Playing card size piece advertising Grand Euchre & Dance, Manchester Hall, Long Gully, Wednesday February 25th at 8 pm. No Year. Dunne's Music. Keep this ticket. Valuable prize for lucky ticket holder. Admission one shilling. No 315. Ornate scrolled design reverse.clubs and associations, history, service clubs, manchester hall. dunne's music

Used for the removal of mucus, chiefly, from newborn infants. The top section of the chamber in the evacuator acted as a receptacle for wool to absorb any excess overflow of fluid/mucus. The lower section of the chamber collected the aspirated fluid. Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Metal evacuator with wire introducer. Evacuator has a rounded middle chamber, which is divided into two sections. Proximal end of evacuator is curved to approximately 60 degrees and has two small holes in the end. Introducer is a straight piece of wire attached to a flanged head, with a small, serrated edge. obstetric delivery

Cream coloured cotton baby's dress. Cut in one piece. No shoulder seams. Two side seams. Back opening with 6cm split. Fastened with one button and loop. Cap sleeves. Scoop neckline. Hand crocheted trim on neckline, arm openings and around hemline. Hand made.costume accessories, children's, baby's dress

Studio photograph of an unknown bridal couple. The woman is wearing a white wedding dress with a long train. She is wearing gloves and an elaborate attachment to the veil on her head. The man has a moustache and is wearing a dark coloured three piece suit, he is half seated on the back of an ornate chair.Bartlett Bros. Sandhurstperson, family, wedding photo, bartlett bros.

Hand operated washing machine. Works on same principal as our model on display. Made of a metal drum with supporting metal legs. It includes a metal handle with an agitator. A piece of wood is bolted to the side of the washing machine for mounting a hand wringer. Such a machine was ideal for homes that did not have electricity.

One piece swimsuit with sweetheart neckline, small square bow under the bust and faux front pockets trimmed in white piping. Back is fully ruched with elasticated shirring. Wide straps secure and adjust at the top with buttons. No openings, step in - bust is lined in the same cotton and features boning.Labelled "Princess Togs" Medium All Cotton

Black and white photo of five bandsmen and lady. (Gerversoni orchestra). The lady is holding a rolled piece of paper and she is wearing an evening dress. The men are wearing dinner suits. Their musical instruments are a violin, two wind instruments, banjo, bass drum and above the drum are five rounded bells?photo, group, bandsmen, peter ellis collection, gavasonis orchestra

Bendigo Advertiser. Three colour photos. Main, Richard Lethlean holding an old piece of mining equipment. Smaller right top Barbara Poustie places box on shelf. Old furniture piling up in a shipping container. container. Critical shortage of space for Bendigo Historical Society Collection.bendigo historical society, nolan street, richard lethlean, brac storage

Colour print of a water colour by Albert Collins (1945) of a King St. Sydney with a Sydney cable tram set, titled "Another link with the past - King St. in the nineties", mounted onto textured card, lined on outer edges, with a piece of paper detailing the work attached to rear and an inscription.On rear "Compliments from Roy Field"trams, tramways, sydney, cable trams, king st

A Dunlop X-10 Squash, squash racquet. Racquet primarily comprises of a frame made from a singular piece of tubular metal, secured by a plastic bridge across the throat, and the hardened plastic handle below. Materials: Metal, Plastic, Synthetic material, Ink, Adhesive tape, Enamel, Nylontennis

A Dunlop X-10 Squash, squash racquet. Racquet primarily comprises of a frame made from a singular piece of tubular metal, secured by a plastic bridge across the throat, and the hardened plastic handle below. Materials: Metal, Plastic, Synthetic material, Ink, Adhesive tape, Enamel, Nylontennis

A brown unbranded box of six tennis balls. Each ball is white, printed with an 'R' logo and wrapped in piece of waxed paper. Adhesive label on base of box states: 'HARRODS/ Z6 65/ 6/6DZ'. Materials: Cardboard, Felt, Rubber, Adhesive label, Ink, Paper, Waxtennis

The donor's aunt, Margaret E. Hollis nee Piesse (18/2/1919-2008) wore this gown to the Coronation of Queen Elizabeth II in 1953. She was one of a total of 8,251 guests who attended the ceremony at Westminster Abbey, London. Margaret Piesse was born in Hobart and grew up in the Piesse family home, 'Merridale', Sackville Street, Kew. She was residing at 4a Little Cloister, Westminster Abbey at the time of the Coronation and was married (on 14/2/1942) to Rev Howard Hollis, a minor Canon at the Abbey and a deputy Priest in – Ordinary to the Queen (1954-1959). Howard chanted the litany and carried the sceptre. Margaret’s daughter-in-law, Sue Hollis, Margaret’s sons, Julian who attended the Coronation with his mother, and Richard, gave the photograph to Felicity Renowden, the donor. Margaret Hollis died in Kew on 16/4/2008.Single piece, formal silk brocade gown worn to the Coronation of Elizabeth II on 2 June 1953. The bodice is informally draped with horizontal folds of fabric above an antebellum waistline below which is a full skirt. An accompanying photograph of the wearer in the dress can be viewed in the final image above. coronation elizabeth ii, piesse family, merridale -- sackville street -- kew (vic.), margaret e hollis, margaret ellen piesse, fashion design, fashion -- 1950s, women's clothing -- 1950s

This swimsuit belonged to Jessie Aldred (nee Dell, 1903-1995). Jessie was a dressmaker who married Frederick Ashley Aldred (1902-1974) in 1928. They lived at 34 Thomas Street, Sandringham from the late 1920s until at least the late 1970s. BHS also has a photo of Jessie on Hampton Beach in the 1920s. Seagull swimsuits were designed by Peter O'Sullivan (who also designed Black Lance swimwear) and manufactured by Botany Knitting Mills Pty Ltd in Melbourne.One piece black wool lastex swimsuit with mini-shorts and a modesty skirt to cover the tops of the thighs. White straps and white lacing down centre bodice. Seagull logo on left thigh. Low back; straps fasten with buttons at back waist. Hidden drawstring at back waist.Label: "This Seagull Swimsuit is protected by the patent and designs reg. nos. 22340/35, 13277, 16028/34".jessie aldred, jessie dell, swimwear, seagull, 1930s, melbourne designers

This tag came with the donation of two kilts. The donor's mother, Joy Newall owned these kilts. She lived on a wheat/sheep farm in the Wimmera where her husband also bred merino sheep. Joy was well known in the district for the way she dressed when out in public.Four page fold out paper tag with black and white graphics and text. Graphic on the front and back shows a full length portrait of a person wearing traditional Scottish clothing resting with their hand holding an upright rifle. A piece of string is attached through a hole in the top left corner. Printed: Authentic Clan Tartans / by Fletcher Jonesclothing, fashion, tartan, kilt, scottish, wool

The tea set was a wedding gift by Miss Win Lord (Mrs. Nevin all dated 1934)Dinner and tea service - Royal Doulton Claremont. White, black and yellow pattern with gold trim on edge. Comprising 9 pieces - China tea set cups, saucers, plates and basin. Plus 8 piece porcelain dinner set - Soup bowls, dinner plates, and pudding plates.dinner plates, plates, china, dishes

A black and white phototgraph of a photocopy of a newspaper article about the An Thoi village market in the Mekong Delta, where Co-Pilot F/Lt Blue MAudio, CDonnel watches as The Pilot F/LT Nick Watling tries a piece of dried fish, an evil smelling part of Vietnamese diet.photograph, newspaper, an thoi, market, mekong delta, f/lt blue maudio, cdonnel, f/lt nick walting, gibbons collection catalogue

Black and white image of people walking past a building in the main street of Linton. From O'Beirne collection. Early LDHS index to photographs says that the people walking along Clyde Street were "probably [in Linton] for Highland sports". Image has been glued to a piece of backing paper.newspapers, printers, railway stations

Cream-coloured, rectangular ticket, blue lettering. Small piece of pale blue ribbon threaded through hole at top. Ticket is for the Old Lintonians' Association 42nd reunion, held Easter Saturday (31st March) 1956. Ticket has "Roy Brown" handwritten in ink on the name line.Text: " Old Lintonians' Association / 42ND. REUNION / Easter Saturday, 31st March, 1956 / MEMBER'S TICKET / Name Roy Brown. "old lintonian's association, reunions, events, roy brown

Tea has always been a common drink in Australia and before the introduction of tea bags a teapot such as this was used to infuse the tea leaves. This item is a decorative piece and would have been used for special occasions. The use of tea bags in both teapots and cups became widespread in the 1960s in Australia. Tea bags are the popular choice today for tea drinkers.This item has no known local provenance but is retained as a fine example of a vintage tea pot. This is a white china teapot with a lid which contains a steam hole and a handle. The spout has gold patterning. The handle is painted yellow with a gold strip. The lid has a yellow and blue decorative band and is decorated with flowers and gold pattern. The body of the teapot has the same decoration as the lid. The name of the country of origin and a number are on the base. Made in Japan tea pot, vintage domestic item, tea making in australia

This photo shows the artillery piece at the entrance to the Greensborough RSL (Main Street Greensborough). It is a Howitzer 25 pounder gun. It was the standard British field gun of WW2, introduced here from 1940. Australia used them in great numbers, right up to the 1960s, and even manufactured them here, hence why every RSL seems to have one. Digital copy of colour photograph.greensborough rsl

The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. It may have been used to edge curtains, a table runner or a mantlepiece. Smaller pieces were used to edge towels. The shape of this piece suggests a possible use as a ladies collar however no tie or buttons have been attached at the ends.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects or create pieces of clothing.A wide length of handmade crochet lace with an open pattern at the top and a pointed edged pattern underneath. For the open pattern mercerised white crochet thread has been used to crochet a double row of a repeat pattern of 'three circles and stems'. Underneath double crochet (US) / treble crochet (UK) is used to create the points which have been edged with the 'three circles and stems' pattern from above.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim, ladies collar, crocheted collar

Michael Ricker was a renowned American pewter artist. His most famous piece, entitled 'Park City', was a 30 foot by 10 foot miniature town depicting life at the turn of the 19th century. It was completed in 1986 and presented to former President Gerald Ford. Ford graciously accepted the "key" to Park City and promised a home for the masterpiece in the Smithsonian Institute. (foundantique.com)Pewter sculpture featuring an obstetrician and an antenatal patient. A pregnant woman is lying on a low bench, with her left hand resting on her stomach, and her right arm by her side. She is wearing a dress and shoes, and has her eyes closed. To her right stands the figure of on obstetrician, wearing trousers, a short sleeved shirt, stethoscope and gloves. He is standing straight with his arms at his sides. The entire sculpture is silver in colour.obstetrics

The Decanter set was originally given to Dr John Paull by Dr Geoffrey Kaye and were later donated to the College by Paull . The decanter label, coaster and tray were crafted by Geoffrey Kaye and includes his initials inscribed into each piece. "LEY" Pewter refers to the pewter containing a large percentage of lead which in this case there is 80% tin and 20% lead.Glass decanter of cylindrical form with glass stopper and a pewter label which hangs over the decanter. The decanter sits on a ley pewter coaster which has three ball feet. Six crystal, sherry glasses sit on a ley pewter tray which has three ornamental feet. [Decanter] (03) / 500ml , [decanter label] SHERRY / G.K. 1972, [under decanter coaster] G.K. 1972. / "LEY" PEWTER, [under tray] G.K. 1972 / "LEY" PEWTERdr geoffrey kaye, dr john paull, ley pewter

Jim Keogh owned Lot 7 of the Village Settlement. When the new CRB road went through c1920 his block was cut through leaving a small triangle of land on the high side of the CRB road. He built a shop on this piece of land. The store burned down 31/12/1939. The woman on the step in this photo is Win Woodcock.Sepia image of a woman standing in front of a wooden store. Handwritten inscription on reverse by John Lundy-ClarkeJim Keogh's shop on the north west corner of Falls and Main Roads. Opposite diagonally from St Michael's Church of England. photo Nov 1926.jim keogh, keogh, store, shop, crb road, win woodcock

An ultrasonic torch sends out a high frequency beam that bounces off items in it's path and sends back signals to an ear piece worn by the user. A change in sound indicates the nearness of an object, and it was (at the time) thought to be a possible replacement for white canes in the future. In this image, a man descends steps at the William Street building of RBS, using the torch to guide him.B/W photograph of man using torch6/68049 Ultrasonic torch being used at the Royal Blind Society.royal blind society of new south wales, orientation and mobility

Male sits at a desk, wearing a headset, with his hands on a telephone switchboard and another device to his right. A small black radio sits to his right, as does a pen attached to the desk itself and a piece of paper. Switchboard training was provided to many blind and vision impaired people, who could adeptly operate the switch to connect callers through to employees.Digital image of man operating a telephone exchangeemployment, royal blind society of new south wales

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Keeper of The Bees Author: Gene Stratton Porter Publisher: Hutchinson & Co Date: First published during the 1920s Further Information: Eleventh Edition. The label on the spine cover with typed text PAT FIC STR Pastedown front endpaper has sticker from Warrnambool Children’s Library Front loose endpaper has a large piece cut out of it it. The second front loose endpaper has a sticker from Corangamite Regional Library Service flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the keeper of the bees, gene stratton porter

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Playing cards featuring Onkaparinga sales mottos and picturesOnkaparinga Pure Wool Blankets/Australia’s Best/Rugs, Blankets, Piece Goods, Men’s and Boy’s Clothing/Made from Pure Wool In White Pink Blue Green And Primrose/The Home Of The Famous Onkaparinga Pure Wool Products/White And Coloured Blankets Give Individuality And Charm/Made In Australiablanket fever, wool, playing cards, advertisements, onkaparinga