Harris. WM. & Jane – Diamond Wedding Anniversary. Coloured photo in oval frame.Coloured Oval Photo of Mr and Mrs Harris: Mrs Harris is wearing fromal black with dress. Black jacet has a corsage pink . Mrs Harris is wearing clear bead neckl;ace pink brooch at top of dress. Mr Harris is wearing a blak siuit black tie stand up collar white shirt . coat lapel has corsage.stawell

Portrait - Cr. W.E. Kernot 1909-10 Chemist Stawell (Framed Photograph)stawell

The glazed, framed and mounted photograph hung at Elders Pastoral, Lara.( see worksheet)Photograph of Dennys Lascelles Ltd Main Show Floor Area 1 acre showing 7,700 bales. The Main Show Floor is the top floor of the 'Bowstring Tress' Wool store.wool sales, dennys, lascelles limited

Framed Supplement “Pleasant Creek News” from P.C. News Supplement 1888stawell businesses

Portrait – Charles F. Procter (Shire President 1883-84) in wooden framestawell

This framed fan was presented to the City of Geelong by Izumotsu City, Japan in February 1996.

Used in S.C.M Wonthaggi . The roller cable was supported by a frame between the rails, it was on the cable.Heavy duty cable roller

The picture was framed by business, Leighton House, paint and art merchants at 346 Little Collins Street, Melbourne. It was made to order, number 6777. The business was also called The Leighton Gallery of Art and was owned by W & G Dean Pty Ltd. The phone number on the label "MU 8291" indicates that the picture was framed circa the 1960s or earlier, during the time that Melbourne was using 6-0digit alpha-numeric numbers. Below the picture is an excerpt of a hymn "The Head that Once was Crowned with Thorns" by Thomas Kelly: The head that once was crowned with thorns Is crowned with glory now; A royal diadem adorns The mighty Victor's brow. The Cross He bore is life and heath, Though shame and death to Him; His people's hope, his people's wealth, Their everlasting theme. This picture was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This picture is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Picture, print of "The Cross of Glory", rectangular, framed print on matt. It depicts Jesus Christ on a cross with an angel on each side, at his feet. He is wearing priestly robes and a gold crown on top of thorns on his head. In the background there is a rainbow and clouds. The text below the picture includes "From the picture by T. Noyes Lewis". Lines from a hymn are also printed below the picture. The back of the picture has pencilled numbers in three places plus a printed label with the framer's details. "From the picture by T. Noyes Lewis". Backing paper has pencil "6777" in two places. Label has bencil "677-" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, the cross of glory, print, t. noyes lewis, leighton house, home decoration, religioius picture, church furnishing, w & g dean pty ltd, leighton gallery of art, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, flying angles club, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown

Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton, which dates from 1850s. There are several works of art and photographs of Clifton Banks dating from the late 19th and early 20th centuries. Mary Norman (later known as Mary Norman=Bail) came to Warrnambool in 1901, residing with Canon and Mrs McGeorge. She studied art with Samuel Pearce Fuller and later taught art at Fuller's studio and at a local private school. She produced several seascapes and landscapes while she was in Warrnambool, leaving the town in 1905. She devoted the rest of her life to art as an artist and teacher. In 1922 she married Jess Bail. This art work of Clifton Banks won first prize at the 1902 Annual Ararat Art competitions. It was reported at the time that the work was not a copy but had been drawn from nature. The Warrnambool and District Historical Society has five of Mary Norman-Bail's art work.This is a most significant item as it is one of Mary Norman's art works and she was known in the early 20th century as a competent artist and a member of the Victorian Artists' Society. This art work also has historical significance as one of a number of Clifton Banks representations still surviving. Mary Norman also had an impact on the cultural life of Warrnambool during her short stay in the town. She also returned to teach in the town several times for short periods during the summer vacation times.This is a water colour mounted on art board and with a gilt framed and three outer layers of wooden gilded ornamental frames. The sides of the frames are broken in places and the guided material is somewhat discoloured. There are Les O'Callaghan handwritten notes and some typed material on the back giving information on Mary Norman and the art work. The back is sealed with pasted paper and there are both string and wire attached for hanging the pictureBack of art work: 'Diamond Bros, Photo Enlargers, Importers of Mouldings, Mounting Boards, Albums, Mirrors etc, Picture Framers. Mount Cutters and Plush Workers, Studio - 27 Bridge Road, Melbourne, Factory- 45 and 47 Duke Street, Richmond, Armstrong Street, Ballarat, Pirie Street, Adelaide, Brisbane, & Freemantle W.A.'mary norman, clifton banks, warrnambool

Black and white photograph mounted on grey frame. 24 men posing for photograph in 4row structure - on the background, arena style sitting area. On extreme left and right, 2 Police officers stand on their uniforms. On the middle and sitting, middle age man in suit. The other, are younger men (police officers?) in sporting outfits. [information of event on newspaper cutting stuck on the back - as described on Inscriptions]Handwritten in the front of the frame, bellow photograph: back row W.Parker. J.Power. B.Barker. A.Condie A. // P.V.Callahan (see)E.Brewis T.Robertson. E.White V.Burns R.Farrell S.Cannon // W.Brady J.Purdon R.Boyle E.Denham.Pres. W.Hudd. R.Priestley. J.Brody // W.Poulter F. F.Elliott J.Thompson // Premiers V.P.F.A. 1934 Stamp: H.M. WALKER // PHOTOGRAPHER // 117 COLLINS ST. // MELBOURNEvictoria police museum, police officers, police academy, police force, football, sports, vpfa, poulter, william arthur; h. m. walker parker; w. power; j. barker; b. condie; a. callahan; p. v. brewis; e. robertson; t. white; e. burns; v. farrell; r. cannon; s. brady; w. purdon; j. boyle; r. denham; e. hudd; w. priestley; r. brody; j. poulter; w. elliott; f. thompson;

Framed original concept cartoon of Stewart Merritt for the Transporting Art Project - light aluminium brass colour frame, by Magic Picture Framing of Prahran. The tram has been cut out with the windows removed and placed on manila coloured card with the drawings done in ink, the stars cut out of silver paper and adhered to the surface. The tram has blue/black background. Frame with a glazedtrams, tramways, transporting art, ministry for arts, w2 class, tram 439

Presented to the Shire of Orbost as a history and commenoration of those who served and those who died during World War 1. This is an original Honor Roll and contains the names of Orbost men who served in W W 1. A framed memorial roll of honour for those from the Shire of Orbost who served at Gallipoli, Palestine and France. It is framed under glass with a large wooden frame. It has the names of those who served and those who were killed. On either side are the dates 1914 and 1919.Names of those who served in W W 1.roll-of-honor honor-roll world-war-one-honor-roll orbost

From information book - "Readers Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil on canvas painting depicting in colour "Australian troops ascending the ridge above Anzac Cove to Plugge's Plateau." Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "CHARLES W LAMBERT (1873-1930) Anzac, the landing 1915, 1920-1922". Official Australian War Artist in 1917.framed accessories, prints, ww1, gallipoli, centenary

Bertram Avenue Sheir Carey No 49 enlisted in the AIF in A Coy 5th Batt AIF on 17.8.14 age 26 years. Embarked for Egypt 21.10.14, embark for Gallipoli 5.4.15, WIA 26.4.15 GSW to thigh fractured, returns to duty 30.9.15, promoted to CPl 1.3.16, attached to 1st Army Pay Corps 1.9.16, transfers to Australian Flying Corps (AFC) London and posted 30th Training SQD 29.11.17, taken on strength 1st Wing HQ 16.1.18, discharged from the AIF 28.3.19.Framed photo of B.A.S. Carey, No. 49, 5th Battalion AIF and A.F.C. A grainy black and white portrait of an Australian soldier. Bare headed. Hat under his left arm. At least two strips on right sleeve. Frame - stylised black and gold wooden frameTicket on front - B.A.S CAREY NO 49 5 BN AIF and A.F.C. WIA 26 - 4 - 1915.photography-photographs, frame accessories, military history

Clothing. Curved headpiece in net, on a wire frame, with an elastic cord to pass round the back of the head, to hold in place. Frame has two scallops, giving the effect of a heart shape. Frame covered in net, and decorated with waxed orange blossoms and buds, and small waxed leaves.costume, female ceremonial, wedding headpiece

Framed colour print of Fortuna Villa showing part of the building and lake, framed in a cream wooden and glass frame, markings read ' ''Fortuna'' Former home of the late Mr George Lansell, known as the Quartz King. This picturesque residence is now occupied by the RRSE Cartographic Unit'place, building, fortuna, fortuna, fortuna villa

Framed ceramic tiles featuring a Chinese design of flowers in a vase. 9 glazed ceramic tiles set in a brown timber frame with gold edging. Two text panels comprising of Chinese writing on red paper are affixed to the top and bottom edge of the frame. Dated .2.1998.

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of John Marshall, Mayor of Kew 1872-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.John Marshall / Mayor 1872-3marshall, john, mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. A. Smart, Mayor of Kew 1875-6. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.A. Smart, Mayor [of Kew] 1875-6mayors of kew (vic), cr. a. smart, kew (vic.) — municipal collection

Hand coloured black and white photograph of the Ballaarat Tramway Co. horse tram fleet massed for a group photograph within the Gardens, at one of the loops. May have been taken on the same day as items 800 in 1903 About the same number of horse trams. Close up of some the trams. The first has "CONVENT" destination and "Havelock Tobacco" advertisements. By the first tram is person dressed in an overcoat and hat. Conductor and driver on either side See items 802 and 1121 for poor-quality versions. Demonstrates a photo used to possibly show the Liverpool Office of the British Insulated Wire Company who had purchased the horse tramway prior to electrification by the Electric Supply Co. of Victoria. Wood framed glased hand coloured black and white photograph, framed with cloth between gold lining with cloth strip between the lining, plain back with brown tape on the edges and a wire hanging strip framing made possibly c1970. Image 420mm x 258mm.tramcars, tramways, horse trams, wendouree parade, gardens, esco

Captain JOHN HARRY FLETCHER, No 1057, 24th Battalion, Killed in Action, October 5th 1918, Mountbrehain, France.Memorabilia - framed story of a soldier, in colour, using memorabilia of the soldier and his lef. Printed on paper. Frame - black extruded plastic, glass front, cardboard backing.HARRY FLETCHERframed item, anzacs, eaglehawk

PRIVATE DAVID JAMES VICTOR JAMIESON No. 3875, 5th Infantry Battalion, killed in action 28/7/1916 in France.Memorabilia - framed story of a soldier in colour, using memorabilia of the soldier and his life, printed on paper. Frame - black extruded plastic, glass front, cardboard backing.DAVID J.V. JAMIESONframed item, anzacs, eaglehawk

PRIVATE NORMAN VERREL LONG , No 591, 23rd Battalion, Killed in Action, August 16, 1916 in France.Memorabilia - framed story of a soldier, in colour, using memorabilia of the soldier and his life. Printed on paper. Frame - black extruded plastic, glass front, cardboard backing.NORMAN V. LONGframed item, anzacs, eaglehawk

PRIVATE WILLIAM JAMES MAY no. 674, 38th Battalion - 10 Machine Gun Company., RTA 18/9/1919.Memorabilia - framed story of a soldier, in colour, using memorabilia of the soldier and his life, printed on paper. Frame - black extruded plastic, glass front, cardboard backing.WILLIAM J. MAY framed items, anzacs, eaglehawk

PRIVATE FRANCIS NORMAN MOYLE. No 874, 29th Infantry Battalion RTA. Included in information - brothers-in-law to Francis N. Moyle; PRIVATE THOMAS ORTON - died of wounds 16 Sept PRIVATE ARTHUS ORTON PRIVATE LESLIE ORTON - 2nd Divisional Cycle Corps.Memorabilia - framed story of a soldier, in colour, using memorabilia of the soldier and his life. Printed on paper. Frame - Black extruded plastic, glass front, cardboard backing.FRANCIS N, MOYLE framed item, anzacs, eaglehawk

PRIVATE FREDERICK LAURENCE SHELDON. No. 387, 14th Infantry Battalion, Killed in Action 30/4/1915 on Gallipoli.Memorabilia - framed story of a soldier in colour, using memorabilia of the soldier and his life. Printed on paper. FRAME - BLACK EXTRUDED PLASTIC , GLASS FRONT, CARDBOARD BACKING.FREDERICK SHELDONframed item, anzacs, eaglehawk

PRIVATE GEORGE THOMAS SPEEDY no. 21718, Army Medical Corps, General reinforcements, RTA 6/9/1919. PRIVATE CHARLES EVERETT SPEEDY, No 3936, 22nd Infantry Battalion, wounded at the Battle of Somme, RTA 21/7/1918.Memorabilia - framed story of two brothers, in colour, using memorabilia of the soldiers and their lives. Printed on paper. Frame - black extruded plastic, glass front, cardboard backing.GEORGE T, SPEEDY / CHARLES E. SPEEDYframed item, anzacs, eaglehawk

LIEUTENANT WILLIAM JOHN SYMONS, V.C. No. 174, 7th Battalion, 37th Battalion, wounded, RTA, Military appointment terminated 7/12/1918.Memorabilia - framed story of a soldier, in colour, using memorabilia of the soldier and his life. Printed on paper. Frame - black extruded plastic, glass front, cardboard backing.WILLIAM J, SYMONS, V.C. framed items, anzacs, eaglehawk

PRIVATE JOHN EDWARD WOOD, No 5239, 6th Infantry Battalion, Killed in Action 20/9/1917 in Belgium.Memorabilia - framed story of a soldier, in colour, using memorabilia of the soldier and his life, Printed on paper. Frame - black extruded plastic, glass front, cardboard backing.JOHN E. WOODframed item, anzacs, eaglehawk

PRIVATE LESLIE WASHINGTON MILLER, No 1226, 14th Infantry Battalion. KIA 8/8/1915, Gallipoli Peninsula. PRIVATE PERCIVAL JAMES GELLON, No 785, 7th Infantry Battalion, KIA 5/7/1915, Gallipoli Peninsula.Memorabilia - framed story of two soldiers in colour using memorabilia of the soldiers and their ives. Printed on paper. Frame - black extruded plastic, glass front, cardboard backing.- LESLIE W. MILLER/ PERCIVAL J. GELLONframed item, anzacs, eaglehawk