958
Copied from coloured slides. German War Cemetery Opening 1958.photograph, people -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1935c
Also a 10x15cm sepia coloured copy, and a 16.5x25cm black and white enlargementBlack and white small format postcard of the Western wharf also known as Post Office Jetty, or Freemans Jetty. It shows some of the buildings on Esplanade, Rubeena, in foreground, SS Wyralla passing wharf. Lakes Entrance Victoriajetties, boats and boating, waterfront -
Stawell Historical Society Inc
Photograph, Mr Harry Henderson's Memorial Plaque
Coloured photo of Plaque in tribute to Harry Henderson of Stawell Athletic Clubstawell sport -
Ballarat Tramway Museum
Document - Amendment Sheet, State Electricity Commission of Victoria (SECV), By Laws, Aug. 1966
Three page booklet, printed pages 1 to 3 only for updating August 1965 By-Law. Amendment with gummed portion on side of the back page (un-numbered) - used to revise fares, parcel and luggage and charter rates in August 1966, for Bendigo and Ballarat from 1/9/1966. Item was on display in cabinet of 39 until 10/2004, ex filing cabinet 1992. Five copies held. Three copies added 10/7/05. One copy has words "H. Lee" written in the top left hand corner.One copy has words "H. Lee" written in the top left hand corner.tramways, trams, secv rules, by laws, tickets, fares, ballarat, bendigo -
Brighton Historical Society
Headwear - Hat, Headdress, Late 1800s
A lace head dress belonging to the women of the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream lace cap from late 1800s. A silk satin ribbon that encircles the back of the crown of the head, creates the structure of this cap. Towards the front it also has a net and wire-reinforced peak. Over the top of this support is a central diamond shaped lace piece of seven and a half centimeters diameter to which is attached a fine lace net that is gathered and stitched around the edge of the central lace. Two decorative bows of the same silk satin fabric are positioned on the support over the top of the lace at either temple of the wearer. "W-COLE" hand stitched on inside of band. It is unknown when and by whom this inscription was made.st ninians, george ward cole, headwear, late 1800s, brighton, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole -
Orbost & District Historical Society
knitted collar, Burton, Marjorie, 1940's
This was knitted by Marjorie Burton during WW11 in England. She used to knit while in an air raid shelter escaping the bombing with her young daughter. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. Her father served in Civil Defence during the war. Marjorie was in Birmingham during the war and remembered sheltering with her young daughter, Anne (Quaadgras) in the air raid shelter during bombing. This item is an example of a handcrafted item and reflects the handcraft skills of women necessary during WW11 when clothing became scarce. Clothes rationing began on June 1, 1941, two years after food rationing started. Clothes rationing ended on 15 March 1949.A narrow, detachable hand-knitted lady's collar. It is hand-knitted in white brushed wool.women's -clothing accessory burton-marjorie -
National Vietnam Veterans Museum (NVVM)
Accessory - Souvenir
Hand crafted using paper, bamboo, and string. Hand painted showing a rural scene.umbrella, hand crafted -
Ballarat Tramway Museum
Document, "Self Lapping Brake Valve Details", c2010
Photocopy of a handwritten document on the operation of a Westinghouse Self Lapping brake valve Type W. This valve was the type fitted to virtually all Melbourne tramcars. Includes drawings. Yields information about the operation of type W brake valves fitted to W class trams.Eleven A4 pages - hand written and photocopied - stapled in top left hand corner.btm, brake valves, westinghouse